Both became traditional rock stars around the same time, Eno playing with Roxy Music, Zappa with The Mothers Of Invention.
They could have done was most rock stars do: Make a couple of records, get a couple of hits in the radio, spend the next x-decades touring, living on a tour bus, playing the same songs night after night to adoring fans in towns in Cleveland, Chicago, Des Moines, Little Rock…
And yet they chose not to, after only a couple of years in the limelight. Both were highly intelligent, visionary people, and no much how attractive the sex-drugs-and-rock-n-roll thing can be to young people, the typical rock n’ roll lifestyle was boring and infantile to them.
So they evolved. Their music started getting more and more classical/avante guarde/out-there.
And now, four decades later, they’re titans, respected by the smartest and interesting dudes in the business. Poor ol’ Zappa died a few years ago, but Eno is still thriving, and STILL constantly evolving, doing interesting work.
I guess their lesson taught me that, just because you found the standard winning formula, doesn’t mean it has to stay formulaic; that allowing yourself to re-invent, evolve and push out your edges into unknown territory is not just OK, it’s essential.
At least, it is if you want to keep things interesting.
The other thing they taught me, that it’s OK to be weird, that it’s OK to be smart, and that it’s OK to shun commerciality, even if you’re a rock star. That just because all the idiots are doing it a certain way, doesn’t mean you have to, as well.
And so I try to incorporate that into my own work… and you can too, even if you’re not an artist or a rock star, even if you have a normal job.
Sure beats doing the long hair and spandex circuit in Cleveland, Chicago, Des Moines, Little Rock…