Archive for the ‘Dewars’ Category

August 15, 2012

gapingvoid Adds Financial Services To Our Client List…

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This is VERY exci­ting: Check out the ani­ma­tion video and car­toon work we did for CREDs­core, by Moven­bank.

As some­body who spent a lot of time surroun­ded by ban­kers (back in my Lon­don days), it’s nice to finally do something in that sec­tor… something INTERESTING and DIFFERENT in that sector.

I met Movenbank’s foun­der and CEO, Brett King last year in Toronto at the Inno­tribe event, which I REALLY enjo­yed. He was a great guy. A few months later, we got the phone call.

We pitched the idea to Brett to do a wee ani­ma­tion peo­ple would like AND share, as a cost-effective alter­na­tive to one of those boring motion graphics thin­gies that usually get ignored.

[N.B. We also hand­led the graphics on the web­page, which was lots of fun…]

Above is the photo of the dra­wing I did on the whi­te­board, during our first brains­tor­ming ses­sion… it tra­ve­led from that to story­board to finished pro­duct. Rock on.

Thanks to Brett and Moven­bank for the great opportunity!

[If you’re in the mar­ket for an ani­ma­tion like this, feel free to con­tact gaping­void CEO Jason Kor­man any­time: jason at gaping­void dot com. Thanks Again…]

September 21, 2011

TEDx Miami

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This was fun: Last week we all atten­ded TEDx Miami. It was held at the shiny new Frank Ghery desig­ned, New World Symphony buil­ding, just behind Lin­coln Road in Miami Beach.  The TED folks were kind enough to invite us along to dis­play the Dewar’s dra­wings I did at TED Glo­bal in Edin­burgh, back in July. These were ori­gi­nal dra­wings that I did in mar­ker. The ima­ges were pre­sen­ted in clean white fra­mes to fit the venue.

 

I was a little anxious going into the event because I couldn’t be cer­tain whether what reso­na­ted with a lar­gely non-American crowd in Edin­burgh, would also work in Miami. Miami is, well, at totally dif­fe­rent place. The good news is that the work was well recei­ved, and our spon­sors, Dewars, were happy. We are told that the work is now going to be ins­ta­lled in the new Bacardi HQ in Coral Gables.

After the talks, peo­ple were offe­red cock­tails made of Dewars, Grey Goose or wine. As I loo­ked around, I was sur­pri­sed to see how many women were drin­king scotch. That, and a con­ver­sa­tion with our friend, Maria at the event remin­ded me of her com­ments when we pos­ted about the scotch mar­ket a few weeks back. The sur­pri­sing news from that post and sub­se­quent exchange was that chicks love scotch. Note to Dewars: Ins­tead of trying to get the guys to switch from another brand, it might be easier to grow your mar­ket by appea­ling to women. Just a thought. Rock on!

 

 

August 18, 2011

Note to Dewar’s

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August 14, 2011

“The Market For A Scotch To Believe In Is Infinite”

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[One of the Dewars dra­wings I did while atten­ding TED Glo­bal etc.]

[Today’s guest post is by Jason Kor­man, my busi­ness part­ner since 2005, and CEO of gapingvoid]

“The Mar­ket For a Scotch to believe in is Infinite”

There are millions of cases at stake for the guys who get the mes­sa­ging right.

 

We’ve had Scotch on the brain lately. We’ve done wine, we’ve done suits and we’ve done tech, but Scotch has its own par­ti­cu­lar set of challenges.

What makes any bottle of scotch dif­fe­rent? And, does anyone care, any­way? There are, what Hugh’s dad used to call, the “whis­key bores” who drone on and on about all things whisky, but I’m told there aren’t that many of them left. So, what mat­ters to ever­yone else?

There is the realm of the sin­gle malts and high end scotches. But they seem to need to be mar­ke­ted more like Con­gac or Cham­pagne, a bit of bling, sexy pac­ka­ging, and hyped up associations.

