Archive for June, 2009

June 29, 2009

recession

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[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.“EVIL PLANS”.]

the count of three

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[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.“EVIL PLANS”.]

google vs bing

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[Car­toon ins­pi­red by this blog post.]

[Backs­tory: About Hugh. Twit­ter. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des.#evil­plans.]

‘how thingamy will revolutionize enterprise software”

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“How Thin­gamy will revo­lu­tio­nize Enter­prise Soft­ware.“
Go here to read more.
[N.B. I’m a sha­rehol­der in Thingamy.]

[Backs­tory: About Hugh. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train. #evil­plans.]

June 27, 2009

more evil plans

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Though I don’t start the Texas road trip for at least another month, I’ve already star­ted wor­king on the second book, EVIL PLANS.
If you click on the link above, you’ll see that I’m pretty much wri­ting it the same way I wrote IGNORE EVERYBODY i.e. I’m just cut­ting and pas­ting ran­dom thoughts, old wri­tings and car­toons together, trying to get it all to fit somehow. Sure, it’ll take a while to gel, but hey, there’s no rush.
Besi­des, it’s quite fun, to push the unfi­nished idea “out there”, and watch it evolve over time. Is it the best way to go about wri­ting a book? Pro­bably not.
[Backs­tory: About Hugh. News­let­ter. Book. Inter­view One. Inter­view Two. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

June 25, 2009

my next book: “evil plans”

Pre-order the book here:

Ama­zon.

Bar­nes & Noble.

Bor­ders.

800-CEO-READ. (great for bulk buys)

[Below is a small taste of the first draft of my upco­ming book, “EVIL PLANS”. Published by Penguin/Portfolio, the same peo­ple who published my first book, “IGNORE EVERYBODY”. It launches­Fe­bruary 17th, 2011.]

INTRODUCTION: EVERYBODY NEEDS AN EVIL PLAN

Every­body needs an EVIL PLAN. Every­body needs that crazy, out-there idea that allows them to ACTUALLY start doing something they love, doing something that mat­ters. Every­body needs an EVIL PLAN that gets them the hell out of the Rat Race, away from lousy bos­ses, away from boring, dead-end jobs that they hate. Life is short.

Every per­son who ever mana­ged to do this, every per­son who man­ged to escape the cubi­cal farm and start doing something inte­res­ting and mea­ning­ful, star­ted off with their own EVIL PLAN. And yeah, pretty much ever­yone around them– friends, family, collea­gues– thought they were nuts.

Thanks to the Inter­net, it has never been easier to have an EVIL PLAN, to make a great living, doing what you love, doing something that mat­ters. My inten­tion is that by the time you’ve finished rea­ding this book, you will com­ple­tely con­cur. More impor­tantly, you’ll actually feel com­pe­lled enough to go and do something about it your­self, if you haven’t already.

“TO UNIFY WORK AND LOVE”

Sig­mund Freud once said that in order to be truly happy in life, a human being nee­ded to acquire two things: The capa­city to work, and the capa­city to love.

An EVIL PLAN is really about being able to do both at the same time.

At time of wri­ting, this is my tenth year blog­ging at gapingvoid.com. I’ve done a lot of stuff with it since I star­ted. Published car­toons, sold wine, sold suits, pim­ped Mic­ro­soft, pim­ped Dell, sold art, “built my per­so­nal brand”, writ­ten e-books, ran­ted on end­lessly about mar­ke­ting, new media and all sorts…

But loo­king back, I rea­lize it all ser­ved a ser­ved a com­mon pur­pose: to unify work and love. I was wri­ting about what inte­res­ting and impor­tant to me, and trying to turn it into a career somehow.

Then I noti­ced, the peo­ple who read my blog the most avidly, and the blog­gers I tend to read most avidly, hell yeah, they’re mostly trying to do the same thing too, in their own way. It’s a defi­nite pattern.

To unify work and love. Are you one of these peo­ple? If not, don’t you think you should be? I mean, after friends and family, what the hell is there?

1. THE MARKET FOR SOMETHING TO BELIEVE IN IS INFINITE

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THE HUGHTRAIN MANIFESTO: “THE MARKET FOR SOMETHING TO BELIEVE IN IS INFINITE.”

We are here to find mea­ning. We are here to help other peo­ple do the same. Everything else is secondary.

We humans want to believe in our own spe­cies. And we want peo­ple, com­pa­nies and pro­ducts in our lives that make it easier to do so. That is human nature.

Pro­duct bene­fit doesn’t excite us. Belief in huma­nity and human poten­tial exci­tes us.

Think less about what your pro­duct does, and think more about human potential.

What sta­te­ment about huma­nity does your pro­duct make?

The big­ger the sta­te­ment, the big­ger the idea, the big­ger your brand will become.

It’s no lon­ger just enough for peo­ple to believe that your pro­duct does what it says on the label. They want to believe in you and what you do. And they’ll go elsewhere if they don’t.

It’s not enough for the cus­to­mer to love your pro­duct. They have to love your pro­cess as well.

Peo­ple are not just get­ting more deman­ding as con­su­mers, they are get­ting more deman­ding as spi­ri­tual enti­ties. Bran­ding beco­mes a spi­ri­tual exercise.

Either get with the pro­gram or hire a con­sul­tant in Extinc­tion Mana­ge­ment. No vision, no busi­ness. Your life from now on pivots squa­rely on your vision of human potential.

The pri­mary job of an adver­ti­ser is not to com­mu­ni­cate bene­fit, but to com­mu­ni­cate conviction.

Bene­fit is secon­dary. Bene­fit is a pro­duct of con­vic­tion, not vice versa.

Wha­te­ver you manu­fac­ture, some­body can make it bet­ter, fas­ter and chea­per than you.

You do not own the mole­cu­les. They are star­dust. They belong to God. What you do own is your soul. Nobody can take that away from you. And it is your soul that informs the brand.

It is your soul, and the pur­pose and beliefs that embo­dies, that peo­ple will buy into.

Ergo, great bran­ding is a spi­ri­tual exercise.

Why is your brand great? Why does your brand mat­ter? Seriously. If you don’t know, then nobody else can– no adver­ti­ser, no buyer, and cer­tainly no customer.

It’s not about merit. It’s about faith. Belief. Con­vic­tion. Courage.

It’s about why you’re on this pla­net. To make a dent in the universe.

I don’t want to know why your brand is good, or very good, or even great. I want to know why your brand is totally fric­kin’ amazing.

Once you tell me, I can the world.

And then they will know.

2004 was the year that I drew the car­toon above, which I ended up calling “The Hugh­train”. It appea­red in my last book, “Ignore Every­body”, which came out five years later.

Why is it called The Hugh­train? Soon after I drew the car­toon, I wrote a little mani­festo on my blog, trying to explain the car­toon in more depth. I called it “The Hugh­train Mani­festo”, a pun on a book that had made a big impact on me around that time, “The Clue­train Manifesto”.

Here’s the point of The Hugh­train: Wha­te­ver you’re selling isn’t just a pro­duct of capi­tal, it’s also a pro­duct of a belief sys­tem– your own. And unders­tan­ding your belief sys­tem is cru­cial. As my friend and men­tor, the great mar­ke­ting author, Seth Godin once told me in an inter­view I did for him:

You can’t drink any more bott­led water than you already do. Or buy more wine. Or more tea. You can’t wear more than one pair of shoes at a time. You can’t get two mas­sa­ges at once…

So, what grows? What do mar­ke­ters sell that scales?

