November 10, 2005

the stormhoek label design: “why shouldn’t a small wine company see apple or google as its competition?”

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So here’s where we are with Stormhoek.
We’ve got a great litte wine from South Africa, which I’ve been blog­ging about.
Then we sent out some bott­les to other blog­gers, no strings attached, to see what they had to say about it. As they’re fond of saying in the blo­gosphere, to start a con­ver­sa­tion.
I did this not because I wan­ted to turn blog­gers into wine pimps, but because, hey, I thought it would be fun. I thought it would be disup­tive. I thought it would be my kind of thing.
So far it’s wor­king. The groovy cats at Stormhoek are happy. By inte­rac­ting with the blo­gosphere [I call it “Taking the Clue­train seriously”], it’s chan­ging the way the com­pany see them­sel­ves, and the the way the wine trade sees them.
It’s chan­ging the brand. It’s evol­ving the brand. Sales are up. Good things are hap­pe­ning, whether they want them to or not.
So what’s next?
The bottle design.
99% of peo­ple who go into wine shops do not read blogs. They’ve never heard of Stormhoek. A very small per­cen­tage may have read about it in the mains­tream press (a lot of Bri­tish wine wri­ters like it, hap­pily for us), but who can remem­ber all those wine names you see in the Sun­day papers? Sure, all the Cluetrain/Hugh­train stuff I’m doing for them is great for “The Inter­nal Con­ver­sa­tion” and “The Porous Mem­brane” etc etc, but as I’ve said again and again, 95% of Stormhoek’s mar­ke­ting to the cus­to­mer hap­pens on the super­mar­ket shelf, in three seconds or less.
We need a new bottle design. A new label. Something that JUST. ISN’T. ABOUT. THE. FRICKIN’. WINE.
[btw: This is what the current bottle designs look like.]
I told Nick Dymoke-Marr the Mana­ging Direc­tor of Stormhoek: “You’re not com­pe­ting with Jacob’s Creek or Blos­som Hill. You’re com­pe­ting with Goo­gle and Mic­ro­soft and Apple and Skype.
Yes, the pro­duct cate­gory is always irre­vel­vant. It’s not what you do, it’s the way that you do it etc etc.
So I’m now on the hunt for a label & bottle design that bet­ter reflects the whole post-Cluetrain/Hughtrain sch­tick that Stormhoek is slowly beco­ming inter­nally, that tele­graphs this ins­tantly to the exter­nal mar­ket.
Why shouldn’t a small wine com­pany see Apple or Goo­gle as its com­pe­ti­tion? Think how more inte­res­ting the world would be if more small, non-techie com­pa­nies thought the same.
I’m loo­king for a new “look” for the bottle that sits there on the super­mar­ket shelf. The look may require a new label a new bottle, or both. Something that con­veys everything I’ve been tal­king about above.
Something that con­veys what the brand is beco­ming in this crazy, post-Cluetrain, wired age of ours.
So here’s the deal. Ins­tead of the usual going to a graphic desig­ners and giving them a for­mal “Cluetrain-savvy” brief (which 95% of them wouldn’t unders­tand proeply, any­way) I thought I’d start the con­ver­sa­tion by asking The Blo­gosphere if they have any ideas.
No, you don’t have to be a graphic desig­ner. An idea that works on the back of a cock­tail nap­kin is just fine by me.
It’s the idea, not the exe­cu­tion, that inte­rests me at the moment.
Any­body who comes up with the win­ning idea, an idea we can actually run with, we’ll pay them

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64 Responses to “the stormhoek label design: “why shouldn’t a small wine company see apple or google as its competition?””

