Archive for the ‘remember who you are’ Category

May 12, 2010

pat kane: “no ‘occupation’ or ‘vocation’ or ‘craft’ or ‘sector’ is ever going to be stable and predictable ever again.”

[“Night­mare”, which I sent out in the news­let­ter recently. You can buy the print here etc.]

[Today’s guest blog post comes from Pat Kane.]

“No ‘occu­pa­tion’ or ‘voca­tion’ or ‘craft’ or ‘sec­tor’ is ever going to be sta­ble and pre­dic­ta­ble ever again.”

The first phrase that came into my head con­si­de­ring the title ‘remem­ber who you are’ is the Marianne William­son line: “Your pla­ying small doesn’t serve the world”. Indeed not.

The second one came from John Cal­vin, via Theo­dore Ros­zak.

“If God had for­med us of the stuff of the sun or the stars”, wrote Cal­vin, “or if he had crea­ted any other celes­tial mat­ter out of which man could have been made, then we might have said that our begin­ning was honou­ra­ble. But we are all made of mud, and this mud is not just on the hem of our gown, or on the sole of our boots, or in our shoes. We are full of it, we are nothing but mud and filth both inside and outside.” But as Ros­zak says, cos­mo­logy tells us we are indeed for­med of “the stuff of the sun and the stars”. So to refute the old moan, our exis­tence is thus intrin­si­cally honourable.

Remem­be­ring who I am, at this stage in the game, is about remem­be­ring the con­cep­tual, artis­tic and emo­tio­nal breakth­roughs I’ve made in my life as musi­cian, wri­ter and lover (of change, peo­ple, and everything in bet­ween). And these breakth­roughs have essen­tially been about recog­ni­sing that illi­mi­ta­biity — so foul to Cal­vin, so joyous to the cos­mo­lo­gists — at the heart of the human condition.

When I was a wee child, it was about the infi­nite pos­si­bi­li­ties of Lego, comix, feve­red drea­ming. When I was a young man, it was the end­less varia­tions invol­ved in crea­ting a new piece of music, or the exci­te­ment when a great thin­ker blas­ted my exis­tence into a new con­text, pene­tra­ted to the heart of the obvious and made it new and strange.

As a father, it was rea­li­sing that a daugh­ter who see­med to be set to repeat her parents’ choi­ces (media/culture) deci­ded to ans­wer her own call and do something com­ple­tely dif­fe­rent (eco-engineering at MIT) — the beau­ti­ful though obdu­rate fact that you bring them up to be auto­no­mous, and you shouldn’t be sur­pri­sed when they exer­cise their autonomy.

And as an adult maker, it’s being struck by the ver­ti­gi­nous rea­li­sa­tion — in the age of nano, bio and cogno, the Kurz­wei­lian tri­nity — that no ‘occu­pa­tion’ or ‘voca­tion’ or ‘craft’ or ‘sec­tor’ is ever going to be sta­ble and pre­dic­ta­ble ever again. And right here, right now, it’s unders­tan­ding that the play­ful­ness you began your human state with is the play­ful­ness that will keep you adap­tive and resi­lient, as you move through an age of ende­mic trans­for­ma­tion and crisis.

But there is real pro­foun­dity and para­dox in the play scho­larship — which I obses­si­vely sift through at http://www.theplayethic.com. From bio­logy, etho­logy and psycho­logy, it is that we play best when we stand on a ground of play: when we are some dis­tance from hun­ger, when we have a sur­plus of mate­rials we can play with, when there are dis­tant gua­ran­tors of our secu­rity while at play. To be clear about this: play doesn’t pull you up by your own crea­tive boots­traps; play needs some secu­rity to truly flourish.

And I think that unders­tan­ding is a real cha­llenge to those in the crea­tive indus­tries and sec­tors who might too easily fall into Dar­wi­nist falla­cies like “out of com­pe­ti­tive chaos, new order reigns”. Our play­ful illi­mi­ta­bi­lity, in short, depends on limits — the prior neces­si­ties of care, health and strength that we would be foo­lish not to attend to. (As a father, nur­tu­ring my girls into full self-possession, how could I ignore the rela­tions bet­ween care and play?)

The fashio­na­ble term now is ‘neo­teny’ — that exten­sion of juve­nile cha­rac­te­ris­tics into matu­rity that defi­nes us as humans.  But that fle­xi­bi­lity and open­ness that makes us crea­tive and response-able is also a vul­ne­ra­bilty and a fra­gi­lity. At the very least we need to think about a social safety tram­po­line, never mind a safety-net, if we are going to com­mit to the high-wire act of a per­for­ma­tive, crea­tive life.

For exam­ple, might not an Ame­ri­can peo­ple collec­ti­vely freed from the fear of falling into ill-health gene­rate even more inno­va­tion in pro­ducts and ser­vi­ces? Might they not have some emo­tio­nal and psychic hea­droom to lift their heads above the grind, and see real entre­pre­neu­rial pos­si­bi­li­ties in an every­day life which seems ame­na­ble to their pur­pose, rather than treache­rous and dangerous?

So remem­be­ring who I am, right now in 2010, is about remem­be­ring my own affi­lia­tions to a tra­di­tion of collec­tive pro­gress (call it socia­lism, if you wish, and I leave Obama out of that one), and trying to recon­cile that with the fis­si­ble, morphing, trans­for­ma­tive net­wor­ked society we live in right now. How do I make a buck out of that? Not easy. But when you stand face to face with your per­so­nal truth, nothing is.

[Besi­des being a Glasgow-based “musi­cian, wri­ter, con­sul­tant, play theo­rist, acti­vist” and the author of “The Play Ethic”, Pat Kane was lead sin­ger of one of my favo­rite bands, when I was a kid gro­wing up in Edinburgh.]

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

April 30, 2010

be yourself. remembering what’s important.

[Today’s guest post comes from BL Och­man.]

Be Your­self. Remem­be­ring what’s important.

