Archive for the ‘prints’ Category

January 5, 2009

the final print: putting it up on ebay…

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[“Blue­train”- the new gaping­void print. Click on image to enlarge etc.]
So yeah, the Blue­train print sold out, two weeks before it even goes to press. No, I never saw that coming. Wow.
Since I announ­ced that it was sold out, I’ve got­ten a lot of emails from peo­ple asking me please, please, please, if a spare one turns up, could they buy it from me?
Well, like I said before, I kept a small num­ber aside for myself, but I really want to hang on to them. At the same time, I don’t like peo­ple being disap­poin­ted.
So I deci­ded I’d sell ONE MORE from my pri­vate stash. But who to give it to? The guy who asked first? The guy who knew me the lon­gest?
Not being able to make up my mind one way or the other about who to give it to, I just deci­ded I’ll put it on eBay, and let peo­ple bid for it. I’ve already done well enough from this won­der­fully insane adven­ture, so to keep the good karma coming, wha­te­ver it sells for, high or low, I’ll give the pro­ceeds to cha­rity.
I’ll let y’all know when it’s up. Thanks Again. Seriously.
[UPDATE:] As for the peo­ple who have already orde­red a print; we’re going to press hope­fully in the next few days. I’m really behind in my e-mail [I blame the Holi­day Sea­son, mostly], so I should be con­tac­ting y’all shortly. Thanks for your patience AND your sup­port. Rock on.

December 29, 2008

print update: bluetrain almost sold out


[Update: Video of me sig­ning the first artist’s proof.]
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[“Blue­train”- the new gaping­void print. Click on image to enlarge etc.]

[Update: Blue­train is already sold out. Thanks, Everybody!]

The print is an edi­tion of eighty-five. So far seventy-five are accoun­ted for, inc­lu­ding the few I’m kee­ping for myself. Sales were pretty brisk right up until everything clo­sed down for Christ­mas. I’m still a bit stun­ned about how well this wee adven­ture has gone, frankly.
So now I have ten left for sale. Full details are here.

For the last ten, the price is $250 each, which far less than I think we’ll be selling the next edi­tion for. Hope that’s OK with y’all.
Again, THANK YOU ALL for sup­por­ting this ran­dom act of insa­nity on my part. Rock on.
[UPDATE:] By the time I had finished wri­ting this very short post, the num­ber left was down to eight prints. 15 minu­tes later, that num­ber was down to seven. Wow. [UPDATE:] One hour later– only five left. w00t. [UPDATE:] Fif­teen minu­tes later– only four left. Eek! [UPDATE:] Five minu­tes later– only three left. Ummm… [UPDATE:] Next Mor­ning– SOLD OUT!!!! THANK YOU!!!!!!!!

December 23, 2008

print update: “bluetrain”


[Update: Video of me sig­ning the first artist’s proof.]
bluetrainJPEG.jpg
[“Blue­train”- the new gaping­void print. Click on image to enlarge etc.]

[UPDATE: 30th Decem­ber. “Blue­train” is now sold out. Thanks, Everybody!]

