Archive for the ‘evil plans’ Category

October 28, 2009

“the moment”

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Simon Thornhill is a good friend of mine. He and his lovely wife own The Trou­ba­dour in Lon­don, the legen­dary res­tau­rant and nightc­lub. Jimi Hen­drix and Bob Dylan pla­yed there, back when they were still unk­nown. The Thornhills bought the place from the pre­vious owners a few years ago.

Before that, Simon was an offi­cer in The Black Watch, perhaps the most res­pec­ted Scot­tish regi­ment in the Bri­tish Army. He’s tough as nails, but a bit of a hip­pie, too. If you ever visit Earl’s Court, look him up. He’s terri­fic company.

I don’t know what we were were tal­king about that night in The Shac­kle­ton Room, but somehow the con­ver­sa­tion got on to the sub­ject of young Army offi­cers. Some of the kids I went to high school in Edin­burgh with ended up joi­ning Regi­ments straight after finishing their exams, so Simon’s pre­vious life wasn’t a world com­ple­tely unk­nown to me. These kids sign up at age seven­teen or eigh­teen, take their two-year trai­ning at Sandhurst, and the next thing you know, they’re in the field, armed to the teeth, and giving orders to expe­rien­ced Sar­geants and Cor­po­rals twice their age.

I don’t know about you, but I would find that REALLY inti­mi­da­ting. Those young kids must have cojo­nes, I’ll tell you that. I was telling Simon how terrif­ying I thought it it must be, to be a kid barely out of school, with all the men  FAR more expe­rien­ced than you under your com­mand, hol­ding you in the tra­di­tio­nal squad­dies’ con­tempt reser­ved for all new, young officers.

“Yes,  that cer­tainly hap­pens,” said Simon. “But then you finally have what they call in the Army, ‘The Moment’. The Moment when you stop trying to be your men’s new best friend, and actually start to lead them. That’s when you REALLY become an offi­cer– not before, when you receive your commission.

“That hap­pe­ned to me when we were on a night exer­cise. I had only recei­ved my com­mis­sion a few months pre­viously. Things were going terribly wrong, nobody was doing their jobs. Everything was in sham­bles. Finally I had my ‘Moment’. I just pulled my fin­ger out, and firmly said to the men, ‘I’m in com­mand, you’re not, you will do as I say or I will have you all up on char­ges, Boys. Now fuc­king go do your jobs.’ Somehow they knew I wasn’t joking.

“And so they went off and obe­yed their orders, without any fuss. A few of them were easily ten or fif­teen years older than me… The thing is, they might not think much of the young kid giving them orders at first, but at the same time, sol­diers do want to be led.”

As with Simon, I think we all need to have that “Moment”, even­tually. That moment when we stop futzing around and actually start beha­ving like pro­per adults. That moment when we actually start acting like “Offi­cers” com­man­ding our own lives.

I remem­ber mine. I didn’t think too much about it at the time, but over the years I rea­li­zed just how key it ended up being.

I was a young free­lance adver­ti­sing crea­tive, living in Lon­don, mee­ting a friend for a drink at my regu­lar Soho wate­ring hole, The Coach & Horses.

The bar was crow­ded and noisy that eve­ning. The bar­maid was a young, pretty Chi­nese lass, who’d only been in the country a short while, who spoke pretty good English, but not great.

I asked the bar­maid for a glass of wine for my friend, and for me, a gin & tonic with FOUR sli­ces of lime. I even held up four fin­gers to help make it clear to her.

So the poor bar­maid ended up brin­ging me back five drinks– my friend’s glass of wine, with FOUR gin & tonics, each with a SINGLE slice of lime. Oops. We’re tal­king a round that I sup­pose easily excee­ded thirty or forty dollars.

A sim­ple misun­ders­tan­ding, I guess, plus like I said, her English wasn’t very good. I told the bar­maid about the mix-up. “No, I asked for a SINGLE gin & tonic with FOUR sli­ces of lime” etc.

Up until that moment, like any young pub drin­ker, I pro­bably would then have just asked the bar­maid to take the sur­plus three drinks away, and add more lime sli­ces to the remai­ning gin. Easy. But I didn’t.

Ins­tead, I asked her, “Will this mis­take be coming out of your wages?”

“Yes,” she replied. I already knew enough about the bar’s owner to know that she wasn’t lying.

The thing is, unlike here in the US, the peo­ple wor­king in Lon­don pubs don’t work for tips, mainly because nobody really tips there. You might get five or ten dollars a night if you’re lucky. They get paid by the hour, usually mini­mum wage, in one of the most expen­sive cities in the world. Hence Lon­don bar­ten­ders tend to be really, really poor. The mis­take the bar­maid made would be, for her, extre­mely expen­sive. Two-three hours’ wages or so, maybe even more.

“Never mind,” I said. “Just put three more limes in one of the glas­ses, and I’ll pay for the other three gins as well.” Which I did.

Then it was just a mat­ter of fin­ding three ran­dom peo­ple in the bar who were not above accep­ting free gin & tonics from a total stran­ger with an Ame­ri­can accent. This being The Coach & Hor­ses, that took all of twenty seconds. “Cheers, Mate!”

A year or two before that, I would’ve just pro­bably allo­wed the young bar­maid to take the hit. “You made the mis­take, not me, not my pro­blem” etc.

Lon­don was being kind to me at the time; life was good. Whe­reas this young Chi­nese girl was living thou­sands of miles away from her family, and pro­bably doing so very close to the poverty line. So I chose to take the hit ins­tead of her. I know I didn’t have to, I was per­fectly within my rights, but…

I didn’t want to be that kind of per­son any­more. I really didn’t. So that was my “Moment”.

And every enter­prise I’ve ever star­ted or been invol­ved with, had its Moment as well. That moment where you finally decide not to cut cor­ners, not to make excu­ses, even if you can get away with it. Even if 99% of other busi­nes­ses wouldn’t have bothered.

These moments are gold dust, they really are.

Has your busi­ness had its “Moment” yet? If not, what can you do to make it hap­pen soo­ner? Serious question.

[Update: Molly made a lovely point in the comments:] 

The Moment is a con­fluence of empathy, unders­tan­ding and cla­rity that ena­bles you to ele­vate your­self to your next stage of deve­lop­ment. I have a true Moment about once a year, and it falls within a dif­fe­rent cate­gory each time (ie. Paren­ting, per­so­nal, professional).

[Backs­tory: About Hugh. E-mail Hugh. Twit­ter. Limi­ted Edi­tion Prints. Car­toon Archive. News­let­ter. Book. Inter­viewEssen­tial Rea­ding:Everything You Always Wan­ted To Know About ‘Cube Gre­na­des’ But Were Afraid To Ask.”]

October 27, 2009

more thoughts on “evil plans”

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Now that my Octo­ber tra­vels are over, I’m sit­ting at my desk again, wor­king on my second book, EVIL PLANS. Here are some notes:

1. The defi­ni­tion of an “EVIL PLAN” is, quite simply, a great idea that the world isn’t quite ready for yet, or at least, doesn’t think it is. Think of all the world-changing ideas that met resis­tance when they first came out. The motor car (“What’s wrong with a good horse?”). The telephone (“Hey, if someone wants to speak to me, they can damn well come and visit me at my office, or write me a let­ter.”). Uni­ver­sal Edu­ca­tion (“We can’t have com­mo­ners lear­ning how to read– it’ll give them all these fancy ideas they have no busi­ness thin­king!”). Per­so­nal Com­pu­ters (“The world is per­fectly happy with $5 million main­fra­mes, Lad­die.”). Women’s Suf­frage (“Women? Voting? But they’re not men­tally sta­ble enough to choose a good leader!”).

2. Every­body needs  their own EVIL PLAN. Because that’s our tic­ket off the tread­mill, the nine-to-five, the wor­king for The Man. Being a wage slave in the post-industrial world sucks. Besi­des, the lat­ter doesn’t pay very well.

3. Ever­yone needs to find mea­ning in the brief time they’re living on this pla­net. Besi­des Love– friends, family, babies, your fellow man etc– I believe the best way to achieve that is to find a way of making a living that (A) pays the bills and (B) crea­tes something that you can believe in. We are hap­piest when the work we do ful­fills a sense of pur­pose. This isn’t roc­ket science. This is just an EVIL PLAN to get our sorry asses out of the salt mine and on to doing something that matters.

4. EVIL PLANS are not really “Evil”, of course. Maybe “Impish” would be a more accu­rate term. But calling it “Evil” is really pretty “Impish”, so hey, it works. There is something rather mischie­vous about having something up your sleeve that will sur­prise every­body even­tually– something that will carry “the joy­fully unex­pec­ted” to a place it wasn’t before.

