Archive for December, 2009

December 31, 2009

content wants

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the valley of the shadow of death

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i’m not dead

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untitled 091231b

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December 30, 2009

don’t worry if you don’t know “absolutely everything” before starting out

“DON’T WORRY IF YOU DON’T KNOW ‘ABSOLUTELY EVERYTHING’ BEFORE STARTING OUT.”

That’s pro­bably the last thing you need…

A lot of peo­ple mas­si­vely post­pone their EVIL PLANS, for the sim­ple rea­son that they don’t have an ans­wer for every pos­si­ble contingency.

They don’t know enough about the industry. They don’t know enough peo­ple in the industry– espe­cially the A-Listers. They don’t know enough about where the mar­ket is going to be in five years. They don’t know enough about what could pos­sibly go wrong. They don’t know where EVERY SINGLE LAST POSSIBLE LANDMINE is buried.

So ins­tead of get­ting on with it, they spend the next few years kee­ping their Nowhe­res­vi­lle day job, whilst spen­ding their eve­nings sur­fing the web, scou­ring the trade maga­zi­nes, researching everything like crazy, trying to get a tho­rough, small-time Outsider’s view about what the big-time Insi­ders are currently up to.

And then they often com­pound this by also trying to get a handle on the even big­ger stuff. What will hap­pen to the American/Asian/European/Brazilian/Whatever eco­nomy in the next 2/5/10/25/Whatever years, and how will these BIG things affect their tiny, obs­cure niche.

They want to have ALL the ans­wers, before ever ris­king get­ting their feet wet. Hell, before even get­ting their little toe wet…

Agreed, a wee bit of pru­dence and infor­med cir­cums­pec­tion are lovely vir­tues to have, but over­doing it can be ulti­ma­tely unpro­duc­tive, for a variety of rea­sons. Here are my four favo­rite ones:

i. Being an Outsi­der with too much Insi­der Know­ledge, makes it even more likely that you’ll make the same mis­ta­kes as every­body else.

When Goo­gle– the most suc­cess­ful adver­ti­sing busi­ness in the his­tory of the world– star­ted their com­pany, their foun­ders knew prac­ti­cally nothing about the inside wor­kings of Madi­son Ave­nue. Ser­gey Brin and Larry Page most likely had zero inside know­ledge about famous adver­ti­sing titans like Leo Bur­nett, David Ogilvy, Lee Clo­wes, John Hegarty or Claude Hop­kins. They were just a cou­ple of twenty-something Stan­ford PhD stu­dents, who were far more inte­res­ted in Inter­net search engi­nes than they ever were in Niel­sen Ratings, Proc­tor & Gam­ble or The Clio Awards. Which helps explain why, when the nor­mal, mains­tream, industry-obsessed kids of around the same age were just lan­ding their first East Coast internships or junior exe­cu­tive posi­tions at adver­ti­sing blue-chips like McCann’s, Lin­tas, DDB or Saatchi’s, Ser­gey and Larry were already well on their way to beco­ming billionaires.

When I star­ted my fine-art print busi­ness in late 2008, I didn’t wait for the acc­laim of the big-city gallery scene, or a favo­ra­ble review from the New York Times art cri­tics before I took the plunge. [A] Those elite votes of appro­val were VERY unli­kely to hap­pen any­way, and [B] Even if did hap­pen, it would have taken years and years. I just rec­ko­ned ins­tead that [A] my blog rea­ders already knew and liked my work, [B] a lot of them had dis­po­sa­ble inco­mes and [C] a lot of them had a lot of wall space that nee­ded filling. That was all the incen­tive I nee­ded to get the ball rolling.

So I just put the idea out there on my blog to see if any fish would bite. And they did. A lot of them even liked the idea enough to put up money in advance, before I had spent a sin­gle penny. As a result, the busi­ness has been pro­fi­ta­ble since Day One, without me having to gain an encyc­lo­pe­dic know­ledge of the big New York, Lon­don and Shanghai art galle­ries, the current career tra­jec­to­ries of all the artists they repre­sent, or the recent auc­tion pri­ces at Sotheby’s and Christie’s. Too much of that stuff would’ve just slo­wed me down, big time.

[Other, Far Bet­ter Exam­ples Than My Own:] Before they launched their car com­pa­nies, Henry Ford and Karl Benz didn’t decide to first spend a decade trying to win the appro­val of pro­mi­nent horse bree­ders or rail­way mag­na­tes. Same goes for the Wright Brothers.

