Archive for March, 2010

March 31, 2010

“a child would not hesitate to pack up a sleeping bag and sleep on a pier under the stars with you”


[“Popu­la­rity”, which I sent out recently in the news­let­ter. You can buy the print here etc.]

[Today’s guest post comes from my favo­rite saucy vixen, AV Flox]

“I wish I could be as impul­sive as you are,” he said to me. He said it with a slight smile, but it was an insult. It meant: you’re a child. You’re out of your mind.

We were sit­ting at a cafe over­loo­king the islands around Stockholm. I’d sug­ges­ted going to a pier that night and slee­ping under the stars.

“Your feet are plan­ted so firmly in rea­lity, you can’t walk,” I res­pon­ded, ligh­ting a cigarette.

He took a sip of his cof­fee: “Wake up and grow up.”

“Let go and live for a change.”

“Anaiis, you have to rea­lize that your inde­pen­dence and self are not sepa­rate from cul­tu­ral and social norms,” he told me, put­ting the small cup on the table bet­ween us. “You can’t go around thin­king you don’t belong within the social and cul­tu­ral bor­ders that, unfor­tu­na­tely, do exist. You think you are above that and you’re not. No one is.”

That was our last real con­ver­sa­tion. We finished our cof­fees in silence. After­ward, we stro­lled back to the house, where we dined – still in silence, without tur­ning on any lights. When we were finished, I went ups­tairs and packed.

“I love you, but I hate the way you are,” he said as I pulled my suit­ca­ses down the stairs. Then he tur­ned to the piano and star­ted to play Beethoven’s “Quasi una fantasia.”

I left Europe that night, and Mag­nus with it. But I didn’t leave full of con­vic­tion that I pre­fe­rred to be alone than entan­gled in someone who didn’t embrace the choi­ces of life, the free­dom that we have to sleep in a warm bed or a cold pier. I left crip­pled with the weight of having said too much and having wan­ted too much.

At every air­port I wal­ked, on every plane I boar­ded, as I made my way across two con­ti­nents and two oceans, I loo­ked at the peo­ple around me, moving like a herd through secu­rity and boar­ding lines. No one sta­red or even loo­ked at anything for too long, or – hea­ven for­bid – struck up con­ver­sa­tions. No one inva­ded anyone’s space or time. In the elite line, we were all sea­so­ned tra­ve­lers. We knew the deal: how to open our carry-ons quickly, what to remove and how to set it on the tray and we did it fluidly, without incon­ve­nien­cing anyone around us. In the plane, we were quiet, we buc­kled our seat belts, tur­ned off our pho­nes and pulled out our books.

We knew the rules and remai­ned firmly within them.

During a brief layo­ver in Hous­ton, I found a cafe and sat down to read. A few minu­tes later, I was inte­rrup­ted by the sense that someone was watching me. It was a little girl, seven or eight years-old, sit­ting across from me at one of the gates. I clo­sed my book and smi­led at her.

She came to me, messy brown hair and big green eyes, and a Cheshire cat stuf­fed ani­mal in her arms.

“What are you rea­ding?” she asked me.

“The Bell Jar,” I told her.

“What’s it about?”

The Bell Jar, by Syl­via Plath is about a young woman sti­fled by con­ven­tion who slowly goes mad –  how do you explain this to a child?

“Um. It’s the jour­ney of a girl who is con­fu­sed with who she is,” I replied.

“What chap­ter are you on?”

“Six.”

“What’s the girl doing?”

“Esther — that’s her name — is a model in New York and even though she has become friends with the girls around her, she feels all alone.”

“That’s sad,” said the little girl, “I’m not lonely, I’m with my mommy.”

Her mother see­med to mate­ria­lize at the words, carr­ying a clear Sub­way bag with sand­wiches inside.

“Alyssa,” she called, visibly unsett­led by the sight of her daugh­ter tal­king to a stranger.

Alyssa rose and ran to her, but in the middle of the walk­way, she pau­sed and tur­ned back around.

“Alyssa!”

The girl wal­ked back to me slowly and han­ded me her stuf­fed animal.

“Don’t get lonely, okay?” she said to me. “Talk to the cat.”

In a sea of peo­ple who know where they’ve been and where they’re going, who have every aspect of their trips plan­ned to the minute, peo­ple who get in nobody’s way and expect ever­yone to extend the same cour­tesy, a little girl han­ded a stran­ger her stuf­fed animal.

