Archive for the ‘Business Cards’ Category

March 12, 2013 (4 weeks ago)

Our new business card :)

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This is our latest busi­ness card design. Very cool.

Again, I’ll point to what  I said in The Hugh­train, way back in in 2004:

“The har­dest part of a CEO’s job is sha­ring his enthu­siasm with his collea­gues, espe­cially when a lot of them are making one-fiftieth of what he is. Selling the com­pany to the gene­ral public is a piece of cake com­pa­red to selling it to the actual peo­ple who work for it. The future of adver­ti­sing is internal.”

Of course, nine years later I’d change the line to, “The future of mar­ke­ting is inter­nal”…

In retros­pect, the pro­blem I always had when I wor­ked back in adver­ti­sing, was the client inva­riably wan­ted to change con­su­mer baha­vior far more than they wan­ted to change  their own company’s beha­vior… like they somehow weren’t related.

But of course, they were. Real change comes from within etc.

So it’s really not sur­pri­sing that gaping­void is doing a ton of “inter­nal” work for clients these days. In terms of fin­ding mea­ning and pur­pose, that’s where we think the action is.

I really hope you like the new card. If you want to find out more about our client work, feel free to e-mail, thanks:  hughATgapingvoid.com.

February 22, 2013

“All Art Is Religious Art”

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56. ALL ART IS RELIGIOUS ART.

[Just added the follo­wing to “The Art Of Not Suc­king” etc.]

Long before I acqui­red even the fain­test inte­rest in modern art, I was down visi­ting my dad in Hous­ton, han­ging out with a college buddy, Andrew. We were both about twenty at the time.

Loo­king for something to do, Andrew sug­ges­ted we should go see the Rothko Cha­pel, and so we did. I had never heard of either Rothko or the cha­pel before.

When we got there, all I saw were these big, dark, blank can­va­ses, not unlike the mono­lith in Kubrick’s “2001”.

I didn’t get it, frankly… I wal­ked out, unim­pres­sed. Some big, black rec­tan­gles. Any half decent house pain­ter could’ve made those. So what?

But the visit sta­yed with me, somehow. For rea­sons I couldn’t explain, for weeks after­wards I couldn’t get the Rothko’s out of my head. The pain­tings struck a nerve, one that I didn’t even know I had.

Nearly three deca­des later, I think I now know why. By pain­ting these big, black mons­ter pain­tings, Rothko was trying to get the vie­wer to “gape into the void”. He wan­ted us to con­tem­plate “The Mys­tery”, the awe­so­me­ness (good or bad) that is Crea­tion, that is the Divine, that is the Universe.

Deca­des later, I rea­lize that all art– the good stuff, any­way– is trying to get us to do the same thing: Unders­tand the immen­sity of exis­tence, wha­te­ver that might mean.

Do you have to be reli­gious to do that? Of course not. No mat­ter what you believe, call it either God or The Void or the Phy­si­cal Uni­verse or something else alto­gether, the immen­sity is still there. What Wer­ner Her­zog calls the “Ecs­tas­tic Truth” is still there.

And it’ll always be a mys­tery; your exis­tence in it will also remain a mys­tery, no mat­ter what the cle­ver folk in the TED videos may tell you.

So I wrote that line down, “All Art Is Religious Art”.

All art is trying to be a con­duit… of Ecstatic Truth.

You don’t have to agree with me, but the older I get, the more I believe it myself, the more I want to live like it IS true.

And we are here. And it’s immense. And it’s a mystery. And…

And maybe it applies to stuff other than “Art”? Like maybe some of the stuff you do, to make a living, perhaps?

Maybe what you do for a living is more mea­ning­ful than it sounds.

Just askin’…

.…

.…

[Note: If you like what you see, please subsc­ribe to my daily car­toon news­let­ter, thanks.]

[The Art Of Not Suc­king is a work in pro­gress, a brain-dump of sorts; it is by no means finished,  BY NO MEANS defi­ni­tive… More later.]

February 15, 2013

Make Every Work Of Art Like It’s Your Last.

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“Live each day as if it were your last,  for one day it will be.” Though Mar­cus Aure­lius’ Third-Century advice sounds terri­fic, it’s pro­bably the har­dest piece of advice in the world to follow.