I’ll tell you what: Belief. Belon­ging. Mat­te­ring. Making a dif­fe­rence. Tri­bes. We have an unli­mi­ted need for this.

Another friend of mine, the film direc­tor, David Mac­ken­zie once quip­ped, “A film is only as good as the rea­sons for making it”.

What is true for Holly­wood, is also true for pro­ducts and busi­nes­ses. It’s not what you make, it’s what you believe in. That is what peo­ple res­pond to. That is where your enter­prise lives or dies.

The Hugh­train was me trying to arti­cu­late my coming to grips with this.

2. WELCOME TO THE HUNGER.

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The Hun­ger to do something creative.

The Hun­ger to do something amazing.

The Hun­ger to change the world.

The Hun­ger to make a difference.

The Hun­ger to enjoy one’s work.

The Hun­ger to be able to look back and say, Yeah, cool, I did that.

The Hun­ger to make the most of this utterly brief blip of time Crea­tion has given us.

The Hun­ger to dream the good dreams.

The Hun­ger to have ama­zing peo­ple in our lives.

The Hun­ger to have the synap­ses con­ti­nually fired up on overdrive.

The Hun­ger to expe­rience beauty.

The Hun­ger to tell the truth.

The Hun­ger to be part of something big­ger than yourself.

The Hun­ger to have good sto­ries to tell.

The Hun­ger to stay the course, des­pite of the odds.

The Hun­ger to feel passion.

The Hun­ger to know and express Love.

The Hun­ger to know and express Joy.

The Hun­ger to chan­nel The Divine.

The Hun­ger to actually feel alive.

The Hun­ger will give you everything. And it will take from you, everything. It will cost you your life, and there’s not a damn thing you can do about it.

But kno­wing this, of course, is what ulti­ma­tely sets you free.

3. THE GLOBAL MICROBRAND.

[I first published “The Glo­bal Mic­ro­brand Rant” on my blog back in 2005. Here it is again:]

Since I first coi­ned the term in 2004, I have been totally besot­ted with the idea of “The Glo­bal Microbrand”.

A small, tiny brand, that “sells” all over the world.

The Glo­bal Mic­ro­brand is nothing new; they’ve exis­ted for a while, long before the Inter­net was inven­ted. Ima­gine a well-known author or pain­ter, selling his work all over the world. Or a small whisky dis­ti­llery in Scot­land. Or a small cheese maker in rural France, whose pro­duce is expor­ted to Paris, Lon­don, Tokyo etc. Ditto with a vio­lin maker in Italy. A clas­si­cal gui­tar maker in Spain. Or a small English firm making $50,000 shotguns.

With the inter­net, of course, a Glo­bal Mic­ro­brand is easier to create than ever before. A com­mer­cial sign maker in New England. Or a small sheet metal entre­pre­neur in the U.K. All using the Inter­net, blogs, social media and what­not to spread the word, to talk to peo­ple from all over.

And with the advent of blogs in the early years of this Cen­tury this was no lon­ger just limi­ted to peo­ple who made pro­ducts. We saw that any ser­vice pro­fes­sio­nal with a bit of talent and something to say could spread their mes­sage far and wide beyond their imme­diate client base and local mar­ket, without nee­ding a high-profile name or the good­will of the mains­tream media. Law­yers, IT con­sul­tants, mar­ke­ting folk, you name it.

But it’s not just limi­ted to cot­tage indus­tries. In the 1990’s, the great busi­ness guru, Tom Peters tal­ked about “Brand You”, a per­so­nal brand that trans­cends your orga­ni­za­tion or job desc­rip­tion. The grand-daddy of this space is pro­bably Robert Sco­ble, who wor­ked full-time for Mic­ro­soft, but whose brand became much, much lar­ger than any job desc­rip­tion they could give him; that’s was worth far more than anything they ever paid him.

Once I crea­ted my own fled­gling glo­bal mic­ro­brand (i.e. via my weblog) I star­ted hel­ping other peo­ple do the same. A bes­poke English tai­lor. A small winery in South Africa. It was something I really wan­ted to know about. It was pro­fes­sio­nally the most com­pe­lling idea I had ever come come across. I was hooked.

Of course, “The Glo­bal Mic­ro­brand” is not con­cep­tual roc­ket science. You don’t need a Nobel Prize in order to unders­tand the idea. What exci­tes me about it is the fact that I now live in a small adobe in the Far West Texas desert, and career­wise I’m get­ting a lot more done than when I lived in a large apart­ment in New York or Lon­don, for a fifth of the overheads. For one fif­tieth of the stress levels.

My job allows me to tra­vel a lot– New York, Miami, San Fran­cisco etc. After three or four days away I start fee­ling really stres­sed out. For years I thought it was just me. No, actually, ever­yone in the big city seems really stres­sed out. It’s just con­si­de­red normal.

I was tal­king to a friend on the phone about this.

“There’s only two ways to deal with life in the big city,” he says. “Alcohol and high pri­ces. Immer­sing your­self in high rent, luxury items, trendy, over­pri­ced cock­tail bars, flashy res­tau­rants, tall leggy blon­des who don’t give a damn about you, just to act as a buf­fer zone bet­ween you and the abyss.”

“Which you pay a lot for,” I say.

“Which you pay a hell of a lot for,” he says.

It seems to me a lot of peo­ple of my gene­ra­tion are loc­ked into this high-priced cor­po­rate, urban tread­mill. Sure, they get paid a lot, but their overheads are also off the scale. The minute they stop tap­dan­cing as fast as they can is the minute they are crushed under the wheels of commerce.

You know what? It’s not sustainable.

Howe­ver, the Glo­bal Mic­ro­brand is sus­tai­na­ble. With it you are not behol­den to one boss, one com­pany, one cus­to­mer, one local eco­nomy or even one industry. Your brand deve­lops rela­tionships in enough dif­fe­rent pla­ces to where your per­ma­nent address beco­mes almost irrelavant.

Frankly, it beats the hell out of com­mu­ting every mor­ning to the cor­po­rate glass box in the big city, something I did for many years. Just so I could make enough money to help me for­get that I have to com­mute every mor­ning to the cor­po­rate glass box in the big city.

There are thou­sands of rea­sons why peo­ple write blogs or spend a lot of time buil­ding their online equity. But it seems to me the big­gest rea­son that dri­ves the blog­gers I read the most is, we’re all loo­king for our own per­so­nal Glo­bal Mic­ro­brand. That is the prize. That is the tic­ket off the cor­po­rate tread­mill. And I don’t think it’s a bad one to aim for.

4. THE MAGIC NUMBER.

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Ten Thou­sand is my magic number.

The first few years of this cen­tury were tough ones for me. My career in adver­ti­sing pretty much tan­ked around the same time as the dot­com crash, and I found myself unem­plo­yed, broke, living in the boo­nies, scra­ping a mea­gre living wri­ting free­lance brochure copy. Then 9 – 11 came along and made it even worse. Not fun or nice.

Up until that point, I had spent my entire wor­king career “cha­sing gigs”. Whether we’re tal­king full-time sala­ried posi­tions, or three-day free­lance oppor­tu­ni­ties, I had spent well over a decade cha­sing that ever-elusive island of secu­rity in a swe­lling ocean of advertising-industry chaos. And these gigs would never last, they would always end even­tually, for wha­te­ver rea­son. Reces­sions, layoffs, down­si­zing, incom­pe­tence on my part, incom­pe­tence on the boss’ part, wha­te­ver. And usually the timing was bad, of course it was.