I have never belie­ved chil­dren are born pure in the stan­dard sense of the word, but I do believe they’re born free of the boun­da­ries we impose on our­sel­ves later as a society – and perhaps this does make chil­dren pure.

Or maybe a bet­ter term is “free.”

A child would not hesi­tate to pack up a slee­ping bag and sleep on a pier under the stars with you.

Since that flight, whe­ne­ver peo­ple asked me what I wan­ted to do with my life, I replied, “I want to be a child.”

So if you ever won­der why I share so much of myself with the world, from the sac­red to the pro­fane, the ans­wer is that I think ever­yone could use this license to be who they are and enjoy what that means. We do live in a society with norms about what we can and can­not share, what we can and can­not do, but as Eins­tein once said: “if the facts don’t fit the theory, change the facts.” That’s what I want to do – I want to change the facts.

Your wants are beau­ti­ful, your truths are power­ful. Maybe you want to sleep on a pier or share a fairy­tale kiss under every triumphal arch in the world. Maybe you dream of diving the wrec­kage of a galleon or quit­ting your job and star­ting your own company.

They’ll say you’re crazy. They’ll say, “I wish I could be as impul­sive as you are,” and that you should grow up. Life isn’t like that – there are norms, you know. There are ways to do things. You don’t talk to peo­ple at the secu­rity line at the air­port. You get through it as fast as pos­si­ble, go to your gate, wait for them to board you, sit down and be quiet. You go to your job, bust your ass, go home, change, go to some social thing, enter­tain the same ques­tions, go home, watch bad tele­vi­sion and do it all over again. Polite, pro­per, effi­cient. That’s life, right? Then you get old and maybe play some golf, then you die.

Fuck no.

The only way to remem­ber who you are is to refuse to let anyone or anything dic­tate what you want. I write to share my triumphs and defeats and to remind you that wan­ting something other than herd-like, soul-crushing mono­tony is not only natu­ral, but necessary.

And I’ll tell you something: for every e-mail I receive that says I’m out of my fuc­king mind, I have two more from peo­ple sha­ring their dee­pest desi­res. Peo­ple that much clo­ser to remem­be­ring who they are.

And every time, I think, “you don’t have to be lonely – I’ll be your cat.”

[AV Flox is a sex colum­nist for BlogHer and warrior for self-acceptance and the pur­suit of our wants. When she’s not cha­sing her own desi­res around the world (and live-tweeting her expe­rien­ces at @avflox), she’s edi­ting the Los Angeles-based sex news blog Sex and the 405.]

[The “Remem­ber Who You Are” archive is here.]

[Down­load the high-res “Remem­ber Who You Are” pos­ter here.]

March 30, 2010

an open letter to my newsletter subscribers, part two

[“Moro­nic”, which I sent out in the news­let­ter recently. You can buy the print here etc.]

Hello Every­body,

A few weeks ago I reached out to y’all, asking you what I could do to improve the newsletter.

You left dozens of com­ments, which were really, really help­ful. A lot of the things you said we actually put into prac­tice. Thanks so much for that!

So I’m reaching out to you again…

This time, I’m not asking you what I can do to improve the news­let­ter. This time, I’m asking you what could I do to make it easier for you to share it with peo­ple you know.

This enter­prise lives or dies by “Word Of Mouth”. And I’d like to raise my game a notch or two. Of course I would.

If you’re already a subsc­ri­ber, feel free to leave a com­ment below of send me your feed­back at gvdailycartoon@gmail.com. Thanks Again! Rock on.

March 28, 2010

remember who you are: seth godin

[This is the first of a series of guest blog posts, based around the “Remem­ber Who You Are” riff I’m always going on about. Today’s post comes from my friend and men­tor, Seth Godin, the great mar­ke­ting author.]

For­get who you are

When most peo­ple say, “remem­ber who you are,” what they’re really saying is, “remem­ber who we think you are, remem­ber who you were born to, don’t ove­rreach, wait your turn, don’t get uppity.”

They rarely mean it the way Hugh means it. Hugh, I think, is saying that you are who­me­ver you decide to be. That’s a sta­te­ment of asto­nishing auda­city, one that could only be said by an artist and unders­tood by one as well.

I have no illu­sions about the mobi­lity of our society. While it is far more fle­xi­ble and open than some socie­ties in the past, there are huge impe­di­ments to ente­ring a dif­fe­rent class.

