August 31, 2011

Never Go Mainstream

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NEVER GO MAINSTREAM

Back when I was a kid and aspi­ring to be a pro­fes­sio­nal car­too­nist one day, I had this dread­ful fear han­ging over my head:

That the only way to become suc­cess­ful as a car­too­nist, was to go mains­tream. Cute and cuddly, warm and fuzzy. In the world of the big money car­too­ning, there was little room for “Edge”.

Check out the tra­di­tio­nal US Sun­day comics sec­tion of any news­pa­per, and you’ll see what I mean. Utter, cutey-pie dreck.

I just couldn’t see myself doing it. My stuff was just too “out there”, and when I tried to reign it in, it just made it worse.

Of course, that was before the Inter­net came along and chan­ged everything…

Any­body who courts the mains­tream deser­ves everything they get. There’s far more action in niches.

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3 Responses to “Never Go Mainstream”

  1. Josh says:

    Did we for­get about the “Cash” part of “Sex and Cash?”

  2. tea tiller says:

    But you can’t dis­count comics like ‘Cal­vin and Hob­bes’ was mains­tream, but also very poig­nant and honest. It was cutesy, but also very deep, with a mea­ning. And the artist/author esche­wed mar­ke­ting his car­toon cha­rac­ters on crappy merchan­dise, even though he would have made a killing (like, say, Gar­field or Pea­nuts. Will Gar­field just get hit by a car already or something, please?), only making the comic the focus, and only making money from the reprints and books. Then going further back to Wind­sor McCay’s comics or Gaso­line Alley or Krazy Kat, those guys were mains­tream and genius. But agreed, most of the today’s news­pa­per comics, espe­cially Dil­bert, are terri­ble. I like Lynda Barry’s work too.

  3. Sheila Foley says:

    Rhy­mes With Orange is my favo­rite. Every sin­gle day a it’s a joy to read/view. Not cutesy, not a warm fuzzy. Just the most crea­tive, fun, and thought-provoking space in the Bos­ton Globe.

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