August 28, 2006

successful marketing is no different than successful film making. both require empathy.

Dear David,
Ear­lier, you asked:

So, we don’t have big bud­get hi-con stu­dio mate­rial and we don’t have hip lo-fi hi-con from the mys­pace crowd, we have a rather spe­cial classy little teen movie that can’t be easily clas­si­fied. So what do we have to offer in terms of mar­ke­ting that is going to get us our must-see tag?

Sadly, I won’t know the ans­wer, until I know what REAL, cash-spending, ticket-buying, cinema goers are saying and doing re. Hallam Foe… Then again, neither will any­body else.
Suc­cess­ful mar­ke­ting is no dif­fe­rent than suc­cess­ful film making. Both require empathy.
[UPDATE:] From John Dodds:

The Audience Isn’t Even Spea­king Now.
With a box office take down below $300 per screen per day, Sna­kes On A Plane is dead in the water after just eight days!
They gam­bled all on a sin­gle “con­ver­sa­tion” and ram­med it home across 3335 thea­tres like any other major release. In other words, “thank you for your input and pas­sion, we mar­ke­ting experts will take it from here.”

[Les­son:] No Cluetrain-Bloggy-Woggy-Marketing 2.0-Avast-ye-scurvies mar­ke­ting cam­paign can save a dud pro­duct [in this case, a film], no mat­ter how good the exe­cu­tion. You have been war­ned.
At least… Hallam Foe is a good film…
PS. I agree with Tara.… the SOAP buzz was never about the movie, any­way. If it were, then God help us all.

3 Responses to “successful marketing is no different than successful film making. both require empathy.”

  1. Ven­ture capi­ta­list Steve Jur­ve­tson doesn’t see any rea­son for star­tups to bud­get funds for mar­ke­ting any­more.
    http://www.intelligententerprise.com/showArticle.jhtml?articleID=192300310

  2. John Dodds says:

    I agree though I’m not sure it is a bad movie. It’s not a great one for sure but the revie­wers I res­pect have not pan­ned it. My fee­ling is that the sub­ju­ga­tion of all other mar­ke­ting acti­vity to the online buzz (wha­te­ver that was about) meant the exe­cu­tion was at fault. A stag­ge­red release pat­tern cou­pled with cri­tic vie­wings may have crea­ted a more honest con­ver­sa­tion that would ulti­ma­tely have led to grea­ter revenue.

  3. MyNameIsMatt says:

    Hugh wri­tes: “[Les­son:] No Cluetrain-Bloggy-Woggy-Marketing 2.0-Avast-ye-scurvies mar­ke­ting cam­paign can save a dud pro­duct [in this case, a film], no mat­ter how good the exe­cu­tion. You have been war­ned.”
    I wasn’t invol­ved in the Sna­kes on the plane “con­ver­sa­tion” that went on before the movie was relea­sed, so I could be off, howe­ver, it see­med that the con­ver­sa­tion wasn’t about the movie, but the “con­ver­sa­tion”, or mar­ke­ting cam­paign, itself.
    Why could a mar­ke­ting cam­paign have such suc­cess in get­ting peo­ple to talk only to see the movie flop? Well, beyond the movie suc­king, the fai­led posi­tive from the mar­ke­ting campaign’s “con­ver­sa­tion” was that peo­ple weren’t really tal­king about the movie, but the mar­ke­ting cam­paign. This isn’t anything new. This is the same old hype, but in another for­mat, and hype is nothing until the pro­duct is invol­ved. That’s the real les­son. The pro­duct is the end all, and real con­ver­sa­tion can’t begin until the pro­duct, the whole pro­duct, is involved.