And yet…

And yet art in all its forms belies that. Art, whether it’s the dra­wing art that Hugh does or the busi­ness art that a great Wall Street tra­der does or the cus­to­mer ser­vice art that Tony Hsieh at Zap­pos espou­ses… that sort of art isn’t limi­ted by social boun­da­ries. When you con­nect and change another human being, when you create upside whe­re­ver you go, then who you are is deci­ded by you, not by them.

Let’s change the man­tra, then, from “remem­ber who you are,” to “decide who you are.”

Decide to be the gene­rous, change-making, sca­rif­ying, deligh­ting, over-the-topping drea­mer you’re capa­ble of being.

–Seth Godin

[Down­load the high-res “remem­ber Who You Are” pos­ter here.]

March 27, 2010

greetings from far west texas

I took this photo two nights ago. Route 90, loo­king East, mid­way bet­ween the small towns of Alpine and Marfa. That’s Cathe­dral Moun­tain there on the right, which is about 12 miles South of Alpine.

If you drive down this stretch of road after dark on a clear night, if you look to the South there’s a good chance you’ll see the Marfa Lights in the dis­tance. I’ve seen them many times.

I came out here on vaca­tion, thin­king I’d stay two weeks. Two years later and I still haven’t left…

UPDATE: Lloyd Davis, a blog­ging buddy of mine from my Lon­don days, took  a train from Aus­tin to LA, after atten­ding SXSW. En route the train stop­ped in Alpine. He took some pho­tos. Sadly I was out of town that day, but it’s neat to think an old friend from Lon­don ran­domly visi­ting here…

untitled 100327

March 26, 2010

fucked hippie

cube grenade case study: psfk

PSFK, one of my top favo­rite mar­ke­ting blogs, is having a wee con­fe­rence in April in New York.

So I desig­ned this cube gre­nade for them, to go on pos­ters and t-shirts etc.

Basi­cally, I took their pur­ple logo (which I’ve always loved) and applied my tra­de­mark all-over “doodle” style to it.

The word, “gather” is their idea, which you’ll see if you click on the con­fe­rence link above.

Thanks to Piers Faw­kes, the mas­ter­mind behind the PSFK empire, for the oppor­tu­nity. I’m a huge fan.

[Com­mis­sion your own Cube Gre­nade.]
[The Cube Gre­nade archive is here.]

March 25, 2010

pink 002

no point stressing out

brands don’t need ad agencies

So ever­yone and their mother in the busi­ness has fore­ver been asking the ques­tion, “So what is the future of the ad agency?”

Clay Shirky wrote a damn good article about the future of news­pa­pers. Subs­ti­tute “News­pa­pers” with “Ad Agen­cies” and adver­ti­sing grunts everywhere will have plenty food for thought…

“When rea­lity is labe­led unthin­ka­ble, it crea­tes a kind of sick­ness in an industry.”

Clay makes the point that the world doesn’t need news­pa­pers, it needs good journalism.

Simi­larly, you could argue that brands don’t need ad agen­cies per se. What they need are crea­tive ways to make them more com­pe­lling to their tar­get markets.

But which of the large agen­cies, with their hyper-entrenched busi­ness models and ins­ti­tu­tio­nal sha­rehol­ders, would ever dare men­tion that in a pitch?

@avflox

[Ins­pi­ra­tion: @avflox.]

the raven

cube grenade case study: polaris ventures

Pola­ris Ven­tu­res, the Bos­ton and SF-based ven­ture capi­tal firm, asked me to design a pos­ter for their annual Digi­tal Sum­mit, which they throw every win­ter in Jack­son Hole, Wyoming.

The pre­mise is sim­ple: Once a year they get their favo­rite peo­ple to Jack­son Hole for a wee­kend of skiing, part­ying and tal­king about all things digital.

Thanks to Mike Hirsh­land for thin­king of me for this pro­ject. It was a great little assign­ment. Rock on.

[Com­mis­sion your own Cube Gre­nade. The Cube Gre­nade archive is here.]

March 24, 2010

“cube grenades”- the agency pitch

P4220004.JPG
[Sig­ning the agen­ciac­lick cube gre­nade, May, 2009…]
[Ori­gi­nally pos­ted here, May, 2009]

Over the last cou­ple of weeks I’ve been tal­king with various adver­ti­sing and PR folk about the Cube Gre­nade idea. Here are some notes:
1. In terms of the adver­ti­sing and PR indus­tries, the Cube Gre­nade is basi­cally con­cei­ved as a rela­ti­vely cheap and effec­tive Social Object to arti­cu­late the Purpose-Idea of a brand or company.