In Robert Altman’s 1992 movie, “The Pla­yer”, David Kahane, an unsuc­cess­ful screenw­ri­ter is ran­domly mur­de­red. At his fune­ral, his friend Phil reads out the last words he ever wrote:

Black­ness.

A mangy dog barks.

Gar­bage can lids are lif­ted as dere­licts in the street… hunt for food.

Buz­zing, as a cheap alarm clock goes off.

Inte­rior. Flophouse room.

Early mor­ning.

A trac­king shot moves through the grimy room.

Light streams in through holes in yello­wing win­dow shades.

Moths dance in the beams of light.

Track down along the floor.

The fra­yed rug.

Stop on an old shoe. It’s empty.

That’s as far as he got, said Phil…

If David Kahane knew these words were goingto be the last ones he would ever write, do you think he would’ve have cho­sen them? No, of course not, he would’ve writ­ten something else, somethiong far more mea­ning­ful and timeless.

That’s what makes the scene so memo­ra­ble, so tra­gic. Robert Alt­man knew what he was doing.

That scene always stuck with me. It told me, “Make every word you write count, Boy, for one day those words will be your last”.

The fact that I was watching the movie for the first time in a crow­ded cinema in West LA, made it seem even more tragi-comic than usual. A lot of other un-dead David-Kahane-types were in the audience, all laughing ner­vously at the in-joke.

It’s too easy to just laugh at all the in-jokes, isn’t it? It’s too easy to think one is immune, isn’t it?

February 5, 2013

Beware of the “Big Moments”

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[Diary entry, May 2008]

Though I star­ted doing my “Car­toons drawn on the back of busi­ness cards” in Decem­ber, 1997, it took me a few months to really get into it… as this photo from my old 1998 diary shows.

At first, I thought I should just do a few dozen of them for kicks and gig­gles, then move on to something else.

That I’d still be doing them 15 years later, didn’t even cross my tiny little mind.

But then it took on a life of its own. Its mea­ning, pur­pose and scope snow­ba­lled slowly over time.

The les­son here is, be care­ful of see­king out “The Big Moments” on pur­pose. Because when the big moments actually hap­pen, they don’t seem very big at the time (like the one in the May, 2008 diary entry above). And too many moments that seem big at the time, often end up going nowhere (“The Fai­led Super­bowl Ad Gra­ve­yard” is full of those).

Of course, the more you love your work, the less you need (or want) the “Big Moments” to sus­tain you. What you really end up nee­ding (and wanting)is just to wake up fresh every mor­ning, and get busy without a lot of fuss.

“Sim­ple. Easy. Happy. Boring.” Exactly.

[So far I’ve drawn over 10,000 of the busi­ness card car­toons. You can see the latest ones on my Tumblr page etc.]

January 29, 2013

“Art’s purpose is to express Consciousness.”

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So having been in the busi­ness for a while, I keep asking myself, what is the pur­pose of art?

Deco­ra­tion? Pic­to­ral story­te­lling? Con­cep­tual mind tricks? Entertainment and/or Info-tainment?

Meh. I have sim­pler idea:

“Art’s pur­pose is to express cons­cious­ness.”

That is true for wri­ting, pai­ting, music, thea­tre, you name it.

It’s also true for other stuff, as well.

When we build something (a busi­ness, pro­duct or move­ment, say), we are expres­sing our inner cons­cious­ness, indirectly.

And then so what hap­pens after we die?

What beco­mes of our cons­cious­ness, then?

No idea. And even if I had an idea, I’d pro­bably be wrong. I’m OK with that.

Any­way, that’s kinda what I was thin­king, the whole time I was dra­wing the car­toon above.

Cons­cious­ness is really ama­zing. I know, right?

 

 

January 21, 2013

Obama and Complexity

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So I was lis­te­ning to a story on Public Radio last night… [Sorry, no link].

A jour­na­list was tal­king about how he got to spend a month at the White House, han­ging out with Obama. I’m gues­sing he write a book about it, so he was on the radio pro­mo­ting it…

Obama was telling the jour­na­list how much more “fast” the job of Pre­si­dent is becoming.

To paraph­rase Obama, if something went down in Africa say, in Lincoln’s time, the Pre­si­dent might not react to it at all, and if he did, he might take a cou­ple of months to get around it.

Nowa­days, if something goes down in Africa (Say, the current Alge­rian cri­sis) the Pre­si­dent is lucky if he has half an hour to make a decision.

