January 10, 2008

on “having no life”…

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In my pre­vious post, “Appl­ying ‘Crea­ti­vity’ To Your Pro­fes­sio­nal Life”, I offe­red some advice to a young friend of mine who’s only been in the wor­king world a short while.

2. I had no life in my 20’s. Get used to the same. While my peers were part­ying or zoning out to TV sit­coms, after work I’d head for the cof­fee shop or the bar, and crank out car­toons until bed­time. Sure, I must have loo­ked a real lonely, “no-life” saddo, sit­ting there dood­ling away, but at the time I didn’t really care. I seriously enjo­yed doing it, plus I knew I was on to something. Besi­des, the typi­cal twenty­so­mething TV-and-Budweiser-enhanced night­time exis­tence didn’t inte­rest me too much. ‘Tis more bles­sed to make than to con­sume etc.

I think this second point warrants further dis­cus­sion [N.B. This isn’t a defi­ni­tive post. It’s just me thin­king out loud.].
One thing you notice about twenty­so­methings who are doing excep­tio­nally “crea­tive” work is, JUST HOW LONG their hours are.
Of course these “crea­tive” types tell you, “That’s because I love what I do.” Of course, that is true, and well done to them for fin­ding a niche which they can truly feel pas­sio­nate about.
[By the way, I use the word “crea­tive” very loo­sely, less in the artsy-fartsy con­text, more in the con­text of doing something one is pas­sio­nate about: “Crea­ti­vity equals Pas­sion” etc. Notice how in the last para­graph, I put the word, “crea­tive” in inver­ted com­mas, but I didn’t with the word, “pas­sio­nate”. There was a rea­son for that.]
But there are other rea­li­ties about get­ting to do something “crea­tive” for a living.
1. It’s a great pri­vi­lege. So there’s a lot of other folk cha­sing after the same prize, and the barriers to entry are high. My first job in adver­ti­sing, I had to beat out 300 other college grads in order to land it. When all I thought I had to do before that was be in the top 20% of my class at school, those odds see­med pretty hard­core.
2. “Crea­ti­vity” is extre­mely time con­su­ming. My car­toons didn’t get any good [to me, at least] until I had spent well over a decade wor­king obses­si­vely on them. Hell, I’m still not there yet.
3. When you get into the “crea­tive” zone, the lines bet­ween “work time” and “off time” start get­ting blurry. And the dee­per you get into that zone, the blu­rrier the lines get. I often work from seven in the mor­ning till mid­night and think nothing of it. A very smart friend of mine who works over at Blip.tv once told me, “I only work 3 or 4 hours a week. The rest of the time, I’m pla­ying.” Wor­king eighty hour weeks is much easier and sus­tai­na­ble when seventy-six of those hours is play­time for you.
4. The thing that turns a job into pas­sion, that turns work into play, is a sense of mis­sion. When you’ve got a real sense of pur­pose, the lines that sepa­rate work and play eva­po­rate. So ins­tead of thin­king about how “crea­tive” or “unc­rea­tive” your job is, ask your­self what “purpose-idea” your job is arti­cu­la­ting.
5. A “purpose-idea” just doesn’t land on your lap because you’re lucky, smart and good-looking. A sense of pur­pose only comes your way usually because you’ve been wor­king your ass off over a long period of time, inten­sely cul­ti­va­ting it. And yeah, some­ti­mes that will appear to more mains­tream peo­ple as “Having no life”. To hell with them. They don’t know or care about you. Suc­cess­ful peo­ple get to where they are by doing the stuff that unsuc­cess­ful peo­ple aren’t willing to do. Harsh but true.
[NB. The term, “Purpose-Idea” was ori­gi­nally coi­ned by my good-friend-and-marketing-genius, Mark Earls.]
[Update:] Stowe Boyd kindly pro­vi­des some REALLY GOOD thoughts on the subject:

Pade­rewski, the phy­si­cist, once said, “Before I was a genius, I was a drudge.” There is a lot of slog­ging invol­ved. And others, gene­rally, will not unders­tand: espe­cially before you have inves­ted the full ten years. “You’ll never sell a book!” “You call that music?” “That’s the dum­best design I have ever seen!” “Keep your day job.“
Another good rea­son to work apart from others, so you don’t have to hear all that nega­ti­vity. Close the door, and shar­pen your pen­cil.
Like making a fire from rub­bing sticks together, creativity’s heat comes from work. Work requi­res dedi­ca­tion. Dedi­ca­tion invol­ves sac­ri­fice, spe­ci­fi­cally of time and the absence of what might have been done instead.