I love this story about Bill Gates: Some years ago, when the com­pany he foun­ded, Mic­ro­soft was at the height of its powers, he was giving a lec­ture to some college stu­dents. When the the Ques­tion & Ans­wers came along, a keen under­gra­duate asked the ques­tion, “What advice would you give to a young per­son like me who wants to make a lot of money some day?”

Gates’ ans­wer was as won­der­ful as it was short: “For Good­ness’ sake, don’t do what I did. That money’s already been made by me.”

ii.“Events, Dear Boy, Events.” –Harold Mac­mi­llan, Bri­tish Prime Minis­ter 1957 – 1963, after being asked by a young jour­na­list, what is the most likely sin­gle fac­tor to blow any govern­ment off-course.

If it’s pretty much impos­si­ble for the smar­test peo­ple in Washing­ton, Wall Street and Sili­con Valley to pre­dict what the big, bad world is going to do next, what chance does a guy wan­ting to open a small, highly-specialized, hand-built EVIL PLAN bicycle ope­ra­tion have, from his small sto­re­front in Brooklyn?

Trying to mic­ro­ma­nage the Macro, from the com­fort of your wee bike shop… Seriously, your time is bet­ter spent trying to manage what you CAN con­trol. Like being nice to cus­to­mers, kee­ping your word, sta­ying cheer­ful, posi­tive and focu­sed, com­ple­ting a task chea­per, fas­ter and bet­ter than you had ori­gi­nally pro­mi­sed, wor­king har­der and smar­ter than the next guy, figh­ting hard to keep your ideas fresh i.e. all those good, small moves that Grandma told you about deca­des ago.

To get some very lucid, hard­core pers­pec­tive on this, I recom­mend that you read Nas­sim Taleb’s exce­llent and highly rea­da­ble “Foo­led By Ran­dom­ness” (W. W. Nor­ton & Co., 2001). Nassim’s the­sis is chil­dishly sim­ple: That the big­ger the his­to­ri­cal event, the more ran­dom and unpre­dic­ta­ble the event was to begin with. Nobody saw 9/11, Pearl Har­bor, the assas­si­na­tions of JFK, Lin­coln or Arch­duke Franz Fer­di­nand (and the sub­se­quent out­break of a four-year World War), the Ato­mic Bombs being drop­ped on Japan, the 1923 collapse of the Ger­man Deutch­mark, the Bar­ba­rians sac­king Rome in 410 A.D., The Bubo­nic Pla­gue of the 1300’s, or Hitler’s 1941 inva­sion of the Soviet Union coming down the pike. Ditto with Detroit not seeing the threat of Japa­nese cars coming after 1945, or IBM not seeing the  threat posed in the 1970s by Mic­ro­soft and Apple. Everything just hap­pe­ned when it did, every­body was shoc­ked com­ple­tely, and every­body just had to deal with the MASSIVE AND UNPREDICTABLE con­se­quen­ces after­ward. Not too much fun at the time, but there was no other choice. Nas­sim makes a damn good case.

So if your EVIL PLAN is to open up a two-person inter­net soft­ware com­pany, or a mom n’ pop fancy cheese shop in North Chi­cago, there’s little point in first wai­ting to see if, some­time in the next two deca­des, whether or not India and Pakis­tan decide to launch nuc­lear mis­si­les against each other.

iii. Inte­res­ting des­ti­nies rarely come from just rea­ding the ins­truc­tions manual.

Yes, Louis Pas­teur did say, “For­tune favors the pre­pa­red mind.” On one level, he was right. That being said, the stuff you learn befo­rehand will never be one-tenth as use­ful as the stuff you learn the hard way, on the job. All the for­mer can do is help train you to deal with the rea­lity of the lat­ter. The real truth is always found in the moment, never in the future. Sadly, not every­body is cut out for thri­ving in the pre­sent tense. Life is unfair.

iv. “Some­ti­mes Paranoia’s just having all the facts.” –William S. Burroughs.

I’ve been in a few busi­nes­ses in my time: adver­ti­sing, mar­ke­ting, fine art prints, gree­ting cards, phone sales, ani­ma­tion, maga­zi­nes, wine, cor­po­rate con­sul­ting, English tai­lo­ring, and now, book wri­ting. Take it from me– if I had known ONE HALF about these busi­nes­ses that I know now, I doubt I would’ve bothe­red in the first place. Ins­tead, I would’ve just got­ten an MBA or law degree somewhere and lan­ded a mid-level posi­tion in a bank, law firm, cor­po­ra­tion or wha­te­ver. Maybe joi­ned the local country club while I was at it. Lucky Me.

