April 16, 2008

without collaboration

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[This car­toon was com­mis­sio­ned by my client, Microsoft.]

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13 Responses to “without collaboration”

  1. Tommi Vilkamo says:

    Umm… Nice, but does this one* make sense?
    I thought that vast majo­rity of the world’s grea­test pie­ces of art have been crea­ted by an indi­vi­dual. When trying to create art/beauty/design, colla­bo­ra­tion tends to be coun­ter­pro­duc­tive — lea­ding to that dread­ful design-by-committee. For exam­ple, I’m quite sure colla­bo­ra­tely crea­ted cartoons-on-businesscards would look quite boring.
    Right?

    * = vast majo­rity of your dood­les are spot on :)

  2. Crawford says:

    Ha!!!! Can’t get much more ele­men­tal (semi­nal?) than that.

  3. Fanch says:

    I haven’t mis­sed many of your dra­wings for a cou­ple of years. I like so much this one … cause it touches me on many levels of my life ; both pri­vate and public.
    So,… thx for your crea­ti­vity often full of ele­gance and mysteries.

  4. Just go ask any crea­tio­nist ;-)
    Seriously, this is a ques­tion that I’ve been won­de­ring about repea­tedly over the years: is inno­va­tion a lonely or a team action? Com­pa­nies pre­fer to think it is a team thing because that implies they can con­trol it: ena­ble colla­bo­ra­tion, throw in some inno­va­tive pro­cess faci­li­ta­tion and tools (SIT, TRIZ, etc) and your emplo­yees will create great stuff. Which actually works, many times. But the lone genius model obviously also exists, and is far less predictable.

  5. Fredd Kambo says:

    Tommi,
    It is part of our “lea­der as soli­tary hero” mytho­logy that great works are the result of a sin­gu­lar genius. A close rea­ding of his­tory sug­gests other­wise howe­ver. Warren Ben­nis has writ­ten exten­si­vely about this http://www.pbs.org/newshour/gergen/march97/bennis_3-26.html. It is coun­te­rin­tui­tive but I feel it’s true. Jesus did after all need 11 dis­ci­ples to help him (not coun­ting the one errant one), and Michae­lan­gelo pain­ted the Sis­tine cha­pel with 13 other artists.
    Having said that, I do agree that com­mit­tees are lame. But there is a dif­fe­rence bet­ween a com­mit­tee that sits in its high chair and carries on with long mee­tings, and a group of smart and talen­ted peo­ple collec­ti­vely ham­me­ring a pro­blem to submission.

  6. “I thought that vast majo­rity of the world’s grea­test pie­ces of art have been crea­ted by an indi­vi­dual.“
    Yes they were crea­ted by an indi­vi­dual but I’d hardly call them indi­vi­dual ins­pi­ra­tions or crea­tions. Ask any artist who influen­ced them and they’ll give you a list of peo­ple they stu­died and lear­ned from. Ask any inven­tor and they’ll give a list of peo­ple and pre­vious inven­tions or ideas.
    This to me is still colla­bo­ra­tion (the act of wor­king together). It may not be face to face but it is defi­ni­tely peo­ple sha­ring infor­ma­tion and lear­ning from it. One per­son learns something from someone else and then takes it a step further, then the next per­son learns from the last and takes it a step further. I mean this even hap­pens in face to face colla­bo­ra­tion. One person’s com­ment or idea ins­pi­res someone else and voila, an idea is created.

  7. Katherine says:

    “Colla­bo­ra­tion” is not the same as “design-by-committee.“
    The great artists of the Renais­sance all had stu­dios full of assis­tants. Moreo­ver, their patrons got detai­led pro­po­sals before awar­ding the com­mis­sion, made many “sug­ges­tions,” and often revie­wed sketches and models at various miles­to­nes.
    Read a few une­di­ted manusc­ripts and you’ll see just how much great wri­ters owe to their edi­tors.
    Com­po­sers, playw­rights, and film­ma­kers are doo­med to obs­cu­rity without musi­cians, actors, and whole hor­des of other con­tri­bu­tors.
    And that’s not even con­si­de­ring less clearly defi­ned “influen­ces,” such as men­tors, peers, and the cul­ture at large.
    If you think crea­tion is soli­tary, you need to get out more.

  8. Tommi Vilkamo says:

    Ok, unders­tood… You do have a point. But let me explain mine bet­ter.
    > If you think crea­tion is soli­tary, you need to get out more.
    You got me wrong. I don’t think so. Quite the con­trary. As my day-job, I’m hea­ding Nokia Beta Labs, the whole pur­pose of which is to create new appli­ca­tions & ser­vi­ces together with a pas­sio­nate user com­mu­nity of about 100 000 peo­ple. Trust me, I know that you can create great stuff as a group effort. And I believe that nowa­days it’s the best way to create stuff of any sig­ni­fi­cance. By far.
    My point was just that “Without colla­bo­ra­tion there is no crea­tion” was an exag­ge­ra­tion, almost to the point of being non­sense. Some­ti­mes there is mag­ni­fi­cent crea­tion without colla­bo­ra­tion, Hugh’s mar­ve­lous car­toons being a case in point…

  9. Katherine says:

    This par­ti­cu­lar car­toon was com­mis­sio­ned by Mic­ro­soft. That sure sounds like colla­bo­ra­tion to me.
    For Hugh’s car­toons in gene­ral, see my com­ment about men­tors and influen­ces. We could argue about whether those count as “colla­bo­ra­tors,” but they cer­tainly argue against the myth of the iso­la­ted creator.

  10. Put another way, “Everything is con­nec­ted”. Indi­vi­dual genius is still influen­ced by the peo­ple and envi­ron­ment it is within. It’s why a lot of crea­tive types like doing their crea­tive thin­king outside of the office ver­sus a dark room. The surroun­ding sti­muli often helps pro­pa­gate ideas better.

  11. Houda says:

    Follo­wing Tommy’ com­ment, I cite here a quote from one of J.Steinbeck famous books: “Our spe­cies is the only crea­tive spe­cies and it has only one crea­tive ins­tru­ment, the indi­vi­dual mind and spi­rit of a man. Nothing was ever crea­ted by two men. There are no good colla­bo­ra­tion, whether in music, in art, in poetry, in mathe­ma­tics, in phi­lo­sophy. Once the miracle of crea­tion has taken place, the group can build and extend it, but the group never invents anything. The pre­cious­ness lies in the lonely mind of a man” :)

  12. hugh macleod says:

    Houda, John Donne said the exact oppo­site, and much more suc­cinctly: “No Man is an island.” ;-)

  13. Katherine says:

    Steinbeck’s first wife sug­ges­ted the title of “The Gra­pes of Wrath,” and arguably he wrote his grea­test works while they were married. He dedi­ca­ted “East of Eden” to his publisher. His friend Ed Ric­ketts hel­ped with both research and wri­ting, and was the model for “Doc” in “Can­nery Row.” He cer­tainly had an edi­tor when he was a war corres­pon­dent for the Herald Tri­bune, and cer­tainly had colla­bo­ra­tors in his work in movies. He wor­ked with pho­to­grapher Robert Capa on a book about the Soviet Union.
    And, of course, his grea­test works wouldn’t even exist if he hadn’t lived and wor­ked among the migrant wor­kers on California’s Mon­te­rey Coast.