And what’s true for Obama is also true of your job.

The world is get­ting fas­ter and more com­plex by the hour, way fas­ter than any of us were pro­gram­med to cope with.

Mana­ging inc­rea­sing hyper-complexity is going to be the most sought after and valued lea­dership skill there is. Com­pu­ters can only do so much.

I fnd it quite exci­ting. Scary, but exciting…

January 20, 2013

The “Find-Hate-Lose-Repeat” Cycle will kill you eventually. You do know that, right?

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The good news is, this is my favo­rite car­toon I’ve done in the last few weeks. And jud­ging by the num­ber of likes I got on Ins­ta­gram, y’all seem to agree, for the most part.

The bad news is, how many peo­ple can relate to it, from pain­ful expe­rience. Far, far too many.

The Find-Hate-Lose-Repeat cycle is REALLY hard to break out of, once it’s already suc­ked you in.

And you don’t even need to be flip­ping bur­gers at mini­mum wage to end up there, you can have a fancy job title and a mas­sive salary and still hate your life, this way.

It’ll kill you even­tually. You already know that, right?

The only anti­dote I know for it is, find something you’re really pas­sio­nate about, and then spend a few years, maybe even  a lot lon­ger than that, figu­ring out how to turn it into a living. Hell, it took me TWO DECADES and a lot of bad times to learn how to do it with cartooning.

Good thing it was worth it…

[P.S. If you want to follow me on Ins­tan­gram, my user name is “gaping­void” etc.]

January 18, 2013

A Message For The Next Generation:

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[Note to young, crea­tive types, just lea­ving college: I wrote this post just for you.],

It’s a very sad and poig­nant story that’s already been all over the Inter­net

A Bri­tish adver­ti­sing vete­ran, Linds Red­ding, a guy not much older than me, gets ter­mi­nally ill.

Shortly before the poor man dies, he wri­tes a long, heart­brea­king, bri­lliantly savage and honest rant about his thirty years in the adver­ti­sing business:

So was it worth it?

Well of course not. It turns out it was just adver­ti­sing. There was no higher calling. No ulti­mate prize. Just a lot of faded, yello­wing news­print, and old video cas­set­tes in an obso­lete for­mat I can’t even play any more even if I was inte­res­ted. Oh yes, and a lot of fra­med cer­ti­fi­ca­tes and little gold sta­tuet­tes. A shit-load of empty Pro­zac boxes, wine bott­les, a lot of grey hair and a tumor of inde­ter­mi­nate dimensions.

Everything he rai­led against, I saw with my own eyes during my time in the busi­ness. Linds was right on the money. I was more for­tu­nate than he, I mana­ged to get out early; I mana­ged to figure out a way to get paid to do my true calling i.e. cartooning.

But it was tough. I had some pretty bleak, pen­ni­less years there for a while. It was nasty. Most peo­ple would not have gone through it willingly, I sure as hell didn’t.

Luc­kily for me, the Inter­net came along even­tually and chan­ged everything yada, yada, yada. But I know a lot of peo­ple both inside and outside adver­ti­sing, some I con­si­der good friends, who weren’t so for­tu­nate (Linds is an extreme exam­ple). The world chan­ged, and ate them for break­fast. And now they’re old and frankly, it’s pro­bably too late for them.

But it’s not the being old and being “eaten for break­fast” that’s really heart­brea­king. Every­body gets “eaten” soo­ner or later. That’s just life, we all get old, we all get sick, we all die.

I can’t speak for Linds, I didn’t know the guy, I’m sure he was a lovely fellow who, like the rest of us, did the best he could. I’m so sorry for him and his family.

What is heart­brea­king about his story is it reminds me of something that has always haun­ted and terri­fied me since I first ente­red the wor­king world: the idea of get­ting to the ine­vi­ta­ble end of your life, and in spite of all that talent, pas­sion and energy spent wor­king insane hours for deca­des, you don’t have a mea­ning­ful and las­ting body of work to be proud of, money or no money.

And that can easily hap­pen, when, early on in the game, you decide to take the easy money. When you let your path be defi­ned by short cuts, short-term needs and the out­ward assu­ran­ces of social status.

When you do things just because they look good on paper, just because they impress your peers…

This is not a rant against the adver­ti­sing busi­ness; it’s a great choice for some folk, I per­so­nally got a TERRIFIC edu­ca­tion out of it.