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December 29, 2009

one night stands

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90%

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f-ing muse

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death makes

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December 28, 2009

gapingvoid prints: the new marketing campaign

[Rough ban­ner ad ideas I wrote ear­lier today etc.]

Things here at gaping­void Cen­tral have been busy. In order to spread the word on our fine art prints, we’re tal­king to a few peo­ple about some pos­si­ble adver­ti­sing and affi­liate mar­ke­ting deals.

It’s fairly vir­gin terri­tory for gaping­void, cer­tainly, but I’m fin­ding it an inte­res­ting expe­ri­ment so far…

So the first thing on the list was to design some new ban­ner ads. Ear­lier today I mes­sed around with a few rough ideas, pic­tu­red above.

It’s not a bad start. I’ve writ­ten a  cou­ple of dozen already, and I can see run­ning a lot of them in all sorts of web­si­tes out there. I’m so far having a lot of fun wri­ting them, that’s for sure. The head­li­nes above are kinda punchy, in-your-face, quite unlike most fine art adver­ti­sing you see these days, which IMHO is a good thing. Art mar­ke­ting is tra­di­tio­nally a pretty staid affair; I’d like to ratchet it up a bit… of course I would!

So natu­rally I’m thin­king, what else could I do to make this more inte­res­ting, both for me and the Internet-munching public?

Sud­denly I get the idea, hey, wouldn’t it be cool if other folk desig­ned and wrote some of these ads as well? A “gapingvoid-community-open-source” kinda thing. How cool would that be?!!

So I’ll tell you what. Feel free to send in any ideas you may have via my usual email below. You can use words, graphics, wha­te­ver suits you. Or if you just have an idea off the top of your head, feel free to leave a com­ment below.

Don’t feel you have to imi­tate my for­mat or shtick above– if you have another angle, I’d love to see it. If we end up using any of them, we’ll send you a free gaping­void “cube gre­nade” print of your choice and also give you a men­tion & some lin­klove on this blog. Just remem­ber they’ll be used in con­ven­tio­nal sized ban­ner ad for­mat (at least for now), so please don’t stray to far from that for the time being.

This could be A LOT of fun. I’m loo­king for­ward to seeing what y’all will come up with. Thanks! Very cool…

[UPDATE:] The very first idea to be sub­mit­ted came from Melle in the com­ments: “gaping­void– Clas­sier than a vel­vet Elvis.” HA! Thanks, Melle!

[UPDATE:] Within an hour or two of pos­ting this, about 20 peo­ple have mai­led in ideas, plus there’s all the com­ments below. Wow. Thanks, Guys! Now I’ve got to figure out how to sort through it all… Heh.

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December 27, 2009

“evil plans” are not products. “evil plans” are gifts.

You were given a gift by The Crea­tor, God, The Uni­verse, Wha­te­ver. Until you have retur­ned the favor, Life will have a cer­tain, fec­kless emp­ti­ness to it.

So soo­ner or later you’re going to have to explain to your friends and family EXACTLY why you deci­ded to quit your sta­ble 401K job and go off on some long-term ACT OF LUNACY i.e. your EVIL PLAN.

I don’t know what exactly you’ll tell them. I do know, howe­ver, that somewhere in the back of your mind will be a fee­ling that you have something you want to give to the world, something that you haven’t given yet, something the world needs but doesn’t quite know it yet.

Yes, you have already lear­ned how to make a living and pay the bills…

But you know that’s not enough.

I’ve had my fair share of crappy jobs, as have we all.

You know what? I never hated a job because of what it took from me– ALL jobs take a lot from you, espe­cially the best ones.

I hated a job because it never allo­wed me to give enough to the world..

That’s all I ever wan­ted: My best self, pla­ying my best game. Being an adver­ti­sing hack never allo­wed that, somehow. But I can now do that as a car­too­nist. I’m damn lucky to have found that out, even if it did take me a pain­fully, emba­rras­singly long time.

I’m not the world’s most talen­ted per­son at what I do. Neither are you. That doesn’t make the gift we have to give less valid.