2. If the agency has an idea they REALLY want to sell to their client, they might have bet­ter luck if they first arti­cu­late the idea via a Cube Gre­nade desig­ned by me, rather than the tra­di­tio­nal “agency pitch” model. The agency’s idea is somehow arti­cu­la­ted as a com­mis­sio­ned print, the print is given out as a gift, to peo­ple within the rele­vant cons­ti­tuency. The print hangs on a wall, other peo­ple see it, and if the idea is any good then peo­ple will start tal­king about it. That con­ver­sa­tion will lead to other con­ver­sa­tions. If the idea is any good, other ideas [and oppor­tu­ni­ties] will be spaw­ned from it.

3. The Cube Gre­nade is not a glo­ri­fied adver­ti­sing pos­ter. I’m not pri­ma­rily inte­res­ted in why peo­ple should buy the client’s pro­duct per se. I’m far more inte­res­ted in the human dyna­mic, the collec­tive human drive that makes the client’s peo­ple want to get up in the mor­ning and go to work. That is where THE REAL VALUE is created.

4. Because the Cube Gre­nade is given as a gift– an act of love, as it were– AND NOT A DELIVERABLE WANTING TO BE SOLD, it will break through the cul­tu­ral barriers of the client com­pany a lot more cheaply and quickly than your stan­dard “Big Adver­ti­sing Idea”. The game here is not about “Selling An Ad”, the point is to make the client more alive, more human, more aware of their own human poten­tial. Again, this is where is where THE REAL VALUE for the client-agency rela­tionship is created.

5. Whether the Cube Gre­nade “works” or not in the end, both agency and client will find out if the thought behind it works A LOT soo­ner and inex­pen­si­vely than exe­cu­ting your ave­rage ad cam­paign. Like all com­mu­ni­ca­tion, the idea needs to RISK FAILURE if it’s ever to be any good. “Fail cheap, fail often”, as the great ven­ture capi­ta­list, Esther Dyson likes to say.

6. As I’ve said before to the ad agen­cies: “Guys, you are NOT selling mes­sa­ges any­more. You are selling Social Objects. The work that you create will affect the Cube Gre­na­des and Social Objects, that your clients and their cus­to­mers use to inte­ract with each other.” This is why I’m tal­king to adver­ti­sing folk. At the end of the day, we’re both in the same business.

7. To get more back­ground rea­ding, please visit my Cube Gre­nade archive here. You might also want to check out “The Hugh­train” to get a bet­ter unders­tan­ding of where my ideas are coming from.

8. As always, if this idea is of any inte­rest to you, please feel free to con­tact me at gapingvoid@gmail.com. Or if you know someone in the adver­ti­sing industry, please send them along to this page [Here’s the link]. Thanks!

March 23, 2010

view from one of my notebooks…

[View from one of my notebooks…]

Peo­ple are always get­ting exci­ted about social media. I’m as guilty as anyone.

That being said, it’s not nearly as exci­ting as my favo­rite media of all– good ol’ fashio­ned pen & ink.

Or a good Beetho­ven piano sonata, come to think of it…


here’s a gun…

I feel like this all the time…

When I was young and stu­pid, I used to think that the life of an artist was quite gla­mo­rous– lots of par­ties, living in a big city loft, having these big, heroic, exis­ten­tial  “con­fron­ta­tions with the canvas”.

Like I said, I was young and stupid…

March 22, 2010

something’s changing at gapingvoid.com…

I drew this car­toon ear­lier tonight…

Things are evol­ving really quickly for me at the moment. Something to do with finishing off EVIL PLANS and get­ting my head around the next book I want to write.

All will soon be revealed…

March 21, 2010

“evil plans” is nearly done

Since I got back home from SXSW I’ve been wor­king on finishing EVIL PLANS, my second book.

I think I’m almost there, Folks. A few more days of obses­sive twea­king to go, and then off to the publisher’s for the final edit. Hurrah!

Man, what a relief. Ever since I sig­ned the con­tract last sum­mer, I’ve been fee­ling the pres­sure. The first book, IGNORE EVERYBODY did very well– FAR bet­ter than I ever could have pre­dic­ted. Beginner’s luck? Maybe.