  1. Brock Tice says:

    Hugh — I’m having trou­ble with the wiki, so I’m pas­ting what I wrote here:
    The most impor­tant thing that should be done to all of the bott­les is to make them trans­pa­rent. Com­ple­tely trans­pa­rent, with no colo­ra­tion of the glass. Do they have something to hide? This annoys me when I look for wine on the shelf — gene­rally for red wine, I can’t look at the color in the store. Addi­tio­nally, you might add some web infor­ma­tion to the label — blog­gers’ com­ments, perhaps the web address. (Is it on there? I can’t see, the pic’s too small). I make notes about wines revie­wed on weblogs for the next time I go wine shop­ping, so peo­ple might do the reverse — make notes about a wine they saw, then go check it out. Just about anything else you can do seems like it might be gim­micky; odd bottle sha­pes and such. How about buil­ding a vacuum pump into the cork? Something sim­ple. Ship it that way, ins­tead of with the screw top. (perhaps a bit too gim­micky or expen­sive) Those are the most use­ful and prac­ti­cal things I can think of. –Brock Tice

  2. Piaras Kelly says:

    A dis­tinc­tive bottle shape is also something which should be per­sued. I used to work in a wine store many moons ago and one of the most popu­lar wines was a Ger­man brand who had a trans­pa­rent, dis­tinc­tive bottle. Unfor­tu­na­tely I can’t reme­ber their name of the top of my head. Basi­cally the bottle neck ran down much further before expan­ding at the base, giving it more of a bell appea­rance.
    My only word of cau­tion would be to make sure that it fits easily on the shelf. As popu­lar as the Ger­man wine was, it crea­ted a hea­dache for me because I could fit as much into the rack.

  3. Pete says:

    Square bott­les. Go square bott­les. They don’t sit well in peo­ples’ racks, but they stack beau­ti­fully on the shelf.

  4. hugh macleod says:

    Thanks, Guys… though for this exer­cise, I’m more inte­res­ted in what the new label should look like.

  5. Gill Wildman says:

    I always buy wines by the label, and some­ti­mes stick to the labels I’ve enjo­yed, so I’m right there with you on this.
    What about fea­tu­ring the con­vi­vial and social aspect of the wine (the end result, not who you are but what they get when enjo­ying your pro­duct), and doing something around sha­ring? You could write a reci­pie for a con­vi­vial time with friends, making ‘ser­ving sug­ges­tions’ ;) and other ton­gue in cheek word and image devi­ces to draw them in.
    Labels I’ve loved are where the wine itself is not the issue, as in Big Frank’s Big Pink — for a ros

  6. Julia R. says:

    Check out the idea at this link.
    http://www.lcbo.com/socialresponsibility/french_rabbit_information.shtml
    Never mind the “social res­pon­si­bi­lity” label (yeesh) but the idea of a tetra pack is a good one. Only it should be bet­ter than what this vint­ner is using.

  7. The GapingVoid/Stormhoek design challenge .…

    Hugh put out the cha­llenge for a new label / pac­ka­ging design for Stormhoek (his blogsphere mar­ke­ting “pro­ject”) .… and this is what I came up with:

  8. Dave Wheeler says:

    Hugh,
    I think you are on the right track. The exis­ting bottle/label design looks like every other bottle of wine (and if you didn’t tell me the pic­ture was Stormhoek, I couldn’t tell from the lin­ked pic­tu­res because the type was too small to see).
    My recom­men­da­tions (for what they are worth) are:
    1) Lar­ger Stormhoek name on the label. The great part about the name is that it has two parts, Storm and hoek so the visual could actually wrap around the bottle and peo­ple could iden­tify it by glimp­sing only part of the name.
    2) Stormhoek, whether they like it or not, is a WIRED brand. I would sug­gest a reces­sed part of the label area with actual (very shiny) metal wires and dots (sort of like Hugh’s art dood­les). This would stand out in a wine shop and repre­sent the elec­tro­nic heri­tage of the brand. Alter­na­ti­vely, a fle­xi­ble PCB could be wrap­ped around the middle of the bottle (and ideally it would be FUNCTIONAL… ligh­ting LED’s? Trac­king shelf life?).
    3) There are a cou­ple more bottle ideas that could be pur­sued… empha­sis on the “Hook” with a bottle that can be hung in it’s own uni­que “rack”. This would serve two pur­po­ses… it would be a uni­que fea­ture and it would also encou­rage con­su­mers to DISPLAY their bott­les in uni­que pla­ces. The other bottle idea is rela­ted to Brock’s cork idea…a light in the top of the bottle which, when twis­ted to “on” posi­tion, would pro­ject on the cei­ling of the shop. It could also be a great way to find your way home in the dark of night with your bottle of Stormhoek!
    What do you think?
    Dave Whee­ler
    Nov.10, 2005
    PS I also pos­ted a pic­ture of my ori­gi­nal “nap­kin” idea on my blog, http://www.theshot92.blogspot.com (since we all know that cock­tail nap­kins are the pre­fe­rred media for great ideas).