5. My good friend, John T Unger once said, “Pro­bably the easiest way to create good in this world, is by star­ting a small busi­ness that makes cool stuff.” I totally agree. That’s how I’ve cho­sen to spend my life; the point of EVIL PLANS is to reach out to those who have done the same. There are MILLIONS of us. It’s damn exciting.

6. “It’s not just enough to make money. One needs Per­so­nal Sove­reignty as well.” My Scot­tish grand­father was poor as dirt his whole life. But he died a free and proud man, and loved by count­less many. One thing Grandpa didn’t like, was being told what to do by other peo­ple. Espe­cially bureauc­rats. “Wee Man­nies”, he called them. Small men who used their State-given autho­rity to push big­ger men around. They never really pushed Grandpa around, though– frankly, they weren’t that dumb. As I get older, the more I rea­lize how much I take after Grandpa Mac­Leod. Which is why I own my own busi­ness, which is why I would never do well in a large cor­po­ra­tion. I don’t like having bos­ses. I don’t like being told what to do. Again, there are millions of peo­ple out there who feel the same. Again, it’s exciting.

7. I’m not wri­ting a “How-To” book. A library of How-To books won’t tell you as much as the follo­wing sen­tence: “Work your ass off for twenty years and THEN, JUST MAYBE you’ll finally get a fric­kin’ clue.” Like my first book, IGNORE EVERYBODY, I’m just com­pi­ling a list of all the stuff that has hel­ped me over the years. But it’s true– a little talent & a good work ethic goes a lot farther than a lot of talent & a poor work ethic. As a lot of my hapless, talented-but-lazy friends found out far too late.

8. I’ve been an artist, I’ve been an entre­pre­neur. Some­ti­mes it’s hard to tell the dif­fe­rence– they’re far more simi­lar than the popu­lar myths would have us believe. A forty­so­mething musi­cian sent me an email recently. He told me that, although his life for the most part has been a happy one– good health, lovely wife, great kids, good friends, nice house, etc– his career has always been a bit foggy for him, like he was never sure what would hap­pen next. I replied, “No worries, your situa­tion hap­pens A LOT with crea­tive peo­ple, even among the super-creative-successful types. The never-ending fog of being an artist.” Whether we’re tal­king art or being an entre­pre­neur, “The Fog” is always with us. There is no cure, there is only buil­ding up a tole­rance. And a good sense of humor helps, as well.

9. I think human beings inhe­rently want to do “Something That Mat­ters”. I think it’s in our DNA. I think the peo­ple who say they don’t want do something that mat­ters are liars. I also think having an EVIL PLAN cons­tantly in the back of our minds– quit­ting our day job and ope­ning a bar, wri­ting the Great Ame­ri­can Novel, wha­te­ver– is also in our DNA. EVIL PLANS is a medi­ta­tion about finally waking the hell up and going off to do something meaningful.

10. Life is an adven­ture. EVIL PLANS is my way of pro­ving the pre­ce­ding sen­tence correct. And the peo­ple who want to prove me wrong? They’re wel­come to try– even if they’ll pro­bably fail. Screw ‘em anyway.

[Backs­tory: About Hugh. E-mail Hugh. Work with Hugh. Twit­ter. Car­toon Archive. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Essen­tial Rea­ding:Everything You Always Wan­ted To Know About ‘Cube Gre­na­des’ But Were Afraid To Ask.”]

October 1, 2009

“a good customer base is the best marketing department there is”

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In a rather ran­dom moment of cla­rity, I wrote this line on Twit­ter a cou­ple of weeks ago:

“A good cus­to­mer base is the best mar­ke­ting depart­ment there is.”

One thing I remem­ber fondly about my college bud­dies, back in the day: Not only did they all spend a lot of time and energy lis­te­ning to Gra­te­ful Dead records and atten­ding Gra­te­ful Dead con­certs, they also spent a lot of time and energy trying to get me to do the same.

Though I never became much of a Dead fan in the end, it sure wasn’t for my friends’ lack of trying. Their mojo may not have wor­ked on me, but hey, it wor­ked on plenty other impres­sio­na­ble young peo­ple, so it’s all good.

My college bud­dies were self-appointed team mem­bers of one of the grea­test mar­ke­ting depart­ments in his­tory: The Deadheads.

So who are your cus­to­mers? Are they your mar­ke­ting depart­ment? If they’re not, they should be, yes?

[This reminds me: Seth Godin cited The Deadheads in his won­der­ful book, “Tri­bes”. I inter­vie­wed him here about the book etc.]

[Backs­tory: About Hugh. E-mail Hugh. Work with Hugh. Twit­ter. Car­toon Archive. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Essen­tial Rea­ding:Everything You Always Wan­ted To Know About ‘Cube Gre­na­des’ But Were Afraid To Ask.”]

September 27, 2009

we should be dead: what’s your commitment level?

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[Untit­led. Ink on card­board, business-card size etc.]

Alpine, Texas.

I’m always on the loo­kout for new things that ins­pire me; it’s part of my job. Here’s one to add to the list:

It was last March or so, just after I had got­ten back home from SXSW Inte­rac­tive ’09 in Austin.

I was drin­king a beer at The Rail­road Blues, like I often do. Ins­tead of the usual Blues, Country and “Ame­ri­can Roots” bands they were used to having, the band pla­ying that night was a young Indie/Powerpop/Alternative group from Lime­rick, Ire­land, called “We Should Be Dead”. Female lead sin­ger, female lead gui­tar, male drum­mer and bass. Ave­rage age, I’d say, was around 24.

Now, Cel­tic Indie/Powerpop/Alternative is not exactly the kind of music I’m into (Ima­gine “The Cran­be­rries meet The Go-Go’s” etc). But man, I was so impres­sed with these kids. They sang and pla­yed their hearts out. Not to men­tion, there were a lot of cow­boys and shit­kic­kers in the crowd that eve­ning– not a crowd you want to piss off. Ever­yone– inc­lu­ding the cow­boys and shit­kic­kers– were impres­sed by how gutsy and fear­less these kids were.

The lead sin­ger, a tiny, skinny girl around five-foot-two, would get off the stage in the middle of a num­ber and walk around the crowd, sin­ging into her mike, with these broad-shouldered cow­boys, wea­ring hand­le­bar mus­taches, ten gallon hats and boots, TOWERING above her. Like I said, fear­less. So even if the music was a bit alien to what peo­ple were nor­mally used to, they still got a lot of peo­ple whoo­pin’ and a’hollerin’ that night. It was a great show. Months later and peo­ple are still tal­king about it.

I got tal­king to their mana­ger– a stocky, Irish dude in his for­ties. It turns out, though they were now on tour, they hadn’t plan­ned it that way. They had only come over for SXSW ori­gi­nally, and were plan­ning to return to Ire­land right after.

Then somehow while in Aus­tin, the mana­ger made some con­nec­tions, and the next thing you know, the band were hea­ded West to Cali­for­nia, ready and willing to play in every dive bar and dance hall along the way that would let them. Hiring a van, thro­wing their ins­tru­ments and ampli­fiers in the back, living on a few bucks a day plus gas money, slee­ping rough if they had to.

And they were going to keep on doing it, till they had spent their last nic­kel, till they had bur­ned their last drop of gas. Only then, and not before,  would they fly back home.

Sure, they could have gone back to Ire­land ins­tead, and con­ti­nue being a fix­ture around the local pub n’ club cir­cuit. No, they wan­ted to bust out of that rou­tine– and here was their chance. Not a huge chance, but a chance nonethe­less. And they were going for it, no ques­tions asked. Like the equally tiny-skinny lead gui­ta­rist told me in her cute little Lime­rick accent, “We don’t want to go home. We want to keep doing this forever.”

Would you be willing to put in that kind of effort and com­mit­ment, to make your busi­ness a suc­cess? How willing to “sleep rough” are you? Are you that brave? Am I?

God Bless ‘em…

[UPDATE: You can follow the kids over on Twit­ter at @weshouldbedead. Looks like they’re now based in L.A. Looks like their EVIL PLAN wor­ked! Rock on…]

[BONUS LINK: Video Diary– We Should Be Dead in L.A.]

[Backs­tory: About Hugh. E-mail Hugh. Work with Hugh. Twit­ter. Car­toon Archive. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Essen­tial Rea­ding:Everything You Always Wan­ted To Know About ‘Cube Gre­na­des’ But Were Afraid To Ask.”]

September 22, 2009

life is too short not to have an “evil plan”

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For bet­ter or worse, I believe the following:

It has never been easier to make a great living, doing what you love.

But to make it hap­pen, first you need an “EVIL PLAN”.

But how does one go about fin­ding and exe­cu­ting their own EVIL PLAN? And besi­des, why should any one want to?

I’ll tell you why:

Like the old Scot­tish pro­verb says, “Be happy while you’re living, for you’re a long time dead.”

