September 19, 2009

artists are entrepreneurs and marketers, too

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[One of my favo­rite early ones. Lami­na­ted. February 1998, NYNY. Funny, it was drawn on the back of this busi­ness card a cer­tain girl gave me. She and I never saw each other again after that eve­ning, in spite of what trans­pi­red in the back of the taxi.]

In the com­ments of my recent blog post, “Thoughts On Being An Artist”, John T. Unger said something that really struck me:

The thing about wor­king as an artist is that you never rea­lize how much of the work is on top of making the actual art. I was remem­be­ring how when I star­ted out, I would visit the stu­dios of more esta­blished artists and couldn’t begin to grasp how they ran the show. It’s taken years to slowly put each piece in place. Every day there’s new pro­blems to solve, but if you can solve them in a way that sticks— so that from now on that issue is cove­red, even­tually you come up with an effi­cient sys­tem for sup­por­ting the most impor­tant work you do, which is the art.

I guess this is pretty much true with all busi­nes­ses, no? It’s not the thing you make and sell that is the pro­blem, it’s the thou­sands of other things that spring up around it…

I’m star­ting to think that wri­ting about a lot of issues that artists have to deal with, would be inte­res­ting to a lot of other peo­ple, besi­des just other artists.

Artists– suc­cess­ful ones, any­way– have to create stuff out of thin air, then somehow find a way to sell it at a profit.

The Art Purists will be horri­fied to hear this, but yeah, you really do need the mind of entre­pre­neur and a mar­ke­ter to be able to do that.

[Bonus Link:]

“Artists can­not mar­ket” is com­plete crap. Warhol was GREAT at mar­ke­ting. As was Picasso and count­less other “Blue Chips”. Of course, they’d often take the “anti-marketing” stance as a form of mar­ke­ting them­sel­ves. And their patrons lap­ped it up.

The way artists mar­ket them­sel­ves is by having a great story, by having a “Myth”. Telling anec­do­tal sto­ries about Warhol, Pollack, Bas­quiat, Van Gogh is both (A) fun and (B) has a mythi­cal dimen­sion… if they didn’t, they wouldn’t have had movies made about them. The art feeds the myth. The myth feeds the art.

[Backs­tory: About Hugh. E-mail Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. EVIL PLANS. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.]

20 Responses to “artists are entrepreneurs and marketers, too”

  1. Great stuff, as always. I con­si­der the film­ma­king itself to be the easy part, and the fact that right now I’m fun­drai­sing to do it the strug­gle that I face. And in the case of my other films, attemp­ting to con­vince the money types that the film, and by exten­sion me, is a good investment.

  2. John T Unger says:

    In the begin­ning was the myth…

    When I first set out to be an artist, my goal was to be a wri­ter. I have no talent for fic­tion, so I figu­red my best bet was to live an inte­res­ting life and then write it down. Basi­cally, I left home and set out to become a folk hero. My heroes were heroes and I couldn’t see any real rea­son I couldn’t find my own way to make that leap myself.

    Crea­ting a com­pe­lling story around my adven­tu­res without stra­ying from the truth has some­ti­mes been terrif­ying, some­ti­mes awe­some, some­ti­mes incon­ve­nient… But at all times it’s been exci­ting at least for me. Which is how I think life should be lived, no mat­ter what your goals are. I’m lucky enough that the story has become a part of how I make my living (and vice versa) but the adven­ture itself is worth every disas­ter I’ve weathe­red along the way.

  3. anne-mette jensen says:

    Defi­ni­tely right that the expe­rience of mar­ke­ting your­self and basi­cally set­ting up busi­ness as an artist can pro­vide some very rele­vant insights and ideas that are trans­fe­ra­ble to many other domains of busi­ness. Loo­king for­ward to hear more.

    The idea of the artist as a genius mythi­cal figure and mar­ke­ting one­self through that sort of myth crea­tion is a little tired, though. But still popu­lar, not least in the tra­di­tio­na­list art buyer market.

    - Some peo­ple have a lot less trou­ble with the idea of the artist as a myth and genius crea­tor than as an entre­pre­neur inte­rac­ting in the real world.

  4. Thanks, Hugh.

    For many, put­ting some effort into mar­ke­ting their work (art, book, blog — wha­te­ver) just looks too much like hard work.

    It’s a fight against lazi­ness as they sit there aggres­si­vely wai­ting for the phone to ring.

    Much easier to kvetch and blame.

    Best, Robin

  5. Daniel Edlen says:

    I just put up the Zappa quote on Twit­ter about artists making something out nothing and selling it. All the nig­gling details and sup­port fra­me­work of being an artist is pro­bably the enigma to most crea­tive peo­ple. The idea is there, but the whirl­wind surroun­ding it is a mystery.

    I think people’d bene­fit from anyone’s expe­rience in and during the setup of this fra­me­work. Espe­cially someone like you who’s done it by the seat of your pants in a uni­que way and environment.

    Peace.