No, this is a rant against somethiong MUCH lar­ger, i.e. a rant against not “follo­wing your bliss”, to quote Joseph Camp­bell.

Luc­kily, there’s no law saying that you have to make the afo­re­men­tio­ned short-cut deci­sion. There’s another deci­sion you can make.

The ques­tion is, will you make that deci­sion? Will you actually follow your bliss?

Only you can ans­wer that.

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January 7, 2013

Frivolous Complexity

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Aaaargh. Don’t get me star­ted on com­ple­xity; don’t get me star­ted on “Stuff”.

Every­body wants to be suc­cess­ful. The bad news is, we are trai­ned by society to asso­ciate suc­cess with “Stuff”.

Not just in the mate­rial sense (fancy cars, big hou­ses, trophy wives, expen­sive mis­tres­ses, hot tubs, desig­ner fur­ni­ture, desig­ner clothing, desig­ner kitchens with Ita­lian mar­ble floors, fine wines, art collec­tions etc), but also “Stuff to do”:

Din­ner par­ties, ladies’ luncheons, social clim­bing, net­wor­king, cock­tail par­ties, second homes, com­mu­nity invol­ve­ment, poli­ti­cal acti­vi­sim, PTA, Soc­cer Mom’ing, com­pli­ca­ted love affairs that go nowhere, unsui­ta­ble dai­llan­ces, social intri­gues, obses­sive gos­si­ping, coo­king clas­ses, yoga clas­ses, pot­tery clas­ses, crea­tive wri­ting clas­ses, ten­nis les­sons, tango les­sons, poker games, thea­tre, sympho­nies, art ope­nings, maga­zine launch par­ties, opera, epi­cu­rian delights, horse bree­ding, eth­nic res­tau­rants, wife swap­ping, cult joi­ning, cele­brity worship­ping, name-dropping, online forums, online rants, online dating, Ins­ta­gram­ming, Twit­te­ring, Face­boo­king, blog­ging, cool hun­ting, culture-vulturing, Sum­mers in Tus­cany, Autumns in New York, Win­ters in Colo­rado, wee­kends in San Fran­cisco… a totally full sche­dule, jam-packed with “Stuff”, all day long.

And we don’t just stop there! Because we now need our total, never-ending “Stuff” fix, it’s no lon­ger enough to have our per­so­nal lives cram­med with “Stuff”, we need to cram it into our pro­fes­sio­nal lives, as well:

More pro­duct fea­tu­res, more pro­duct upgra­des, more mar­ke­ting cam­paigns, more adver­ti­sing cam­paigns, more junk mail, more focus groups, more end­less mee­tings that start at 7am for no rea­son, more memos, more mis­sion sta­te­ments, more white papers, more wor­king wee­kends, more brains­tor­ming ses­sions, more blue-sky thin­king, more team-building exer­ci­ses, more Power­Point sli­des, more sharp-dressing emplo­yees with fancy job tit­les, more visually-pleasing per­so­nal assis­tants, more pres­ti­gious office addres­ses, more buzz­words, more catchph­ra­ses, more info­graphics, more inter­na­tio­nal con­fe­rence calls, more office poli­tics, more hys­te­ri­cal emails sent at 2.am.

Stuff, stuff, stuff…

Which is kinda strange, con­si­de­ring the most suc­cess­ful and happy peo­ple I know gene­rally don’t live that way. The most suc­cess­ful and happy peo­ple I know are very good at ruth­lessly edi­ting out “Stuff” from their lives. They tend to live calmly and quietly, like a New England pond on an early mor­ning in August.

Lea­ving only time for the impor­tant “Stuff”…

December 21, 2012

“Cartoons Drawn On the Back of Business Cards”, 15-year anniversary

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[“Shark Bar”]

It’s a story I’ve told many times over the years:

When I first lived in Manhat­tan in Decem­ber, 1997 I got into the habit of dood­ling on the back of busi­ness cards, just to give me something to do while sit­ting at the bar. The for­mat stuck.

It was 15 years ago this week that I star­ted this adven­ture, Christ­mas, 1997.

Of all the early ones, “Shark Bar” is the oldest one on record [Backs­tory here]. Here’s a pic­ture I took of the ori­gi­nal, five minu­tes ago:

Over the years I’ve done lots of them. Ten thou­sand at last count, and that was a few years ago.