Chase, chase, chase…. And I was sick of it. Really, REALLY sick of it. Over a decade of wor­king my butt off, and those islands of secu­rity were no less elu­sive than before. And I wasn’t as young as I used to be. The hams­ter wheel was star­ting to do me in.

Then, in these dar­kest of days, I had a sud­den flash of life-changing insight. Like I told my fellow burnout-advertising drin­king buddy that eve­ning, as we com­mi­se­ra­ted at the bar about our sad lot in life:

“I don’t want to be cha­sing gigs anymore.”

“What do you want, then?” asked my buddy.

“I just want ten thou­sand peo­ple giving me money every year.”

“Where are you going to find these peo­ple?” he asked.

“The Inter­net,” I replied.

“What do you plan on doing there?”

“I think I’ll start by publishing my car­toons online… on a blog.”

“What’s a ‘blog’?”

The rest, as they say, is history…

There was nothing magi­cal about the ten thou­sand num­ber. I just rec­ko­ned that, as a car­too­nist, if I was making t-shirts, books, wha­te­ver– and ten thou­sand peo­ple were buying pro­duct every year, with me making a few bucks pro­fit off each unit, well, it wouldn’t make me a billio­naire, but at least I’d be able to feed myself.

Also, ten thou­sand peo­ple sup­por­ting me see­med like a good way of sprea­ding my bets eco­no­mi­cally. If one per­son drops out, and all you lose is a t-shirt sale, with 9,999 other peo­ple still on board you can easily reco­ver. But in the world of cha­sing adver­ti­sing gigs, if the one per­son you lose hap­pens to be your jac­kass boss, you’re dead meat.

There’s nothing spe­cial abut the ten thou­sand num­ber. It all depends on what you’re selling. If you’re selling hand-built motorcyc­les, your magic num­ber will be less. If you’re selling 5-dollar jars of hot Cajun chi­lli sauce, your num­ber will be lar­ger. Wha­te­ver that num­ber will be, I hope you find it one day. I hope you find THOSE PEOPLE one day.

5. WELCOME TO THE OVER-EXTENDED CLASS.

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“If ever there was a time to be ove­rex­ten­ded, this is it.” – Chris Ander­son, Editor-In-Chief, Wired Magazine.

Back in August, 2009 I inter­vie­wed Chris Ander­son for my blog:

Hugh: You’ve got your Edi­tor job, you’ve got your book deals, you’ve got your blog, you do a lot of spea­king gigs… As your name gets more and more known, are you having trou­ble kee­ping up with everything? What’s your coping mecha­nism? How do you find the balance?

Chris: Plus the five little kids, the two star­tup com­pa­nies on the side, etc. Obviously, balance is a dis­tant goal. In the mean­time, I dele­gate, work all the time, hardly sleep, totally ignore poli­tics, sports and pop cul­ture, neglect my family too much and pro­bably don’t do any ofmy jobs as well as I could. But these are exci­ting days, and if ever there was a time to be ove­rex­ten­ded, this is it.

I agree with him com­ple­tely. I know what it means to be over-extended all too well. Recently I made a list of all the pro­jects I’m currently wor­king on. The next book. The road trip. The prints. Blog­ging. Con­sul­ting. Dra­wing car­toons. The list goes on…

All in all, it came down to ten items. Ten. Each one inte­res­ting and poten­tially luc­ra­tive enough to be taken on as a full-time job. Ten.

Ouch. Even for me, that see­med like WAY too much.

The other day, a friend of mine was kvetching about having to hold down three jobs. “Three?” I quip­ped. “Try hol­ding down ten…”

My friend loo­ked at me funny. He was pro­bably right to do so.

Since about 1991, it’s been like that for me. From the moment I woke up till the moment I went to bed, I was wor­king on something. The day job or the car­toons or something else. Sure, I’d have girl­friends come and go, but the girl­friends never las­ted too long, and I also ended up inven­ting, in 1997, an art form that would allow me to carry on wor­king WHEN I was going out to the bars i.e. the “car­toons drawn on the back of busi­ness cards”.

I’ve not had a pro­per vaca­tion in ten years, either. Nor am I plan­ning one.

Call Chris and myself, and pro­bably over 50% of the peo­ple who are rea­ding this book, mem­bers of “The Ove­rex­ten­ded Class.

You know who you are. And you know what? In terms of per­cen­tage of the popu­la­tion, there were less of us twenty years ago. And there’ll be more of us in two decades.

Our parents and grand­pa­rents spent their “Cog­ni­tive Sur­plus” watching tele­vi­sion. That’s a thing of the past… a his­to­ri­cal acci­dent of the old factory-worker age mee­ting the modern mass-media age. Of course it wouldn’t last fore­ver. We humans as a spe­cies were desig­ned to com­pete, not to sit around on our asses.

Wel­come to the Ove­rex­ten­ded Class, Peo­ple. You may opt out of it if you want, but over time it’s going to get har­der and har­der to make ends meet, let alone be suc­cess­ful, if you do.

Choi­ces.

6. A WORLD-CLASS PRODUCT.

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“The curious story of an English Savile Row tai­lor and an under-employed cartoonist.”

In late 2004, things were still rough for me. I was still broke, unem­plo­yed and won­de­ring what the hell I was going to do next. The ans­wer came from a direc­tion I would never have predicted.

At the time, I was living in Cum­bria, in a cot­tage in the Northern English boon­docks, not far from the famous Lake Dis­trict. I was just lying low, scra­ping a living doing free­lance, trying to save money. It was a bleak and mise­ra­ble time for me, frankly.

In the local village pub, I got friendly with a local fellow named Tho­mas Mahon. We were about the same age, and his busi­ness wasn’t going very well, either.

Tho­mas was a tai­lor. He made suits. And not just any kind of suits. He made the best of the best. $5000, hand-made suits. He’d been trai­ned down on Savile Row in Lon­don, the legen­dary English home of tai­lo­ring. Some say they make the best suits in the world, there. He had made suits for rock stars, royalty, famous desig­ners and… you name it. He really was that good. The man who trai­ned him, Den­nis Hal­berry, was head cut­ter for Ander­son & Shep­pard, one of the most estee­med tai­lo­ring firms in the world.

A few years pre­viously, Tho­mas had got sick of wor­king on Savile Row, deci­ded he mis­sed his belo­ved Cum­bria, and deci­ded to move back home and set up shop in the village he grew up in.

Ever­yone told him he was mad, but he paid no attention.

Though he was one of the most res­pec­ted tai­lors on Savile Row, it turns out he wasn’t very good at get­ting the word out about his work. His cus­to­mers loved him, but they didn’t like to tell other peo­ple about him. They wan­ted him all to them­sel­ves. So in spite of his for­mi­da­ble talent, Tho­mas wasn’t get­ting one-fitth the busi­ness he deserved.

So there we were, Christ­mas approaching, and in spite of us both fee­ling a wee bit gloomy about our current eco­no­mic sta­tu­ses, we were chee­rily sit­ting in the local pub one eve­ning, with Tho­mas telling me all these won­der­ful sto­ries about the peo­ple and expe­rien­ces of wor­king on Savile Row.

Finally I inte­rrup­ted him.

