In Praise of “Small Art”.

A friend of mine was in Paris last week, where she went and chec­ked out the mas­sive Anish Kapoor sculp­ture, Monu­menta 2011, now on exhi­bit at Le Grand Palais.

This got me thinking…

I like Kapoor’s work. He makes very big art.

I, on the other hand, make very small art i.e. the “car­toons drawn on the back of busi­ness cards”. And the prints aren’t too large, either.

Though I like a lot of “Big Art”- Kapoor, Serra, Gorm­ley, Smith­son etc etc– I’m pretty happy I stuck with “Small Art”.

Small Art can impact another per­son on a mea­ning­ful level, just as power­fully as Big Art. Fif­teen lines from Shelley’s Ozy­man­dias had as much impact on me as fif­teen hun­dred pages of Tolstoy’s War & Peace did, as much as I loved the latter.

And Small Art is A LOT less hassle to make.

And you can make more of it. More often. Without ban­krup­ting your­self or put­ting your life on hold for months on end.

And perhaps more impor­tantly, there’s the “Per­so­nal Sove­reignty” angle. With Small Art, there’s no need to wait for someone else to deem it worthy befo­rehand, no need to wait ner­vously for the rich patron, the movie stu­dio exec, or the illus­trious museum direc­tor to give it the green­light. There’s no need for the poli­tics or the sch­moo­zing or the bureaucracy.

Or the sleaze and corrup­tion. The Big Art world is rife with that, as we all know full well.

With Small Art, you just go ahead and make it, and then it exists, and the rest is in the hands of the gods. Your work is already done, and you can get to bed at a decent hour. And not lose any sleep over it, either.

Hey, it wor­ked for Joseph Cor­nell, Saul Stein­berg and Edward Gorey… three artists who I rate WAY higher than Kapoor or Serra.

And what is true for Art is pro­bably true for your thing, as well. Worry less about how BIG you want your busi­ness to be, ins­tead think about how much LOVE you actually want to give out while your still have time left on this earth. “Mea­ning Sca­les”.

Exactly…

Comments

  1. Hey Hugh,

    Thank you for a great mes­sage. I love epic poetry and novels but I sit up and take notice when pro­found notions are expres­sed with brevity.

    Small tra­vels faster.

    Conor

  2. Thanks Hugh, that says a LOT.

    I some­ti­mes get carried away thin­king a pro­ject has to do this and that, inc­lu­ding slice per­fectly sli­ced fries. But in addi­tion to follo­wing the heart, maybe, MAYBE, I can take steps that give me for­ward ship­ped momen­tum, and ignore what might more likely get me on the cover of BIG STUFF maga­zine. (Which has gone downhill in recent years any­way, IMHO.)

  3. Hey Ted,

    Yeah, not to men­tion, big art has got­ten A LOT big­ger lately, thanks in part to mas­sive public spa­ces like The Tate Modern or The Grand Palais.

    But how much is it REALLY affec­ting peo­ple, at the soul level, other than impres­sing them with mass?

    Also, one thing I didn’t men­tion in the post– Small Art is much easier for peo­ple to OWN. No need to build an exten­sion to your house, just to give your ori­gi­nal Mac­Leod a home.

    Art is already a big enough pain in the ass to make, without worr­ying about all that kinda stuff. That’s always been my atti­tude, anyway…

    Thanks :)

    • I recently sta­yed somewhere where the owners DID have to build wings and buy lots of land to store and show their purcha­sed art. It was very beau­ti­ful, but also see­med surreal, dis­tant, out of my lea­gue (in more way$ than one!)…

      In our living room, I have a fra­med pain­ting of mine. It makes me happy.

  4. Size doesn’t mat­ter. Love matters.

  5. Hey Hugh,

    size does not always mat­ter ;) I think it’s the mea­ning behind your art that makes the true impact.

    I believe small art is less corrup­ted and more genuine, if done authen­ti­cally. ( I know the art world from my mother — she’s an artist — and I hate that world. Too much blah blah without real substance !)

    And in today’s inter­net village, small art can just have an impact on millions as the big one used to have before.
    Just like Seth Godin says, “small is the new big” ;)

  6. great post!
    Lets give a BIG round of applause for small art!!!

  7. Hugh:

    Thanks for the encou­ra­ge­ment for small. It is so easy to get caught up in wan­ting to be a super star and giving up when we’re not.

    Yet, often it is the small that con­nects. It is the small that touches someone at just the right time in just the right way and helps them along this road called life in just the way they needed.

    This post did that for me.

  8. Kathy Sierra says:

    “With Small Art, there’s no need to wait for someone else to deem it worthy beforehand,”

    So true for so many things. Some of the Kindle Sin­gles coming out are from peo­ple who either never had the time to grind out a bookstore-shelf-sized book, or would not have got­ten a piblisher to accept it. What a won­der­ful time for peo­ple to be making Small Art or even small Not Quite Art But Still Awesome.

    I am so gra­te­ful for ever­yone who pro­du­ces small art, for giving us big experiences.

  9. “If you can be good, be big” as one of my old lec­tu­rers used to say.

    Fan­tas­tic work as ever.

  10. Fai­led at wri­ting a novel. Suc­cee­ded in wri­ting some songs.

    I pro­bably wouldn’t have got­ten very far crea­ti­vely if I’d tried to stick with big.

  11. There is no small art. It’s the peo­ple who got small.
    Life is short. Get on with it.
     – m

  12. Chrome Poet says:

    How do we mea­sure small? If by impact of mes­sage, if by thought evo­ked when encoun­te­red, if by intui­tion ini­tia­ted and insights ins­pi­red, your art is anything but small.

    That Shelly com­pres­sed a huge truth of time and human exis­tence into 15 mete­red lines makes the accom­plish­ment no less large. Should we decide to mea­sure area into a dimen­sion of Time and Space, in con­trast to Space alone, Shelly’s 15 lines cast a lengthe­ning sha­dow that soon shall stretch two cen­tu­ries long.

    And thus, perhaps, a few of your ‘small’ works may sur­vive and grow, wind about the tre­llis of time to expose our des­cen­dants to social rea­li­ties that floa­ted beneath the decep­tions of our times.

  13. Stefan Loble says:

    There’s lots of simi­la­rity here with the beauty of run­ning a small, inde­pen­dent business.

    A guy wrote a book that ope­ned my eyes to the fact that I’m a creative-type who hap­pens to work in the busi­ness world.

    Then, he coi­ned the term Glo­bal Micro Brand.

    He made a big dif­fe­rence in my life, and my small inde­pen­dent busi­ness is now in the works. Hugh, you should check him out!

  14. uponair says:

    I think the effort to move to be moved by big art is a worthy one. There’s a com­pro­mise of archi­tec­ture in monu­men­tal pieces.

    The big­ness of Kapoor’s Monu­menta did make me feel small, yet wel­come: I can see Kappor’s Leviathan in an inti­mate pers­pec­tive, as I can also pic­ture your art in a monu­men­tal one.

    Size mat­ters in rela­tion to the energy invol­ved, and echoed.

  15. Small is the new big. Hugh, you men­tio­ned being sick of cha­sing the next gig at one point in your wri­tings and I couldn’t agree more. I’m shif­ting from big pain­tings to small social objects. Just pop­ped my cherry with my first blog recently. Get­ting war­med up.

  16. I’ve been making “small art” for over 42 years. check out my work here.

    http://s110.photobucket.com/albums/n94/irajoel/Sculptures/

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