Regard­less, to do it a second time felt like a lot to live up to. It feels GREAT to have the har­dest part of the pro­cess mostly over and done with.

EVIL PLANS will have roughly the same for­mat as IGNORE EVERYBODY: 18,000 words, plus a hun­dred or so car­toons. Desig­ned to be read easily on the john, or on an air­plane. As I’m fond of saying, “This isn’t roc­ket science”.

Here’s how the Intro­duc­tion opens:

INTRODUCTION: “EVERYBODY NEEDS AN EVIL PLAN”

Every­body needs an EVIL PLAN. Every­body needs that crazy, out-there idea that allows them to ACTUALLY start doing something they love, doing something that mat­ters. Every­body needs an EVIL PLAN that gets them the hell out of the Rat Race, away from lousy bos­ses, away from boring, dead-end jobs that they hate. Life is short.

Every per­son who ever mana­ged to do this, every per­son who man­ged to escape the cubi­cal farm and start doing something inte­res­ting and mea­ning­ful, star­ted off with their own EVIL PLAN. And yeah, pretty much ever­yone around them– friends, family, collea­gues– thought they were nuts.

Thanks to the Inter­net, it has never been easier to have an EVIL PLAN, to make a great living, doing what you love, doing something that mat­ters. My inten­tion is that by the time you’ve finished rea­ding this book, you will com­ple­tely con­cur. More impor­tantly, you’ll actually feel com­pe­lled enough to go and do something about it your­self, if you haven’t already.

Last year my friend, David Brain inter­vie­wed me:

DAVID: What was the motive behind wri­ting the book [IGNORE EVERYBODY]? I mean, I know how little money these things make, but do you want it to help other peo­ple bet­ter their lives or is it just another evil plan?

HUGH: I cer­tainly didn’t expect to make any real money from it, and how much it would “help” other peo­ple is pretty deba­ta­ble. But some­ti­mes in your life you have these defi­ning moments, where you draw a line in the sand and dec­lare to the world, “This is who I am, this is what I believe, this is what’s impor­tant to me.” I think we all need these moments at some point, to make us bet­ter unders­tand who we really are. Wri­ting a book is a good way to force these moments to the sur­face. That was really the key dri­ver, here.

And “for­cing these moments to the sur­face” was the key dri­ver with EVIL PLANS, as well. The book is not a how-to book; it’s not an ins­truc­tion manual. It is a per­so­nal rant about something I’ve been pur­suing all my adult life: to somehow find a way to unify both Work and Love.

i.e. To do what you truly love, and somehow get paid for it. Again, con­cep­tually this may not be roc­ket science, cer­tainly, yet it’s still something that elu­des most of us. Most of us still have to sch­lep for a living.

Per­so­nally, I think most of us would rather not have to schelp. I think most of us would rather have an EVIL PLAN. I think most of us would much rather find a way to unify Work and Love.

Which is why, of course, I wrote the book. Wish me luck with it, any­way. Thanks…

[EVIL PLANS is sche­du­led to hit the books­to­res April, 2011.]

March 19, 2010

to unify work and love

Sig­mund Freud once said that in order to be truly happy in life, a human being nee­ded to acquire two things: The capa­city to work, and the capa­city to love.

“EVIL PLANS” is really about being able to do both, at the same time.

This is my tenth year blog­ging. I’ve done a lot of stuff since I star­ted. Published car­toons, sold wine, sold suits, pim­ped Mic­ro­soft, sold art, writ­ten e-books, ran­ted on end­lessly about mar­ke­ting and all sorts…

But loo­king back, I rea­lize it all ser­ved a ser­ved a com­mon pur­pose: to unify work and love.

Then I notice, the peo­ple who read my blog the most avidly, and the blog­gers I tend to read most avidly, hell yeah, they’re mostly trying to do the same thing too, in their own way. It’s a defi­nite pattern.

To unify work and love. Are you one of these peo­ple? If not, don’t you think you should be? I mean, after friends and family, what the hell is there?

Just askin’…

March 16, 2010

sxsw ’10 comes to an end…

I’m still in Aus­tin, drin­king a beer at the SXSW Blog­ger Lounge, as the Inte­rac­tive bit of the show comes to a close. I’ll be dri­ving home to Alpine tomorrow.

To mark the occa­sion we crea­ted nine prints, “The SXSW 2010 Series”. We were sho­wing them at the trade show booth and yeah, they were selling like hot cakes.