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18 Responses to “on “having no life”…”

  1. Jon Lister says:

    Points 3 and 4 — how often do you think you get into that kind of flow when the lines blur and it is truly obses­sive? I’m a twenty­so­mething and I do crea­tive stuff — I aspire for life to be like that and some­ti­mes it is and some­ti­mes it isn’t. Maybe when it is that’s how you know you’ve found what might pass for “your calling”.
    Good post. Makes you sound old though… ;)

  2. Mark E says:

    There’s some great stuff by the ‘Meri­can Howard Gard­ner on how crea­tive per­so­na­lity is http://www.amazon.co.uk/Creating-Minds-Creativity-Einstein-Stravinsky/dp/0465014550/ref=sr_1_1?ie=UTF8&s=books&qid=1199976586&sr=8 – 1
    Some harsh home truths: e.g. the great minds that sha­ped our modern world are rarely pro­di­gies but dis­co­ver their idea late
    or they are not anti­so­cial and dif­fi­cult to be around (except when their pro­ject is threa­te­ned)
    But most of all that they have a petty bour­geois work ethic. Long, long hours and much trial and error

  3. Anthony says:

    I like this post. I do notice though, when you are living your crea­tive life seriously that even when you aren’t wor­king those 80 hours, your brain is on the intake. Rea­ding, seeing, doing… filling the well up.
    Even when you aren’t pum­ping something out, you’re pulling something in. New thoughts, ideas, mate­rial, expe­rien­ces. I never blaze through my rea­ding list fas­ter than when I’m on a roll crea­ti­vely.
    You’d think I wouldn’t have the time, but it comes. I think that’s because when your crea­tive life is hap­pe­ning, you know how to make that time. You know what your prio­ri­ties are.
    I think that’s the dif­fe­rence bet­ween crea­ti­ves that burn out and/or get stale and ones in for the long haul: put­ting out/taking in… loo­ping your love.

  4. Dr.Mani says:

    To hell with them.
    Right.
    Sums up what I took many more words to voice.
    “Influence of a Vision“
    http://moneypowerwisdom.com/influence-of-a-vision/
    All suc­cess
    Dr.Mani

  5. hugh macleod says:

    An exce­llent point, Anthony. But a hard one to learn, during the first few years out of college. Around that age [perhaps hope­fully] you’re too busy being squee­zed by your boss till the pips squeak ;-)

  6. Hrishi Mittal says:

    My pas­sion is scien­ti­fic research and it is the most crea­tive aspect of my life. I came across this bri­lliant speech by Richard Ham­ming which high­lights hard­work and pas­sion as essen­tials for good science. Do read it when you find the time -
    http://paulgraham.com/hamming.html

  7. This post says what I felt so well doing what I love while appea­ring to have “no life,” — who cares what others think; I feel pas­sion and pur­pose when I’m doing my work, and that is inten­sely more satisf­ying than watching TV etc.
    Thank you for being the voice of crea­tive, pur­po­se­ful life!
    Hiroki

  8. Ben says:

    The dilemma, as always, is fin­ding a crea­tive pas­sion. How do you tell?
    The thing that I would’ve told you I loved to do, in college, I now do for a living — and it still wears me down.
    Is it a mat­ter of time and trials? In terms of sex and cash, I’m all cash — where does one figure out, to them, what their “sex” is?
    (Not trying to make excu­ses here for medioc­rity. Hell, my cons­tant search for a mea­ning­ful acti­vity has even lead to a book con­tract. But even that feels more like cash than sex, usually).

  9. Marshall says:

    Spea­king to your Point #3: I also work a job which was born from a pas­sion. What I pas­sio­na­tely did for a hobby (cyc­ling) became a job; a career as a bicycle desig­ner. For a num­ber of years it was no pro­blem. The long, long hours were no issue because I ‘loved’ what I did. But soon (as you say) the lines bet­ween work and play became blu­rred. So blu­rred that there many periods of time where I didn’t know when I wasn’t wor­king. Every ‘rec­rea­tio­nal’ ride became another oppor­tu­nity to work…or was I playing…couldn’t tell.
    So all that to say that when your pas­sion beco­mes your job it’s not always the best long­term.
    Great post. Thanks.

  10. Alec McNayr says:

    Great series of posts, Hugh. Thanks for your con­ti­nued explo­ra­tion in the work of crea­ti­vity.
    When I was fresh out of college and wor­king late nights and long hours with the hope of a toward a bet­ter, more crea­tive life, my room­mate and I used to say to each other,
    “If you don’t work 16 hours a day, you’ll be stuck in a job wor­king 8.”