Life is too short not to have an EVIL PLAN. Life is too short not to do something that mat­ters. Life is too short to sleep­walk through it, hoping, drea­ming, but never quite waking up. Life is too short not to become the per­son you were born to be.

[Backs­tory: About Hugh. E-mail Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

September 15, 2009

evil plans & english cut

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[Tho­mas Mahon]

I’m currently wor­king on the English Cut case-study for my upco­ming book, “Evil Plans”.

EnglisCut.com was a blog I star­ted with a Savile Row tai­lor, Tho­mas Mahon, back in January 2005. The enter­prise pro­ved tre­men­dously suc­cess­ful– enough that the story has been retold many times in maga­zi­nes, blogs, bes­tse­lling books and natio­nal media. Three years ago in Lon­don I gave a talk all about it– I thought it was now worth re-publishing the accom­pan­ying blog post I wrote at the time. Enjoy:

[Ori­gi­nally published here, Sep­tem­ber 21, 2006.]

I’m spea­king today at the “Social Net­work Tools & Their Busi­ness Appli­ca­tion” con­fe­rence in Lon­don. The title of my talk is: “Case Study: Using Blogs to Create a Glo­bal Micro-Business”. I’ll be tal­king about English Cut, and how it trans­for­med Tho­mas’ tai­lo­ring busi­ness and edu­ca­ted his cus­to­mers.
The story of how Tho­mas, myself and later, New York PR maven Dave Par­met star­ted wor­king together was won­der­fully re-told in Naked Conversations:

Mac­Leod says he “star­ted filling Mahon’s head with Clue­train and blog­ging stuff,” and slowly Mahon got inte­res­ted. “We star­ted thin­king that if Mahon could talk about tai­lo­ring on a blog about the same way that Seth Godin talks about mar­ke­ting, then the peo­ple who care will see it. Mahon wouldn’t try to sell suits on the blog. Ins­tead, he would show his know­ledge and love of the craft. He would explain the labor, and mate­rials invol­ved and why the cost of each suit was jus­ti­fied.” The idea was that the peo­ple who cared either about suits or how a mas­ter crafts­men crea­tes them would find their way to the site.

My father remar­ked to me the other day, “I bet you had no idea in the begin­ning that the blog would work as well as it did, eh?”
True, I had no idea. But loo­king back, we had a few things going for us.

1. A great pro­duct. Tho­mas is one of the best tai­lors in the world. His suits REALLY ARE that good. If we were just selling com­mo­di­fied drek, I doubt if anyone would’ve paid much atten­tion.
2. A uni­que story. When he star­ted, Tho­mas was the only Savile Row tai­lor wri­ting a blog, and this gave him a uni­que voice in the blo­gosphere. This fue­lled the inte­rest. Had mas­ses of tai­lors already been blog­ging, it would’ve been much har­der for his own uni­que “idea-virus” to spread. The first-mover advan­tage rule still applies.
3. Pas­sion & Autho­rity. Tho­mas has both in spa­des. That’s what kept peo­ple coming back. That’s what built up trust. That’s what tur­ned his rea­ders into cus­to­mers. Which is why “Share what you love” is the best advice there is.
4. Con­ti­nuity. He kept at it. He didn’t expect the blog to trans­form his for­tu­nes over­night. As I’m fond of saying, “Blogs don’t write them­sel­ves”. Based on our expe­rience, if you want blogs to trans­form your busi­ness, I’d say give your­self at least a year.
5. Focus. It was always about the suits. It was never about what he had for break­fast, Tech­no­rati rank or frothy gos­sip about other blog­gers.
6. Tho­mas spoke in his own voice. Tho­mas is a straight­for­ward, affa­ble fellow, and the voice on the blog is the same as the voice you meet in real life. He never tried to mis­re­pre­sent him­self on his blog, nor try to create some over-glamorized image of his pro­fes­sion. He just told it like it is. And peo­ple res­pon­ded well to that. As he once put it, “We’re so lucky we don’t have to create the brand out of thin air. We just tell the truth and the brand builds itself.”
7. Sove­reignty. The only peo­ple we had to please were the two of us. No bos­ses or outside inves­tors to keep happy. Bos­ses and inves­tors like gua­ran­tees, but there aren’t any.
8. We were both broke when we star­ted. Had we had mas­ses of money at the begin­ning, we would have had a lot more options on how to get the word out. In all like­lihood, these options would have been a lot more expen­sive and not nearly as effec­tive. Some­ti­mes lack of capi­tal is a defi­nite advantage.

A blog is a great way to build one’s own per­so­nal “glo­bal mic­ro­brand”. As the Job-For-Life no lon­ger exists, as the value of the social “posi­tion” ero­des and the value of the “pro­ject” takes its place, per­so­nal brand deve­lop­ment beco­mes far more impor­tant to one’s career. Blogs are a good place to start.
Hey, if a Savile Row tai­lor can do it, what’s your excuse?

[Backs­tory: About Hugh. E-mail Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

September 12, 2009

my next book’s title: “evil plans: and 39 other keys to building a global microbrand”

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[Backs­tory: About Hugh. E-mail Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

It’s been almost four years since I first pos­ted “The Glo­bal Mic­ro­brand Rant”:

A small, tiny brand, that “sells” all over the world.

The Glo­bal Mic­ro­brand is nothing new; they’ve exis­ted for a while, long before the inter­net was inven­ted. Ima­gine a well-known author or pain­ter, selling his work all over the world. Or a small whisky dis­ti­llery in Scot­land. Or a small cheese maker in rural France, whose pro­duce is expor­ted to Paris, Lon­don, Tokyo etc. Ditto with a vio­lin maker in Italy. A clas­si­cal gui­tar maker in Spain. Or a small English firm making $50,000 shotguns.

[…]

Frankly, it beats the hell out of com­mu­ting every mor­ning to the cor­po­rate glass box in the big city, something I did for many years. Just so I could make enough money to help me for­get that I have to com­mute every mor­ning to the cor­po­rate glass box in the big city.

There are thou­sands of rea­sons why peo­ple write blogs. But it seems to me the big­gest rea­son that dri­ves the blog­gers I read the most is, we’re all loo­king for our own per­so­nal glo­bal mic­ro­brand. That is the prize. That is the tic­ket off the tread­mill. And I don’t think it’s a bad one to aim for.

As I’ve been wor­king on my next book, EVIL PLANS, it sud­denly occu­rred to me, THIS is what I’ve been doing all along with gaping­void these last eight years– trying to build my own glo­bal mic­ro­brand, and trying to help others do the same.

Like my old French buddy, Lau­rent Haug told me while we were sip­ping beers in Geneva, not long after I’d writ­ten the Glo­bal Mic­ro­brand Rant:

“You nai­led, it, Man. You’re set for life.”

“What do you mean?”

“The Glo­bal Mic­ro­brand. You coi­ned the term, now you own that conversation.”

“So what’s the big deal?”

“Every­body wants one, Hugh. That’s what we’re all cha­sing after.”

Lau­rent had a point. Loo­king back, it seems so gla­ringly obvious now…

Eureka. EVIL PLANS just got slightly more evil. Rock on.

[Bonus Link:] “Ten Thou­sand Peo­ple: The Anti­dote To ‘Cha­sing Gigs’”.

August 13, 2009

ten thousand people: the antidote to ‘chasing gigs’

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1. Ten Thou­sand Hours.
Ten Thou­sand is a num­ber that has been in vogue among the online inte­lli­gen­cia lately, thanks to “Out­liers”, the bes­tse­lling book by The New Yor­ker wri­ter, Mal­colm Glad­well.
Glad­well didn’t invent the idea, but he popu­la­ri­zed “The Ten Thou­sand Hours Rule” [I believe it first came out of a study from Flo­rida State Uni­ver­sity yada yada…].
In short, evi­dence sug­gests that if you want to be really good at something, really suc­cess­ful at something, you need to put about ten thou­sand hours of work into it, before your efforts bear real fruit. This seems to be true whether we’re tal­king about com­pu­ters (He cites Bill Gates being one of the first high school kids EVER to have put in ten thou­sand hours of com­pu­ter time before going to college), or making art, fixing cars, laying tile, or get­ting a black belt in Karate.
Glad­well cer­tainly made a good case for it, and from my own per­so­nal expe­rience, ten thou­sand hours sounds about right. I actually came across the Ten Thou­sand Hour Rule before Gladwell’s book came out, via my buddy, Stowe Boyd, who wrote a great blog post about it [using me as a case study, *cough*] a few years ago. But I digress…
2. Ten Thou­sand Peo­ple.
Ten Thou­sand is a num­ber that has spe­cial mea­ning to me, as well:
The first few years of this cen­tury were tough ones for me. My career in adver­ti­sing pretty much tan­ked around the same time as the dot­com crash, and I found myself unem­plo­yed, broke, living in the boo­nies, scra­ping a mea­gre living wri­ting free­lance brochure copy. Then 9 – 11 came along and made it even worse. Not fun or nice.
Up until that point, I had spent my entire wor­king career “cha­sing gigs”. Whether we’re tal­king full-time sala­ried posi­tions, or three-day free­lance oppor­tu­ni­ties, I had spent well over a decade cha­sing that ever-elusive island of secu­rity in a swe­lling ocean of advertising-industry chaos. And these gigs would never last, they would always end even­tually, for wha­te­ver rea­son. Reces­sions, layoffs, down­si­zing, incom­pe­tence on my part, incom­pe­tence on the boss’ part, wha­te­ver. And usually the timing was bad, of course it was.
Chase, chase, chase…. And I was sick of it. Really, REALLY sick of it. Over a decade of wor­king my butt off, and those islands of secu­rity were no less elu­sive than before. And I wasn’t as young as I used to be. The hams­ter wheel was star­ting to do me in.
Then, in these dar­kest of days, I had a sud­den flash of life-changing insight. Like I told my fellow burnout-advertising drin­king buddy that eve­ning, as we com­mi­se­ra­ted at the bar about our sad lot in life:

“I don’t want to be cha­sing gigs any­more.”
“What do you want, then?” asked my buddy.
“I just want ten thou­sand peo­ple giving me money every year.”
“Where are you going to find these peo­ple?” he asked.
“The Inter­net,” I replied.
“What do you plan on doing there?”
“I think I’ll start by publishing my car­toons online… on a blog.”
“What’s a ‘blog’?”

The rest, as they say, is his­tory…
There was nothing magi­cal about the ten thou­sand num­ber. I just rec­ko­ned that, as a car­too­nist, if I was making t-shirts, books, wha­te­ver– and ten thou­sand peo­ple were buying pro­duct every year, with me making a few bucks pro­fit off each unit, well, it wouldn’t make me a billio­naire, but at least I’d be able to feed myself.
Also, ten thou­sand peo­ple sup­por­ting me see­med like a good way of sprea­ding my bets eco­no­mi­cally. If one per­son drops out, and all you lose is a t-shirt sale, with 9,999 other peo­ple still on board you can easily reco­ver. But in the world of cha­sing adver­ti­sing gigs, if the one per­son you lose hap­pens to be your jac­kass boss, you’re dead meat.
Then a wee while ago I came across the great “One Thou­sand True Fans” blog post. A simi­lar idea to my own, except his magic num­ber was one-tenth the size of mine. It doesn’t mat­ter. It all depends on what you’re selling. The famous English tai­lor, Tho­mas Mahon, has his magic num­ber set at one hun­dred, because that’s basi­cally how many hand­made suits he is phy­si­cally capa­ble of making in a twelve month period. Good thing his suits are very expen­sive– One hun­dred “True Fans” wouldn’t get him very far if all he was selling were ten-dollar tee shirts.
Wha­te­ver your own, per­so­nal magic num­ber may be, I hope you find it one day; I hope you find THOSE PEOPLE one day.
Beats cha­sing gigs for a living….
[Update: Just added this post to EVIL PLANS.]
[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

August 5, 2009

stormhoek bottles

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[A print idea for #evil­plans. Click on image to enlarge etc.]

EUREKA! I had my EVIL PLANS road trip idea, but it was lac­king the social object it nee­ded to really work.
Sure, dri­ving around Texas with a video camera and an idea about “Dream Big” was all very well, but it nee­ded something to work as a totem for the Stormhoek wine.
IDEA: Hand-painted wine bott­les.
I’ve drawn on Stormhoek wine bott­les before, using pain­ting sticks. They loo­ked kinda cool. While I tra­vel around Texas, I’ll be making them to hand out to peo­ple who went to all the trou­ble to sup­port this enter­prise. See image above to get a rough idea what it might look like…
This is exci­ting. The road trip idea is sud­denly A LOT More inte­res­ting, all of a sud­den. Rock on.

[Update: Just added this blog post to EVIL PLANS.]

July 28, 2009

who says you can’t have it all?

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I often think that the thing that pro­bably cau­ses the most “quiet des­pe­ra­tion” in modern society, is the relent­less pur­suit of “Having it all”.
“Who says you can’t have it all?” were the lyrics of an anno­yingly upbeat beer jin­gle from the mid-1980s.
This cam­paign for Miche­lob Lite tri­tely asked the ques­tion, “Who says you can’t love your work, and leave it too?” as an alle­gory to the ques­tion, “Who says you can’t get great, satisf­ying taste in a beer, that also hap­pens to be kinda light and watery?”
I remem­ber seeing the ad as a kid. Some yup­pie who loo­ked good in a suit, loo­ked good in a cor­po­rate office, but also loo­ked pretty good on the bas­ket­ball court with his bud­dies, and who also loo­ked good wiel­ding an elec­tric gui­tar surroun­ded by an admi­ring group of ladies. Loving his work, and lea­ving it too, as the jin­gle reaches its triumphant cli­max. “Oh YES you caaaaan… have it ALL!” How sti­rring for the soul etc. Tols­toy or Beetho­ven would be proud etc etc.
If you read the article from 1987 that I lin­ked to above, you’ll find the cam­paign wasn’t that suc­cess­ful.
Of course it wasn’t. Why? Because as we all know, life isn’t like that.
How many PhD’s have quit their ste­llar careers in aca­deme, to go play for the NFL? How many NBA stars, after they reti­red from bas­ket­ball, go off to run a divi­sion of IBM?
To be the best in the world at something– or even REALLY good at it– the sac­ri­fi­ces are utterly, utterly enor­mous. “Have it all?” Are you insane?
We ALL know this.
Except Miche­lob Lite back in 1987, it seems. Which is why, twenty-plus years later after dec­la­ring their abi­lity to be all things to all peo­ple, their brand is still strug­gling away, trying hard to be something– ANYTHING– other than unex­cep­tio­nal. I wish them well.
Of course, this “Have It All”, sacrifice-free atti­tude isn’t just the domain of unex­cep­tio­nal beer brands. It’s the domain of unex­cep­tio­nal indi­vi­dual careers, as well. We can only hope that ours is not one of them.

[UPDATE: Just added this blog post to “Evil Plans”.]

[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.“EVIL PLANS”.]

July 26, 2009

note to texas twitterers: futile marketing in texas

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[UPDATE: Of course, I can’t do this alone. I’ll be nee­ding the help of the Texas Twit­ter com­mu­nity to help me. If you have any ideas to help make this act of futi­lity somehow less futile, please email me at gapingvoid@gmail.com. Thanks!]

My long-term plan is to con­ti­nue living out here in Alpine, Texas, wri­ting books and making pain­tings. An ideal West Texas “crea­tive” life and all that…
BUT BEFORE I settle into that role, I have one LAST mar­ke­ting fan­dango to pull off.
Namely, making Stormhoek the best-selling South Afri­can wine in Texas.
How am I going to do that? Basi­cally, get in my car and drive. Start visi­ting with peo­ple. Start sprea­ding the word. Start fin­ding allies who can help my little adven­ture along. Stay on the road until I reach my goal.
You can read about my adven­tu­res on my EVIL PLANS blog page.
When David Brain asked me what was the appeal of wri­ting books, I replied:

I cer­tainly didn’t expect to make any real money from it, and how much it would “help” other peo­ple is pretty deba­ta­ble. But some­ti­mes in your life you have these defi­ning moments, where you draw a line in the sand and dec­lare to the world, “This is who I am, this is what I believe, this is what’s impor­tant to me.” I think we all need these moments at some point, to make us bet­ter unders­tand who we really are. Wri­ting a book is a good way to force these moments to the sur­face. That was really the key dri­ver, here.

I have found that mar­ke­ting can be a pretty good “key dri­ver” in this depart­ment, too.
Espe­cially “Futile Mar­ke­ting”. Yes, this under­ta­king is insane and futile. It’ll pro­bably fail. I’m going to do it any­way.
[The Futile Mar­ke­ting archive is here.]

[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.“EVIL PLANS”.]

July 24, 2009

heeding the call

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[A sketch from 2008.…]
There you are, min­ding your own busi­ness, then sud­denly you feel “The Call”.
The call to do something totally insane and futile.
But you know you have to do it. You know that if you don’t, a little part of you will be dead fore­ver.
I’ve been fee­ling a wee bit like that recently. I’ve been fee­ling another “Desert­Manhat­tan” [large pain­ting] calling my name.
“You must create me, Hugh. You simply must. I have to exist, end of story. You have no choice in the mat­ter”.
Aaaargh.…
[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.“EVIL PLANS”.]