By B.L. Ochman

Three times in the past 10 years, I have faced down death. Once from ill­ness, once by being hit by a car, and once run­ning through the cloud of debris as the Towers fell on 9/11. Shoulda been dead each of those times, but I’m still here. I figure there’s a rea­son. Even if I don’t know what it is yet.

The result of those brushes with mor­ta­lity is that a lot of stuff that used to seem impor­tant, like owning the first iPad, or collec­ting yet another pair of shoes, lost their urgency.

What’s urgent and impor­tant now: making time for my family and friends, my dog and cat; having time to think and write; being able to share ideas and to keep lear­ning every day; and being able to call bullshit on false urgency, disin­ge­nuous­ness, and greed.

I know I am abso­lu­tely for­tu­nate that my imme­diate family is alive and – except for my mom – well. We are bles­sed to have each other. But hey, life is not per­fect, and there’s always lon­ging for something more. I wish I could pro­tect my niece and nephews from anything bad ever hap­pe­ning. I wish I could help my mom come back from Alzheimer’s. Because that’s a really ugly place to be, and it’s one we can’t do anything about.

I don’t know how to pre­vent or change those things, but I have become sure of who I am over the years. I got a really big clue about that just last summer.

My late pater­nal grand­father, Mischa Borr, was a vio­li­nist who led a dance orches­tra at the Star­light Ball­room of the Wal­dorf Asto­ria Hotel. The hotel was very grand in those days, and my grandpa was a bit of a cele­brity. The bio­graphy the hotel wrote about him said that, during the Rus­sian Revo­lu­tion, he was on a train coming back from a con­cert with his band. Cos­sacks stop­ped the train, deman­ded everyone’s papers. One of them said to my grand­father, “Oh, you’re a fidd­ler! Play your fiddle. If we like it, we’ll let you live.”

As you can ima­gine, my grandpa pla­yed his heart out and the sol­diers spa­red his life and the lives of his band mem­bers. I always thought that was some PR story the hotel made up to make him sound exo­tic. But I lear­ned last sum­mer, from the son of my late grand­pa­rents’ best friend, that the story was indeed true. And that many of the other pas­sen­gers on the train were shot or behea­ded that night.

When I was a little girl, my Rus­sian grandma used to tell me, “remem­ber dar­ling, you are an aris­toc­rat.” I had no idea what she meant until I lear­ned more about his­tory and about what she and her family lost when they left their village in Rus­sia to start a new life of free­dom in the Uni­ted States.

All these years later, I know that what she was really telling me is that I am a sur­vi­vor. And that means I have to remem­ber what is beau­ti­ful, and hold dear the love in my life. It’s my heritage.

[B.L. Och­man, @whatsnext, is publisher of What’s Next Blog http://www.whatsnextblog.com , co-founder of Pawfun.com, the pet lover’s site http://www.pawfun.com and is Mana­ging Direc­tor of Emer­ging Media for Proof Inte­gra­ted Com­mu­ni­ca­tions.]

[The “Remem­ber Who You Are” archive is here.]

[Buy the “No Point Stres­sing Out” print here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

April 20, 2010

building bridges between aspiration and consummation

[Today’s guest post comes from Brian Solis, author of a new book that I’m currently rea­ding, “Engage!”]

Buil­ding Brid­ges Bet­ween Aspi­ra­tion and Consummation

Seve­ral years ago, I was re-introduced to a famous quote. While I had long for­got­ten the words, I believe that they had sub­cons­ciously ins­pi­red me. I was much youn­ger when they ini­tially tes­ted my awa­re­ness. For me, and of course, simi­lar to almost everything I learn, it took seve­ral appea­ran­ces to per­meate the thin­ning fil­ters of my atten­tion and focus, ulti­ma­tely ear­ning per­ma­nent resi­dence in my mind and heart. And con­se­quently, it now ser­ves us my gui­ding man­tra for all that I do today.

“Life isn’t about fin­ding your­self, life is about crea­ting your­self.” — George Ber­nard Shaw

Hugh’s maxim, “Remem­ber who you are…” aligns with Shaw’s words and the pier­cing moral within each mes­sage, is the aide-mémoire of the expe­rien­ces that moved and ins­pi­red us over the years and the hopes that each engen­de­red. They define who we are and they’re the catalysts that trig­ger new oppor­tu­ni­ties and experiences.

It’s the remem­brance and the appli­ca­tion to who we are that beco­mes poig­nant. Remem­be­ring who you are ser­ves as a his­tory les­son as the state of “you” is the result of your past fin­ding its place in the pre­sent. It is the future that is not yet writ­ten and without aspi­ra­tion, ambi­tion has nothing to fuel.

Unders­tan­ding how we got to this place at this time is pre­di­ca­ted by our actions as they were influen­ced by the events that touched us. Ergo, our aspi­ra­tion is a deli­be­rate state of inten­tion and the dis­tance defi­ning our jour­ney is mea­su­red by the actions that move hope and vision toward exis­tence and pro­pe­lled by cons­cious acti­vity and pur­pose. It’s the dif­fe­rence bet­ween dreaming…and brin­ging dreams to life.

Les­sons are the sce­nery that surrounds our jour­ney and this is a trip best appre­cia­ted with eyes, minds, and hearts, wide open.

The distance between who I am and who I want to be...

A good friend intro­du­ced me to the con­cept of Be, Do, Get…and I’ve since woven these words and the gover­ning metho­do­logy into the hall­mark of all that ins­pi­res me. The ideas and les­sons that emerge through the dis­co­very of ans­we­ring the follo­wing ques­tions serve as an ever­las­ting sense of rene­wal of my per­so­nal mis­sion and purpose.

What do I want to be?

Why?

How will I get there?

What’s wor­king against me right now?

What cha­llen­ges face me today and tomorrow?

How will I know when I get there and what is the reward for reaching my destination?

What is the oppor­tu­nity cost of this ambi­tion over others?

