September 7, 2006

franz

franz134.jpg
My old friend Dave Mac­ken­zie [the direc­tor of Hallam Foe] and Nick McCarthy [of the rock band, Franz Fer­di­nand] having a ciga­rette outside a recent scree­ning of the rough edit.
Backs­tory: Ins­tead of using a com­po­ser to write a films­core, Dave’s pro­duc­tion team made a deal with Domino Records to supply ori­gi­nal music for the film. Franz F. is on the Domino label, so Nick was down at the scree­ning, chec­king out the film for ins­pi­ra­tion. Full story here.
From an edi­ting stand­point, this approach is quite tricky. With a stan­dard film score, the compser’s music is writ­ten around each and every frame. But with this approach, the direc­tor takes the music as raw mate­rial, and tries to cut it in such a way that it fits the film edit. All quite com­pli­ca­ted.
Luc­kily, Dave’s done this before. When he shot “The Last Great Wil­der­ness”, he got the guys from Pulp to write him a song for the movie, and it all wor­ked great.
Rock on roll lifestyle, Baby, Glas­gow style. Indeed.

2 Responses to “franz”

  1. fernando says:

    More power to him. I’m currently doing a film sco­ring course with Ber­klee and it is scary stuff, time­co­des and all

  2. Sheamus says:

    Mor­ning here in Toronto, chec­ked Tech­no­rati and Gaping Void has moved up 3 spots in the ratings over the past few days… Right on and may the trend continue!