Giving the gift is an act of love. And Love is the only thing that matters.

That’s why we have an EVIL PLAN. Because it mat­ters. Because Love matters.

What else is there to say…?

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print profile: “c.f.a.”

From the gaping­void Gallery:

I drew this when I was living in New York, in the late ‘nineties.

If you actually lis­ten to me speak, if you actually read my prose wri­ting, you’ll find I don’t swear very often. But somehow it works in car­toons. Espe­cially ones crea­ted in New York.

This print is one of four prints in the “Port­fo­lio Series Num­ber Two”, but you may purchase it here indi­vi­dually.

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December 26, 2009

untitled 091226a

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December 24, 2009

my web predictions for 2010:

Enough said.

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haunted by beauty

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decisions were made

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our time together

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fat, dumb and useless

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untitled 091224d

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untitled 091224c

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untitled 091224b

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as long as your arm

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December 23, 2009

if your boss tells you, “our brand must speak with one voice”, quit.


“My boss won’t let me” is a terri­ble excuse for not get­ting on with buil­ding your own per­so­nal glo­bal mic­ro­brand, within the con­fi­nes of your job. A good boss wants her emplo­yees to have their own sense of sove­reignty and des­tiny. Why on Earth would you tole­rate a boss that didn’t?

I once had a boss who didn’t like the fact that I had a blog. Espe­cially when I blog­ged about stuff that was rela­tive to our industry. Yeah, “Our brand must speak with one voice” was his idea. Yes. I know.

Actually, the rea­lity was, HE wan­ted to be “The One Voice”. He wan­ted all the cre­dit, and all the rewards. He didn’t mind me put­ting words into his mouth– stuff I had writ­ten– so long as the outside world gave him all the cre­dit. But he didn’t want me in any other role, other than sub­ser­vient, nowhe­res­vi­lle wage slave. He fought tooth and nail to keep me from ever beco­ming a rain­ma­ker inside the com­pany, something he wan­ted all for himself.

I left the job a few months later. I was glad to leave, frankly.

The story actually has a happy ending. To deflect some of the heat the boss was currently giving me, I deci­ded to stop blog­ging about our industry for a while. I deci­ded ins­tead to write about a dif­fe­rent sub­ject altogether.

Not sure what to write about, I just dug into my past expe­rien­ces and star­ted wri­ting a series of blog posts on the sub­ject of crea­ti­vity, from what I had lear­ned from all those years of car­too­ning. This series ended up being read online by a lot of peo­ple, and then went on to become my first book, “IGNORE EVERYBODY”, which went on to become a busi­ness bestseller.

Last time  I chec­ked, my for­mer boss’ situa­tion hasn’t chan­ged much. He’s still hac­king away in buzzword-infested medioc­rity, his “speak with one voice” shtick still being com­ple­tely dis­re­gar­ded by anyone who mat­ters in the industry.

Scha­den­freude…

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what entrepreneurs can learn from artists, and vice-vera

I really liked this title, “What Entre­pre­neurs Can Learn From Artists…” when I first wrote it. I even had plans to turn it into a major blog post, with a long list of use­ful, lucid poin­ters that my rea­ders would find use­ful and/or inspiring.

But nothing happened.

The line just floa­ted there in limbo for weeks, almost mockingly…

Every time I tried to write the “use­ful, lucid” blog post, I ended up hating what I had written.

Of course I did.

Why? Because the thought is redundant.

Because in their own way, all artists are entre­pre­neurs, and all entre­pre­neurs are artists.

Though their tools and pro­ducts may dif­fer, both entre­pre­neurs and artists are in the same game– the making and selling of work that is per­so­nally and emo­tio­nally impor­tant to them.

Artist. Entre­pre­neur. They’re just words. What’s far more inte­res­ting is not what we create, but how we create it, WHY we create it.

Life is short.

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lovely grain of sand

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shrouding

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the revolution is now here, and it’s permanent

“So for­get about blogs and blog­gers and blog­ging and focus on this — the cost and dif­fi­culty of publishing abso­lu­tely anything, by anyone, into a glo­bal medium, just got a whole lot lower. And the effects of that inc­rea­sed pool of poten­tial pro­du­cers is going to be vast.” -CLAY SHIRKY, 2004.

For a car­too­nist, I got into blog­ging rela­ti­vely early, in May, 2001.