For 2010 we desig­ned another “Aus­tin is The Killer App” print- you see it here on the left, or click here to see it enlar­ged etc.

Any­way, if you had a great time at SXSW ’10 (like I did) this print series will make for great little sou­ve­nirs. Rock on.

March 13, 2010

sxsw update

Spent the first day tal­king to peo­ple and sig­ning dra­wings. Feel free to stop by my trade show boot # 1302 and say “Hello”…

March 10, 2010

an open letter to my newsletter subscribers

Hello Every­body,

I hope you guys are having a great time recei­ving the news­let­ter. I’m sure having a blast sen­ding it out!

Obviously, as a car­too­nist I like peo­ple rea­ding it. So equally obviously, I want to grow the list.

In terms of gro­wing it, I’ve got my own ideas, cer­tainly. But then I thought to myself, maybe it would be more fun and inte­res­ting to reach out to you ins­tead. This is “social media”, after all. And even though I’ve doing it for years, this “open source” stuff is still REALLY inte­res­ting to me.

So here’s what I’m asking: You guys receive the news­let­ter. You guys are a savvy crowd, and you will have plenty of opi­nions of your own.

So what do I need to change? What could I do bet­ter? How could I improve the layout? What new ideas or tools could I be using? And perhaps most impor­tantly, what could I do to make it easier for you guys to share it with your friends?

If you’re already a subsc­ri­ber, feel free to leave a com­ment below of send me your feed­back at gvdailycartoon@gmail.com. Thanks a lot!

UPDATE: Since I first pos­ted this an hour or two ago, the com­ments have POURING in below. Thanks, Guys, this is REALLY helpful!

notes on sxsw 2010


[“Texas”, which I sent out in the news­let­ter recently. You can buy the print here etc.]

Tomo­rrow I head for Aus­tin, for the annual 5-day drun­ken orgy that is South By South West Inte­rac­tive. Here are some thoughts:

1. SXSW is the only “MUST ATTEND” event on my calen­dar. It’s the one show I never miss, ever. Unless you’ve already been, it’s hard to con­vey JUST HOW MUCH more fun, inte­res­ting and full of busi­ness oppor­tu­ni­ties it is, com­pa­red to other shows. I can’t empha­size enough, if you’re into the Inter­net, just how much you’re mis­sing out if choose not to attend. Sure, the price of going [entry fee, plane fare, hotel bill, taxi rides etc] might be quite daun­ting for some of us, but com­pa­red to the busi­ness and net­wor­king you could EASILY end up doing there, that cost is minuscule.

2. So you thought last year was crazy? Last year had ten thou­sand atten­dees. I heard on good autho­rity from some­body inside the org that this year’s num­bers have dou­bled. Hope you got a good hotel booking.

3. I’m on a panel on Mon­day. I hope you’ll come see us. All the other pane­lists are good friends of mine, so it should be fun…

4. I’ll be sig­ning books. Bar­nes & Noble will have a little micro store on the fourth floor of the con­ven­tion cen­ter, selling books writ­ten by some of the atten­dees. I’ll be there to sign copies of “Ignore Every­body” on Mon­day, March 15th at 5.20pm. My sig­ning will last for 30 minutes.

5. Free Booze! Free Sex! A lot of com­pa­nies spon­sor par­ties, so as long as you have a pass, it’s pretty easy to go the entire five days without ever paying for a sin­gle drink or meal. Plus with all the young sin­gles everywhere, everybody’s trying to get laid. X-thousand geek twenty-somthings trying to hook up en masse is pretty enter­tai­ning to watch. By Sun­day or Mon­day everybody’s a bas­ket case. Which is why the vete­rans are always telling the new­bies, “Pace Yourself”.

6. Crea­ting an island of calm in a sea of bodies. It’s going to be a madhouse this year, so to make our­sel­ves easier to find,  gaping­void has hired a trade show booth for the event. If you want to meet up, that’s where you can find me. I’ll be selling art, doing busi­ness, sig­ning dra­wings and exchan­ging busi­ness cards. My focus this year will be much more about busi­ness, than my usual hall­way wanderings.

7. I’m bet­ter orga­ni­zed, this time. Pretty much all the par­ties and events I’m plan­ning to attend are already in my calen­dar. In past  years I just tur­ned up and went with the flow. It was exhaus­ting after about three days. Never again.