July 21, 2009

ambient guitar


Alpine, Texas. Never a dull moment at Harry’s Tinaja. That’s my buddy, Israel pla­ying on the “gee-tar”.
btw Harry’s was the first place in Alpine to sell Stormhoek

July 6, 2009

smarter wine, cont’d…

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A cou­ple of years ago while wor­king on Stormhoek, I came up with the “Smar­ter Wine” idea.

2. Everyone’s defi­ni­tion of “smar­ter” will be dif­fe­rent. I’m OK with that. To me, it means con­ti­nually enga­ging the cus­to­mer at a higher level, con­ti­nually rai­sing the bar.

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3. The bri­lliant thin­ker, Rus­sell Davies iden­ti­fied four key­words that will govern the future of the adver­ti­sing busi­ness. About as suc­cinct a list as I’ve ever seen:

Blurry.
Use­ful.
Inte­res­ting.
Always In Beta.

“Always In Beta” is a popu­lar term in Sili­con Valley. In an ideal world, it would be equally popu­lar in the wine trade as well. It’s unfor­tu­nate that this is not the case.

The pro­blem with most wine mar­ke­ting, as I see it, most of it is product-driven, not prin­ci­ple dri­ven.
Most wine makers make what they make, as best they can, then try to find a buyer, somewhere. Anywhere!
Stormhoek wasn’t con­cei­ved as an act of love for the Wes­tern South Afri­can Cape. Stormhoek was con­cei­ved as a very sim­ple idea: That if you took New Zea­land wine tech, and used it with South Afri­can gra­pes, you could make a wine JUST as good as the New Zea­lan­ders, for about two thirds the price.
Idea-driven. Not product-driven. Not geography-driven. That’s what “Smar­ter Wine” is all about.
Once we had this “Prin­ci­ple” nai­led down, it became a LOT easier to mar­ket it. Because not only did we get “Smar­ter” about how we made it, we got “smar­ter” about how we tal­ked to peo­ple about it, how we rela­ted to the exis­ting mar­ket and the cus­to­mers about it. Which explains the car­toon below.
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It’s REALLY hard to mar­ket something, if there’s no higher purpose-idea behind it. Pro­ducts are not just about price and qua­lity. As I’m fond of saying, every pro­duct is some sort of idea ampli­fier.
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Every pro­duct, whether we’re tal­king Ger­man cars, cans of beans, lap­top com­pu­ters or bott­les of wine, is an expres­sion of human poten­tial.
At least, it is, if you want it to be suc­cess­ful.
I don’t think any of this roc­ket science, but it sure got our com­pe­ti­tion scratching their heads. Plus ca change…
[N.B. This post was writ­ten as something to keep in mind, while I plan my “Texas Road Trip”, which starts at the end of this month…]
[UPDATE: Just added this blog post to “EVIL PLANS”.]
[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.“EVIL PLANS”.]

June 27, 2009

more evil plans

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Though I don’t start the Texas road trip for at least another month, I’ve already star­ted wor­king on the second book, EVIL PLANS.
If you click on the link above, you’ll see that I’m pretty much wri­ting it the same way I wrote IGNORE EVERYBODY i.e. I’m just cut­ting and pas­ting ran­dom thoughts, old wri­tings and car­toons together, trying to get it all to fit somehow. Sure, it’ll take a while to gel, but hey, there’s no rush.
Besi­des, it’s quite fun, to push the unfi­nished idea “out there”, and watch it evolve over time. Is it the best way to go about wri­ting a book? Pro­bably not.
[Backs­tory: About Hugh. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

June 25, 2009

my next book: “evil plans”

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[Essen­tial Rea­ding: “Everything You Always Wan­ted To Know About ‘Cube Gre­na­des’ But Were Afraid To Ask.”]

[Backs­tory: About Hugh. E-mail Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

[This is the first 25% of my first draft of my upco­ming book, “EVIL PLANS”. To be published by Penguin/Portfolio, the same peo­ple who published my first book, “IGNORE EVERYBODY”. It’s due out some­time in early 2011 etc.]


INTRODUCTION: EVERYBODY NEEDS AN EVIL PLAN. 

It has never been easier to make a great living, doing what you love. 

But to make it hap­pen, first you need an EVIL PLAN.

Life is too short not to have an EVIL PLAN. Life is too short not to do something that mat­ters. Life is too short to sleep­walk through it, hoping, drea­ming, but never quite waking up. Life is too short not to become the per­son you were born to be.

Like the old Scot­tish pro­verb says, “Be happy while you’re living, for you’re a long time dead.”

Basi­cally, an EVIL PLAN is that which allows you to become the per­son you were born to be.

I don’t know what your EVIL PLAN is, but I do know what has wor­ked for me over the years, for bet­ter or worse. Here are some thoughts. I hope you find a few of them useful:


1. THE MARKET FOR SOMETHING TO BELIEVE IN IS INFINITE.

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THE HUGHTRAIN MANIFESTO: “THE MARKET FOR SOMETHING TO BELIEVE IN IS INFINITE.”

We are here to find mea­ning. We are here to help other peo­ple do the same. Everything else is secondary.

We humans want to believe in our own spe­cies. And we want peo­ple, com­pa­nies and pro­ducts in our lives that make it easier to do so. That is human nature.

Pro­duct bene­fit doesn’t excite us. Belief in huma­nity and human poten­tial exci­tes us.

Think less about what your pro­duct does, and think more about human potential.

What sta­te­ment about huma­nity does your pro­duct make?

The big­ger the sta­te­ment, the big­ger the idea, the big­ger your brand will become.

It’s no lon­ger just enough for peo­ple to believe that your pro­duct does what it says on the label. They want to believe in you and what you do. And they’ll go elsewhere if they don’t.

It’s not enough for the cus­to­mer to love your pro­duct. They have to love your pro­cess as well.

Peo­ple are not just get­ting more deman­ding as con­su­mers, they are get­ting more deman­ding as spi­ri­tual enti­ties. Bran­ding beco­mes a spi­ri­tual exercise.

Either get with the pro­gram or hire a con­sul­tant in Extinc­tion Mana­ge­ment. No vision, no busi­ness. Your life from now on pivots squa­rely on your vision of human potential.

The pri­mary job of an adver­ti­ser is not to com­mu­ni­cate bene­fit, but to com­mu­ni­cate conviction.

Bene­fit is secon­dary. Bene­fit is a pro­duct of con­vic­tion, not vice versa.

Wha­te­ver you manu­fac­ture, some­body can make it bet­ter, fas­ter and chea­per than you.

You do not own the mole­cu­les. They are star­dust. They belong to God. What you do own is your soul. Nobody can take that away from you. And it is your soul that informs the brand.

It is your soul, and the pur­pose and beliefs that embo­dies, that peo­ple will buy into.

Ergo, great bran­ding is a spi­ri­tual exercise.

Why is your brand great? Why does your brand mat­ter? Seriously. If you don’t know, then nobody else can– no adver­ti­ser, no buyer, and cer­tainly no customer.

It’s not about merit. It’s about faith. Belief. Con­vic­tion. Courage.

It’s about why you’re on this pla­net. To make a dent in the universe.

I don’t want to know why your brand is good, or very good, or even great. I want to know why your brand is totally fric­kin’ amazing.

Once you tell me, I can the world.

And then they will know.

2004 was the year that I drew the car­toon above, which I ended up calling “The Hugh­train”. It appea­red in my last book, “Ignore Every­body”, which came out five years later.

Why is it called The Hugh­train? Soon after I drew the car­toon, I wrote a little mani­festo on my blog, trying to explain the car­toon in more depth. I called it “The Hugh­train Mani­festo”, a pun on a book that had made a big impact on me around that time, “The Clue­train Manifesto”.

Here’s the point of The Hugh­train: Wha­te­ver you’re selling isn’t just a pro­duct of capi­tal, it’s also a pro­duct of a belief sys­tem– your own. And unders­tan­ding your belief sys­tem is cru­cial. As my friend and men­tor, the great mar­ke­ting author, Seth Godin once told me in an inter­view I did for him:

You can’t drink any more bott­led water than you already do. Or buy more wine. Or more tea. You can’t wear more than one pair of shoes at a time. You can’t get two mas­sa­ges at once…

So, what grows? What do mar­ke­ters sell that scales?

I’ll tell you what: Belief. Belon­ging. Mat­te­ring. Making a dif­fe­rence. Tri­bes. We have an unli­mi­ted need for this.

Another friend of mine, the film direc­tor, David Mac­ken­zie once quip­ped, “A film is only as good as the rea­sons for making it”.

What is true for Holly­wood, is also true for pro­ducts and busi­nes­ses. It’s not what you make, it’s what you believe in. That is what peo­ple res­pond to. That is where your enter­prise lives or dies.

The Hugh­train was me trying to arti­cu­late my coming to grips with this.