Once I dis­co­ver and con­firm who I want to be…I then do the things…that ulti­ma­tely empo­wer me to get to where I envi­sio­ned. The entire sequence is con­nec­ted through dis­co­very and action.

Again, life isn’t as much about fin­ding your­self as it is crea­ting yourself.

I believe that the dis­tance bet­ween who I am and who I want to be is sepa­ra­ted only by my actions and words. And defi­ning who I want to be should remain in a per­pe­tual state of aspi­ra­tion rewar­ded through accom­plish­ments and miles­to­nes inten­tio­nally intro­du­ced to trans­form the illu­sion of pro­gress to a cons­tant state of realization.

Remem­ber who you are…

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

April 15, 2010

you, less than

[Today’s guest post comes from Pam Slim.]

You, Less Than.

I still remem­ber the smell of damp ivy from a recent rain as I stood in the back­yard, wai­ting for my Dad to take my picture.

It was 1971 and I was five years old. I was wea­ring a brightly colo­red knit vest, a pre­sent from my grandma. I tied my shoes myself, but was not totally sure I had them on the right feet. It didn’t mat­ter. I was one power­ful little girl. The Cham­pion of the World.

My Dad smi­led at me, squin­ting his eyes as he crouched behind the camera. I was safe, che­rished and loved. He snap­ped the picture.

Things blew up after that, rather quickly.

My Dad left home and his marriage, to find him­self. That’s what peo­ple did in the 1970’s in Marin County, California.

My world of family din­ners and Dr. Seuss bed­time sto­ries in my Dad’s lap ended. It was scary, unfa­mi­liar, off-balance.

The way I had known myself: child of happy parents, mem­ber of a “nor­mal” family was no longer.

I spent a lot of time trying to figure out who I was. I tried to be a per­fect stu­dent. And when that got to be too much, I inha­led, a lot. In my twen­ties I fell into a treache­rous lover’s arms and paid dearly with a bro­ken heart and woun­ded soul.

I found mar­tial arts, self-employment and writing.

And one day in a box full of old family pho­to­graphs, I found the picture.

Hol­ding the yello­wed edges in my hands, I remem­be­red who I was. I felt who I was. Who I had always been, except when I forgot.

Cir­cums­tan­ces can cause you to ques­tion who you are.

A boss wri­tes you a stin­ging per­for­mance review.

A rea­der lea­ves a bit­ter com­ment on your blog post.

A vocal audience mem­ber ques­tions your autho­rity in the middle of your presentation.

A publisher sends back your trea­su­red manusc­ript with a crass note.

A spouse bera­tes your manhood, or womanhood.

And you go from You, The Cham­pion of the World to

You, less than.

You, squashed.

You, angry and off-balance.

You, the misfit.

You, the fuck up.

When you fall into this deep pit of treachery and des­pair, you need something to pull you out. An image, a word, a note. It helps when this object reflects both the love you have for your­self as well as the love someone has for you.

Like a pic­ture of you through your parent’s eyes.

Or a note from an impas­sio­ned rea­der who loved the piece that you loved to write.
Or a rock from a beach that was so beau­ti­ful you could swear that the sand was kis­sing your feet.

You, less than, is a lie.

Remem­ber who you are.

[Pamela Slim is an author and coach. You can find her at Escape From Cubicle Nation.]

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

April 12, 2010

“it’s not normal”

[’Gun”, which I sent out in the news­let­ter recently. You can buy the print here etc.]

[Today’s guest blog post comes from JP Ran­gas­wami.]

It’s Not Normal

Maybe it is a con­se­quence of when I was born (1957) and where I grew up (Cal­cutta), but from a very young age I’ve belie­ved in some things. Not many things. Some. Some very impor­tant things.

I believe that none of us is an acci­dent, that we all have poten­tial and pur­pose. We can deny our­sel­ves reaching that poten­tial and pur­pose. We can be denied reaching that poten­tial and pur­pose by others. But we can­not deny the exis­tence of that poten­tial and purpose.

I believe, as part of this pur­pose, we are born to relate to others on earth, to enjoy spen­ding time with others, tal­king with each other, lis­te­ning to each other, having con­si­de­ra­tion for each other in cove­nant rela­tionships. I believe that spen­ding time with other humans is a joyous thing. We can deny our­sel­ves this joy. We can be denied this joy. But we can­not deny the exis­tence of this joy.

I believe, as part of this joy, we are born to share, to enjoy com­mu­nal par­ti­ci­pa­tion in things. In sha­ring, we make our­sel­ves vul­ne­ra­ble. And in that vul­ne­ra­bi­lity is joy. That that vul­ne­ra­bi­lity and that joy inha­bit all our relationships.

I believe, as part of this vul­ne­ra­bi­lity, we are born to learn. To learn while rela­ting to the peo­ple around us, to learn while sha­ring, to learn while making our­sel­ves vul­ne­ra­ble.  Lear­ning invol­ves doing new things. Some­ti­mes the new things are called fai­lu­res, some­ti­mes they are called suc­ces­ses.  We should cele­brate both as learning.

I believe that doing all this: lear­ning, loving, sha­ring, socia­li­sing: it’s called living. I believe that anything that stops us from reaching and exten­ding our poten­tial and pur­pose is wrong; I believe that anything that stops us rela­ting to others is wrong; I believe that anything that stops us sha­ring is wrong; I believe that anything that stops us lear­ning is wrong.

I believe that, seen from this pers­pec­tive, there are many things that are wrong with this world. That this is not nor­mal. And that we have the power to change it.

Remem­ber who we are.

[JP Ran­gas­wami is Chief Scien­tist at BT Group PLC. He blogs at www.confusedofcalcutta.com, tweets as @jobsworth, can be con­tac­ted via jobsworth@me.com. He’s pas­sio­nate about his family, his work, his friends, his church com­mu­nity, books, music, infor­ma­tion and food. He’s currently wor­king on a num­ber of books; the one he’s most likely to finish is about two of his pas­sions:  food and information.]