  9. I’m not get­ting something:
    “You’re not com­pe­ting with Jacob’s Creek or Blos­som Hill. You’re com­pe­ting with Goo­gle and Mic­ro­soft and Apple and Skype.“
    How so? Can you elaborate?

  10. Brock Tice says:

    How about a big, clear serial num­ber on the bottle, allo­wing the purcha­ser to find out the details of his/her bottle’s pro­duc­tion at the Stormhoek web­site, to record details of their expe­rience with the wine, etc corre­la­ting with the bottle’s serial num­ber on the stormhoek blog/wiki/website, and so on? Maybe incor­po­rate it into a track­back URL? A track­back for every bottle? (added this to my wiki page)

  11. Brock Tice says:

    On second thought, perhaps a track­back for every vin­tage would be better.

  12. john says:

    This is not super crea­tive in the clas­si­cal sense but will dis­tin­guish Stormheok as com­ple­tely dif­fe­rent and more eco­no­mic that chan­ging the bottle shape — indeed chan­ging the label is the best way of chan­ging the bottle shape (just a thought)
    My idea would be to run the stormhoek name ver­ti­cally the length of the bottle — I cant think of any wine that does that and it would be visually arres­ting. imme­di­taely dif­fern­tia­ting stormhoek on the shelf.
    at the bot­tom of the name — ie under the k, would be the only piece of hori­zon­tal wri­ting (a square the width of the stormhoek label in which the variety and year are identified).

  13. Matt says:

    I don’t get it either. Not sure any of my clients would be recep­tive to such mind-expanding con­cepts just yet. Maybe in a few years time.
    A wine should appeal to a much wider audience than the iPod/Google gene­ra­tion, although (given the size of the market)they’re not bad pla­ces to start. Make it too esoteric/hip, though, and you could repel more than half your poten­tial mar­ket, or the mar­ket you already have.
    Howe­ver, I’m not neces­sa­rily knoc­king the idea of fishing the Blo­gosphere for design sug­ges­tions. I think the tas­te­ful use of the SA colours on the label would be nice. Wine labels can be pretty dull and monotone.(Don’t sup­pose I’m going to get much of the bounty for that little gem.)

  14. Brock Tice says:

    I crea­ted a sam­ple imple­men­ta­tion of the track­back. I think most peo­ple have *heard* of blogs by now. I would pick this bottle of wine up and take a look at the very least.
    http://brocktice.com/images/blog/STORMHOEKlabel.png

  15. matt says:

    Sorry to tell you, Brock. ‘Most peo­ple’ have not heard of Blogs. Huge swathes of the popu­la­tion, in fact.
    Most peo­ple have heard of wine, though. So your label is only partly flawed.

  16. Thomas says:

    Hey Brock,
    I don’t know if this is true of wines as it is with beer, but as a home­bre­wer it’s com­mon know­ledge that light will damage beer. I sus­pect the same is true of wine and if you ship it like that and then the wine is left to sit in those store lights it will go bad at a far fas­ter rate.
    Don’t know much about labels, but my mother is always a suc­ker for a pretty design on label. So make it pretty (okay crappy advice I know).

