Archive for March, 2009

March 31, 2009

culture = culture

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[Sketch, 2008]

Cul­ture = Busi­ness = Mar­ke­ting = Lan­guage = Com­mu­ni­ca­tion = Art = Sex = Culture…

March 25, 2009

gapingvoid commissioned prints

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[“Open Brands”. Com­mis­sio­ned by Agen­cia Click, Sao Paulo, Bra­zil. Click on image to enlarge etc.]
I’m deligh­ted to announce my first pri­va­tely com­mis­sio­ned gaping­void print.
A cou­ple of weeks ago I was invi­ted down to Bra­zil by Agen­cia Click to do a bit of public spea­king and some con­sul­tancy work for them. While I was at it, they also com­mis­sio­ned me to design a print for them, something that arti­cu­la­ted their “Open Bran­ding” idea. So I desig­ned the dra­wing above, which goes into pro­duc­tion next week.
The black lines repre­sent “The World”, as it were. The red lines repre­sent “The Brand”. In “Open Bran­ding”, the brand is “Everywhere”, not “Con­tro­lled” or “Iso­la­ted” somewhere spe­ci­fic.
I took their idea, fil­te­red it through my own visual lan­guage to create a third thing, an image that cap­tu­res the “Purpose-Idea”.
I did pretty much the same thing with Mic­ro­soft and The Blue Mons­ter
I love this kind of work. It allows me to do my dra­wing thing, while still get­ting my brain out of the stu­dio and out into the real world. Not to men­tion, I get to visit Bra­zil! Heh.
Thanks to Abel and Jeff for making it hap­pen. Rock on.
[NB: If you’re in the mar­ket to com­mis­sion a limi­ted edi­tion print, feel free to email me at gapingvoid@gmail.com. Thanks.]

March 24, 2009

mediocrity now howls in protest

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“The web has made kic­king ass easier to achieve, and medioc­rity har­der to sus­tain. Medioc­rity now howls in pro­test. http://tinyurl.com/czm2sk
[Twit­ter Link]

“hey kids, it’s dinosaur time again!”

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When I saw this blog post by my buddy, Steve Rubel I just HAD to whip out the ol’ “Dino­saur” car­toon again…

Nat Ives reports in AdAge that a num­ber of major media com­pa­nies have asked Goo­gle to give it favo­ra­ble posi­tio­ning over blogs…
Many publishers resent the cri­te­ria Goo­gle uses to pick top results, star­ting with the ori­gi­nal Page­Rank for­mula that depen­ded on how many links a page got. But crum­bling ad reve­nue is len­ding their push more urgency; this is no time to show up on the third page of Goo­gle search results. And as publishers renew efforts to sell some con­tent online, moreo­ver, they’re newly upset that Google’s algo­rithm pena­li­zes paid con­tent.
“You should not have a sys­tem,” one con­tent exe­cu­tive said, “where those who are essen­tially para­si­tes off the true pro­du­cers of con­tent bene­fit disproportionately.”

Eh. If it were up to these losers, the inter­net would not even have been inven­ted. Or if it had, it would’ve been out­la­wed by now. Besi­des, I don’t think big media com­pa­nies are in any posi­tion to go around calling other peo­ple “para­si­tes”. Too funny…

March 23, 2009

desertmanhattan is finished

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[Click on ima­ges to enlarge etc.]

[You­Tube video page is here.]
I star­ted on Desert­Ma­naht­tan last Sep­tem­ber. I finally finished it ear­lier this eve­ning, around mid­night.
Yeah, it took a a long time to finish. Well, I was a busy fellow, after all, doing lots of other stuff.
I could have wor­ked on it fore­ver, howe­ver like the old art school adage goes, pain­tings are never finished; they are ended. It was time.
Thanks to every­body who follo­wed me along on this pro­ject, encou­ra­ging me all the way. It’s been quite a jour­ney. Rock on.
[Sign up to gapingvoid’s “Crazy, Deran­ged Fools” Newsletter…]

March 21, 2009

painting update

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[Tablet PC sketch of what I have in mind. Click on image to enlarge etc.]
[UPDATE: 12.10am, 23rd March. “Desert­Manhat­tan” is finished. Hurrah!]
Desert­Manhat­tan is nearly finished. Four x Eight foot worth of insa­nity. Months of work. Will be pos­ting pic­tu­res soon.
My next pain­ting will be half that size– 48″ x 48″ square… the sketch above should give you an idea. Again, the theme comes from a fami­liar place. Like I said when I first star­ted on Desert­Manhat­tan:

I think being out here in Alpine, Texas, cove­red under a blan­ket of desert air and “Big Sky” brought about a wee change in me, at least in what I find inte­res­ting artis­ti­cally. The “car­toons on the back of busi­ness cards” for­mat came about in New York City, when living con­di­tions, shall we say, were far more intense, crow­ded and cram­ped. Not to men­tion, I was ten years youn­ger. Things change.