For more broad mar­ket Scotch, the oppor­tu­ni­ties are much grea­ter and the cha­llenge much more com­plex. Scotch is a dis­tinctly mas­cu­line pro­duct. It is strong, it is inte­res­ting, is implies thought and inte­lli­gence. It s a pro­duct that wants to have meaning.

Given that, what we see mostly in Scotch mar­ke­ting is a reliance on ‘authen­ti­city’, with ever­yone trying to have the most authen­tic con­ver­sa­tion groun­ded in cen­tu­ries of his­tory. The ques­tion is really: is this rele­vant? Once a con­su­mer knows your  Scotch is ‘for real’, do they care enough to want to know the details? I’d guess, pro­bably not.

With alcoho­lic beve­ra­ges, what you do have is a desire from the mar­ket to want to know: Why? What do you stand for? Why do you exist? And does your brand repre­sent something that I believe in — does it share my world view.

J&B says, “Let’s Start a Party”. I know that they are trying to make an old brand youn­ger and rele­vant. But, OMG, does it seem disin­ge­nuous. It comes across as a little incon­sis­tent with what the pro­duct is about. It’s not tequila, its not vodka, it’s really NOT a party drink.  It feels like granny dan­cing on the table at your cousin’s wed­ding – kinda crin­ge­worthy and creepy. Oh, and in an ack­now­led­ge­ment that even they don’t buy into the party thing, they also tell the story about Mr. Jus­te­rini tra­ve­ling from Bologna to Lon­don in 1749. Not sure what they’re thin­king, but stream of cons­cious­ness brings me to paraph­rase the Artist For­merly Known as Prince… “Let’s party like its 1749″.

Chi­vas goes with “Live with Chi­valry”, and tells “The Story Behind the Legend”. It’s place cen­tric, it’s a nice story about a Scots­man tra­ve­ling to NY a hun­dred years ago. But, it sounds a lot like things we’ve heard before. More impor­tantly, they seem  uncon­cer­ned with rele­vance in 2011. Their ultra-produced videos are like Public Ser­vice Announ­ce­ments, urging peo­ple to be nice. Yawn.

 

As with both of the above, Dewars goes with the place cen­tric, authen­tic Scot­tish thing, so they cover that base. But it feels like a brand that wants more. Their mes­sa­ging is really very ‘of the moment’ and invol­ves peo­ple who are actually alive today — It focu­ses on the top bit of Maslow’s hie­rarchy. They want to find peo­ple and faci­li­tate peo­ple being self– actua­li­zed. The mes­sage is, as beings we are hap­pier doing things that we believe in.

A bright spark at Dewars had the idea of alig­ning with the TED con­fe­ren­ces. After all, Ted’s spea­kers do, by defi­ni­tion, embody the qua­li­ties that Dewars represents.

Enter Hugh. They also hired Hugh to draw at TED Edin­burgh and dis­till the spea­kers ideas into his style of illus­tra­tion.  Hugh likes to say that his goal is to draw a car­toon that rips your face off the first time you see it, and is still doing it and the tenth time.

One of those is pos­ted above.

We ask our­sel­ves: Is Hugh’s style too edgy, too dis­rup­tive, not art direc­ted enough, to be used in main stream media? How can a brand like Dewars bet­ter com­mu­ni­cate what it stands for than through one of Hugh’s cartoons?

In today’s world, where ever­yone is saying adver­ti­sing is dead, what they are really saying that adver­ti­sing the way it used to be done is dead. Giving peo­ple something they believe in, in a way that they can’t help but notice, is where the action really is. Get­ting noti­ced. Doing stuff that gets noti­ced, doing it smart,  and in a way that your audience will think is cool, is where its at. Have beliefs that are strong enough to build a move­ment, not just a brand.

We’ve got Scotch on the brain, and we’re liking it. A cate­gory ripe for disruption.

Jason Kor­man
CEO, gapingvoid.com


 

July 16, 2011

Possibility

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This is one of my favo­rite dra­wings I did at TED Glo­bal.

A wee sketch, com­plete with the #Dewars­TED has­tag.