2. WELCOME TO THE HUNGER. 

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The Hun­ger to do something creative.

The Hun­ger to do something amazing.

The Hun­ger to change the world.

The Hun­ger to make a difference.

The Hun­ger to enjoy one’s work.

The Hun­ger to be able to look back and say, Yeah, cool, I did that.

The Hun­ger to make the most of this utterly brief blip of time Crea­tion has given us.

The Hun­ger to dream the good dreams.

The Hun­ger to have ama­zing peo­ple in our lives.

The Hun­ger to have the synap­ses con­ti­nually fired up on overdrive.

The Hun­ger to expe­rience beauty.

The Hun­ger to tell the truth.

The Hun­ger to be part of something big­ger than yourself.

The Hun­ger to have good sto­ries to tell.

The Hun­ger to stay the course, des­pite of the odds.

The Hun­ger to feel passion.

The Hun­ger to know and express Love.

The Hun­ger to know and express Joy.

The Hun­ger to chan­nel The Divine.

The Hun­ger to actually feel alive.

The Hun­ger will give you everything. And it will take from you, everything. It will cost you your life, and there’s not a damn thing you can do about it.

But kno­wing this, of course, is what ulti­ma­tely sets you free.


3. THE GLOBAL MICROBRAND. 

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[I first published “The Glo­bal Mic­ro­brand Rant” on my blog back in 2005. Here it is again:]

Since I first coi­ned the term in 2004, I have been totally besot­ted with the idea of “The Glo­bal Microbrand”.

A small, tiny brand, that “sells” all over the world.

The Glo­bal Mic­ro­brand is nothing new; they’ve exis­ted for a while, long before the Inter­net was inven­ted. Ima­gine a well-known author or pain­ter, selling his work all over the world. Or a small whisky dis­ti­llery in Scot­land. Or a small cheese maker in rural France, whose pro­duce is expor­ted to Paris, Lon­don, Tokyo etc. Ditto with a vio­lin maker in Italy. A clas­si­cal gui­tar maker in Spain. Or a small English firm making $50,000 shotguns.

With the inter­net, of course, a Glo­bal Mic­ro­brand is easier to create than ever before. A com­mer­cial sign maker in New England. Or a small sheet metal entre­pre­neur in the U.K. All using the Inter­net, blogs, social media and what­not to spread the word, to talk to peo­ple from all over.

And with the advent of blogs in the early years of this Cen­tury this was no lon­ger just limi­ted to peo­ple who made pro­ducts. We saw that any ser­vice pro­fes­sio­nal with a bit of talent and something to say could spread their mes­sage far and wide beyond their imme­diate client base and local mar­ket, without nee­ding a high-profile name or the good­will of the mains­tream media. Law­yers, IT con­sul­tants, mar­ke­ting folk, you name it.

But it’s not just limi­ted to cot­tage indus­tries. In the 1990’s, the great busi­ness guru, Tom Peters tal­ked about “Brand You”, a per­so­nal brand that trans­cends your orga­ni­za­tion or job desc­rip­tion. The grand-daddy of this space is pro­bably Robert Sco­ble, who wor­ked full-time for Mic­ro­soft, but whose brand became much, much lar­ger than any job desc­rip­tion they could give him; that’s was worth far more than anything they ever paid him.

Once I crea­ted my own fled­gling glo­bal mic­ro­brand (i.e. via my weblog) I star­ted hel­ping other peo­ple do the same. A bes­poke English tai­lor. A small winery in South Africa. It was something I really wan­ted to know about. It was pro­fes­sio­nally the most com­pe­lling idea I had ever come come across. I was hooked.

Of course, “The Glo­bal Mic­ro­brand” is not con­cep­tual roc­ket science. You don’t need a Nobel Prize in order to unders­tand the idea. What exci­tes me about it is the fact that I now live in a small adobe in the Far West Texas desert, and career­wise I’m get­ting a lot more done than when I lived in a large apart­ment in New York or Lon­don, for a fifth of the overheads. For one fif­tieth of the stress levels.

My job allows me to tra­vel a lot– New York, Miami, San Fran­cisco etc. After three or four days away I start fee­ling really stres­sed out. For years I thought it was just me. No, actually, ever­yone in the big city seems really stres­sed out. It’s just con­si­de­red normal.

I was tal­king to a friend on the phone about this.

“There’s only two ways to deal with life in the big city,” he says. “Alcohol and high pri­ces. Immer­sing your­self in high rent, luxury items, trendy, over­pri­ced cock­tail bars, flashy res­tau­rants, tall leggy blon­des who don’t give a damn about you, just to act as a buf­fer zone bet­ween you and the abyss.”

“Which you pay a lot for,” I say.

“Which you pay a hell of a lot for,” he says.

It seems to me a lot of peo­ple of my gene­ra­tion are loc­ked into this high-priced cor­po­rate, urban tread­mill. Sure, they get paid a lot, but their overheads are also off the scale. The minute they stop tap­dan­cing as fast as they can is the minute they are crushed under the wheels of commerce.

You know what? It’s not sustainable.

Howe­ver, the Glo­bal Mic­ro­brand is sus­tai­na­ble. With it you are not behol­den to one boss, one com­pany, one cus­to­mer, one local eco­nomy or even one industry. Your brand deve­lops rela­tionships in enough dif­fe­rent pla­ces to where your per­ma­nent address beco­mes almost irrelavant.

Frankly, it beats the hell out of com­mu­ting every mor­ning to the cor­po­rate glass box in the big city, something I did for many years. Just so I could make enough money to help me for­get that I have to com­mute every mor­ning to the cor­po­rate glass box in the big city.

There are thou­sands of rea­sons why peo­ple write blogs or spend a lot of time buil­ding their online equity. But it seems to me the big­gest rea­son that dri­ves the blog­gers I read the most is, we’re all loo­king for our own per­so­nal Glo­bal Mic­ro­brand. That is the prize. That is the tic­ket off the cor­po­rate tread­mill. And I don’t think it’s a bad one to aim for.


4. THE MAGIC NUMBER.

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Ten Thou­sand is my magic number.

The first few years of this cen­tury were tough ones for me. My career in adver­ti­sing pretty much tan­ked around the same time as the dot­com crash, and I found myself unem­plo­yed, broke, living in the boo­nies, scra­ping a mea­gre living wri­ting free­lance brochure copy. Then 9 – 11 came along and made it even worse. Not fun or nice.

Up until that point, I had spent my entire wor­king career “cha­sing gigs”. Whether we’re tal­king full-time sala­ried posi­tions, or three-day free­lance oppor­tu­ni­ties, I had spent well over a decade cha­sing that ever-elusive island of secu­rity in a swe­lling ocean of advertising-industry chaos. And these gigs would never last, they would always end even­tually, for wha­te­ver rea­son. Reces­sions, layoffs, down­si­zing, incom­pe­tence on my part, incom­pe­tence on the boss’ part, wha­te­ver. And usually the timing was bad, of course it was.

Chase, chase, chase…. And I was sick of it. Really, REALLY sick of it. Over a decade of wor­king my butt off, and those islands of secu­rity were no less elu­sive than before. And I wasn’t as young as I used to be. The hams­ter wheel was star­ting to do me in.

Then, in these dar­kest of days, I had a sud­den flash of life-changing insight. Like I told my fellow burnout-advertising drin­king buddy that eve­ning, as we com­mi­se­ra­ted at the bar about our sad lot in life:

“I don’t want to be cha­sing gigs anymore.”

“What do you want, then?” asked my buddy.

“I just want ten thou­sand peo­ple giving me money every year.”

“Where are you going to find these peo­ple?” he asked.

“The Inter­net,” I replied.

“What do you plan on doing there?”

“I think I’ll start by publishing my car­toons online… on a blog.”

“What’s a ‘blog’?”

The rest, as they say, is history…

There was nothing magi­cal about the ten thou­sand num­ber. I just rec­ko­ned that, as a car­too­nist, if I was making t-shirts, books, wha­te­ver– and ten thou­sand peo­ple were buying pro­duct every year, with me making a few bucks pro­fit off each unit, well, it wouldn’t make me a billio­naire, but at least I’d be able to feed myself.

Also, ten thou­sand peo­ple sup­por­ting me see­med like a good way of sprea­ding my bets eco­no­mi­cally. If one per­son drops out, and all you lose is a t-shirt sale, with 9,999 other peo­ple still on board you can easily reco­ver. But in the world of cha­sing adver­ti­sing gigs, if the one per­son you lose hap­pens to be your jac­kass boss, you’re dead meat.

There’s nothing spe­cial abut the ten thou­sand num­ber. It all depends on what you’re selling. If you’re selling hand-built motorcyc­les, your magic num­ber will be less. If you’re selling 5-dollar jars of hot Cajun chi­lli sauce, your num­ber will be lar­ger. Wha­te­ver that num­ber will be, I hope you find it one day. I hope you find THOSE PEOPLE one day.