“Tom”, I said, “these Savile Row sto­ries are terri­fic. You should blog about them.”

“What’s a blog?”

By this time I had been blog­ging for about three years, and knew all about how it wor­ked. That night, we came up with an EVIL PLAN. I would show Tom how to blog, he would make the suits, I would figure out a way to spread the word online.

EnglishCut.com was born.

Ins­tead of using the blog to hard-sell his suits, Tho­mas just wrote these great little blog posts about the world he knew and loved– the com­mu­nity of Savile Row tai­lors. He’d write about it all– his friends on the Row, the pubs they drank in, the other busi­nes­ses on the Row. He just wrote about it honestly, with great pas­sion and affec­tion. He prai­sed the other shops, his com­pe­ti­tion. Why not? They were all good peo­ple, with second-to-none skills.

A few years later, he would con­fide in me that he never thought anyone would ever find what he wrote about that inte­res­ting, so not expec­ting any­body to read it, he just wrote it his way. If he had thought a lot of peo­ple would be inte­res­ted in it, he would have writ­ten it dif­fe­rently. More uptight. Less transparent.

And boy, was he wrong in the end. Peo­ple LOVED his blog. They ADORED the trans­pa­rency and Tho­mas’ easy­going, unpre­ten­tious man­ner. So much so that, within no time at all, he had gone from under-employed tai­lor, to having a two-year wai­ting list, just to get a first appointment.

If you go online and Goo­gle Tho­mas or English Cut, you’ll find a lot to read about. The story got a got of atten­tion in the blo­gopsphere back then, simply because in 2005, an English Savile Row tai­lor was pro­bably the per­son you’d least expect to start a blog. But it wor­ked. It wor­ked AMAZINGLY well.

We wor­ked together for about two more years, before ami­cably going our sepa­rate ways. It was one of the most rewar­ding career moves I ever made. And I think Tho­mas would say the same.

My father once remar­ked to me, “I bet you had no idea in the begin­ning that the blog would work as well as it did, eh?”

True, I had no idea. But loo­king back, we had a few things going for us.

i. A great pro­duct. Tho­mas is one of the best tai­lors in the world. His suits REALLY ARE that good. If we were just selling com­mo­di­fied drek, I doubt if anyone would’ve paid much attention.

ii. A uni­que story. When he star­ted, Tho­mas was the only Savile Row tai­lor wri­ting a blog, and this gave him a uni­que voice in the blo­gosphere. This fue­lled the inte­rest. Had mas­ses of tai­lors already been blog­ging, it would’ve been much har­der for his own uni­que “idea-virus” to spread. The first-mover advan­tage rule still applies.

iii. Pas­sion & Autho­rity. Tho­mas has both in spa­des. That’s what kept peo­ple coming back. That’s what built up trust. That’s what tur­ned his rea­ders into cus­to­mers. Which is why “Share what you love” is the best advice there is.

iv. Con­ti­nuity. He kept at it. He didn’t expect the blog to trans­form his for­tu­nes over­night. As I’m fond of saying, “Blogs don’t write them­sel­ves”. Based on our expe­rience, if you want blogs to trans­form your busi­ness, I’d say give your­self at least a year.

v. Focus. It was always about the suits. It was never about what he had for break­fast, Goo­gle traf­fic, or frothy gos­sip about other bloggers.

vi. Tho­mas spoke in his own voice. Tho­mas is a straight­for­ward, affa­ble fellow, and the voice on the blog is the same as the voice you meet in real life. He never tried to mis­re­pre­sent him­self on his blog, nor try to create some over-glamorized image of his pro­fes­sion. He just told it like it is. And peo­ple res­pon­ded well to that. As he once put it, “We’re so lucky we don’t have to create the brand out of thin air. We just tell the truth and the brand builds itself.”

vii. Sove­reignty. The only peo­ple we had to please were the two of us. No bos­ses or outside inves­tors to keep happy. Bos­ses and inves­tors like gua­ran­tees, but there aren’t any.

viii. We were both broke when we star­ted. Had we had mas­ses of money at the begin­ning, we would have had a lot more options on how to get the word out. In all like­lihood, these options would have been a lot more expen­sive and not nearly as effec­tive. Some­ti­mes lack of capi­tal is a defi­nite advantage.

A blog is a great way to build one’s own per­so­nal “glo­bal mic­ro­brand”. As the Job-For-Life no lon­ger exists, as the value of the social “posi­tion” ero­des and the value of the “pro­ject” takes its place, per­so­nal brand deve­lop­ment beco­mes far more impor­tant to one’s career. Blogs are a good place to start.

Hey, if a Savile Row tai­lor can do it, what’s your excuse?

7. FILL IN THE NARRATIVE GAPS.

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If peo­ple like buying your pro­duct, it’s because its story helps fill in the narra­tive gaps in their own lives.

Human beings need to tell sto­ries. His­to­ri­cally, it’s the quic­kest way we have for trans­mit­ting use­ful infor­ma­tion to other mem­bers of our spe­cies. Sto­ries are not just nice things to have, they are essen­tial sur­vi­val tools.

And yes, the sto­ries we tell our­sel­ves are just as impor­tant than the sto­ries we tell other people.

Ergo, The Glo­bal Mic­ro­brand is not about selling per se. It’s more about figu­ring out where your pro­duct stands in rela­tion to per­so­nal narrative.

So where does your pro­duct fit into other people’s narra­tive? How does telling your story become a sur­vi­val tool for other peo­ple? If you don’t know, you have a mar­ke­ting problem.

Narra­tive gaps. It’s all about the narra­tive gaps.

8. AVOID DINOSAURSPEAK.

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Gaping­void is the per­fect web­site to get your daily blog­ging fix. Filled to the brim with hila­rious car­toons, it also offers timely and insight­ful com­men­tary on the new rea­li­ties of adver­ti­sing and mar­ke­ting. Indeed, some peo­ple would say it’s just not the blo­gosphere without gaping­void to enhance their qua­lity blog­ging expe­rience. Start your day the switched on way– subsc­ribe to get gaping­void on your RSS fee­der today!

I wrote the pre­ce­ding para­graph to illus­trate the inte­llec­tual ban­kruptcy of what I call “Dino­saurs­peak”. That rather socio­pathic com­bi­na­tion of being com­ple­tely focu­sed on cus­to­mer bene­fit and yet com­ple­tely sel­fish at the same time.

And yeah, if it doesn’t work with my shtick, it ain’t going to work with your pro­duct, either.

What is inte­res­ting to me is that this style of lan­guage was pretty uni­ver­sal only a few years ago. Sure, you had a few mave­ricks out there sti­rring things up, but most exter­nal busi­ness com­mu­ni­ca­tion was pretty much stuck in firehose mode.

But when mar­kets become smar­ter and fas­ter than the com­pa­nies ser­vi­cing said mar­kets, thanks to the Inter­net, lan­guage chan­ges. Of course it does.

So your lan­guage you use has be on the cut­ting edge, or at least, well ahead of the curve. Other­wise you’re just going to sound like ever­yone else, and peo­ple will ignore you.

9. WHO ARE YOU, REALLY?

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There’s a won­der­ful metaphor in the Bible [Reve­la­tion 2:17] about “a white pebble”.

“Let the one who has an ear hear what the spi­rit says to the con­gre­ga­tions: To him that con­quers I will give some of the hid­den manna, and I will give him a white peb­ble, and upon the peb­ble a new name writ­ten which no one knows except the one recei­ving it.”