I’ve had many adven­tu­res in my career; this by far has been the grea­test of them. I am so thank­ful, there are no words.

Merry Christ­mas, Everybody.

August 25, 2012

Blue Train, 1957 #Coltrane

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July 17, 2012

Better to reign in Hell…

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July 5, 2012

FML:

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June 30, 2012

Evidence that you’ve had a good life:

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This was a real treat: When I was visi­ting my mother’s house last week I went and dug up some of my old dra­wings from the attic, where I had left them for safe keeping.

What I’d for­got­ten was JUST how many I had left there. There were thou­sands of them, drawn over a period of six or seven years. THOUSANDS.

Sud­denly, loo­king there at the huge pile of business-card wallets lying there on the desk, I sud­denly rea­li­zed… I did it. I had crea­ted a body of work. Seriously.

It was a great fee­ling. Sud­denly I felt that I finally had evi­dence here and now that, no mat­ter what hap­pens from now on, regard­less, it’s been a good life. It’s been a good fight.

I felt so thankful.

That’s all we all really want, at the end of the day. Evi­dence. And gratitude.

Onward…

June 28, 2012

#lean cartoon number two. cc: @ericries

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#lean cartoon número uno

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June 20, 2012

Cartoon: how most marketing works. #leweb

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June 19, 2012

Why use Instagram? ;-) #leweb

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#leweb: “Every nation is a start-up”

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Cultures are like people #leweb

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June 14, 2012

Start-up cul­ture is now the linch­pin of Wes­tern Civilization

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Two things got me thin­king today:

1. A recent story in the Wall Street Jour­nal about JUST HOW HARD it is to do a start-up in Spain.

2. Yet another sad story in today’s edi­tion of The Guar­dian about Spain’s very grave eco­no­mic woes.

Are the two con­nec­ted? Of course they are.

Start-up cul­ture is now the linch­pin of Wes­tern Civi­li­za­tion, and any society that doesn’t “get it” will fail long-term.

That is what I truly believe, anyway.

When I say “Start-up cul­ture”, I’m not just tal­king about the little techie gold­fish bowl that is Sili­con Valley; I’m tal­king about something far more glo­bal and uni­ver­sal; I’m tal­king about the abi­lity of nor­mal folk to start busi­nes­ses suc­cess­fully with as little inter­fe­rence as pos­si­ble from the usual suspects..

“gaping­void is a star­tup. gaping­void makes art for star­tups. A no-brainer, really”

Ergo, when the team talks about gaping­void doing “Art For Start-ups”, we’re not just tal­king about Sili­con Valley, or Inter­net and tech­no­logy businesses.

We’re tal­king about something big­ger. Big­ger and glo­bal. Something that yes, we believe our civilization’s very long-term sur­vi­val depends on.

I think it’s something worth being part of, something worth figh­ting for. You?

June 6, 2012

That all you have

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May 31, 2012

On Mastery.

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[As many peo­ple know, I’ve given a lot of thought to the sub­ject of “Mas­tery” lately. With that in mind, here are the VERY ROUGH notes of the talk I gave recently at the first ever Ignite Miami:]

1. Like every­body else here tonight, I give a lot of thought to “Suc­cess”. What does it take to be suc­cess­ful, pros­prous, happy, have a sense of pur­pose etc? What does THAT actually look like?

2. And by suc­cess­ful, I don’t mean “lucky”. I don’t mean peo­ple born rich or lot­tery win­ners. That kind of suc­cess never comes from within, that kind of suc­cess is too exter­nal and ran­dom to bother worr­ying about.

3. Of course, the media LOVE suc­cess models of the outra­geously for­tu­nate– cele­brity artists, cele­brity busi­ness­men, cele­brity spi­ri­tual lea­ders, not to men­tion the Rea­lity TV, famous-for-being-famous crowd.

4. The thing is, I know TONS of super suc­cess­ful peo­ple, but none of them fit this extreme, celeb-lottery-winner TV model. Some of them are actually pretty boring, to be honest. But they lead happy lives and do VERY well career­wise. THAT is what most suc­cess looks like, if you think about it. The stuff on TV or in the movies just isn’t REAL enough to be that use­ful for us.