On Decem­ber 4th, I announ­ced I was going into the fine art print busi­ness, pretty much full-time, if all goes well.
Like I said ear­lier, the first edi­tion will be coming out in mid-January.
I also said that the first twenty peo­ple who sent me an e-mail could buy the print at $175– once the print is made, the price will be around the $250-$300 mark.
To be honest, at the time I thought twenty wasn’t a very con­ser­va­tive num­ber– I was thin­king if ten or twelve took me up on the offer by Christ­mas, that would be pretty ama­zing.
As soon as I pos­ted the offer up on the blog, I went out for din­ner. By the time I came back two hours later, 24 peo­ple had already taken me up on it. Within 24 hours, the num­ber was clo­ser to 40.
Not bad for a limi­ted edi­tion of only 85, don’t you think? We’re tal­king about peo­ple buying something “Sight Unseen”- something that RARELY hap­pens in the art busi­ness.
As for the kind peo­ple who e-mailed early, but not early enough to make it on the “First Twenty” list, I thought it would be unfair on the “First Twenty” to give them the same dis­count. But at the same time, it would be a shame not to do something to reward them for being early adap­tors. Hmmmm… You can see my dilemma. So in the end, I told them they could have one for $200– it’s still a pretty good dis­count. They see­med happy enough with that, so all well and good.
The second thing I did was to let the First Twenty vote on which image they wan­ted to see prin­ted up. I gave them a choice of three designs, the image above, “Blue­train”, won the majo­rity vote, so that’s the one we’re going with.
About the piece in ques­tion: It’s called “Blue­train”, because yes, it’s lar­gely colo­red blue, and also because it’s a re-working of the head car­toon in my busi­ness mani­festo, The Hugh­train, which of course, was in turn named after one of my favo­rite books, The Clue­train. “Blue Trane” is also the name of one of my favo­rite jazz albums. So it all fits together, somehow.
It’ll be a fairly stan­dard pos­ter size, approx 18x24”. They’ll all be per­so­nally sig­ned and num­be­red in pen­cil, by myself. We’re also using a spe­cia­list fine art print­ma­ker in New York City for the job, not a gene­ral com­mer­cial prin­ter.
I deci­ded to use color simply because I didn’t want to just blow up the ori­gi­nal, black & white, bizcard-sized car­toon to poster-sized. I wan­ted to make it look totally new and dif­fe­rent, yet totally the same and fami­liar. As for the “Pop” sen­si­bilty, well, I am a car­too­nist, so go figure…
Since that first big splash of inte­rest from the First Twenty, we’ve had a steady stream of peo­ple sig­ning up. There’s only about 20 left unsold in this edi­tion, so if you’re still inte­res­ted in having one of them, please send me an email as soon as you can [Thanks!]: gapingvoid@gmail.com
I hope y’all are as exci­ted by this new ven­ture of mine as I am. As always, thanks for your sup­port, none of this would be pos­si­ble without you. Merry Christ­mas and Happy Holi­days!

[UPDATE:] ONLY THREE PRINTS LEFT! Price IS $250 for the last ten.

December 19, 2008

litho update: sneak peak

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[Click on image to enlarge etc.…]
This is a close-up sec­tion of one of the new litho’s I’ve desig­ned. This sec­tion covers maybe 20 – 25% of the entire area of the piece. Just giving y’all a tea­ser etc.
Been spen­ding a lot of time lear­ning about prin­ting, and the prin­ting busi­ness over the last cou­ple of weeks…

December 4, 2008

hugh’s new secret evil plan: fine art prints

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1. Some­time in the next few weeks I shall be relea­sing my first big, pro­per edi­tion of sig­ned, fine-art litho­graphs.
2. These will not be spon­so­red “social objects” from Stormhoek, Mic­ro­soft or wha­te­ver. These will be for sale. Cash. Moo­lah. Via this blog. No galle­ries.
3. They will be high qua­lity. Very high qua­lity.
4. I plan on using color for the first one, maybe black and white in the future– though I haven’t really thought that far ahead yet.
5. It’ll be an edi­tion of 85 prints. I’m not plan­ning on selling them all. I want to hold on to some of them, for posterity’s sake.
6. They’ll all be sig­ned and num­be­red by hand, by me.
7. I plan to be blog­ging a lot about the whole pro­cess in the next few weeks. As with any new adven­ture, a lot of stuff still needs to be figu­red out long-term– I hope by tal­king about it with every­body, it’ll help me make bet­ter artis­tic deci­sions.
8. Though my work covers a lot of dif­fe­rent the­mes and emo­tio­nal sta­tes, for this first one I’ll be focu­sing more on the business-culture, Hugh­train sen­si­bi­lity. I want the print to be the kind of thing you’d want to hang up in your office.
9. This is not some groovy little side pro­ject for me. This enter­prise is going to be a major part of my life over the next few years. Just let­ting you know.
10. We’ll be prin­ting them up in mid-January. If you want to get in early, I’m going to make 20 prints avai­la­ble; you can pre-order one before the prin­ting date for $175. Just ping me an e-mail. After they are prin­ted the price goes up, to around the $250 – 300 range.
11. Thanks Again.
[Update:] Just got back from din­ner. Tired. So far I have 24 requests for the 20 pre-orders. Looks like I may have to disap­point 4 peo­ple. Long day. Going to bed. Will talk in the mor­ning. Thanks, Everybody!