  17. Brock Tice says:

    Matt,
    You don’t think the nume­rous, often hype-laden sto­ries about blogs in mains­tream news might have reached most of the wine-buying popu­la­tion? Even if they don’t know what they are, I think that the word is rapidly beco­ming more recog­ni­za­ble.
    Tho­mas,
    Is that par­ti­cu­lar to reds? Many whi­tes and ros

  18. misterchris says:

    One of my favou­rite, all time, re-brand ideas I found at the ketchup rede­sign con­test ( Give the page a minute to load up then refresh again to go to the actual antry I’m refe­ring to; If all else fails find the entry by John Psze­niczny ). There’s no rea­son Stormhoek couldn’t use this idea.

  19. matt says:

    By the way, what’s wrong with the current labels/bottle designs? I think they look very nice.
    Keep the current designs! Peo­ple don’t buy a wine just because the label is eye-catching, they buy it because they know it’s good; because it has a repu­ta­tion for being good and because they aspire to its inhe­rent values. When was the last time Moet chan­ged it’s label?
    Go for pro­duct placement!

  20. Matt says:

    Brock,
    You’re right, to an extent. But, a lot of words/concepts are men­tally era­sed and/or igno­red until the rea­der has had the expe­rience for him or her self. Jeez, I won­der how many times I read the word Inter­net when I was at Uni­ver­sity and yet it never really registered/made any sense until I had access to it.
    Matt

  21. First of all, one of your car­toons would be fan­tas­tic.
    Second, there’s a real oppor­tu­nity to use blogs here, or at least refer to them. This has a lot of future mar­ke­ting poten­tial.
    New stu­dies are sho­wing that Word Of Mouth and Con­su­mer Gene­ra­ted Con­tent are affec­ting con­su­mer deci­sions at a rapidly inc­rea­sing rate. The wine can hype this. Don’t take our word for it.. read the blogs.. we do.
    I don’t know if it’s well-known enough yet, but you could play with the con­cept of “con­su­mer gene­ra­ted con­tent,” sug­ges­ting that the very con­tent of the bottle is somehow con­su­mer gene­ra­ted — because the pro­du­cer of the wine lis­tens to its con­su­mers through blogs and so forth.
    To play off the tech­no­logy aspect.. you could use a glo­bal gr-ape image. For­get the apple; go for the gr-ape. Since the globe and the gr-ape are both sphe­res, and both glo­bal, you can create a logo that plays with these two ima­ges, sho­wing how they inte­ract. I could mock up some exam­ples if you like. I’m thin­king you could use a global-communications-type sphere as a sha­dow of the gr-ape.
    I think some of these ideas could work in uni­son.
    Good luck

  22. Brock Tice says:

    On a dif­fe­rent note, I love that Mic­ro­soft wasn’t even men­tio­ned as someone to com­pete with. I won­der how Robert Sco­ble will feel about that?

  23. Brock Tice says:

    Oh never mind my last com­ment — it was, just not at the begin­ning of the article.

  24. Bernie Hadley-Beauregard says:

    If 95% of buying deci­sions are being made at the retail shelf, then why are you going to the blo­gosphere to pro­mote your design ini­tia­tive? I think that the intent is novel, but you are con­fu­sing the effec­ti­ve­ness of each com­mu­ni­ca­tion varia­ble.
    Alcoho­lic beve­rage con­sump­tion chan­ges as peo­ple get older. Young 20 somethings pre­do­mi­nantly favour beer and coo­lers as it is very much a part of their mobile, social, convenience-oriented cul­ture. Wine only begins to enter the scene as peo­ple get into the mid-30 something set (din­ner dates lead to wine, then that dan­ge­rous mix leads to marriage and it goes on the slip­pery slope from there). I am not aware of the blog­ger stats, but I ven­ture that there is a strong bias towards the youn­ger popu­la­tion.
    If you follow the above logic, you’d have a much bet­ter suc­cess at pro­mo­ting a new beer brand rather than a wine.
    As for the wine con­cept — I make a living desig­ning wine pac­ka­ging and naming vine­yards across Canada, the USA and NZ. The $2000 incen­tive is remar­kably low for the going rate in this busi­ness. So I will hold off on sub­mit­ting an idea — but will tell you that the Stormhoek name is a major hin­drance to begin with. Regard­less of the con­cept design, the name is not memo­ra­ble in the least. 99% of wine con­su­mers in the mar­ket­place can­not remem­ber the name of the wine they had with din­ner the night before. Doesn’t that tell you something!?
    Good luck with the ini­tia­tive. Prove me wrong!