5. WELCOME TO THE OVER-EXTENDED CLASS. 

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“If ever there was a time to be ove­rex­ten­ded, this is it.” — Chris Ander­son, Editor-In-Chief, Wired Magazine.

Back in August, 2009 I inter­vie­wed Chris Ander­son for my blog:

Hugh: You’ve got your Edi­tor job, you’ve got your book deals, you’ve got your blog, you do a lot of spea­king gigs… As your name gets more and more known, are you having trou­ble kee­ping up with everything? What’s your coping mecha­nism? How do you find the balance?

Chris: Plus the five little kids, the two star­tup com­pa­nies on the side, etc. Obviously, balance is a dis­tant goal. In the mean­time, I dele­gate, work all the time, hardly sleep, totally ignore poli­tics, sports and pop cul­ture, neglect my family too much and pro­bably don’t do any ofmy jobs as well as I could. But these are exci­ting days, and if ever there was a time to be ove­rex­ten­ded, this is it.

I agree with him com­ple­tely. I know what it means to be over-extended all too well. Recently I made a list of all the pro­jects I’m currently wor­king on. The next book. The road trip. The prints. Blog­ging. Con­sul­ting. Dra­wing car­toons. The list goes on…

All in all, it came down to ten items. Ten. Each one inte­res­ting and poten­tially luc­ra­tive enough to be taken on as a full-time job. Ten.

Ouch. Even for me, that see­med like WAY too much.

The other day, a friend of mine was kvetching about having to hold down three jobs. “Three?” I quip­ped. “Try hol­ding down ten…”

My friend loo­ked at me funny. He was pro­bably right to do so.

Since about 1991, it’s been like that for me. From the moment I woke up till the moment I went to bed, I was wor­king on something. The day job or the car­toons or something else. Sure, I’d have girl­friends come and go, but the girl­friends never las­ted too long, and I also ended up inven­ting, in 1997, an art form that would allow me to carry on wor­king WHEN I was going out to the bars i.e. the “car­toons drawn on the back of busi­ness cards”.

I’ve not had a pro­per vaca­tion in ten years, either. Nor am I plan­ning one.

Call Chris and myself, and pro­bably over 50% of the peo­ple who are rea­ding this book, mem­bers of “The Ove­rex­ten­ded Class.

You know who you are. And you know what? In terms of per­cen­tage of the popu­la­tion, there were less of us twenty years ago. And there’ll be more of us in two decades.

Our parents and grand­pa­rents spent their “Cog­ni­tive Sur­plus” watching tele­vi­sion. That’s a thing of the past… a his­to­ri­cal acci­dent of the old factory-worker age mee­ting the modern mass-media age. Of course it wouldn’t last fore­ver. We humans as a spe­cies were desig­ned to com­pete, not to sit around on our asses.

Wel­come to the Ove­rex­ten­ded Class, Peo­ple. You may opt out of it if you want, but over time it’s going to get har­der and har­der to make ends meet, let alone be suc­cess­ful, if you do.

Choi­ces.


6. A WORLD-CLASS PRODUCT. 

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“The curious story of an English Savile Row tai­lor and an under-employed cartoonist.”

In late 2004, things were still rough for me. I was still broke, unem­plo­yed and won­de­ring what the hell I was going to do next. The ans­wer came from a direc­tion I would never have predicted.

At the time, I was living in Cum­bria, in a cot­tage in the Northern English boon­docks, not far from the famous Lake Dis­trict. I was just lying low, scra­ping a living doing free­lance, trying to save money. It was a bleak and mise­ra­ble time for me, frankly.

In the local village pub, I got friendly with a local fellow named Tho­mas Mahon. We were about the same age, and his busi­ness wasn’t going very well, either.

Tho­mas was a tai­lor. He made suits. And not just any kind of suits. He made the best of the best. $5000, hand-made suits. He’d been trai­ned down on Savile Row in Lon­don, the legen­dary English home of tai­lo­ring. Some say they make the best suits in the world, there. He had made suits for rock stars, royalty, famous desig­ners and… you name it. He really was that good. The man who trai­ned him, Den­nis Hal­berry, was head cut­ter for Ander­son & Shep­pard, one of the most estee­med tai­lo­ring firms in the world.

A few years pre­viously, Tho­mas had got sick of wor­king on Savile Row, deci­ded he mis­sed his belo­ved Cum­bria, and deci­ded to move back home and set up shop in the village he grew up in.

Ever­yone told him he was mad, but he paid no attention.

Though he was one of the most res­pec­ted tai­lors on Savile Row, it turns out he wasn’t very good at get­ting the word out about his work. His cus­to­mers loved him, but they didn’t like to tell other peo­ple about him. They wan­ted him all to them­sel­ves. So in spite of his for­mi­da­ble talent, Tho­mas wasn’t get­ting one-fitth the busi­ness he deserved.

So there we were, Christ­mas approaching, and in spite of us both fee­ling a wee bit gloomy about our current eco­no­mic sta­tu­ses, we were chee­rily sit­ting in the local pub one eve­ning, with Tho­mas telling me all these won­der­ful sto­ries about the peo­ple and expe­rien­ces of wor­king on Savile Row.

Finally I inte­rrup­ted him.

“Tom”, I said, “these Savile Row sto­ries are terri­fic. You should blog about them.”

“What’s a blog?”

By this time I had been blog­ging for about three years, and knew all about how it wor­ked. That night, we came up with an EVIL PLAN. I would show Tom how to blog, he would make the suits, I would figure out a way to spread the word online.

EnglishCut.com was born.

Ins­tead of using the blog to hard-sell his suits, Tho­mas just wrote these great little blog posts about the world he knew and loved– the com­mu­nity of Savile Row tai­lors. He’d write about it all– his friends on the Row, the pubs they drank in, the other busi­nes­ses on the Row. He just wrote about it honestly, with great pas­sion and affec­tion. He prai­sed the other shops, his com­pe­ti­tion. Why not? They were all good peo­ple, with second-to-none skills.

A few years later, he would con­fide in me that he never thought anyone would ever find what he wrote about that inte­res­ting, so not expec­ting any­body to read it, he just wrote it his way. If he had thought a lot of peo­ple would be inte­res­ted in it, he would have writ­ten it dif­fe­rently. More uptight. Less transparent.

And boy, was he wrong in the end. Peo­ple LOVED his blog. They ADORED the trans­pa­rency and Tho­mas’ easy­going, unpre­ten­tious man­ner. So much so that, within no time at all, he had gone from under-employed tai­lor, to having a two-year wai­ting list, just to get a first appointment.

If you go online and Goo­gle Tho­mas or English Cut, you’ll find a lot to read about. The story got a got of atten­tion in the blo­gopsphere back then, simply because in 2005, an English Savile Row tai­lor was pro­bably the per­son you’d least expect to start a blog. But it wor­ked. It wor­ked AMAZINGLY well.

We wor­ked together for about two more years, before ami­cably going our sepa­rate ways. It was one of the most rewar­ding career moves I ever made. And I think Tho­mas would say the same.

My father once remar­ked to me, “I bet you had no idea in the begin­ning that the blog would work as well as it did, eh?”

True, I had no idea. But loo­king back, we had a few things going for us.

i. A great pro­duct. Tho­mas is one of the best tai­lors in the world. His suits REALLY ARE that good. If we were just selling com­mo­di­fied drek, I doubt if anyone would’ve paid much attention.

ii. A uni­que story. When he star­ted, Tho­mas was the only Savile Row tai­lor wri­ting a blog, and this gave him a uni­que voice in the blo­gosphere. This fue­lled the inte­rest. Had mas­ses of tai­lors already been blog­ging, it would’ve been much har­der for his own uni­que “idea-virus” to spread. The first-mover advan­tage rule still applies.

iii. Pas­sion & Autho­rity. Tho­mas has both in spa­des. That’s what kept peo­ple coming back. That’s what built up trust. That’s what tur­ned his rea­ders into cus­to­mers. Which is why “Share what you love” is the best advice there is.

iv. Con­ti­nuity. He kept at it. He didn’t expect the blog to trans­form his for­tu­nes over­night. As I’m fond of saying, “Blogs don’t write them­sel­ves”. Based on our expe­rience, if you want blogs to trans­form your busi­ness, I’d say give your­self at least a year.

v. Focus. It was always about the suits. It was never about what he had for break­fast, Goo­gle traf­fic, or frothy gos­sip about other bloggers.

vi. Tho­mas spoke in his own voice. Tho­mas is a straight­for­ward, affa­ble fellow, and the voice on the blog is the same as the voice you meet in real life. He never tried to mis­re­pre­sent him­self on his blog, nor try to create some over-glamorized image of his pro­fes­sion. He just told it like it is. And peo­ple res­pon­ded well to that. As he once put it, “We’re so lucky we don’t have to create the brand out of thin air. We just tell the truth and the brand builds itself.”

vii. Sove­reignty. The only peo­ple we had to please were the two of us. No bos­ses or outside inves­tors to keep happy. Bos­ses and inves­tors like gua­ran­tees, but there aren’t any.

viii. We were both broke when we star­ted. Had we had mas­ses of money at the begin­ning, we would have had a lot more options on how to get the word out. In all like­lihood, these options would have been a lot more expen­sive and not nearly as effec­tive. Some­ti­mes lack of capi­tal is a defi­nite advantage.