There’s a cer­tain inten­sity to being out here in the desert. There was a cer­tain inten­sity to living in New York. I’m trying to create objects that somehow cap­ture both. Hence its name.
Yeah, I know, it’s a silly, stu­pid, insane way to try to make a living, to try to spend a life. I’ve spent the last twenty years lear­ning this the hard way. The damage is already done. Alea iacta est. Rock on.
[Sign up to gapingvoid’s “Crazy, Deran­ged Fools” Newsletter…]

March 20, 2009

what do middle seats on airplanes and the current recession have in common?

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1. One of my pet pee­ves when tra­ve­ling [and I tra­vel quite a bit these days] is when I get assig­ned to the middle seat on an air­plane.
We all know why; we all know middle seats are uncom­for­ta­ble and nasty. We all know that they basi­cally suck.
Sure, the good air­line folk will tell me, they’ve already boo­ked all the win­dow and aisle seats. They’ve only got middle seats left. Sorry etc.
Which always makes me think to myself, “Those middle seats shouldn’t be on the air­plane in the first place”.
Middle seats are, to me, a pro­duct of a dif­fe­rent era. They were inven­ted when the first long dis­tance jet air­li­ners came around, the Boeing 707, the VC-10 etc etc. Before that they just had ais­les and win­dows.
Thirty or forty years ago, air­pla­nes were desig­ned before the air­line industry was dere­gu­la­ted, when air tra­vel was REALLY expen­sive. When peo­ple had far fewer choi­ces.
Jet Blue currently buys long, skinny air­pla­nes to make get­ting rid of the middle seat eco­no­mi­cally via­ble. But they’re a new air­line. Older, lar­ger, more esta­blished air­li­nes are still behol­den to their old, fat air­pla­nes, stuf­fed to the brim with middle seats.
It won’t hap­pen over­night, but there will come a time when offe­ring your air­line cus­to­mers a middle seat will be tan­ta­mount to eco­no­mic sui­cide.
Because peo­ple simply don’t want middle seats. They never did. And they’ll gladly take their busi­ness over to someone who doesn’t have them on offer.
This middle-seat-free day arri­ving will great news for us cus­to­mers, of course. But not if you’re “Middle Seat Guy”.
2. Middle Seat Guy is the guy at the air­line whose job it is to figure out the middle seats– how many of them they can cram onto a plane, and how to sell middle seats as effi­ciently as pos­si­ble [to peo­ple who never wan­ted them to begin with].
Sud­denly, he’s out of a job. Peo­ple aren’t buying midd­les seats any­more, sud­denly the world has no more use for his ser­vi­ces. He’s at home; he’s bit­ter, he feels per­so­nally betra­yed by the air­line who emplo­yed him for twenty years. His life sucks and he’s hit­ting the bottle before noon etc.
Whether we’re tal­king about air­li­nes or any other kind of busi­ness, the fact is, the Inter­net has made it MUCH har­der to sell your cus­to­mers metapho­ri­cal “Middle Seats”. And the punish­ment for trying to get away with it keeps on get­ting more swift and severe.
3. No, we don’t want to give you $7500.00 in order to help you pay off your six-figure stu­dent loans from Law School. We’d much rather down­load something off the inter­net that does the same job for $99.99.
No, we don’t want be inte­rrup­ted by you, so you can show us your well-crafted, multi-million dollar mar­ke­ting mes­sage about how won­der­ful your client’s auto­mo­bi­les are. We’d much rather get the skinny from an online forum.
No, we don’t want to buy your gene­ric, cardboard-tasting, mass-produced coo­kies from the local con­ve­nience store; we’d rather order some online from this Trap­pist Monk Weirdo Lum­ber­jack in Alaska, who makes by-hand-in-tiny-batches THE MOST AMAZING coo­kies ever.
No, we don’t want to buy your $25 bottle of nasty, Cali­fo­nian vine­gar. We’d rather buy this great little $10 Aus­tra­lian red that this cool wine blog­ger tur­ned us on to.
4. The only time I really watch TV is when I’m sta­ying in a hotel room, like I was last wee­kend while visi­ting Aus­tin for SXSW. Usually I just turn on CNN, and lis­ten to the pun­dits blether on. Back­ground noise. Fairly mind­less stuff.
It was quite a dis­con­nect for me to hear the guys on CNN yap­ping end­lessly on about THE RECESSION, in con­trast to all the groovy cats I met at SXSW, who told me how their busi­nes­ses were boo­ming. It was like two alter­nate uni­ver­ses colli­ding. Which one was the real one?
To anyone rea­ding this who has lost their job to the reces­sion recently, first let me say how sorry I am to hear that. I lost my job during the last reces­sion, and I know how rot­ten it can be. I utterly sym­pathize.
That being said, while I’m watching CNN I keep asking myself the same ques­tion. What per­cen­tage of these reces­sion vic­tims were just plain, ran­domly unlucky, and how many were in the busi­ness of selling metapho­ri­cal “Middle Seats” before they got laid off?
I don’t know what’s going to hap­pen in this reces­sion in the long run. I do know, howe­ver, that a lot of Middle Seat Guys, i.e. those who currently make their living via “The Igno­rance Pre­mium”, are going to be sud­denly out of work, with ZERO idea about what to do next. I hope that doesn’t inc­lude you.
[Sign up to gapingvoid’s “Crazy, Deran­ged Fools” Newsletter…]