It was a for­mat I “got” right away, for no other rea­son that com­pa­red to buil­ding regu­lar web­si­tes back then, it was cheap and easy. And I was REALLY broke at the time, so for someone wan­ting to get their work online and seen by peo­ple, it was a godsend.

Around 2005, back when blogs became the hot news story for jour­na­lists everywhere, Clay Shirky’s words above came in handy. It kept things in pers­pec­tive during Blogging’s short-lived media frenzy.

But things chan­ged soon enough, of course. The Blogger’s reign at the top of the new media foodchain soon came to an end. At time of wri­ting this, Twit­ter is the hot new web­site that everyone’s tal­king about inces­santly. A year or two ago it was Face­book. The year before that it was MyS­pace. Doubt­less something else will come along next year– it always does.

But what blog­ging repre­sen­ted back in 2004 is never going away, save for the total extinc­tion of the human race: Cheap, Easy, Glo­bal Media.

It’s here fore­ver. It’s not a fad. That’s what Shirky was tal­king about.

Get used to living with it. Get used to wor­king with it. Avoid it at your peril. Exactly.

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you can only live life

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untitled 091223c

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christmas pyscho-drama

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December 22, 2009

“fight like hell. this is it.”

It’s easy to tell somebody to get into The Zone. Much har­der to live it. But fight like hell to get there, regard­less, every frig­gin’ day, or else you’ll never make it.

Mark Morris is a famous con­tem­po­rary dan­cer and cho­reo­grapher in New York. His dance com­pany, The Mark Morris Dance Group tours the world, has its own large buil­ding in Brooklyn (not just the usual New York ren­ted loft space), and has its own school for chil­dren. He’s suc­cess­ful, cutting-edge, cri­ti­cally acc­lai­med and really, really good at what he does.

I saw him being inter­vie­wed on tele­vi­sion one eve­ning seve­ral years ago. He said something that really sta­yed with me, something I always remem­ber when I need a little jolt of ins­pi­ra­tion. To paraphrase:

“When new dan­cers come to work for my com­pany, I tell them, ‘This is it’. In other words, this is as good as it gets. They’re here to do their life’s best work, they’re not here just to fill time until WHAT THEY REALLY WANT TO DO comes along. And I only work with dan­cers who can sin­ce­rely ope­rate at that level.”

I con­fess, I was doing ANYTHING BUT my life’s best work at the time. I was hol­ding down a crappy, hack adver­ti­sing job. Luc­kily times have chan­ged since then, but at the time it was killing me, to be honest. Thank God they laid me off after not too long.

We’ve all been there. You know you’re capa­ble of doing great things, being in “The Zone”, but every exter­nal mar­ker out there indi­ca­tes other­wise– that you’ll never get to do the “life’s best work” that you’re capa­ble of. That your career will be nothing but drud­gery and abuse, in exchange for what seems an inc­rea­singly mea­ger paycheck.

Yeah, it’s a pain­ful place to be. But it doesn’t last fore­ver, not if you don’t give up. Not if you don’t suc­cumb to all the over­pri­ced, “treadmill-enabling”, exter­nal mar­kers of suc­cess– fancy hou­ses, cars, schools, vaca­tions and “stuff” that you can’t really afford, that you don’t really need nearly as much as the guy in the next cubicle says that you do.

Fight like hell.

This is it.

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health insurance

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i don’t have a career

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December 21, 2009

i’m not angry

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old drunk

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cheap rent

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i wish my heart was bigger

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dead forever

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history of the internet

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all searches for god

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my phone number

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December 20, 2009

“don’t do it unless you have to”

I’ve spent most of the last week wor­king on my second book, EVIL PLANS. I’m hoping to have the manusc­ript finished and ready to send to the publisher by the end of January.

I’m per­fectly happy with the idea of being known as an artist; the idea of being known as an author as well is still a wee bit alien to me. Still, I’m new enough at this game to find the whole thing pretty darn exciting.

Cor­mac McCarthy was once asked by a young, aspi­ring wri­ter, what advice would he give to a young, aspi­ring writer?

Cor­mac ans­we­red, “Don’t do it unless you have to.”

That’s damn good advice…

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December 12, 2009

love entertainment

091212d

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searching for god

091212c

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the love never dies

091212b

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boring is evil

091212a

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December 11, 2009

defined

091211b

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dead people

091211c

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dick where

091211a

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December 10, 2009

i do the work for free mk.2

free 0912

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