A blog is a great way to build one’s own per­so­nal “glo­bal mic­ro­brand”. As the Job-For-Life no lon­ger exists, as the value of the social “posi­tion” ero­des and the value of the “pro­ject” takes its place, per­so­nal brand deve­lop­ment beco­mes far more impor­tant to one’s career. Blogs are a good place to start.

Hey, if a Savile Row tai­lor can do it, what’s your excuse?


7. FILL IN THE NARRATIVE GAPS. 

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If peo­ple like buying your pro­duct, it’s because its story helps fill in the narra­tive gaps in their own lives.

Human beings need to tell sto­ries. His­to­ri­cally, it’s the quic­kest way we have for trans­mit­ting use­ful infor­ma­tion to other mem­bers of our spe­cies. Sto­ries are not just nice things to have, they are essen­tial sur­vi­val tools.

And yes, the sto­ries we tell our­sel­ves are just as impor­tant than the sto­ries we tell other people.

Ergo, The Glo­bal Mic­ro­brand is not about selling per se. It’s more about figu­ring out where your pro­duct stands in rela­tion to per­so­nal narrative.

So where does your pro­duct fit into other people’s narra­tive? How does telling your story become a sur­vi­val tool for other peo­ple? If you don’t know, you have a mar­ke­ting problem.

Narra­tive gaps. It’s all about the narra­tive gaps.


8. AVOID DINOSAURSPEAK. 

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Gaping­void is the per­fect web­site to get your daily blog­ging fix. Filled to the brim with hila­rious car­toons, it also offers timely and insight­ful com­men­tary on the new rea­li­ties of adver­ti­sing and mar­ke­ting. Indeed, some peo­ple would say it’s just not the blo­gosphere without gaping­void to enhance their qua­lity blog­ging expe­rience. Start your day the switched on way– subsc­ribe to get gaping­void on your RSS fee­der today!

I wrote the pre­ce­ding para­graph to illus­trate the inte­llec­tual ban­kruptcy of what I call “Dino­saurs­peak”. That rather socio­pathic com­bi­na­tion of being com­ple­tely focu­sed on cus­to­mer bene­fit and yet com­ple­tely sel­fish at the same time.

And yeah, if it doesn’t work with my shtick, it ain’t going to work with your pro­duct, either.

What is inte­res­ting to me is that this style of lan­guage was pretty uni­ver­sal only a few years ago. Sure, you had a few mave­ricks out there sti­rring things up, but most exter­nal busi­ness com­mu­ni­ca­tion was pretty much stuck in firehose mode.

But when mar­kets become smar­ter and fas­ter than the com­pa­nies ser­vi­cing said mar­kets, thanks to the Inter­net, lan­guage chan­ges. Of course it does.

So your lan­guage you use has be on the cut­ting edge, or at least, well ahead of the curve. Other­wise you’re just going to sound like ever­yone else, and peo­ple will ignore you.


9. WHO ARE YOU, REALLY? 

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There’s a won­der­ful metaphor in the Bible [Reve­la­tion 2:17] about “a white pebble”.

“Let the one who has an ear hear what the spi­rit says to the con­gre­ga­tions: To him that con­quers I will give some of the hid­den manna, and I will give him a white peb­ble, and upon the peb­ble a new name writ­ten which no one knows except the one recei­ving it.”

The metaphor was once explai­ned to me by a Catho­lic monk. To paraphrase:

“You have three sel­ves: The per­son that you think you are, the per­son that other peo­ple think you are, and the per­son that God thinks you are. The white peb­ble repre­sents the lat­ter. And of the three, it is by far the most important.”

He then gave me some good advice, something I’ve always kept with me:

“When life gets really tough, just remem­ber the white peb­ble. Just remem­ber who you really are. Just remem­ber the per­son that only God can see.”

Wha­te­ver your thoughts on God or Reli­gion may be, posi­tive or nega­tive, the white peb­ble is a very sim­ple metaphor that auda­ciously asks the ques­tion: “Who are you, really?”

Yes, why are you here, exactly? Who are you here for? Your­self? Other peo­ple? God? Or maybe some other cause? You tell me…

It’s one of those ques­tions that never gets old. Unlike the poor body that hou­ses us.


10. THE COMPLEXITY WAR i.e. “SUCCESS IS MORE COMPLEX THAN FAILURE”. 

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Rud­yard Kipling once desc­ri­bed Triumph and Disas­ter as “Impos­tors, Both”. The lon­ger I stay in the wor­king world, the more I start to get what he means.

It’s funny how you can have two guys sit­ting next to each other in an office, both doing the same job. Both using the same com­pu­ters and pho­nes. Both with the same aca­de­mic qua­li­fi­ca­tions. Both with a simi­lar IQ. Both wor­king the same amount of hours. But why does one guy take home five times more sales com­mis­sion than the other guy? What’s going on? Is it luck? Skill? Jus­tice? Injustice?

The ques­tion of what sepa­ra­tes suc­cess from fai­lure, is something I’ve always liked to pon­der on. Sud­denly this week, out of nowhere, the follo­wing line hit me:

“Suc­cess is more com­plex than Failure.”

Think about it. Being a fai­lure is a no-brainer. All you have to do is sleep till noon, get out of bed, scratch your crotch, have your mor­ning visit to the bath­room, turn on the Star Trek re-runs, help your­self to some break­fast [Lef­to­ver pizza and a bottle of Jack Daniels, Hurrah!], light up your first joint of they day, down­load some porn, and already you’re well on your way. Sure, a few incon­ve­nient varia­bles may enter the pic­ture here and there, to com­pli­cate an other­wise per­fect day of FAIL, e.g. what you’re going have to say to your brother in order to con­vince him to lend you that $300, so you can pay off the telephone bill, that kinda thing. But for the most part, the day-to-day modus ope­randi of your “Ave­rage Total Fai­lure” is quite straightforward.

Being suc­cess­ful, howe­ver, is a whole dif­fe­rent ball game. Break­fast mee­tings at 7.00am. Con­fe­rence calls at mid­night. Visi­ting twelve cities in five days. Fiel­ding ques­tion from a swarm of hos­tile jour­na­lists. Dea­ling suc­cess­fully with an enra­ged, multi-million dollar cus­to­mer who’s screa­ming bloody mur­der over something rather tri­vial in the grand scheme of things. Dea­ling suc­cess­fully with an enra­ged, multi-million dollar inves­tor who’s screa­ming bloody mur­der over something rather tri­vial in the grand scheme of things. Making sure there’s enough money in the account to meet the pay­roll of all your legions of highly-paid, highly-effective, highly-talented emplo­yees. All these hun­dreds of unre­len­ting issues to deal with, all day, every day. You get the picture.

And as always, what’s inva­riably true of peo­ple is also inva­riably true for busi­nes­ses. So when I see a small but insanely-successful busi­ness sud­denly implode over­night [it seems to hap­pen quite a lot in Sili­con Valley], I’m gues­sing chan­ces are it wasn’t ina­bi­lity to manage growth per se that des­tro­yed the busi­ness [a favo­rite rea­son cited by those wri­ting busi­ness obi­tua­ries], but the ina­bi­lity for the busi­ness to manage com­ple­xity. Com­ple­xity inc­rea­ses expo­nen­tially with growth, most small com­pa­nies can cul­tu­rally only handle inc­re­men­tal inc­rea­ses in com­ple­xity. As I’m fond of saying, “Human beings don’t scale”.

Which is why wal­king around the hall­ways of large, suc­cess­ful com­pa­nies can often seem so oppres­sive to some­body new to it. All that cul­tu­ral regi­men­ta­tion is there for one rea­son only: To fight “The Com­ple­xity War”. Sure, it might feel a bit ghastly to the more idea­list and free-spirited among us, but until some­body can come up with a bet­ter way to win this Com­ple­xity War at a Fortune-500 level, I don’t see it ever going away.


11. TREAT IT LIKE AN ADVENTURE. AN ADVENTURE WORTH SHARING.

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[You can read the rest once the book comes out.…]