john t. unger, artist and global microbrand

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One of John T.‘s “Great Bowls Of Fire”.
From March, 2006:

Chris Carfi points to John T. Unger, an artist and regu­lar gaping­void com­men­ter who has used his blog and the glo­bal mic­ro­brand idea to carve out a nice wee career for him­self (for more money than his last day job paid him, I has­ten to add).
Go read John T’s take on it here. Very uplifting.

John and his girl­friend left Alpine, Texas this mor­ning. We hung out and drank beer, and I got to take him to my favo­rite Mexi­can place in town, Alicia’s. Since I first wrote about him a a few years ago, we’ve become great friends.
John’s chec­king out Texas. He’s had enough of Michi­gan win­ters. He’s loo­king to buy land down here and build another stu­dio for his sculp­ture. Alpine is on his short list of pos­si­ble loca­tions.
I may have coi­ned the term, “Glo­bal Mic­ro­brand”, but John has actually lived it to the full. Now it’s my turn to play catch-up. Rock on.

March 19, 2009

bluetrain prints arriving!

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[Blue­train cus­to­mers posing their prints online etc…]
Yes­ter­day the “Blue­train” prints star­ted arri­ving in the mail. So far the recep­tion has been really posi­tive…
What star­ted out as just an idea on my blog last Decem­ber is now beco­ming rea­lity.
Yes, I am very happy. Thanks to Every­body who sup­por­ted this wee pro­ject. Seriously.

March 15, 2009

hello from sxsw

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[Photo cour­tesy of @caseorganic etc.]
This car­toon kinda says it all…
[SXSW Link]

March 10, 2009

“ignore everybody” launches june 11th, 2009

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[The book jac­ket– click on image to enlarge etc.]

My book, “Ignore Every­body” hits the books­to­res on June 11th.

[You can down­load two PDF sam­ple chap­ters here for free etc.]

Bar­nes & Noble.

Bor­ders.

800-CEO-READ. [great for bulk buys]

Indie­Bound. [to find an inde­pen­dent store]

Ama­zon.

The book has been a long time coming. What star­ted out as a series of blog posts in 2004, took on a life of its own.
In a hun­dred years I’ll be dead. So will you. Before that time comes, I want to keep asking the ques­tion, “How do we make the world a more fun, mea­ning­ful, loving, crea­tive place?” This book is part of that.
I can’t think of a bet­ter way to spend the remai­ning time God has given me on this pla­net, frankly. You?
[The Offi­cial Publisher’s Blurb for the book:]

When Hugh Mac­Leod was a strug­gling young copyw­ri­ter, living in a YMCA, he star­ted to doodle on the backs of busi­ness cards while sit­ting at a bar. Those car­toons even­tually led to a popu­lar blog – gapingvoid.com – and a repu­ta­tion for pithy insight and humor, in both words and pic­tu­res.
Mac­Leod has opi­nions on everything from mar­ke­ting to the mea­ning of life, but one of his main sub­jects is crea­ti­vity. How do new ideas emerge in a cyni­cal, risk-averse world? Where does ins­pi­ra­tion come from? What does it take to make a living as a crea­tive per­son?
Now his first book, Ignore Ever­yone, expands on his shar­pest insights, wit­tiest car­toons, and most use­ful advice. A sam­ple:

* Selling out is har­der than it looks.
Dilu­ting your pro­duct to make it more com­mer­cial will just make peo­ple like it less.
* If your plan depends on you sud­denly being “dis­co­ve­red” by some big shot, your plan will pro­bably fail. Nobody sud­denly dis­co­vers anything. Things are made slowly and in pain.
* Don’t try to stand out from the crowd; avoid crowds alto­gether. There’s no point trying to do the same thing as 250,000 other young hope­fuls, wai­ting for a miracle. All exis­ting busi­ness models are wrong. Find a new one.
* The idea doesn’t have to be big. It just has to be yours. The sove­reignty you have over your work will ins­pire far more peo­ple than the actual con­tent ever will.
After lear­ning MacLeod’s 40 keys to crea­ti­vity, you will be ready to unlock your own bri­lliance and unleash it on the world.
About the Author
Hugh Mac­Leod wor­ked as an adver­ti­sing copyw­ri­ter for more than a decade, while deve­lo­ping his skills as a car­too­nist and pun­dit. His blog is Gaping Void, and more than a million peo­ple have down­loa­ded the ori­gi­nal post that ins­pi­red this book, “How To Be Crea­tive.” He also lec­tu­res and con­sults on Web 2.0 and its impact on business.

March 2, 2009

the next gapingvoid print: “corinthians”, $250 pre-order

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[“Corinthians”. Click on image to enlarge etc.]

[UPDATE: The “Corinthian” pre-orders are now sold out. Howe­ver, we do have some still avai­la­ble at the retail price i.e. $450. Click on Pay­Pal but­ton below to make a $100 depo­sit. Thanks for the sup­port, Everybody!]

[Click on Pay­pal but­ton to make $100 depo­sit etc.]
I first heard 1 Corinthians 13 read out in church when I was about nine or ten. Like a lot of things in the Bible, as a kid I found it puzz­ling at first. And over the years, it kept on giving new mea­ning to me. It never got old.
Paul’s most-quoted pas­sage from his let­ter to the Corinthians is one of those things in the Bible, like Psalm 23, that just gets bet­ter and bet­ter, the lon­ger you live.
In Angli­can circ­les, it’s pretty much requi­red rea­ding at wed­dings. I remem­ber when they read it at my sister’s wed­ding, ten years ago, and how much hap­pi­ness and depth it added to the occa­sion.
Anyone who has ever had it read out at their own wed­ding will know– it’s power­ful stuff. Which is what ins­pi­red me to make a dra­wing out of it.
When we asked peo­ple for feed­back on the next gaping­void print, “We Need To Talk” came out the win­ner. It’s now in pro­duc­tion and the pre-orders are now sold out.
That being said, there was a lot of backchan­nel inte­rest with “Corinthians”, as well. It was by no means a dis­tant second. Not to men­tion, it was a damn fine design and the mes­sage is time­less.
So what they heck, we deci­ded to make Corinthians avai­la­ble as a limi­ted edi­tion, as well.
Here are the details:

1. It’s going to be a sma­ller edi­tion. Ins­tead of an edi­tion of 85 like with “Blue­train” and “WNTT” We’re doing an edi­tion of 50. [UPDATE: BEca­sue demand for this print far excee­ded our expec­ta­tions, we made it an edi­tion of 75 in the end.]
2. Once its prin­ted, it’ll retail for $450 [plus ship­ping & hand­ling]. Like last time, you can pre-order the first 30 in the edi­tion at a dis­count, i.e. $250 [plus ship­ping and hand­ling]. To secure your order, please use the Pay­Pal but­ton above and make a $100 depo­sit. The Pay­Pal form will ask you for all your details [inc­lu­ding your pre­fe­rred ship­ping address], which of course we’ll have for our records. Why are we asking for a depo­sit? To weed out the spam­mers, fla­kes and trolls out there [This is the Inter­net, after all], lea­ving only com­mit­ted buyers in the mix. No other rea­son. This shall be our stan­dard prac­tice from now on.
3. The print will be ready to ship in 4 – 6 weeks. We’ll send you another Pay­Pal for the outs­tan­ding invoice once the prints are pac­ked and ready to be ship­ped.
4. The print will be the same size as the others [i.e. large, approx 21“x32”], hand-signed by me, and it goes without saying, the same high-quality inks and papers will be used.
5. If you have any ques­tions, please feel free to drop me an email at gapingvoidprints@gmail.com, and either Laura or Me will ans­wer them.