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

April 8, 2010

“eventually, you need to start being you. and then– you need to get really good at it.”

[“Echo Cham­ber”, which I sent out in the news­let­ter recently. You can buy the print here etc.]

[Today’s guest post comes from Faris Yakob.]

You never know what you’re going to be famous for.

In the case of Polo­nius Lord Cham­ber­lain to King Clau­dius in what is arguably the best known play in the world [Ham­let] it was some advice. His son Laer­tes is lea­ving Den­mark, there being something rot­ten in the state of it, and is off to Paris. Polo­nius takes the oppor­tu­nity to lay some fatherly wis­dom on him and finishes up by saying:

“This above all: to thine own self be true.”

The expres­sion lept out of the play and into the Big Book of English Apho­risms, beco­ming sig­ni­fi­cantly more well known than Polo­nius himself.

It’s always see­med like good advice to me.

As we grow up we learn by imi­ta­ting, trying on aspects of other peo­ple. We dream of being stars of pop and film, help­fully for­get­ting that what makes them famous was who they are — and that ain’t us.

Kurt Cobain once said that “wan­ting to be someone else is a waste of the per­son you are” [and a per­son is a terri­ble thing to waste, as I’m sure he would tell you] but it’s an essen­tial stage of development.

The impor­tant thing to rea­lize is that, even­tually, you need start being you.

And then — you need to get really good at it.

It’s been almost 15 years since Tom Peters wrote “The Brand Called You” for Fast Com­pany and in that time the idea of “Per­so­nal Bran­ding” has gone from the height of douche­bag­gery to an ine­vi­ta­ble con­si­de­ra­tion for anyone in the media­tion generation.

Once you begin to extend your­self via media, you become aware that by broad­cas­ting your life through media frag­ments, you are crea­ting an idea of who you are that is dis­tinct from, but inex­tri­cably lin­ked to, who you are.

And that brand is a highly defen­si­ble asset.

Not in the sense of making you a social media superhero [ever­yone is famous online, but some are more famous than others] but because no one else can ever use it.

If you are hired simply to do a job, wha­te­ver it is, your job is never enti­rely safe.

This is because, if you are being hired solely because you can per­form the tasks asso­cia­ted with the role, then, by infe­rence, you are always repla­cea­ble, by anyone else that can per­form the same duties. Being able to the job is the cost of entry.

If you are hired because, as well as being able to per­form the duties, you are remar­kably good at being you, sud­denly you are no lon­ger quite so repla­cea­ble, because no one else can do that.

I get sent resu­mes a lot — some­ti­mes seve­ral a day. I try to res­pond to all of them with at least some advice.

And my advice is usually something like this:

1. If you are loo­king to get a job anywhere in the mar­ke­ting com­mu­ni­ca­tions industry, but espe­cially in digi­tal pla­ces, make sure you have links to your web pre­sen­ces on your resume.

2. Don’t just put what jobs you have done or what expe­rience you have — ever­yone has done jobs and has expe­rience and it mostly all sounds the same: somehow com­mu­ni­cate what makes you awe­some at being you.

I like to think Polo­nius would approve…

[Faris Yakob is the for­mer (and first and only) Chief Tech­no­logy Stra­te­gist at McCann Erick­son (NY) and Digi­tal Ninja at Naked Com­mu­ni­ca­tions (Everywhere). He will pro­bably be doing another job soon that he will be, hope­fully, uni­quely sui­ted to. You can find him on his blogs: Talent Imi­ta­tes, Genius Steals and StolenGenius.com — and on twit­ter @faris. He hopes you have a truly awe­some day.]

April 6, 2010

remember yourself

[“Love Without Har­mony”. Part of The “Love” Series etc.]

[Today’s guest post comes from Mark McGuin­ness.]

Remem­ber Yourself

“Remem­ber your­self always and everywhere.”

These words were insc­ri­bed on the walls of the study house of the Ins­ti­tute for the Har­mo­nious Deve­lop­ment of Man at the Châ­teau Le Prieuré, Fontainebleau-Avon, the home of the eso­te­ric teacher George Iva­no­vitch Gurd­jieff. They sum­ma­ri­sed the essence of his teaching and were writ­ten there as a remin­der to his students.

Gurd­jieff taught that human beings are divi­ded into two parts: Essence and Personality.

Essence in man is what is his own. Per­so­na­lity in man is what is ‘not his own.’ ‘Not his own’ means what has come from outside, what he has lear­ned, or reflects, all tra­ces of exte­rior impres­sions left in the memory and in the sen­sa­tions, all words and move­ments that have been lear­ned, all fee­lings crea­ted by imitation …

Essence is the truth in man; per­so­na­lity is the false. But in pro­por­tion as per­so­na­lity grows, essence mani­fests itself more and more rarely and more and more feebly and it very often hap­pens that essence stops in its growth at a very early age and grows no further.

(G.I. Gurd­jieff, as repor­ted by P.D. Ous­pensky, In Search of the Mira­cu­lous)

In other words, Per­so­na­lity is made up of the rules, con­ven­tions and expec­ta­tions of the world around you; Essence is the real you. A bit like the white peb­ble.

By defi­ni­tion, Per­so­na­lity is hard to resist, since it carries the weight of the world’s expec­ta­tions. It’s easier to go with the flow, to fall into step with those around you, to do as you’re told, at the expense of who you really are. But doing the easy thing comes at a price:

Moreo­ver, it hap­pens fairly often that essence dies in a man while his per­so­na­lity and his body are still alive. A con­si­de­ra­ble per­cen­tage of the peo­ple we meet in the streets of a great town are peo­ple who are empty inside, that is, they are actually already dead.

(Gurd­jieff, ibid.)