  6. So true. The easiest part of my busi­ness is making the jewe­llery, it’s fin­ding the cus­to­mers, sour­cing mate­rials, pac­ka­ging items so they don’t break, dea­ling with the post office when things go wrong, being caring and help­ful in cus­to­mer ser­vice without spen­ding hours on something that doesn’t make you much money, trying to sort your accounts when you have no idea etc that is the hard bit!

  7. Jeremy Newton says:

    Do you find that as the entre­pre­neu­rial and mar­ke­ting tasks grow the crea­ti­vity shrinks?
    I have always been curious to hear how an artists crea­ti­vity is effec­ted by all the other busy­work they have to per­form as their busi­ness grows.

    • Hugh MacLeod says:

      “Do you find that as the entre­pre­neu­rial and mar­ke­ting tasks grow the crea­ti­vity shrinks?”

      For some, yes. But not for all. Picasso thri­ved when he was busy & successful.

      • Every time I sell a pain­ting, my crea­ti­vity soars… because I gain con­fi­dence in my ideas.

        So, put­ting ample time into mar­ke­ting in order to sell a pain­ting indi­rectly feeds my creativity.

  8. Aaron says:

    Busi­ness is a crazy type of per­for­mance art that needs to get the mes­sage out to the right peo­ple. If not, it is con­si­de­red unsuccessful. 

    Iro­ni­cally, when artists aren’t able to get their mes­sage out, that somehow earns them street cred.

    Artists and crea­tors of all types need to learn how to send the right mes­sage to the right peo­ple or suf­fer the con­se­quen­ces. Other­wise, what are they? — selfish, dense, lazy? Hard words, but where’s the truth?

    –for­mer music comp major, busi­ness owner

  9. Glad to have stum­bled upon your blog — I love it. Found you through Amazon…

    ;-) ,
    A.

  10. Leslie says:

    When I’m focu­sing on crea­ting, I need to keep my busi­ness head in the back round. Some­ti­mes I get a crea­tive idea when I’m in entre­pre­neur mode.
    I think our gene­ra­tion can do both.
    I’m much bet­ter at mar­ke­ting other people’s stuff tho.

  11. […] is the car­too­nist Hugh Mac­Leod in his blog gaping­void.  This week he wrote a post tit­led: “artists are entre­pre­neurs and mar­ke­ters, too“. The sub­ject of the con­nec­tion bet­ween art and busi­ness is a sub­ject he wri­tes a lot about […]

  12. Daniel Sroka says:

    Reminds me of Tho­mas Edi­son, who basi­cally crea­ted the myth of the “tire­less inventor”.

  13. Mar­ke­ting and being an entre­pre­neur are age old rea­li­ties of the serious and suc­cess­ful artist. Albrecht Durer http://en.wikipedia.org/wiki/Albrecht_Durer inven­ted etching so he could sell more ima­ges to more peo­ple. What I find the most dif­fi­cult is kee­ping the fil­ter clear so what comes through isn’t pollu­ted. What gets made and focu­sed on is what mat­ters. Time spent cul­ti­va­ting rela­tionships is time well spent. Cul­ti­va­ting the right rela­tionships takes a bit of cun­ning, a bit of cold (icicle in the heart) because the edi­tor is always pre­sent. A suc­cess­ful artist needs cold and heat (pas­sion) to keep it going. Selling work? Child’s play. Sta­ying focu­sed and clear? The work of a master.

  14. Well, off course, I’m not a drawing/painting artist, but I always tell peo­ple who are con­si­de­ring wor­king as free­lan­cers (desig­ners, graphic artists, edi­to­rial types, wri­ters, and pro­duc­tion peo­ple) that easily 50% of the work of a free­lan­cer is fin­ding that next job.

    It’s a neve­ren­ding cycle: get the job, do the job, get the next job …

  15. Keith Bond says:

    Thanks for the post.

    Yes, many artists can be both crea­tive and an entre­pe­neur. Why is it so hard to com­prehend that artists with such crea­ti­vity can­not be equally crea­tive in the busi­ness duties? They can and many are. There are some who aren’t, but is it really that they don’t com­prehend busi­ness or that they don’t take the effort?

    Inte­res­tingly, an eco­no­mics pro­fes­sor in college once made a com­ment which has faci­na­ted me after all these years. Both artists and entre­pe­neurs share many attri­bu­tes. We are the same breed.

    I am both.

  16. Zhenlian says:

    I have 3 web­si­tes, I have hoped that I can sell some of my pain­tings through my sites, to tell the truth I have not ima­gi­ned that money will keep flo­wing in , I just hoped to sell one or two of my pain­tings, but I have given an impres­sion to some peo­ple that I am an ambi­tious per­son and that I have inten­ded to get rich by my web­si­tes, why do I have such an impres­sion? Because I have recie­ved very mali­cious remarks about my web­si­tes, a guy has said to me ‘you won’t get anything by your web­si­tes, you only scare peo­ple’ Can some­body explain to me why do peo­ple have such reac­tions about my sites?

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