I’m exci­ted about this one. This Bibli­cal pas­sage has always meant a great deal to me, and as I’ve been deligh­ted to find out via blog com­ments and emails, it turns out it means a great deal to a lot of other gaping­void rea­ders, as well. So it’s loo­king like it’s going to be a great little pro­ject.
Once Again, thank you for your love and sup­port. Rock on.
[PS: To keep up-to-date with the prints’ goings-on, please subsc­ribe to my “Crazy, Deran­ged Fools” News­let­ter, Thanks.]

print update: only four left!

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[UPDATE: I’m happy to report that the “We Need To Talk” pre-sales are all already sold out. The design goes to print some­time in the next week or so, and the plan is to get the edi­tions sent out to their buyers toward the end of the month. Thanks Again!]

Dear Crazy, Deran­ged Fools,
I’m happy to report that the orders for my latest edi­tion, “We Need To Talk” have gone very well. So much so that, besi­des what I’m kee­ping for myself, we only have four of them left! If you’re inte­res­ted in acqui­ring one, please send me an email to gaping­void­prints, Thanks. All the usual details– price, ship­ping etc can be found here etc etc.
So I’ve been in the fine art print busi­ness thing for about two months. Here are my notes:
1. I sup­pose the first thing I’ll say about it is, yes, I am UTTERLY AMAZED about how well it’s going so far. Sure, I never star­ted this ven­ture with any inten­tion of fai­ling, but still, the res­ponse has been off the scale. I have honestly never seen anything like it. I’m kinda shell-shocked, to be honest, but in a good way…
2. I am truly gra­te­ful for everything; it would be insane not to be. Still, in the back of my mind, I am won­de­ring to myself, is this just Beginner’s Luck? How long will it last? Could it all come crashing down tomo­rrow? I’ve seen that hap­pen before, and it’s not pretty. Oh well, make hay while the sun shi­nes, I sup­pose; that’s all you can really do.
3. I’m VERY glad I made the deci­sion, early on in the game, to not to spare any expen­ses in the pro­duc­tion depart­ment. The finest inks, the finest papers, the finest prin­ters etc etc. When the Blue­train prints arri­ved last week for me to sign, I remem­ber ope­ning the box and just being INSTANTLY STUNNED by how well they tur­ned out, how plea­sing both to the eye and to the touch. It was a truly happy, satisf­ying moment for me.
4. Choo­sing which design to turn into a print is actually pretty nerve-wracking. Pro­du­cing an edi­tion costs seve­ral thou­sand dollars, and no mat­ter how good you think your gut ins­tinct or mar­ket research is, YOU SIMPLY DON’T KNOW what peo­ple are going to do [ver­sus what peo­ple SAY they’re going to do] until your money’s already been spent; until it’s too late to change you mind. “We Need To Talk”, is actually a pretty good exam­ple of “nerve-wracking”. It was a risky– it’s not exactly a mes­sage you’d want to give your wife for her birth­day, nor a mes­sage you’d want to hang in your office in order to moti­vate the troops. That being said, it has a cer­tain edge to it, which some peo­ple really relate to on a vis­ce­ral level. Besi­des that, I had some strong, per­so­nal rea­sons for wan­ting it made into a print, so I made the call. I’m just glad it all ended well.
5. I fully expect these prints to one day be worth MANY TIMES what they’re selling for now. Which is why I hold onto a few of each edi­tion– I’d be crazy not to. Art can be a very risky invest­ment, of course, but when it pays off, it pays off EXTREMELY well. Loo­king at it from a bru­tally objec­tive stand­point– do the math: My equity as an artist is worth a LOT more today than it was, say, five or ten years ago. I see no rea­son why that trend won’t con­ti­nue, at least for the fore­seea­ble future. What stocks in your port­fo­lio can you say the same about? Just askin’…
6. All the expe­rience I got set­ting up English Cut in 2005 – 2006 is sud­denly paying off. We have a lot in com­mon: a small, high-end, niche mar­ket, a blog to keep up, with a LOT Of emails to deal with. But this time, I’m not behol­den to some­body else’s pro­duct. This stuff is all mine, now. I’m quite exci­ted, frankly.
7. Pro­bably the most salient piece of advice I came away with from Le Web in Decem­ber came from Gary Vay­nerchuk: “If you have a great pro­duct, and you love your cus­to­mers, you WILL suc­ceed, end of story”. I totally get that. That being said, I believe the lat­ter is much har­der than the for­mer, on an exe­cu­tio­nal level. Love is great, but Love is hard. Make of that what you will.
Thanks Again, As Always, for Your Love & Sup­port.
Yours In Crazy, Deran­ged Foo­lish­ness,
Hugh MacLeod