The metaphor was once explai­ned to me by a Catho­lic monk. To paraphrase:

“You have three sel­ves: The per­son that you think you are, the per­son that other peo­ple think you are, and the per­son that God thinks you are. The white peb­ble repre­sents the lat­ter. And of the three, it is by far the most important.”

He then gave me some good advice, something I’ve always kept with me:

“When life gets really tough, just remem­ber the white peb­ble. Just remem­ber who you really are. Just remem­ber the per­son that only God can see.”

Wha­te­ver your thoughts on God or Reli­gion may be, posi­tive or nega­tive, the white peb­ble is a very sim­ple metaphor that auda­ciously asks the ques­tion: “Who are you, really?”

Yes, why are you here, exactly? Who are you here for? Your­self? Other peo­ple? God? Or maybe some other cause? You tell me…

It’s one of those ques­tions that never gets old. Unlike the poor body that hou­ses us.

10. THE COMPLEXITY WAR i.e. “SUCCESS IS MORE COMPLEX THAN FAILURE”.

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Rud­yard Kipling once desc­ri­bed Triumph and Disas­ter as “Impos­tors, Both”. The lon­ger I stay in the wor­king world, the more I start to get what he means.

It’s funny how you can have two guys sit­ting next to each other in an office, both doing the same job. Both using the same com­pu­ters and pho­nes. Both with the same aca­de­mic qua­li­fi­ca­tions. Both with a simi­lar IQ. Both wor­king the same amount of hours. But why does one guy take home five times more sales com­mis­sion than the other guy? What’s going on? Is it luck? Skill? Jus­tice? Injustice?

The ques­tion of what sepa­ra­tes suc­cess from fai­lure, is something I’ve always liked to pon­der on. Sud­denly this week, out of nowhere, the follo­wing line hit me:

“Suc­cess is more com­plex than Failure.”

Think about it. Being a fai­lure is a no-brainer. All you have to do is sleep till noon, get out of bed, scratch your crotch, have your mor­ning visit to the bath­room, turn on the Star Trek re-runs, help your­self to some break­fast [Lef­to­ver pizza and a bottle of Jack Daniels, Hurrah!], light up your first joint of they day, down­load some porn, and already you’re well on your way. Sure, a few incon­ve­nient varia­bles may enter the pic­ture here and there, to com­pli­cate an other­wise per­fect day of FAIL, e.g. what you’re going have to say to your brother in order to con­vince him to lend you that $300, so you can pay off the telephone bill, that kinda thing. But for the most part, the day-to-day modus ope­randi of your “Ave­rage Total Fai­lure” is quite straightforward.

Being suc­cess­ful, howe­ver, is a whole dif­fe­rent ball game. Break­fast mee­tings at 7.00am. Con­fe­rence calls at mid­night. Visi­ting twelve cities in five days. Fiel­ding ques­tion from a swarm of hos­tile jour­na­lists. Dea­ling suc­cess­fully with an enra­ged, multi-million dollar cus­to­mer who’s screa­ming bloody mur­der over something rather tri­vial in the grand scheme of things. Dea­ling suc­cess­fully with an enra­ged, multi-million dollar inves­tor who’s screa­ming bloody mur­der over something rather tri­vial in the grand scheme of things. Making sure there’s enough money in the account to meet the pay­roll of all your legions of highly-paid, highly-effective, highly-talented emplo­yees. All these hun­dreds of unre­len­ting issues to deal with, all day, every day. You get the picture.

And as always, what’s inva­riably true of peo­ple is also inva­riably true for busi­nes­ses. So when I see a small but insanely-successful busi­ness sud­denly implode over­night [it seems to hap­pen quite a lot in Sili­con Valley], I’m gues­sing chan­ces are it wasn’t ina­bi­lity to manage growth per se that des­tro­yed the busi­ness [a favo­rite rea­son cited by those wri­ting busi­ness obi­tua­ries], but the ina­bi­lity for the busi­ness to manage com­ple­xity. Com­ple­xity inc­rea­ses expo­nen­tially with growth, most small com­pa­nies can cul­tu­rally only handle inc­re­men­tal inc­rea­ses in com­ple­xity. As I’m fond of saying, “Human beings don’t scale”.

Which is why wal­king around the hall­ways of large, suc­cess­ful com­pa­nies can often seem so oppres­sive to some­body new to it. All that cul­tu­ral regi­men­ta­tion is there for one rea­son only: To fight “The Com­ple­xity War”. Sure, it might feel a bit ghastly to the more idea­list and free-spirited among us, but until some­body can come up with a bet­ter way to win this Com­ple­xity War at a Fortune-500 level, I don’t see it ever going away.

11. TREAT IT LIKE AN ADVENTURE. AN ADVENTURE WORTH SHARING.

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June 23, 2009

the “quality” print now available individually

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[Buy the “Qua­lity” print indi­vi­dually here.]

If this doesn’t make a good good “cube gre­nade”, I don’t know what will…
A while ago, I announ­ced that we’d be making sma­ller prints avai­la­ble, based on the car­toons found in IGNORE EVERYBODY.
On June 11th, the same day the book came out, we announ­ced our first efforts: The “Ignore Every­body” Port­fo­lio Series Num­ber One.
Four silksc­reens, 11“x14”, limi­ted edi­tion of 100, sig­ned and num­be­red, $320 for the set.
I’m deligh­ted to report, that we’ve just made the “Qua­lity” print avai­la­ble for purchase indi­vi­dually. $100, plus S&H. Here’s the blurb on the gallery website:

A cou­ple of deca­des ago, Ford had a tagline for its car com­mer­cials: “Qua­lity is Job One”.
Well, that may be fine if you’re a big, old car com­pany, but it never quite grab­bed my ima­gi­na­tion. I figu­red if you’re a young, small com­pany, or a per­son wan­ting to make a dif­fe­rence on a tiny shoes­tring bud­get (like I was), stron­ger words might be more appro­priate. Events pro­ved me right– this ended up being one of my favo­rite car­toons of my blog readers.

I hope you’ll check it out. Thanks!
[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

doubting thomas

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[“Con­fu­sed”. Click on image to enlarge etc.]
I drew this car­toon ear­lier this eve­ning.
It’s con­veys the state I found myself in, back in New York a decade ago, when I was doing what I con­si­der to be my best, or at least, my most for­ma­tive work.
No artist wants their best work behind them. No human being wants their best days behind them. Yet my my Inner Doub­ting Tho­mas keeps telling me, I’ll never be that young again; I’ll never have my work be that fresh & new again. Nor, sadly, will the world, at least to me.
To Hell with it. I’ll carry on, regard­less.
And of course, so will you, at wha­te­ver insa­nely imprac­ti­cal path you chose for your­self. We knew what we were doing, when we sig­ned up for this tour of duty.
We still have a few tricks up our slee­ves, don’t we?
Doub­ting Tho­mas can go fuck him­self…
[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

June 21, 2009

gapingvoid is proud to present: THE WORST MARKETING IDEA EVER!!!!!