Accor­ding to Gurd­jieff, we can only avoid this fate by sta­ying in touch with our Essence and hel­ping it to grow and deve­lop unhin­de­red by the shac­kles of Per­so­na­lity. The chief way of doing this is through an acti­vity he called Self Remem­be­ring. In ordi­nary life, he said, we for­get our­sel­ves in the bustle of daily acti­vity and the delu­sions of Per­so­na­lity. Self Remem­be­ring is the oppo­site of this for­get­ful­ness — it invol­ves beco­ming deli­be­ra­tely aware of your­self in the pre­sent moment, of your thoughts, fee­lings, actions and phy­si­cal sensations.

Right now, for exam­ple, notice how you are rea­ding words in front of your eyes, on a screen. Notice the thoughts and ima­ges that they are crea­ting in your mind. Notice the emo­tions they are arou­sing in you. Notice how your body feels right this ins­tant; the pos­ture you are in; the sen­sa­tions you can feel. Don’t let this article and these few seconds of your life be like a disem­bo­died film being pla­yed out in front of you — put your­self in the pic­ture. Feel what it’s like to be alive at this moment.

Now you are star­ting to remem­ber your­self. Soon, you’ll for­get again, and get caught up in demands and dis­trac­tions of the rest of the day. But at any moment — if you remem­ber — you can come back to your­self, and become a little more aware, feel a little more alive. Do this often enough, said Gurd­jieff, and you open up the pos­si­bi­lity of waking up to your real nature.

Self Remem­be­ring is not easy. Try to do it for more than a few moments at a time, and you’ll soon dis­co­ver how hard it is to avoid get­ting suc­ked into the next train of thought, the next enthu­siasm, the next pres­sing enga­ge­ment. And the har­dest thing is remem­be­ring to do it at all! When I was first intro­du­ced to Self Remem­be­ring, I expe­rien­ced such a vivid sense of free­dom and peace in the moment that I resol­ved to do it often as pos­si­ble. Seve­ral days later, I ‘came round’ with a jolt when I rea­li­sed I had com­ple­tely for­got­ten all about that ‘unfor­get­ta­ble’ expe­rience and hadn’t made an attempt to remem­ber myself since!

As we’ve seen, the easy thing is to surren­der to per­so­na­lity, the inter­na­li­sed rules and expec­ta­tions of society. Remem­be­ring who you really are is hard work. You have to fight like hell if you want to hold onto it. That’s why Gurd­jieff called it ‘The Work’ with a capi­tal ‘W’.

Gurd­jieff hel­ped his pupils by pro­vi­ding remin­ders, promp­ting them to remem­ber them­sel­ves ‘always and everywhere’. Some­ti­mes he would ring a bell at irre­gu­lar inter­vals during the day — on hea­ring the bell, his pupils were to remem­ber them­sel­ves imme­dia­tely, wha­te­ver they were doing, and start obser­ving their men­tal and emo­tio­nal state. He also encou­ra­ged them to make small chan­ges in their daily rou­ti­nes, to create little remin­ders during the day. If you always take milk with your tea, get rid of the milk from the fridge — every time you go to make a cup of tea, the absence of milk should act as a nudge to remem­ber yourself.

In his own way, I think Hugh’s after something simi­lar with his car­toons and the ‘remem­ber who you are’ shtick. If you have a pic­ture like this or this han­ging on your wall, loo­king you in the face every day, it’s hard to do the easy thing, for­get your real nature, and slide back into con­for­mity. The pic­ture ser­ves as a remin­der, a cha­llenge to stay true to your­self, no mat­ter what. A bit like the wri­ting on the wall back at the study room in Gurdjieff’s Institute.

[Mark McGuin­ness helps artists and entre­pre­neurs create remar­ka­ble things at Late­ral Action. For bite-sized ins­pi­ra­tion, follow Mark on Twit­ter.]

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

April 5, 2010

are you a “waker”?

[“I Choose This Life”, which I sent out in the news­let­ter recently. You can buy the print here etc.]

Are you a “Waker”?

If the ans­wer is no, I’m sorry to hear that. Wakers are my favo­rite people.

A waker is someone who is very good at waking other peo­ple up from their metapho­ri­cal slumber.

Some peo­ple just have the gift. Being around them or their work just makes you feel more alive, more ins­pi­red, more moti­va­ted, more awake. The best wakers will make you do crazy-ass things, like quit your boring job and start your own busi­ness, write that song, move to Thai­land, for­give that someone who once hurt you, or finally tell that girl that you love her.

A waker reminds you on a cons­tant basis,  just how alive you really are. Just how much human poten­tial you really have inside of you. And there’s something about their influence that makes you utterly una­ble to go back to “sleep” ever again, in spite of your best efforts.

Wakers can be great artists– Jeff Buc­kely, Picasso, Har­per Lee, Beetho­ven, Char­lie Par­ker, Leo Tols­toy, Tilda Swin­ton, Louis Arms­trong, Ralph Stead­man, Saul Stein­berg etc– but they don’t have to be.

Wakers can be great spi­ri­tual lea­ders– Jesus, Gandhi, Moham­med, Buddha, The Dalai Lama, Mar­tin Luther King, Joseph Camp­bell etc– but they don’t have to be.

Wakers can be great public figu­res– Steve Jobs, Wins­ton Churchill, Simone de Beau­voir, Diana Vree­land, Carl Sagan, John Peel, Susan Son­tag, Alis­tair Cooke, Mar­ga­ret Thatcher,  etc– but they don’t have to be.

I know great wakers who are bar­ten­ders, bus dri­vers, teachers, recep­tio­nists, plum­bers. Theirs is a gift, not a job title.

If you are a waker, I’m happy for you. There is no bet­ter way to spend one’s life than being a waker, I truly believe that.

The human race needs you, like flo­wers need sunshine. The human race would die out within three gene­ra­tions without you. Thanks for being here. Seriously.

If you’re not a waker, don’t you think you should be? Serious question.

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

April 3, 2010

“maybe you are right and THEY are wrong”

[Today’s guest post is from Vinny Warren. You can buy the same print here etc.]

