Archive for the ‘marfa series’ Category

September 2, 2009

marfa one is finished


[You­Tube video home­page here…]
MO1234.jpg
[Click on ima­ges to enlarge etc.]
Got up this mor­ning an put the finishing touches on Marfa One. It’s done. Hurrah!
You can see the whole story unfol­ding from begin­ning to end here.
I’ll get a pro­per photo of it once my pho­to­grapher friend is back in town with his camera this wee­kend…
Dra­wing this only took me a cou­ple of days. desert­manhat­tan took me six months.
Ama­zing how one’s mind­set affects things…

[Backs­tory: About Hugh. E-mail Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

August 30, 2009

“marfa one”


[You­Tube video home­page here…]
[N.B. Yes, I’m plan­ning on selling this one even­tually. Please feel free to e-mail me if you’re inte­res­ted, Thanks!]
PHASE ONE OF THREE: THE UNDERCOAT. Sun­day, August 30th.
Zi6_0672A.jpg
[“Marfa One”, which I star­ted this wee­kend.. Click on image to enlarge etc.]
A blank can­vas (see above) that I finished doing the white acry­lic under­coat for, ear­lier today. Four-foot-by-four foot. Tit­led “Marfa One”, it’s will be the first of The Marfa Series.
Now to get crac­king on the pencil…

[UPDATE: Mon­day, 31st August, 24 hours later:]
PHASE TWO OF THREE: THE PENCIL.
pencil0909.jpg
[Click on ima­ges to enlarge etc.]
pencil0910.jpg
[Close-up. Pen­cil lines etc.]
pencil0911.jpg
[Close-up. Taken from the side etc.]
Yes­ter­day (Sun­day) I cran­ked out the pen­cil. Took fore­ver, but it was worth it. Besi­des some very small touch-ups at the end, I did it all in one ses­sion. No mes­sing around.
I got myself in a mind-set that, although it’s large and on can­vas, it didn’t inti­mi­date me. I just trea­ted that four-by-four-foot, two-dimensional sur­face like any other dra­wing, like any other page in my sketch­book. I didn’t treat it like “ART!!!!”. I just did my thing and got on with it; not a lot of fuss.
I think that’s how I’ll approach all my big pie­ces from now on…
PHASE THREE OF THREE: THE INK.
[Update: 24 hours later, Tues­day, Sep­tem­ber 1st, 2009.]
ink0909.jpg
[Click on image to enlarge etc.]
Made a good start yes­ter­day on the inking. Hope to finish it by tonight etc.
This is always the har­dest part of making a big dra­wing. The temp­ta­tion to “rush it” gets more and more overwhel­ming, the clo­ser you get to the finish line. But last-minute rushing can easily ruin it. Oh well, I’ve been here many times before, nothing I can’t handle etc.
[Update: 24 hours later, Wed­nes­day, Sep­tem­ber 2nd, 2009.]
MO1234.jpg
[Click on ima­ges to enlarge etc.]
MO1235.jpg
MO1236.jpg
Got up this mor­ning at 4am and put the finishing touches on Marfa One.
It’s done…

[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

“big cartoons”

dm0909.jpg
[Close-up of desert­manhat­tan, in its early “pen­cil” phase, Autumn, 2008.]
I was thin­king ear­lier today how I had made my repu­ta­tion dra­wing very, very small car­toons [i.e. “drawn on the back of busi­ness cards”], and now here I am, with The Marfa Series, going in the oppo­site direc­tion i.e. very, very big car­toons. Two sides of the same coin, perhaps…
Yes, I’m still calling them “Car­toons”, even if the rest of the world will want to call them something else– “Pain­tings” or wha­te­ver. No mat­ter where life takes me these days, I still con­si­der myself first and fore­most a car­too­nist. Like I said over at Late­ral Action, “I never liked calling myself an ‘Artist’. I think His­tory deci­des if you’re an artist or not, not your­self.”
With the tra­di­tio­nal cartoonist’s busi­ness model loo­king inc­rea­singly unte­na­ble (And it was in trou­ble LONG before the Inter­net came along , believe me), I think it’s a good time to ask the ques­tion, well, what is a car­toon, any­way?
Does the car­toon HAVE to be what it’s always been? Or can it evolve into something else more inte­res­ting? Does the car­toon have to be figu­ra­tive, or is abs­tract per­fectly valid, as well? Does the car­too­nist HAVE to have an edi­to­rial or humo­rous slant, or are there OTHER sphe­res of human exis­tence worth explo­ring?
It’s good to push the edges…

[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

August 27, 2009

the marfa series

square333A.jpg
[Click on image to enlarge etc.]
Gree­tings from Alpine, Texas. I left here two days ago, and flew to New York City from El Paso [a 220 mile drive to the air­port], in order to sign the the Ignore Every­body prints.
Yes, it was actually chea­per and easier to fly up there and sign them, than to ship them down here. Go figure.
After a few hours sig­ning them at the printer’s, I rushed off the Island of Manhat­tan yes­ter­day after­noon, to catch a flight back to El Paso via DFW.
I was in my bed at the hotel in El Paso by mid­night. Slept like a log. This mor­ning I went to buy some art sup­plies in down­town El Paso, had a bit of lunch at Rudy’s, then drove 220 miles back home to Alpine.
A quick visit, to say the least. “Wel­come To The Over-Extended Class” etc.
Among my purcha­ses this mor­ning was a big roll of can­vas. The plan is to make a series of large, 48“x48” [4 foot-by-4 foot] can­va­ses, i.e. exactly the same height, and one-half the width of desert­manhat­tan. The wee sketch above should give you an idea what I’m tal­king about.
I’m thin­king of calling these “The Marfa Series”, named after Marfa, the next town over from Alpine, 26 miles away. I drive there and back about three or four times a week; it’s one of my favo­rite dri­ves in the world. The drive ins­pi­red the idea for the the series in a SERIOUSLY big way.
Some will be cran­ked out in a cou­ple of days. Some will take a lot lon­ger, even a cou­ple of months. I have no idea where this is taking me, other than I think I’ll end up somewhere pretty inte­res­ting. Look for them for sale over on the gallery over the next few months or so, or feel free to e-mail me if you’re loo­king to com­mis­sion one. Thanks.
[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]