[My pal, Jef­fro sin­ging at Harry’s Tinaja, Alpine, Texas.]
I’m taking to the road. Here are some notes:
1. Now that IGNORE EVERYBODY is done and in the book sto­res, it’s time to do something else. In the last cou­ple of days, I’ve got­ten seve­ral emails from peo­ple that they saw the book selling in air­port bookshops. Wow. It doesn’t get any more “mains­tream” that that, I’m happy to report. At least I can’t accuse it of being “undis­co­ve­red”. And for me, as a blog­ger, it’s nice to be able to break out of the Web 2.0 echo cham­ber. Exactly.
2. So I was having a drink with a friend the other day, and he asked me what my next plan was. I told him, in no uncer­tain terms, that “I’m going to go on the road, and stay on the road, until Stormhoek is the best selling South Afri­can wine in Texas.”
3. I’m brin­ging my com­pu­ter along. I’ll be blog­ging my adven­tu­res en route. Hoping to be pos­ting travel-diary videos on You­Tube as well.
4. I’ll be limi­ting my tra­vels to the State of Texas. Luc­kily it’s a big State and there’s plenty to dis­co­ver.
5. I’m brin­ging my com­pu­ter along. I’ll be wor­king on my second book while I’m tra­ve­ling. I have a vague idea what it’s about…
6. I’m brin­ging my com­pu­ter along. I hoping to meet other Texan blog­gers and Twit­ters on my tra­vels.
7. Hoping to draw a lot of new car­toons en route as well. Hoping that some new prints will come out of it.
8. I don’t really have a plan. But I am lea­ving as soon as I can get orga­ni­zed. You’ll be able to follow my adven­ture on Twit­ter easily enough.
9. This idea will pro­bably fail. “Futile Mar­ke­ting” etc. Rock on.
10. [Update:] Just Twit­te­red this blog post: “@gaping­void is proud to pre­sent: THE WORST MARKETING IDEA EVER!!!!!” Yep. That’s about right…
[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

June 18, 2009

the creative bug

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[This quote was an excerpt from my last CDF News­let­ter.]
[etc: About Hugh. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

road trip?


[Mar­ke­ting. It’s a dirty job, but someone’s gotta do it…]
With all the acti­vity over IGNORE EVERYBODY and the prints these last few months, I was get­ting frus­tra­ted that I wasn’t spen­ding more time on the Stormhoek pro­ject.
It’s hard to do everything.…
The wine is selling well here in Alpine, Texas. It’s a small town of six thou­sand, word is easy to spread if you’re doing something inte­res­ting. But I have my eyes set on big­ger hori­zons.
Like I said before, I’m just going to focus the mar­ke­ting efforts on the State of Texas. Doing the whole country is just WAY too com­pli­ca­ted, not to men­tion expen­sive.
I’ve asked our dis­tri­bu­tors to send me a list of all the sto­res, bars and res­tau­rants that they cover in Texas. I’m thin­king of going on a road trip. I’m thin­king of visi­ting some of these pla­ces. I’m thin­king of brin­ging a video camera along. I’m thin­king of asking Jef­fro to come with me, at least for part of it.
I’m just thin­king…
[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

June 17, 2009

newsletter excerpt

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An excerpt from my latest Crazy Deran­ged Fools News­let­ter, which I sent out ear­lier today:

“Here’s the rea­lity: The Crea­tive Bug will give you everything, and it will take from you, everything. It will cost you your life, and there isn’t a damn thing you can do about it.
But kno­wing this, of course, is what ulti­ma­tely sets you free.”

Feel free to sign up, Thanks!

cube grenade poster

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One of my Twit­ter follo­wers sent me this photo.
He had just star­ted wor­king at a new job, was wal­king around the office to get fami­liar with his new home, and saw this…
One of his collea­gues had used my car­toons to make a big ol’ cube gre­nade, about blog­ging and social media.
Now if I can only get these peo­ple to start buying the real thing… Heh.

cdf newsletter cube grenade print offer

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[The printer’s proofs. You can buy the entire 4-piece set here. Click on image to enlarge etc.]

[UPDATE: This offer is only valid for 48 hours, Thanks!]

[These are the Pay­Pal but­tons for an offer made exc­lu­si­vely for my CDF News­let­ter subsc­ri­bers. The offer is only open to them, Thanks.]

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“DINOSAUR“
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“HUGHTRAIN“
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QUALITY
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“ADVERTISING”

June 16, 2009

“ignore everybody” book reviews

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Well, Day Six into beco­ming a “published author”, and accor­ding to Goo­gle, a lot of peo­ple are already tal­king about my book. Here are some of my favo­rite reviews so far:

Seth Godin: “Should Hugh swear so much?” This post re-visits a con­ver­sa­tion Seth and I had a year ago, when I was first won­de­ring whether or not to keep the “potty mouth” car­toons out of the book.
David Armano: “The title says it all. You have to decide if what you believe in is good enough to fight for, to pur­sue, to risk everything for. Only you can decide this.“
Rick Segal: “Hugh’s advice and com­men­tary should be requi­red rea­ding for every­body doing a start-up, coming up with a earth chan­ging idea or drea­ming of the day they punch out of that Dilbert-like cubicle.“
Sex On The Beach: “Hugh’s not coming from some lofty ivory tower, but from a real pro­cess of hard work and grit. He’s not preachy; he’s simply sha­ring what he has lear­ned along his path.“
The CRM Blog- One of my lon­gest (and best) inter­views ever:

CRM maga­zine: Do you think crea­ti­vity is a kind of currency now?
Hugh Mac­Leod: It’s always been a currency, more so right now because if you’re crea­ting a lot of stuff that’s inte­res­ting, valua­ble, mea­ning­ful, that’s a lot safer to me than just pushing paper around a desk all day. Those kinds of jobs are being repla­ced by com­pu­ters every day.
We want to be crea­tive. We want to be more use­ful and tap into something dee­per and more mea­ning­ful. We don’t want to sit around and be a sch­muck our whole lives; what I’m hoping the book will do is get peo­ple to start a dia­lo­gue with them­sel­ves and with other peo­ple. It’s an inte­res­ting dia­lo­gue because [crea­ti­vity] is such a pri­mal need.

Jeri­miah Owyang: “You see, his book Ignore Every­body, really isn’t a book. Ins­tead, you should think of it as as that friend in high school who never follo­wed the rules, but achie­ved his goals took you out for a beer 20 years later and sha­kes your shoul­ders and wakes you up.”

Well, that’s enough SHAMELESS book-pimping for now. I’m going back to SHAMELESSLY PIMPING my latest batch of Cube Gre­na­des. Rock on.

“a man plugging a book talks to a man plugging a book”