Re. The Gene­sis of “Remem­ber Who You Are”:

When I (unwit­tingly) coi­ned the “Remem­ber Who You Are” phrase for Hugh [backs­tory here] it was in refe­rence to the print of his I had just purcha­sed, that we proudly dis­play in my ad agency’s lobby. It reads: THE MARKET FOR SOMETHING TO BELIEVE IN IS INFINITE. Which pretty much sums up EVERYTHING you need to know about marketing.

At the time I said that it remin­ded me of the Roman Catho­lic icons my mother dis­pla­yed in my childhood home to remind us of who we were: Irish Roman Catho­lics. I write this on vaca­tion, from my home­town of Gal­way, Ire­land. And I am remin­ded afresh of why this prac­tice originated.

You see Ire­land, unlike Hugh’s home­land of Scot­land, was never fully sub­ju­ga­ted by the English. We had the great advan­tage of being sepa­ra­ted from England by the sea. We also had the great advan­tage of being bloody min­ded in the extreme. The Irish are a pas­sio­nate and unrea­so­na­ble race. We are Celts and we will fight you to the bit­ter end. We will never give up.

At one point in the 18th cen­tury, our now-friends the English out­la­wed both our reli­gion and our lan­guage and cus­toms upon pain of death. Or worse, trans­por­ta­tion to Aus­tra­lia! The English assu­med, not unrea­so­nably, that surely this would do the trick. That we would even­tually give up our iden­tity and assi­mi­late. They were wrong. Ire­land, des­pite our pro­xi­mity to the UK, became the first “colony” of the then great Bri­tish Empire to defeat it.

We ulti­ma­tely did this by inven­ting urban gue­ri­lla war­fare, aka terro­rism. We made Ire­land ungo­ver­na­ble by using uncon­ven­tio­nal tech­ni­ques that favo­red our com­pa­ra­ti­vely limi­ted resour­ces. The English expec­ted us to fight them on their terms but we fought them on our terms. The Jewish Israeli inde­pen­dence figh­ters stu­died and used these exact same tech­ni­ques against the Bri­tish in the then Pales­tine in 1948.

Unrea­so­na­ble­ness won us our inde­pen­dence. Our very iden­tity was at stake. Being Cel­tic and Roman Catho­lic was lite­rally ille­gal. Our reac­tion was: well f**k that s**t! And in the long run, and it was a centuries-long long run, we won out. Because we never lost sight of who we were, and the value that had to us. Some things just aren’t right. And no amount of bullshit and arro­gance and/or money and power can make them right. They’re just wrong. Period.

What was the impulse that ini­tially got you exci­ted you about what you do? Stick with that impulse. Maybe you are right and THEY are wrong. The Sex Pis­tols were right. The Beat­les were right. James Joyce was right. Bill Bern­bach was right.

Life cons­pi­res to throw you off your true course. So we all need remin­ders of who we really are. Of what really ani­ma­tes and ins­pi­res us on a day to day basis.

My late mother’s sta­tues of the Vir­gin Mary and pic­tu­res of the saints weren’t solely the pro­duct of reli­gious devo­tion. They were also a ges­ture of defiance. Our cul­ture had come pre­ca­riously close to losing our iden­tity. But we were dam­ned if we were going to suc­cumb to something that was just plain wrong.

Never for­get­ting who we are is the key to everything. For all we know, YOU may well end up being the cen­ter of the uni­verse. Think about that. Assume that is the case. Why not? It could be true.

[Vinny Warren is a foun­der and crea­tive direc­tor of The Escape Pod. A Chicago-based ad agency that knows who it is. You can follow Vinny on Twit­ter. @vinnywarren is his wildly crea­tive handle. ]

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

April 2, 2010

focus on the the important


[“90%”, which I sent out recently in the news­let­ter. You can buy the print here etc.]

[Today’s guest post is from mini­ma­list maven,  Eve­rett Bogue.]

How to Eli­mi­nate Dis­trac­tions to Focus on the Important

In the modern age it’s so dif­fi­cult to focus on the important.

It’s not enti­rely your fault. For the last few gene­ra­tions the tele­vi­sions told us to want everything, then Inter­net gave us infi­nite options. It’s no won­der no one can con­cen­trate on their art, we’ve never had the abi­lity to do everything for 30 seconds a day.

Why focus when you can spend all day hit­ting the refresh but­ton on your email?

It’s impor­tant to take time to remem­ber how to focus.

The most suc­cess­ful peo­ple rea­lize that in order to create anything mea­ning­ful, they need to turn it all off. In order to do anything that mat­ters, you need cul­ti­vate a healthy atmosphere of com­plete silence in order make a dif­fe­rence in your own life and change the world.

Leo Babauta is focu­sed on the essen­tials. He’s limi­ted his life to the mini­mum in order to focus on the impor­tant. Now he runs the of top 25 blog Zen Habits and published his print book The Power of Less.

Tammy Stro­bel is focu­sed on using sim­pli­city to save the world. She encou­ra­ges her rea­ders to give up their gas-guzzlers for pedal power, to exchange your stuff for the ele­gance of living with less.

Colin Wright is focu­sed on living anywhere. He lives with less 51 things and moves to a new con­ti­nent every 4 months. He runs a zero-overhead sus­tai­na­ble design and mar­ke­ting stu­dio from anywhere in the world.

Ash­ley Ambirge is focu­sed on cha­llen­ging the status-quo. She’s just get­ting star­ted as the world’s lea­ding rebel against medioc­rity, even if that means living in a base­ment (for now) in exchange for the oppor­tu­nity to tra­vel to every cor­ner of the earth.

Focu­sing on the impor­tant doesn’t have to be complicated.

For the last six months I’ve been inves­ti­ga­ting the impli­ca­tions of living with less — the mini­ma­list exis­tence. This jour­ney star­ted with quit­ting my day job and hop­ping on a plane to Port­land, OR with everything I owned in a bag. This inves­ti­ga­tion con­ti­nues daily as I explore the true impli­ca­tions of tur­ning it all off to focus on the impor­tant in order to make work that matters.