December 2, 2008

make art and drink beer

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[The Techc­runch Party print from 2007.]
I’ve been spen­ding a lot of time this week, researching and tal­king to fine art print shops. Like I said a few weeks ago, I’m plan­ning to spend more time in the print busi­ness.
This deve­lop­ment has been a long time coming. In the last twenty years, I’ve drawn thou­sands of car­toons and sha­red them with tens of thou­sands of peo­ple, which has slowly built up what I believe to be a reasonably-sized com­mer­cial mar­ket for my work.
Besi­des that, I’ve been living in the West Texas desert for over nine months, and I’m fin­ding dra­wing car­toons is far more alig­ned to that way of life, than being an “inter­net mar­ke­ting guy” or wha­te­ver. Like a pain­ter friend of mine told me the other week, “There’s not much to do out here, except make art and drink beer.“
Being a full-time car­too­nist is still not something I ever plan on doing, but life has been pulling me more and more in that direc­tion for a while, almost against my will. Maybe one day I’ll get tired of resis­ting it, who knows?
Wish me luck, anyway…

November 24, 2008

the gary vee litho

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My friend, Gary Vay­nerchuk of Wine Library TV fame and I have been tal­king on and off for the last while about me doing a litho­graph for his wine busi­ness, in a simi­lar spi­rit to all those Stormhoek lithos I did back in Lon­don.
Finally, yes­ter­day, I stop­ped my dilly-dallying and just cran­ked it out. Voila!
Like I said a few weeks back, I’m get­ting more into the fine art print busi­ness. Social Objects at their finest. Rock on.
I hope Gary likes the design…

October 28, 2008

gapingvoid getting serious about the lithograph business

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[Me wor­king on “Desert­Manhat­tan”. Photo cour­tesy of Debo­rah Smail.]
After a cou­ple of years of thin­king about it, I’m finally moving for­ward in the litho­graph depart­ment. Here are some ini­tial thoughts:
1. Yes, I’ve done litho­graphs before e.g for Techc­runch, Stormhoek and Mic­ro­soft. Those were pro­du­ced digi­tally, for high-numbered edi­tions [one thou­sand or so]. This new effort will be much more high-end and exc­lu­sive. We’re tal­king very small edi­tions [say, 25 or so], done not via digi­tal, but by old-fashioned etchings on metal pla­tes.
2. We’ll be using the highest-quality paper and inks we can find, bar none. We won’t be spa­ring any expense.
3. The pie­ces will all be fra­med by hand, using highest-quality woods and mats. No indus­trial factory-framing for these babies etc.
4. As of today, I have no idea how much I’ll charge for them. My plan is to put the first few ones onto Ebay, let peo­ple bid for them openly, and see what hap­pens. I rec­kon this will esta­blish a solid, rela­ti­vely trans­pa­rent mar­ket price, a lot bet­ter than mere guess­work ever could.
5. The size will be roughly the same as my recent large works on paper i.e. approx. 23x29 inches etc.
6. I haven’t deci­ded what image, or what style of image I want to use for the first run. Do I go with my fami­liar car­toon for­mat say, something like this, or do I go with something a bit more “arty” say, something like “Fred 44″? This is a con­ver­sa­tion I hope to be having with y’all over the next few weeks, so please feel free to leave a com­ment below, Thanks.
7. Yes. I am SERIOUSLY exci­ted about this pro­ject. Rock on.