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A few months ago I posed ten ques­tions to David Brain, CEO of Edel­man Europe, which he kindly ans­we­red. To mark the launch of my book, IGNORE EVERYBODY, he asked me ten ques­tions back. Here they are:
1. In a nutshell, why should someone read the book?
Like it says in the very begin­ning of the book, “So you want to be more crea­tive, in art, in busi­ness, wha­te­ver. Here are some tips that have wor­ked for me over the years.” I don’t claim to have any spe­cial insight in the nature of crea­ti­vity. Howe­ver, it’s something I put a lot of thought and effort into over the last few deca­des, so I have my opi­nions. I’m just sha­ring what I know, for what it’s worth.
2. You say, “The more ori­gi­nal your idea is, the less good advice other peo­ple will be able to give you”. How do peo­ple who work for orga­ni­sa­tions and com­pa­nies deal with this?
The same way any one else does. Patience, tena­city and good timing.
3. Does the “igno­ring every­body” lead to lone­li­ness?
Yes. It’s the price you WILL pay. Only you can decide if it’s worth it.
4. Is the book your social object?
I con­si­der my car­toons my social object. The book, howe­ver, allo­wed me to pre­sent them to the world in way I found com­pe­lling.
5. By coin­ci­dence, I am rea­ding David Ogilvy’s Con­fes­sions of an Adver­ti­sing Man, and your style is somewhat remi­nis­cent of that book which became a kind of hand­book to run­ning an ad agency. Is Ignore Every­body a hand­book and if so, for who?
I love that book. The intro­duc­tion where he wrote about wor­king in that high-end res­tau­rant in Paris in the 1930s is pro­bably one of my favo­rite pie­ces of wri­ting, ever.
I didn’t have a demo­graphic or a “func­tion” in mind when I wrote the book. But I did think that there were a lot of peo­ple out there who, like me, aspi­red to do something more “crea­tive” with their lives, than what was expec­ted of them. And I thought there’d be no harm in sha­ring with them what I had lear­ned the hard way, over the years. The pre­mise was really no more com­pli­ca­ted than that.
6. What was the motive behind wri­ting the book? I mean I know how little money these things make, but do you want it to help other peo­ple bet­ter their lives or is it just another evil plan?
I cer­tainly didn’t expect to make any real money from it, and how much it would “help” other peo­ple is pretty deba­ta­ble. But some­ti­mes in your life you have these defi­ning moments, where you draw a line in the sand and dec­lare to the world, “This is who I am, this is what I believe, this is what’s impor­tant to me.” I think we all need these moments at some point, to make us bet­ter unders­tand who we really are. Wri­ting a book is a good way to force these moments to the sur­face. That was really the key dri­ver, here.
7. You name some obviously crea­tive peo­ple in the book like Picasso and Bob Dylan but in the hard com­mer­cial world where you spend part of your life, who are the peo­ple who have mana­ged to stay crea­tive that have most impres­sed you?
I’ve always been most ins­pi­red by small busi­nes­ses that could have been a lot big­ger, but the owners deci­ded to say small, because they didn’t want to com­mo­dify something that was very dear and spe­cial to them. Tho­mas Mahon over at English Cut, or Amy’s Ice Cream in Aus­tin. But that’s cer­tainly not my only cri­te­ria. Doing what you love AND get­ting paid for it at the same time is actually a really, really hard trick to pull off. Most peo­ple can’t do it, but if you can, yeah, you will have ear­ned my res­pect.
8. You seem to have a love/hate rela­tionship with adver­ti­sing and adver­ti­sing thin­king (as do I). What’s with that?
The trou­ble with wor­king in adver­ti­sing is that you’re basi­cally paid to per­form mirac­les, by peo­ple who actually don’t believe in mirac­les. And the fact that most of the stuff being pro­du­ced is boring, noisy and obno­xious doesn’t help, either. That being said, when it works, it works REALLY well, and crea­tes a lot of value in a very short period of time. Like all adver­ti­sing and mar­ke­ting folk, I just wish the lat­ter hap­pe­ned more often.
9. Crea­ti­vity and tech­no­logy have in the past been seen as dif­fe­rent worlds but you seem in this and in other work to really enjoy the com­bi­na­tion? Why?
It’s not really about the tech per se, it’s about the peo­ple. Like your­self, I like smart, dri­ven, pas­sio­nate peo­ple. The tech industry seems to be a place where these peo­ple often con­gre­gate. So it’s an rela­ti­vely easy place to hang out in, an easy place to meet inte­res­ting folk with inte­res­ting ideas.
10. So what are your plans for the book and what next?
I’m toying with the idea of wri­ting a second book, albeit with some tre­pi­da­tion. When asked why she never wrote a second book after “To Kill A Moc­king­bird”, Har­per Lee ans­we­red, “Because after that, there was nowhere to go but down”. I can cer­tainly relate!
Being a book author is not impor­tant to me. Neither is being a blog­ger or a mar­ke­ting guy. Dra­wing car­toons is impor­tant to me. I know that if I keep on dra­wing the car­toons, inte­res­ting things will come out of it even­tually, so my plan is to to just keep focu­sing on that.
[P.S. This was cross-posted on David’s blog here.]

June 11, 2009

“ignore everybody” portfolio series number one: signed and numbered, 11“x14”, $300.00

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[The printer’s proofs. Click on image to enlarge etc.]
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[“Dino­saur”]
hughtrain001Bjpeg.jpg
[“Hugh­train”]
quality005jpeg.jpg
[“Qua­lity”]
talkedjpeg002.jpg
[“Tal­ked”]

[Update:] You can purchase the Port­fo­lio here.


Last week I blog­ged about a series of small prints I was wor­king on
, based on the car­toons in the new book, “IGNORE EVERYBODY”, which as y’all know, launched today.
These car­toons above are some of the most vie­wed, and have collec­ti­vely been down­loa­ded hun­dreds of thou­sands of times. I know they adorn lots of cube walls, been made into stic­kers and of course, blog­cards.
These four reflect a lot about what I was fee­ling at the time I drew them, three or four years ago. How we all have a need to find “pur­pose”, and the stuff we do and the peo­ple we inte­ract with each day, in order to find “it”.
So today, being a day that for me is a lot about fin­ding my own pur­pose, I’ve deci­ded that it would be a poig­nant moment to make these avai­la­ble for peo­ple to own. You can throw away your yellow’d down­load and own the real thing ins­tead, sig­ned and num­be­red by me. An edi­tion of 100, sold as a set in a port­fo­lio, for $300 [Plus Ship­ping & Hand­ling]. In a few days we’ll be offe­ring the indi­vi­dual prints for about $100 each.
These are sma­ller ver­sions of what we have been doing up until now. They mea­sure 11“x14”, and can be fra­med and hung, or kept in a port­fo­lio to view or use for mee­tings and then put away etc.
They are all hand-pulled seri­graphs, and prin­ted on Rives-Arches paper. For those of you thin­king about collec­ting the work long-term, this is a good, affor­da­ble, and fun place to start. I hope to be making lots more of these port­fo­lio edi­tions in the future. Thanks.

“ignore everybody” launches today

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[Books arri­ving at my office for sig­ning. It’s a lousy job, but hey, some­body has to do it…]
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Four­teen months since I went public with the news, my first book, “Ignore Every­body” finally launches today.
Now avai­la­ble at:

Ama­zon.

Bar­nes & Noble.

Bor­ders.

800-CEO-READ. (great for bulk buys)

Indie­Bound. [to find an inde­pen­dent store]

Kindle.

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[The book jac­ket– click on image to see enlar­ged PDF ver­sion etc.]
Here are some brief notes:
1. Big thanks to my agent, Lisa, to Jef­frey and Jillian, my edi­tors over at Penguin/Portfolio, to Mau­reen Cole, who does my mar­ke­ting over at Port­fo­lio, to my friend and men­tor, Seth Godin, for intro­du­cing me to Port­fo­lio.
2. Big thanks to all the blog­gers and blog rea­ders who ins­pi­red and encou­ra­ged me all along the way… You know who you are.
3. The book only took me a cou­ple for months to write. It took me four years to find the right publisher. I feel for­tu­nate that it wasn’t the other way around…
4. Some of my favo­rite car­toons in the book were drawn at this very small, funky West Village Bar in Manhat­tan, during my New York days. Pro­bably the prou­dest moment with get­ting the book published for me so far, was being able to send an advance copy to the bar’s owner, along with the follo­wing note:

“Dear Tanya,
Remem­ber that crazy guy with the tweed jac­ket who used to sit at the end of your bar every night, dra­wing those weird car­toons on the back of busi­ness cards?
I’m happy to report, he ended up alright…”

5. Yes. I am insa­nely happy, exci­ted and gra­te­ful about all this. Thanks and God Bless to you all. Rock on.

[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

June 8, 2009

george had a plan!