8. Follow me on Twit­ter if you want to see what I’m up to on the day. Heck, that’s what every­body else uses, too.

9. SXSW makes me proud to be Texan. I’ve seen this a lot: Peo­ple come to Texas for the first time to attend SXSW, and “fall in love with the bar­be­cue”. Texas has always been a very misun­ders­tood State, if you ask me. SXSW does a great job of hel­ping to fix that, at least with my crowd.

March 9, 2010

the wee nudge


[“Hug­ged”, which went out ear­lier this mor­ning in the news­let­ter. You can buy the print here etc.]

These days I’m fin­ding myself wri­ting less about my usual sex/angst/alienation shtick, and more and more about busi­ness and entre­pre­neurship, hence the car­toon above. As my inte­rests evolve, so does the sub­ject mat­ter. It’s really that simple.

I want to draw car­toons that enter­tain peo­ple, sure, but perhaps more impor­tantly, I want to draw car­toons that push peo­ple in the right direc­tion; the direc­tion they wan­ted to go in, anyway.

That’s what all my favo­rite artists have always done for me, after all. Their work always gave me a wee nudge etc. I’m just trying to follow their example.

Whether we’re tal­king Rem­brandt, Sha­kes­peare, The Rolling Sto­nes, Char­lie Brown, or the unk­nown graf­fiti artist from the wrong side of the tracks– that’s what “Art” is really all about, at the end of the day. The Wee Nudge.

And even if you’re not an “Artist” per se, whether you’re a techie, sales­man, con­sul­tant, plum­ber or wha­te­ver, surely the work you do should somehow give peo­ple that same “Wee Nudge”, in your own uni­que way? If not, what’s stop­ping you? What’s stop­ping anybody?

I think it’s career sui­cide not to, frankly…

March 8, 2010

cube grenade case study: karmamedia

Kar­ma­Me­dia is a com­mu­ni­ca­tions shop in Hun­gary. As it was first explai­ned to me:

Kar­ma­me­dia is a com­mu­ni­ca­tion shop with an empha­sis on P.R.  (wha­te­ver that is), and on doing things online (whe­re­ver that is).
We star­ted out as a blog three years ago, wor­king at various big agen­cies, and jum­ped ship to become inde­pen­dent and happy about six months ago.

Our name was selec­ted intui­ti­vely because it soun­ded good and because the guy who star­ted it all wan­ted to use a pic­ture of Buddha sit­ting with a note­book — but since then we found a fit­ting expla­na­tion for it: online, what goes around comes around. We don’t believe in karma in the reli­gious sense but we do know it exists online — Goo­gle makes sure of this. So we try to help com­pa­nies do good and mea­ning­ful things and make sure these things get noticed.

To cele­brate their six-month anni­ver­sary, they threw a big party. The local trade press gave it nice cove­rage. They com­mis­sio­ned me to draw something for the event. I think the motif of “Karma” poin­ting to itself, a play on the Eas­tern sym­bol of the eter­nal snake eating itself, wor­ked out well. Straight and to the point.

Thanks to Balazs Loven­berg and his collea­gues for such a great assign­ment. I had a lot of fun. Rock on.

[Com­mis­sion your own Cube Gre­nade. The Cube Gre­nade archive is here.]

“the intense longing”

This one is called “The Intense Lon­ging”. The latest from the “Moles­kine” series [Click here to enlarge etc].

Fri­day night I was in Marfa, hea­ring my favo­rite local band, The Dood­lin’ Hog­wa­llops, play a gig at Padre’s. Because I was dri­ving, I wasn’t drin­king any alcohol, so I just stuck to black cof­fee the whole night.

Once the caf­feine star­ted kic­king in I got out my dra­wing pen…

“Lon­ging” is a lovely idea to wrestle with, because from the moment we become sen­tient beings, our lives are utterly satu­ra­ted with it.

The lon­ging to be clo­ser to God. The lon­ging to be clo­ser to Nature. The lon­ging to feel more alive. The lon­ging to love and to feel loved. The lon­ging for truth, beauty, good­ness, sex, expe­rience, poetry, art, strength, music, friendship, family, affec­tion, desire, magic, power, laugh­ter, joy, mea­ning, resonance…

It never goes away, no mat­ter how smart, sexy, witty or suc­cess­ful we become. It’s the broth we spend our whole lives ste­wing in: The lon­ging to touch that which can never be touched.