The ans­wer is pretty sim­ple, ever­yone buys and does too much stuff. They’re over-extended to the point that no one knows what they’re doing any­more. Anyone who’s not making things (or not making good things) isn’t “not crea­tive enough”, ins­tead they’ve been hyp­no­ti­zed into thin­king that junk and was­ting time mat­ters more than dis­co­ve­ring their true purpose.

The sec­ret to focu­sing on the impor­tant is simple:

  • Turn off the TV.
  • Donate your junk.
  • Turn off your smart phone.
  • Quit your day job.
  • Stop buying stuff that doesn’t matter.
  • Cul­ti­vate silence.
  • Work on your art.
  • Have your own ideas.
  • Push for change.
  • Do something that matters.

All of that non­sense they told you to buy isn’t going to make you happy.

The only thing that is impor­tant making art that matters.

The only way to make art that mat­ters is to focus on the important.

[Eve­rett Bogue is the author of The Art of Being Mini­ma­list and blog­ger at Far Beyond The Stars.]

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

March 31, 2010

“a child would not hesitate to pack up a sleeping bag and sleep on a pier under the stars with you”


[“Popu­la­rity”, which I sent out recently in the news­let­ter. You can buy the print here etc.]

[Today’s guest post comes from my favo­rite saucy vixen, AV Flox]

“I wish I could be as impul­sive as you are,” he said to me. He said it with a slight smile, but it was an insult. It meant: you’re a child. You’re out of your mind.

We were sit­ting at a cafe over­loo­king the islands around Stockholm. I’d sug­ges­ted going to a pier that night and slee­ping under the stars.

“Your feet are plan­ted so firmly in rea­lity, you can’t walk,” I res­pon­ded, ligh­ting a cigarette.

He took a sip of his cof­fee: “Wake up and grow up.”

“Let go and live for a change.”

“Anaiis, you have to rea­lize that your inde­pen­dence and self are not sepa­rate from cul­tu­ral and social norms,” he told me, put­ting the small cup on the table bet­ween us. “You can’t go around thin­king you don’t belong within the social and cul­tu­ral bor­ders that, unfor­tu­na­tely, do exist. You think you are above that and you’re not. No one is.”

That was our last real con­ver­sa­tion. We finished our cof­fees in silence. After­ward, we stro­lled back to the house, where we dined – still in silence, without tur­ning on any lights. When we were finished, I went ups­tairs and packed.

“I love you, but I hate the way you are,” he said as I pulled my suit­ca­ses down the stairs. Then he tur­ned to the piano and star­ted to play Beethoven’s “Quasi una fantasia.”

I left Europe that night, and Mag­nus with it. But I didn’t leave full of con­vic­tion that I pre­fe­rred to be alone than entan­gled in someone who didn’t embrace the choi­ces of life, the free­dom that we have to sleep in a warm bed or a cold pier. I left crip­pled with the weight of having said too much and having wan­ted too much.

At every air­port I wal­ked, on every plane I boar­ded, as I made my way across two con­ti­nents and two oceans, I loo­ked at the peo­ple around me, moving like a herd through secu­rity and boar­ding lines. No one sta­red or even loo­ked at anything for too long, or – hea­ven for­bid – struck up con­ver­sa­tions. No one inva­ded anyone’s space or time. In the elite line, we were all sea­so­ned tra­ve­lers. We knew the deal: how to open our carry-ons quickly, what to remove and how to set it on the tray and we did it fluidly, without incon­ve­nien­cing anyone around us. In the plane, we were quiet, we buc­kled our seat belts, tur­ned off our pho­nes and pulled out our books.

We knew the rules and remai­ned firmly within them.

During a brief layo­ver in Hous­ton, I found a cafe and sat down to read. A few minu­tes later, I was inte­rrup­ted by the sense that someone was watching me. It was a little girl, seven or eight years-old, sit­ting across from me at one of the gates. I clo­sed my book and smi­led at her.

She came to me, messy brown hair and big green eyes, and a Cheshire cat stuf­fed ani­mal in her arms.

“What are you rea­ding?” she asked me.

“The Bell Jar,” I told her.

“What’s it about?”

The Bell Jar, by Syl­via Plath is about a young woman sti­fled by con­ven­tion who slowly goes mad –  how do you explain this to a child?

“Um. It’s the jour­ney of a girl who is con­fu­sed with who she is,” I replied.

“What chap­ter are you on?”

“Six.”

“What’s the girl doing?”

“Esther — that’s her name — is a model in New York and even though she has become friends with the girls around her, she feels all alone.”

“That’s sad,” said the little girl, “I’m not lonely, I’m with my mommy.”

Her mother see­med to mate­ria­lize at the words, carr­ying a clear Sub­way bag with sand­wiches inside.

“Alyssa,” she called, visibly unsett­led by the sight of her daugh­ter tal­king to a stranger.

Alyssa rose and ran to her, but in the middle of the walk­way, she pau­sed and tur­ned back around.

“Alyssa!”

The girl wal­ked back to me slowly and han­ded me her stuf­fed animal.

“Don’t get lonely, okay?” she said to me. “Talk to the cat.”

In a sea of peo­ple who know where they’ve been and where they’re going, who have every aspect of their trips plan­ned to the minute, peo­ple who get in nobody’s way and expect ever­yone to extend the same cour­tesy, a little girl han­ded a stran­ger her stuf­fed animal.

I have never belie­ved chil­dren are born pure in the stan­dard sense of the word, but I do believe they’re born free of the boun­da­ries we impose on our­sel­ves later as a society – and perhaps this does make chil­dren pure.

Or maybe a bet­ter term is “free.”

A child would not hesi­tate to pack up a slee­ping bag and sleep on a pier under the stars with you.

Since that flight, whe­ne­ver peo­ple asked me what I wan­ted to do with my life, I replied, “I want to be a child.”