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[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

george

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[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

if i only had a brain


[Jef­fro, don­ning a Black Flagg t-shirt, sin­ging at Harrys Tinaja, Alpine, Texas. Note the bottle of Stormhoek by his side etc.]
So this is what’s been hap­pe­ning with Stormhoek wine on my end lately…
1. We currently have Stormhoek selling in six pla­ces in town (Alpine, Texas), inc­lu­ding Harry’s Tinaja, Porter’s Super­mar­ket and Twin Peaks Liquor Store. We’re hoping to dou­ble that num­ber. We’re also star­ting to sell it in other neigh­bo­ring towns like Marfa and Ter­lin­gua.
2. The “Dream Big” bum­per stic­kers are a big hit. I’ve just orde­red another thou­sand of them. Thin­king of lea­ving them in hotel lob­bies, for the tou­rists to take away en masse.
3. Re. Jef­fro. Sure, I think a former-punk-rocker, ukelele-playing Texan is the PERFECT spo­kes­man for a bottle of South Afri­can wine, don’t you? It screams “QUALITY & VALUE!” from across the room etc.
4. Peo­ple from outside the State always ask me why I like Texas so much. Well, there are many rea­sons, but the one I cite the most is, “Here in Texas, you don’t have to be a billio­naire, but if you have a cool, little busi­ness that adds something posi­tive to the com­mu­nity, YOU ARE GIVEN RESPECT”. I’m a small busi­ness­man, after all, so this qua­lity would be impor­tant to me. Sure, you can find this qua­lity elsewhere, but I’ve never seen it MORE TRUE than it is in Texas.
5. I’m exci­ted by the pros­pect of reaching cri­ti­cal mas here in West Texas, then sprea­ding the good word throughout the rest of the State. As I’ve said ear­lier, I’m just focu­sing on Texas for the time being. That’s plenty of busi­ness for me…
6. With my book coming out in three days and my print busi­ness doing well, I actually don’t really have to be doing this for career rea­sons; I’m just doing it because I want to. Stormhoek and I have been through a lot these last four years, it’s already doing great in Europe, I think I owe it to both myself and to the brand to get it going over on this side of the pond. Besi­des, I’m a suc­ker for “Futile Mar­ke­ting”. Rock on.

[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

June 7, 2009

surrounded

surrounded112.jpg
[Hat tip to Kil­gore Trout, of course.…]

[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

purple cow pic

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[A pic­ture of me hol­ding up one of the Pur­ple Cow prints. They look UTTERLY AMAZING in real life…]

[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

advertising moleskine

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[“Adver­ti­sing Moles­kine”. 5“x7”. Click on image to enlarge etc.]
Dave Whittle, an adver­ti­sing exe­cu­tive down in Aus­tra­lia, com­mis­sio­ned me to draw him a Moles­kine, based on an old car­toon print-out of mine, that he had han­ging on his office wall.
A Cube Gre­nade. Exactly.
Yes, I’ll have it fra­med, like this one.
It was a fun pro­ject. It tur­ned out well. I am plea­sed. Thanks, Dave!.
[gaping­void commissions…]

June 6, 2009

a wearable cube grenade

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Rich Peter­son sent me the photo above, with the follo­wing e-mail:

Short story about the attached image. I work in an R&D team in a large com­pany. We use these bad­ges to get into the office, get into various con­fe­rence rooms, etc. Without it, you’re basi­cally hosed (can’t even get into the par­king lot). No big deal, but unlike com­pa­nies where they’re used as name bad­ges as well (with the employee’s photo and name on it) our bad­ges are com­ple­tely gene­ric. Until Now.
One last note — a few others in the office have asked me for a copy of mine, so it’s sprea­ding :-)

[The Cube Gre­nade archive is here.]

June 5, 2009

hello from miami

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[South Beach. Sum­mer storms coming into town this afternoon…]

social object: the “dream big” bumper stcker

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[Click on image to enlarge etc.]
If you walk around Alpine, Texas (my current home), you might start seeing the “Dream Big” bum­per stic­kers everywhere, the ones I made for Stormhoek.
Alpine only has about 6,000 peo­ple. We’ve dis­tri­bu­ted around 1,000 bum­per stic­kers so far. Plan to do many more. Do the math.
Why can’t a small town in west Texas “Dream Big”? Ditto for a small winery in South Africa.
“Dream Big, Alpine, Texas” isn’t roc­ket science. But it seems to reso­nate with folk.
Yes, the bum­per stic­ker is a “social object”.
Watch this space…

the dream begins


“The Dream Begins”. This was the first Stormhoek video put together by Loren Feld­man.

June 3, 2009

“ignore everybody” cube grenades: the new small print series

dinosaur001jpeg800.jpg
[“Dino­saur”]
hughtrain001Bjpeg.jpg
[“Hugh­train”]
quality005jpeg.jpg
[“Qua­lity”]
talkedjpeg002.jpg
[“Tal­ked”]
A week ago I wrote that we’d be pro­du­cing some new prints based on some of the car­toons appea­ring in my book, IGNORE EVERYBODY.
After recei­ving a lot of feed­back from y’all, we deci­ded on the four designs above. Here are some notes:

1. They’ll be sma­ller. Approx 9.5“x14”, roughly the same dimen­sions as my Mac lap­top.
2. They’ll be more affor­da­ble. Circa $125.00 US, $400.00 for the com­plete set of four.
3. They’ll be of the same high-quality. They’ll be silk-screened by hand. Old School. They’ll be sig­ned and num­be­red by me. Because they are more affor­da­ble, they’ll be lar­ger edi­tions, say, 800 or so. We could have saved money if we used digi­tal prin­ting, but we deci­ded against it — hand pulled seri­graphs, still.
4. Fin­ding Space: We rea­li­zed that about 35% of each edi­tion done so far is being purcha­sed by the same group of peo­ple. Many of them are saying, we want to collect, but we are run­ning out of wall space. So these ima­ges are of a size that can be fra­med and hung on a small wall, seve­ral at a time. Or maybe peo­ple will do what I do i.e. keep the ima­ges in a small port­fo­lio, for taking out when they have mee­tings, or enter­tai­ning. In any case, it seems to me that making lower cost, true high-quality, limi­ted edi­tions, lots more peo­ple will be able to enjoy them. No worries for those with big walls, I am going to con­ti­nue to do the lar­ger ima­ges as well.

Over the next week, I’ll be wor­king out all the details with this new size. Watch this space.

[More: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

June 2, 2009

god wants

0905god.jpg

[etc: About Hugh. Inter­view. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

June 1, 2009

jr 001

0905jr001.jpg

[etc: About Hugh. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

the human river

0905river.jpg

[etc: About Hugh. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

node

0905node.jpg

[etc: About Hugh. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

beer

0905beer.jpg

[etc: About Hugh. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]

are we

0905arewe.jpg

[etc: About Hugh. News­let­ter. Book. Limi­ted Edi­tion Prints. Pri­vate Com­mis­sions. Cube Gre­na­des. Hugh­train.]