May 30, 2009

cube grenades: the pitch to ad agencies

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[Sig­ning the agen­ciac­lick cube gre­nade a cou­ple of weeks ago…]
Over the last cou­ple of weeks I’ve been tal­king with various adver­ti­sing and PR folk about the Cube Gre­nade idea. Here are some notes:
1. In terms of the adver­ti­sing and PR indus­tries, the Cube Gre­nade is basi­cally con­cei­ved as a rela­ti­vely cheap and effec­tive Social Object to arti­cu­late the Purpose-Idea of a brand or com­pany.
2. If the agency has an idea they REALLY want to sell to their client, they might have bet­ter luck if they first arti­cu­late the idea via a Cube Gre­nade desig­ned by me, rather than the tra­di­tio­nal “agency pitch” model. The agency’s idea is somehow arti­cu­la­ted as a com­mis­sio­ned print, the print is given out as a gift, to peo­ple within the rele­vant cons­ti­tuency. The print hangs on a wall, other peo­ple see it, and if the idea is any good then peo­ple will start tal­king about it. That con­ver­sa­tion will lead to other con­ver­sa­tions. If the idea is any good, other ideas [and oppor­tu­ni­ties] will be spaw­ned from it.
3. The Cube Gre­nade is not a glo­ri­fied adver­ti­sing pos­ter. I’m not pri­ma­rily inte­res­ted in why peo­ple should buy the client’s pro­duct per se. I’m far more inte­res­ted in the human dyna­mic, the collec­tive human drive that makes the client’s peo­ple want to get up in the mor­ning and go to work. That is where THE REAL VALUE is crea­ted.
4. Because the Cube Gre­nade is given as a gift– an act of love, as it were– AND NOT A DELIVERABLE WANTING TO BE SOLD, it will break through the cul­tu­ral barriers of the client com­pany a lot more cheaply and quickly than your stan­dard “Big Adver­ti­sing Idea”. The game here is not about “Selling An Ad”, the point is to make the client more alive, more human, more aware of their own human poten­tial. Again, this is where is where THE REAL VALUE for the client-agency rela­tionship is crea­ted.
5. Whether the Cube Gre­nade “works” or not in the end, both agency and client will find out if the thought behind it works A LOT soo­ner and inex­pen­si­vely than exe­cu­ting your ave­rage ad cam­paign. Like all com­mu­ni­ca­tion, the idea needs to RISK FAILURE if it’s ever to be any good. “Fail cheap, fail often”, as the great ven­ture capi­ta­list, Esther Dyson likes to say.
6. As I’ve said before to the ad agen­cies: “Guys, you are NOT selling mes­sa­ges any­more. You are selling Social Objects. The work that you create will affect the Cube Gre­na­des and Social Objects, that your clients and their cus­to­mers use to inte­ract with each other.” This is why I’m tal­king to adver­ti­sing folk. At the end of the day, we’re both in the same busi­ness.
7. To get more back­ground rea­ding, please visit my Cube Gre­nade archive here. You might also want to check out “The Hugh­train” to get a bet­ter unders­tan­ding of where my ideas are coming from.
8. As always, if this idea is of any inte­rest to you, please feel free to con­tact me at gapingvoid@gmail.com. Or if you know someone in the adver­ti­sing industry, please send them along to this page [Here’s the link]. Thanks!

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2 Responses to “cube grenades: the pitch to ad agencies”

  1. B says:

    And to think, you were so close to con­nec­ting with the wor­ker bee of a brand and giving them ammo to wage war AGAINST the Agency and crea­tive staff. Why the fuck would you talk to the Agency!?
    You don’t hand out gre­na­des as gifts. Com­mis­sio­ned prints don’t hang in cubes. Surely, the Agency can use your work, but you bet­ter change the name to elevator-lobby-lame-idea-poster. “Qua­lity isn’t job one…” is not going to be anywhere near Ford’s Agency, but it’s up on the wall of someone in the trenches at Ford.
    Time to start pic­king on agen­cies and brands that aren’t living up to their poten­tial. Mea­sure your suc­cess by how many brands change agen­cies after your gre­nade attack. On how many current agen­cies have to come to you to buy prints because their client loves it.

  2. Anonymous says:

    would love to see this imple­men­ted in an epi­sode of the office (US)!