So if you ever won­der why I share so much of myself with the world, from the sac­red to the pro­fane, the ans­wer is that I think ever­yone could use this license to be who they are and enjoy what that means. We do live in a society with norms about what we can and can­not share, what we can and can­not do, but as Eins­tein once said: “if the facts don’t fit the theory, change the facts.” That’s what I want to do – I want to change the facts.

Your wants are beau­ti­ful, your truths are power­ful. Maybe you want to sleep on a pier or share a fairy­tale kiss under every triumphal arch in the world. Maybe you dream of diving the wrec­kage of a galleon or quit­ting your job and star­ting your own company.

They’ll say you’re crazy. They’ll say, “I wish I could be as impul­sive as you are,” and that you should grow up. Life isn’t like that – there are norms, you know. There are ways to do things. You don’t talk to peo­ple at the secu­rity line at the air­port. You get through it as fast as pos­si­ble, go to your gate, wait for them to board you, sit down and be quiet. You go to your job, bust your ass, go home, change, go to some social thing, enter­tain the same ques­tions, go home, watch bad tele­vi­sion and do it all over again. Polite, pro­per, effi­cient. That’s life, right? Then you get old and maybe play some golf, then you die.

Fuck no.

The only way to remem­ber who you are is to refuse to let anyone or anything dic­tate what you want. I write to share my triumphs and defeats and to remind you that wan­ting something other than herd-like, soul-crushing mono­tony is not only natu­ral, but necessary.

And I’ll tell you something: for every e-mail I receive that says I’m out of my fuc­king mind, I have two more from peo­ple sha­ring their dee­pest desi­res. Peo­ple that much clo­ser to remem­be­ring who they are.

And every time, I think, “you don’t have to be lonely – I’ll be your cat.”

[AV Flox is a sex colum­nist for BlogHer and warrior for self-acceptance and the pur­suit of our wants. When she’s not cha­sing her own desi­res around the world (and live-tweeting her expe­rien­ces at @avflox), she’s edi­ting the Los Angeles-based sex news blog Sex and the 405.]

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

March 28, 2010

remember who you are: seth godin

[This is the first of a series of guest blog posts, based around the “Remem­ber Who You Are” riff I’m always going on about. Today’s post comes from my friend and men­tor, Seth Godin, the great mar­ke­ting author.]

For­get who you are

When most peo­ple say, “remem­ber who you are,” what they’re really saying is, “remem­ber who we think you are, remem­ber who you were born to, don’t ove­rreach, wait your turn, don’t get uppity.”

They rarely mean it the way Hugh means it. Hugh, I think, is saying that you are who­me­ver you decide to be. That’s a sta­te­ment of asto­nishing auda­city, one that could only be said by an artist and unders­tood by one as well.

I have no illu­sions about the mobi­lity of our society. While it is far more fle­xi­ble and open than some socie­ties in the past, there are huge impe­di­ments to ente­ring a dif­fe­rent class.

And yet…

And yet art in all its forms belies that. Art, whether it’s the dra­wing art that Hugh does or the busi­ness art that a great Wall Street tra­der does or the cus­to­mer ser­vice art that Tony Hsieh at Zap­pos espou­ses… that sort of art isn’t limi­ted by social boun­da­ries. When you con­nect and change another human being, when you create upside whe­re­ver you go, then who you are is deci­ded by you, not by them.

Let’s change the man­tra, then, from “remem­ber who you are,” to “decide who you are.”

Decide to be the gene­rous, change-making, sca­rif­ying, deligh­ting, over-the-topping drea­mer you’re capa­ble of being.

–Seth Godin

[Down­load the high-res “remem­ber Who You Are” pos­ter here.]

February 7, 2010

the new official gapingvoid logo: “remember who you are”

[UPDATE: Down­load the high-res pos­ter ver­sion here.]

This image to the left you should be seeing a lot of from now on, scat­te­red around the gaping­void empire. It’s now our offi­cial logo.

OK, so why “Remem­ber Who You Are”?

Because it ties up everything I’ve been wor­king on these last few years. First with the car­toons, the prints and the “Cube Gre­nade” pri­vate com­mis­sions.

Like I said earlier:

I’m inte­res­ted in how art affects “The Real World”- the work­place, the world of work, the world of busi­ness. That’s what the Cube Gre­nade idea is all about.

My adver­ti­sing buddy, Vinny Warren, grew up in a Roman Catho­lic hou­sehold in Ire­land. He was telling me that his parents would always have a few reli­gious icons han­ging on the wall somewhere. Pic­tu­res of Saints, Mary & Baby Jesus, that kind of thing.

Why? Says Vinny, “To remind us who we were.”

My work has never been about get­ting the appro­val of the New York art gallery mafia. My work has always been about “What Really Mat­ters” to peo­ple, espe­cially to my peers.

Art that reminds you who you are. Exactly. What applies in Catho­lic hou­seholds also applies in pla­ces of busi­ness. Sha­red Mea­ning. Sha­red Pur­pose. Exactly. Social Objects. Exactly.

Secondly, I think there’s an insa­tia­ble hun­ger for it. Not to lose our­sel­ves in the hope­less muddle we call Life, but ins­tead, doing something that mat­ters, making a dif­fe­rence, crea­ting good in the world, crea­ting value. Remem­be­ring what’s really impor­tant, remem­be­ring who we are.

This is not just about Art and car­toons, this is about EVERYTHING we do.

I’ve been saying this to my clients for years– to have a suc­cess­ful brand, per­so­nal or other­wise, it can’t just be about you, or even your cus­to­mers, it has to be about something HIGHER than all of us. A “Purpose-Idea” .

gaping­void is no excep­tion; neither is your work.

“Remem­ber who you are.” I’ll try to live up to it; I hope TO GOD that you will, too. Amen.

[UPDATE:] Yes, feel free to down­load it, print it out and stick it on your wall i.e. use it as a “Cube Gre­nade”. Even bet­ter, once it’s han­ging somewhere, feel free to send me a photo. I’d love to see them. Thanks! Rock on.