  11. SpaceElevator Guy (Michael Laine) says:

    “A sense of pur­pose only comes your way usually because you’ve been wor­king your ass off over a long period of time, inten­sely cul­ti­va­ting it. And yeah, some­ti­mes that will appear to more mains­tream peo­ple as “Having no life”. To hell with them. They don’t know or care about you. Suc­cess­ful peo­ple get to where they are by doing the stuff that unsuc­cess­ful peo­ple aren’t willing to do. Harsh but true.“
    Ima­gine what it takes, to be the guy that is actually wor­king — every day — to build an ele­va­tor to space.… these 6 sen­ten­ces sum up the past 6 years of my life. There is not grea­ter pur­pose in my life than buil­ding this thing. Most peo­ple i know, don’t “get it”.
    Harsh, but true. I have lear­ned to live with it. it is a price I am willing to pay. But, some days, it’s not easy.
    Take care. mjl

  12. Obviously there’s a dif­fe­rence bet­ween having no life and “having no life”. Immer­sion in work is great when the time is right for that. Do you have to put in a decade or more of 80 hour weeks at one career to be suc­cess­ful? Not neces­sa­rily, depen­ding on what you do, what you mean by “suc­cess­ful”, etc.
    I think a big key is lear­ning– in and out of work, in ways that over­lap, ways that are just about life the uni­verse & everything impor­tant, ways that are about peo­ple and love. Stuff feeds into other stuff. Some­ti­mes the best way to be crea­tive in a boring cubicle job is trea­ding water while focus­sing outside the job on other/ rela­ted lear­ning, other times it’s by inc­rea­sing the size of the job. Stuff comes together later.

  13. Paul says:

    Hugh,
    Your #4 in this post ties into #7 in the 9 Jan post. It’s all a long game, from the moment you recog­nize there is something beyond the crib until you stare into the void at the end. It’s impor­tant to remem­ber that the ‘pas­sion’ is in you, it is your crea­tion.
    I spent 20 years in a career where a 72 hour week was the week, and I gladly, and pas­sio­na­tely, did that. I am no lon­ger able to do that ‘pas­sion’ so I’m onto a new mis­sion. And I’m as pas­sio­nate about this one as any of them.
    It just comes down to doing “it”, keep on doing “it”. To reph­rase a cliche; Suc­cess never quits and quit­ters never suc­ceed.
    Thanks Hugh, this thread got me thin­king about my game more strongly and pum­ped me for the next push.
    ROCK ON

  14. eli says:

    Well, I have no life so I guess I’m half­way there, haha, but yeah, you have to work smar­ter not just har­der, but sta­ying home and actually doing your ‘work’, the per­so­nally mea­ning­ful work, is the only way to go.

  15. Sampad Swain says:

    My pick from this post would be this line:
    “When you get into the “crea­tive” zone, the lines bet­ween “work time” and “off time” start get­ting blurry”…
    So hell to all those who don’t know or sheer dumb to unders­tand or merely a jac­kass.
    So my pick-up line is “I don’t give a damn”…
    Still yet another well thought and craf­ted work from Hugh..
    Cheers!!

  16. Tim Walker says:

    Fine thoughts, Hugh. Are you fami­liar with the work of Anders Erics­son on “deli­be­rate prac­tice”? He’s a psych pro­fes­sor at Flo­rida State — has done exten­sive work on how peo­ple deve­lop exper­tise, and he & other researchers found that your 10-year gui­de­line is so per­va­sive that they call it, for­mally, “The 10-Year Rule.” NOBODY beco­mes a real expert without put­ting in 10 years of hard work.

  17. Marcy says:

    This is a very logi­cal view­point, but I think that many “crea­tive” peo­ple in their 20s aren’t mature enough yet to rea­lize the impor­tance of what you’re poin­ting out – how do we con­vince them? I teach at a small uni­ver­sity where the stu­dents are focu­sed on get­ting out from the first day they arrive on cam­pus. The edu­ca­tion isn’t so impor­tant to them, but the piece of paper is. Occa­sio­nally, I have a stu­dent in whom I see great poten­tial, who has that “spark” but does not know _how_ to com­mit to it. He or she might lis­ten to me, but then dis­mis­ses what I’ve said. I rea­lize you’re tal­king about peo­ple who are already dri­ven to some degree, but is there a way to con­vince someone who’s sick of stud­ying and wor­king that it IS worth wor­king 80 hours a week if you’re doing what you truly love? Or maybe not even wor­king 80 hours, but taking a salary that’s less than they want or expect in order to pur­sue that pas­sion? Is is even pos­si­ble to _convince_, perhaps if you’re not born with the drive, you’ll never deve­lop it??

  18. paul says:

    a friend of mine desc­ri­bes a crea­tive breakth­rough, that flash of an idea, as the for­ming of a salt crys­tal in water.
    First you have to pour salt into water, stir, and keep pou­ring. Only when you have satu­ra­ted water with salt will crys­tals form.
    You will be ama­zed by the amount of salt requi­red to satu­rate a glass of water.