5. So I was thin­king about this again, recently, HARD. What model would work for these peo­ple, folk like you and me? A model that didn’t mean you had to sell your soul to Wall Street, Holly­wood or Washing­ton? A suc­cess model that doesn’t rely solely on the unli­ke­lihood of outra­geously good for­tune or plain, dumb luck?

6. Then quite by chance, I saw a great docu­men­tary the other week: “Jiro Dreams of Sushi”, a film about the world’s grea­test sushi mas­ter, and a light­bulb EXPLODED in my head.

7. Our man, Jiro is eighty five years old (EIGHTY FIVE!), doesn’t have a lot of money or own a fleet of trendy res­tau­rants in all the world’s capi­tals, a-la Wolf­gang Puck. He’s just being doing it for 60 years; he just has just a small, plain, dingy, ordi­nary, low-key sushi bar with ten seats in a Tokyo sub­way, the kind you’d pro­bably just walk by without stop­ping if you saw it. Ten seats!  Yet he’s the best in the world at what he does.

8. Jiro works over 350 days a year, ser­ves sushi and sashimi to peo­ple in very small num­bers, and THAT’S IT. Just sushi. No salad, no appe­ti­zers, no deserts. Like I said, JUST SUSHI. And by stic­king to this bare-bones for­mula, he’s become the first sushi chef in the world to win three Miche­lin stars.

9. A tiny little sushi bar in some ran­dom sub­way sta­tion. Yet peo­ple wait in line, peo­ple book a stool at his sushi bar as much as a year in advance, a pri­ces star­ting around $600 a head. Peo­ple have been known to fly all the way from Ame­rica or Europe, just to expe­rience a 30-minute meal. In a sub­way station!

10. I was lucky enough to have a simi­lar expe­rience first-hand when about eight years ago, I star­ted wor­king with the English Savile Row tai­lors. They make the best suits in the world; all hand-made, they go for about $5000 a pop.

11. The tai­lors have a simi­lar shtick as Jiro. They’re gene­rally not that rich, their busi­nes­ses are tiny, yet the great and the good worship at their feet. Cele­bri­ties, cap­tains of industry, peo­ple who are also world-class at what they do, like Jiro’s cus­to­mers, wai­ting as long as a year in advance to get their next suit.

12. Like Jiro, the tai­lors just get up every mor­ning and do their thing, day-in-day-out, humbly, quietly, without a lot of fan­fare, totally dedi­ca­ted to their jobs. I’ve seen it. On the sur­face, it’s quiet, calm and kinda dull.

13. And like Jiro, from my obser­va­tions they seem to have this sense of inner satis­fac­tion my Wall Street tra­der friends (who easily make ten times as much, on  a good day) can only dream of.

14. As a result, Jiro and the Savile Row tai­lors are the peo­ple I really try to emu­late. Because it’s doa­ble. I can do that. I may never be as rich as Steve Jobs or Warren Buf­fet, I may never be lite­rally a rock star like Bono or Jag­ger, but I can be like Jiro and the tai­lors… or at least, more like them.

15. And like them, I live very low-key; I get up every mor­ning and quietly get on with the busi­ness cran­king out my pro­duct, my car­toons. Like I said, quiet, calm and kinda dull.

16. So what’s their sec­ret? THE sec­ret? What is the sec­ret sauce that lets these other­wise quite ordi­nary peo­ple like Jiro and the tai­lors, lead such extraor­di­nary lives?

17. In a word: MASTERY. They’ve MASTERED something. Something inte­res­ting and valua­ble. They are MASTERS of their craft. It may be an old-fashioned word that makes peo­ple uncom­for­ta­ble, but that’s only because it’s something that elu­des most people.

18. Though, having watched these mas­ters care­fully first-hand, I can honestly say MASTERY is more satisf­ying than money (and I’ve seen both, trust me). If you’re up for it, yes, MASTERY MATTERS MORE THAN MONEY, MASTERY MATTERS MORE THAN SUCCESS.

19. And it’s por­ta­ble. It tra­vels with you, whe­re­ver you go. No land­lord, no boss, no reces­sion, no Wall Street analyst, no news­pa­per cri­tic can take it away. It’s something that truly belongs to you, for always.

20. So when a young per­son asks me for career advice these days, I tell her, “Don’t worry about so much about money, fame, suc­cess, wha­te­ver. Worry about Mas­tery– that is something pre­cious you can actually con­trol. And yes, if you’ve achie­ved mas­tery, you’re more likely to be suc­cess­ful and pros­pe­rous, any­way.” Again, MASTERY MATTERS MORE THAN SUCCESS. So go for it. Thank you.