“Pos­si­bi­lity”. A riff on the great Char­les Schultz line, “I carry the bur­den of a great poten­tial”.

I didn’t think too much about it at the time. But as the days pro­gres­sed, the car­toon star­ted to haunt me.

The bur­den of a great poten­tial. Anyone with half a brain (or half a soul) will be able to relate.

Kno­wing that it might never hap­pen. And kno­wing that even if you do manage to make a decent go of it, it will never be enough.

That there’s still something else you still haven’t done, that there’s still one more piece of Crea­tion remai­ning, that you haven’t mana­ged to down­load. AND THIS WILL NEVER CHANGE. Wel­come to being alive. Wel­come to the human con­di­tion. That’s what TED is REALLY about, at the end of the day.

Terrif­ying, isn’t it?

[Full disc­lo­sure: I was atten­ding TED on behalf of my client. Dewar’s Whisky, who were a spon­sor of the event.]

[#TED­glo­bal]

Ow. I’ve got a TED-ache.

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[The Dewar’s car­toon I did for Maajid’s talk etc.]

[View from my dra­wing tablet: Downs­tairs in the chill-out room.]

[I’m still in Edin­burgh, and like every­body else, still reco­ve­ring from a very intense week at TED Glo­bal. Here are some notes from an inc­re­di­ble event, in no par­ti­cu­lar order:]

1. “An idea is not something you HAVE, an idea is something you DO.”

I atten­ded TED on behalf my client, Dewar’s Scotch. The idea was to create car­toons that gave jus­tice to the Dewar’s idea, “Some things are just worth doing”.

Which ties in with the TED idea, “Ideas worth spreading.”

Which ties in with one of the great the­mes in my work these days, “The Uni­fi­ca­tion of Work and Love”.

I’m currently run­ning with the thought that, an idea is not something you HAVE, an idea is something you DO.

i.e. Ideas are all very well, but without some sort of action to follow, they’re not much use. Ideas don’t exist in a vacuum.

Nobody rea­ding this, inc­lu­ding me, want to spend their whole life, sit­ting on their ass, thin­king big thoughts but actually doing nothing.

2. You’ve heard of live-blogging, yes? Well, I was “live-tooning”. Dra­wing car­toons on the spot, trying to cap­ture all the ideas that were flying at me at 200 mph. Over four days, I drew dozens of them. The car­toon above was one I did for Maa­jid Nawaz. He gave a great talk on how to fight extre­mism on a glo­bal level:

Why do trans­na­tio­nal extre­mist orga­ni­za­tions suc­ceed where democ­ra­tic move­ments have a har­der time taking hold? Maa­jid Nawaz, a for­mer Isla­mist extre­mist, asks for new grass­roots sto­ries and glo­bal social acti­vism to spread democ­racy in the face of natio­na­lism and xenophobia.

One of the points Maa­jid made was how move­ments require four ele­ments in order to be via­ble: Ideas, narra­ti­ves, sym­bols and lea­ders. So I ran with that. Click on the link and watch the video to hear more.

At the event, I gave Maa­jid a hand-drawn copy of the work above, poster-sized. He was a very gra­cious man, I thought.


[Maajid’s TED video…]

3. Then there were the “Con­ver­sa­tion Pieces”.


While tal­king to the polar explo­rer, Ben Saun­ders, I had the idea to make a dra­wing WHILE tal­king to him. A real-time con­ver­sa­tio­nal doodle. as it were. A “Cover­sa­tion Piece”, as it were. Above is a pic­ture of him hol­ding the final result.

It’s a ques­tion that never gets old: Here you are, surroun­ded by all these ama­zing peo­ple and ideas, now how do you use what you do (in my case, my car­toons) in order to inter­face with them? Mea­ning­ful inte­rac­tion with other peo­ple– THAT’S what makes work inte­res­ting, NOT the money.

4. Ow. I’ve got a TED-ache.

A TED-ache is what they call it: When your brain is so stuf­fed with all the ideas and sti­mua­tion and con­ver­sa­tion flying around for four days nons­top, your brain can no lon­ger keep up with it, your brain kinda wants to explode.

