May 7, 2008

“fred 42″: work in progress– day three

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[Click on image to enlarge etc.]
Yes­ter­day (Day 2) I hardly touched the dra­wing. I was busy doing other things.
Today I foo­led around with it for a cou­ple of hours in the mor­ning. Quite plea­sed with the results, so far.
When I do large pie­ces, I rarely do the long, 18-hour obses­sive stints that so many artists are known for. I pre­fer to whittle away at it in brief spurts over time– a little bit there, a little bit there, that kind of thing.
I’m gues­sing “Fred 42″ will be done by month’s end, if all goes well. Rock on.

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9 Responses to ““fred 42″: work in progress– day three”

  1. Mike R says:

    These kind of remind me of the depic­tions of hell that you see in Heir­noy­mous Bosch/Goya/Brueghel.
    I’m watching these deve­lop with keen interest.

  2. Kendall says:

    The amount of time something like this takes has got to be tre­men­dous – what patience!
    Love your work!

  3. An idea:
    In this style you draw directly on all the walls of one room of a museum for con­tem­po­rary art. After the exhi­bi­tion is clo­sed they paint it over and the ori­gi­nal piece is gone.
    During the exhi­bi­tion there are events: jam ses­sions with jazz musi­cians and poets, rea­dings and inter­views with you…
    Later this piece of art only exists in scetches, hand­made prints, videos, photo books, that’s where you make the money.
    The ori­gi­nal only exists for a cou­ple of weeks.

  4. i like it. It looks fun. Although you should pro­bably use a tri­pod when you shoot or get in bet­ter ligh­ting. It is hard to see the detail in some places.

  5. Nick says:

    I can see why you chip away. It has apeal but not quite there. If I also had your talent I’d want to give it some thought.

  6. Dave Armstrong says:

    It’s done enough for me. How much do you want for it?
    Curious Dave

  7. carl says:

    love to see it ani­ma­ted Hugh. And what about a ‘Where’s Wally’ ver­sion?
    Cheers, Carl. http://www.carltoons.com.au/

  8. Paul says:

    A bit of a tan­gen­tal ques­tion but do you find your thought pro­cess is dif­fe­rent on a lar­ger pro­ject like this? I’m gues­sing that com­ple­ting this work in sta­ges gives your focus grea­ter range over time. Like ever­yone else, I’m really enjo­ying watching it all come together.

  9. jill says:

    How do you know when to stop?