Which is why I think it”s a REALLY good idea try to express it somehow, even if the results will be inva­riably mixed…

March 5, 2010

the cost of doing what you love

[“Suc­cess­ful”, which I sent out recently in the news­let­ter. You can get the sig­ned print here etc.]

While wri­ting the first draft of EVIL PLANS, I wrote about “The Hun­ger”- that pri­mal drive we all have to do something mea­ning­ful with our lives.

The Hun­ger will give you everything. And it will take from you, everything. It will cost you your life, and there’s not a damn thing you can do about it.

What do I mean by “Everything”?

Well, pretty much what I said. Anything worth doing takes fore­ver. And if time is all we have have, then QED, time is “Everything”.

Only you can decide if it’s worth it…

March 4, 2010

“evil plans”: how a tiny store in chappell hill, texas changed my life

[“Cross”, which I sent out in the news­let­ter recently. You can buy the print here.]

With the dead­line for the finished draft only a few months away, I’ve star­ted wor­king again on the next book, “Evil Plans” in earnest.

Every­body needs an EVIL PLAN. Every­body needs a way to get the hell out of the RAT RACE. Every­body needs to get away from boring, dead-end jobs that they hate, and start doing something they love, doing something that mat­ters. Life is short.

Every per­son who ever mana­ged to do this, every per­son who man­ged to escape the rat race and start doing something that mat­ters, star­ted off with an EVIL PLAN.

My EVIL PLAN for the next cou­ple of months is to work on the book first thing in the mor­ning, 500 words a day. After­noons I’ll work on the Cube Gre­na­des. Eve­nings will be dra­wing new car­toons for the News­let­ter.

From my end, it’s pretty sus­tai­na­ble, so I’m happy.

Let me tell you a story:

About twelve years ago I was living in New York City, bus­ting my ass, wor­king in an ad agency. One day I deci­ded to go down to Hous­ton to visit my family. While I was there, my sis­ter and I decide to drive up to Aus­tin to visit some old college buddies.

Ins­tead of our usual route via I-10, we deci­ded to take the slo­wer but more sce­nic Route 290, through the Texas Hill Country. A lovely drive of about 150 miles.

At about the half­way point we pull into Chap­pell Hill, Texas, a sweet little town of maybe three hun­dred peo­ple. We stop for some gas.

Right next to the gas sta­tion is this small sto­re­front, called the Chap­pell Hill Meat Mar­ket & Cafe. A tra­di­tio­nal lunch diner taking up most of the buil­ding, and to the right, a tiny little gro­cery store.

Turns out this hole-in-wall gro­cery store sells some of the best Texas sau­sage and jerky you ever did come across. They have their own smoke house in the back, and everything is pre­pa­red right there on the pre­mi­ses. My friends in Aus­tin are having a bar­be­cue that eve­ning, so we buy about forty dollars worth of sau­sage, bris­ket and jerky for the party. We eat some of the jerky in the car– Outstanding!

We have a great time in Aus­tin, seeing our friends. Every­body LOVED the meat we brought for them. On our way home to Hous­ton, my sis­ter and I like the Chap­pell Hill Meat Mar­ket so much, we decide to stop in again, and buy some more sau­sage for my dad and his wife.

As I’m paying for the food I com­pli­ment the per­son ser­ving me, the owner, a nice lady named Cissy.

“This is a great little place”, I say. “I LOVE your jerky.”

“Why, thank you,” says Cissy, in her very polite, Texan way.

“I bet you sell a lot of this stuff,” I say.

“Sure do,” says Sissy. “About a thou­sand pounds of meat…”

“A week? Really? That much?”

“No, Dar­lin’. A thou­sand pounds, every day.”

BOOM! Moment of cla­rity. A tiny little hole-in-the-wall in Nowhe­res­vi­lle, Texas. Selling three-and-a-half TONS of world-class pro­duct a week. Doing the math in my head, assu­ming they’ve got a decent enough mar­gin, that’s a lot more money than me or any of my other New York cro­nies were making (or pro­bably ever going to make). For a lot less hassle and overheads, to boot.

Now, I never wan­ted to go into the meat busi­ness, but since that day in Chap­pell Hill, Texas, I have always aspi­red to have a busi­ness model as sim­ple, ele­gant, pro­fi­ta­ble and low-key as this one. I’m not quite there yet, but I’m get­ting close…

And that, My Friends, is what “EVIL PLANS” is really all about. Exactly.