I came away with enough mate­rial to fill MONTHS of blog­ging, MONTHS of catoo­ning. Like every­body else at TED, I’m fee­ling pretty  overwhel­med yet supercharged.

It was an ama­zing expe­rience: Hun­dreds of insa­nely bright and crea­tive peo­ple, doing insa­nely inte­res­ting things. Quite a con­trast to the usual mass-elevator-pitch that most con­fe­ren­ces have become.

And now, somehow, I’ve got to do the event jus­tice, both on behalf of myself and Dewars’. Like every­body else who attends, it’s not the event that mat­ters, it’s what you take away and apply to your own life in a mea­ning­ful way that mat­ters. I would be lying if I said I didn’t find it daunting.

I’ve said it before many times before on this blog: We are inc­re­di­ble beings living in inc­re­di­ble times, and as long as there is still one per­son alive on this pla­net who doesn’t believe this, then there’s still work to be done. TED re-affirmed this for me, in spades.

It’s four in the mor­ning and I can’t sleep because of this. Thanks to TED for making this hap­pen, thanks to Dewar’s for being such an awe­some client.

5. This is only the begin­ning. You have my word. Rock on.

[Bonus Link:] The 23 Ama­zing TED­Wo­men Spea­kers Of TED­Glo­bal 2011. Yep. I met some of them. Yep. “Ama­zing” would be about right…

[#TED­glo­bal]

July 13, 2011

This is my message from TED Global: “ALL ART IS SMALL ART”

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I’m at Ted Glo­bal, on behalf of, Dewar’s Whisky.

I’m dra­wing tons of car­toons, based on my expe­rien­ces here.

To be honest, there’s so much fan­tas­tic stuff here, coming at me at 200 mph, it’s hard to keep up with it in real time. It’s a good pro­blem to have, I would say…

THEREFORE:

1. You can follow the action is pretty easily. Just follow #TED­glo­bal and #dewars­ted on Twitter.

2. This is my mes­sage from TED Glo­bal: “ALL ART IS SMALL ART”. Big, impor­tant stuff is ALWAYS, ALWAYS, ALWAYS pre­ce­ded by small moments of genius. Watch all the TED videos if you don’t believe me. All the world’s great human-caused tra­ge­dies (not to men­tion, all fai­led expen­sive mar­ke­ting cam­paigns) were cau­sed when the peo­ple in charge tried to bypass the small stuff and go straight for the big stuff. Five Year Plan, Com­rade? Great Leap For­ward, Comrade?

3. And this is also my mes­sage fro Dewar’s: “ALL ART IS SMALL ART”. All great mar­ke­ting starts that way. And more impor­tantly, stays that way.

Rock and roll…

July 12, 2011

Believe.

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The First Voice

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#dewarsTED #tedglobal

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#dewarsted #dewarsted

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Hi from #dewarsted #TEDglobal

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Greetings from Edinburgh!

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[A photo of whisky barrels taken yes­ter­day at the Dewar’s dis­ti­llery in Aberfeldy.]

I recently arri­ved in Edin­burgh for the TED Glo­bal conference.

My client, Dewar’s Scotch Whisky, is spon­so­ring the event, so they got me along to live-draw some car­toons for them.

In my mind, the great task for huma­nity in the 21st Cen­tury is what I call “The Uni­fi­ca­tion of Work and Love”.

In other words, lear­ning how to make work MORE than just something to pay the bills with, but to turn it into something that expres­ses who we truly are.

That’s really what TED is all about, for the spea­kers on the stage, for the peo­ple in the audience, for spon­sors like Dewar’s, and yes, the sub­ject of a great many of my cartoons.

So I’m pretty exci­ted. I hope to be blog­ging more about the event as the week con­ti­nues. Obviously, there’s a lot here worth wri­ting about.

The Uni­fi­ca­tion of Work and Love. The Holy Grail for so many of us. Bring it on!