[P.S.: Thanks to Alex and Ana for making this hap­pen for me. I had a great evening!]

May 24, 2012

Success has no purpose

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May 19, 2012

Alfred

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May 8, 2012

The trouble with big companies…

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All three possible answers

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I hate my life

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May 5, 2012

Suck at everything

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May 3, 2012

Everybody pays

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April 10, 2012

What Silicon Valley is REALLY saying about the recent Facebook-Instagram deal

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[Link: GigaOm]

April 5, 2012

Show me your passion

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March 29, 2012

A business card is not just a social object; it’s a form of schwag

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The new busi­ness cards have arri­ved.… Very cool.

I’ve been saying this for years– a busi­ness card is not just “con­tent”, is not just “per­so­nal details”. A busi­ness card is not just a social object; it’s a form of sch­wag, if you think about it.

So you have to treat it like that; you have to think to your­self, “How are peo­ple going to inte­ract with this, when I hand it out?”

Not roc­ket science. Just com­mon sense.

[Check out the new gaping­void star­tup: Social Object Fac­tory]

March 28, 2012

Picture of God

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March 10, 2012

Greetings from #sxsw

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February 23, 2012

That God Existed

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February 7, 2012

You chose money

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Story of my life:

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February 2, 2012

For all you zen-hipster knuckleheads in the audience:

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January 22, 2012

Evaded

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Re–

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January 7, 2012

You must love what you do

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A perfect moment

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January 6, 2012

I tried…

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December 29, 2011

“Souls Need To Be Touched”

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Thanks to Kath­leen Warner for orde­ring the gaping­void busi­ness card above.

I’m pas­sio­nate about the idea that a busi­ness card should be more than just a way of han­ding out con­tact details, but a social object that sta­tes what you believe in, what you stand for.

Exactly.

The Genesis of gapingvoid Business Cards

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If a law­yer gives you her  gaping­void busi­ness card, what does that tell you?

Like Jeff says, that you’re not dea­ling with a nor­mal lawyer…

Exactly.

[You can get the biz­card design above here, and if you like the design well enough to hang it on your wall, the print is for sale here. Rock on.]

I got the idea for gaping­void busi­ness cards when I was living in New York, when I dis­co­ve­red that I pre­fe­rred giving out my own, hand-drawn busi­ness cards to peo­ple, rather than the ho-hum busi­ness cards that my emplo­yer at the the time issued me with.

Of course, after a while it became a lot of work, dra­wing them every time I met someone. Even­tually I star­ted get­ting them prin­ted. Then I thought, why not print them for other peo­ple? The rest is history…

I always thought there was a mar­ket for busi­ness cards that stood out. Cards that reflec­ted the per­so­na­lity of the per­son han­ding them out, cards that said, “I’m not just one more ran­dom shmuck in a bar, doing the usual han­ding out his card to an equally ran­dom chick in a bar yada, yada, yada.”

Living in New York, in a sea of other equally oppor­tu­ni­tist young peo­ple on the make, it was easy to be “another ran­dom guy”. I don’t want to be that ran­dom guy. I wan­ted to be something else.

And it wor­ked. What star­ted out as an act of rebe­llion among the suits and hips­ters of Manhat­tan, tur­ned into a suc­cess­ful busi­ness and art career.

I’m having fun. You?

December 28, 2011

“Gotta get me some of them Idiot Filters…”

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Thanks to Ben Nes­vig for orde­ring a set of our gaping­void busi­ness cards  [You can get your own here…].

The gaping­void busi­ness cards– my car­toons prin­ted on the back, your per­so­nal details prin­ted on the front– are desig­ned to act like “Idiot Fil­ters”. In other words, peo­ple who are cool seem to like them right away, peo­ple who are idiots always tend to ask “WTF?” So it’s a good way of gau­ging peo­ple, quickly.

That’s the idea, any­way. At the very least, they’ve crea­ted A LOT of fun for peo­ple over the years. And now we have more designs than ever. Feel free to ping me if you have any ques­tions. Rock on.

December 25, 2011

Ho ho ho…

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December 22, 2011

We tell ourselves we’re alive…

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December 19, 2011

Become the light

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