October 3, 2009

the red zone and the gray zone

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nyny0910

Some­body just emai­led me to ask, why did I use red and gray for the New York print?

Besi­des aesthe­tic rea­sons [Red & Gray gives the piece a sort of retro-hipster Ben Shahn vibe, which I like], here’s a little more insight.

I have a thing I call “The Red Zone”. The Red Zone is the state of cons­cious­ness when you are fully alive– when you are crea­ting something, making art, making love, watching the sun set, wha­te­ver. When all your synap­ses are firing.

I have a thing I call “The Gray Zone”. The Gray Zone is the state of cons­cious­ness when you are NOT fully alive– when you’re just bum­bling along, half-awake, sleep­wal­king through life. We’ve all been there, pro­bably a lot more often than we’d care to admit.

“New York” is not just a geo­graphi­cal place to me. It is also a metaphor for the archety­pal urban experience.

And I find with this archety­pal expe­rience, the battle bet­ween the Red Zone and The Gray Zone to domi­nate one’s mind is at its most intense.

Art Class over for today, Kid­dies! Rock on.

[Backs­tory: About Hugh. E-mail Hugh. Work with Hugh. Twit­ter. Car­toon Archive. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Essen­tial Rea­ding:Everything You Always Wan­ted To Know About ‘Cube Gre­na­des’ But Were Afraid To Ask.”]

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5 Responses to “the red zone and the gray zone”

  1. Jo-Ann says:

    What did I learn today? Work on my ans­wers. Really exce­llent ans­wer, Hugh!

  2. Mike says:

    Cool metaphor, I’ll have to remem­ber that, thanks!

  3. Johan Hjelm says:

    Banksy?

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