  25. Brock Tice says:

    “99% of wine con­su­mers in the mar­ket­place can­not remem­ber the name of the wine they had with din­ner the night before. Doesn’t that tell you something!?“
    It tells me that peo­ple aren’t having con­ver­sa­tions about wine. They’re having con­ver­sa­tions *over* wine. That’s what Hugh is trying to change.

  26. Rumi­na­tions on a Wine Label

    If you want to see a sma­llish South Afri­can winery (Stormhoek) using the Web to its advan­tage, read about how Stormhoek is going about desig­ning a new wine label/bottle — they’re not only telling a story, they’re get­ting input from

  27. Matt wrote: “Sorry to tell you, Brock. ‘Most peo­ple’ have not heard of Blogs. Huge swathes of the popu­la­tion, in fact.“
    Well, For­bes rea­ders cer­tainly have now: http://www.forbes.com/business/forbes/2005/1114/128.html

  28. hugh macleod says:

    “I make a living desig­ning wine pac­ka­ging and naming vine­yards across Canada, the USA and NZ. The $2000 incen­tive is remar­kably low for the going rate in this busi­ness. So I will hold off on sub­mit­ting an idea…“
    Ber­nie,
    The going rate? What going rate? I’m asking blog­gers, not pro’s.
    And why aren’t I asking pro’s? Why am I asking blog­gers? Maybe you want to think about that ;-)

  29. You can­not always con­trol pro­duct pla­ce­ment. I have a solu­tion. It may not be ori­gi­nal, but there you go.
    You know those photos/prints of faces the eyes of which follow you as you cross the room. How about an entire face?
    The label is a photo or dra­wing of a face — no Stromhoek or anything else — just the face. The eyes follow you as you approach. If the bottle is below eye level the eyes look up — plain­ti­vely. As you walk away the bottle sticks its ton­gue out at you. (Okay maybe that’s a reach. I’m not sure what’s tech­ni­cally pos­si­ble — but the eye’s have it so to speak. Ideally, when you’re hol­ding the bottle in your hand and exa­mi­ning the smi­ling face it then says in some her­maph­ro­dic but still sen­sual voice — “Take me home with you”.) This is of course trig­ge­red by a heat sen­si­tive device on the back of the bottle, the hand of the hol­der trig­ge­ring it.
    So if there is a rack of fifty or so bott­les
    of Stromhoek on the shel­ves (each with a uni­que face?) all eyes are on you.
    Perhaps there’s a mix of male and female faces and voi­ces. Would a man reach more for the beau­ti­ful female face — “God, you’re a hand­some devil” and a female for a male face “You have such beau­ti­ful eyes”

  30. frosty says:

    First off, yeah, you defi­ni­tely need a new label. And no offense, but I think it needs to be much bet­ter desig­ned than the blog.
    Some quick thoughts:
    1) The “blog this bottle” and/or link back to spe­ci­fic infor­ma­tion about the batch/barrel (per-bottle is pro­bably asking too much) is a great idea. You should defi­ni­tely do *something* along those lines, though I don’t think Track­back per se is where you want to do it.
    2) Have you tal­ked to Jon Hicks? He’s a blogger/designer, and I really like his work, and he’s somewhere near you. (Don’t know him per­so­nally, no busi­ness rela­tionship etc)
    linky: http://www.hicksdesign.co.uk/
    3) Since you’re doing the bran­ding, Hugh, and you hap­pen to be a car­too­nist, what about having your car­toons on the label? What about making a dif­fe­rent car­toon for each batch/barrel? (I keep saying that because I don’t know the rela­tionship at Stormhoek bet­ween a batch, which pro­bably starts life in a big stain­less steel vat, and a barrel, which they pro­bably use for aging, and a bottle you buy.)
    Other peo­ple have used car­toons, inc­lu­ding big names like Stead­man, so that’s not so ori­gi­nal per se but it could be a way to con­nect Hugh + Blogs + Wine.
    4) Have a con­test. Get the word out to real desig­ners, few of whom are likely to know about you or Stormhoek yet. Give nifty pri­zes of wine to “fina­lists” and some cash prize to the one used, if any is used. (Always reserve the right to not use any of them, but don’t make the con­test any less fun for it.)
    If you want to go all-out on that one, have the Grand Prize be a trip to SA to meet the wine­ma­kers.
    Nice about #4, besi­des get­ting you a bunch of good designs, it gives another angle to push the wine and blog con­nec­tion. Let peo­ple vote (retur­ning traf­fic) and give some kind of “blog­gers’ choice award” to the design that gets the most votes.
    Also gets you tons of expo­sure among young graphic desig­ners — defi­ni­tely a wine-drinking crowd.

  31. oh, and hugh, need­less to say, the implied bene­fit of flirty win­king air-kissing bott­les is: fresh­ness mat­ters. Of course. I knew I wouldn’t have to draw that line for you but there are other peo­ple here on this blog (ie John­nie Moore and Evelyn Rodri­guez) who need things under­li­ned. Smily thingy goes here.

  32. /pd says:

    How about as a label, a SA lizard spe­wing out a flame of fire, and within it, a blob of speech in which say “blah blah-blog this. Stormhoek vitange year 200x“
    Yeah, but the label has to be tech­ni­co­lor eye catchy thingy… Against a black colo­red bottle — it would kewl.

  33. Lauren Kozak says:

    First off, for­give for using the com­ments and not the Wiki, it gives me the dis­tinct impres­sion that I’m going to break something.
    Moving on, Hugh, you are my men­tor. I’m not trying to suck up, but your blog has truly been an ins­pi­ra­tion to me and my career. I appre­ciate this oppor­tu­nity to inte­ract with you.
    Next: Here is my sub­mis­sion, Wine as a 2-Way Con­ver­sa­tion. I wel­come all of your feed­back, either here or at lauren.kozak@gmail.com
    Thank you!
    ~Lau­ren
    The Basic Idea:
    Replace the wine label with an enve­lope, flap out and unsea­led, attached to the bottle. All the enve­lope says is “Read Me.” Inside the enve­lope is a let­ter (sam­ple mes­sage below) from stormhoek to the poten­tial con­su­mer. It doesn’t sell the wine, but rather asks the con­su­mer to try it and let the com­pany know what they think. As noted in the let­ter, the enve­lope is pre addres­sed, pre stam­ped, and attached to the bottle with post-it glue– it can be pee­led off and mai­led straight to Stormhoek.
    Why this works:
     – It’s a sim­ple and pure clue­train mani­fes­ta­tion. We are very lite­rally making wine a 2 way con­ver­sa­tion.
     – It’s dif­fe­rent and eye catching. A sim­ple blank enve­lope that says “Read me” is com­ple­tely unex­pec­ted on a bottle of wine, it sparks curio­sity and grabs atten­tion– could you resist?
     – Inte­rac­ti­vity– The enve­lope is a call to action– you have to read the let­ter to know what’s going on. At this point, you’ve touched something, held something, read something, spent 3 minu­tes on something. What other pro­ducts in the gro­cery store get more than a millie­se­cond glance? Con­su­mers are already inves­ted, they’re hol­ding the bottle, they’ll drop it in the cart. Next, the let­ter is a call to action– it asks for their opi­nion– con­su­mers feel impor­tant and worthy, the purchase beco­mes a step in a pro­cess, you buy, you drink, you con­tem­plate, you share and are lis­te­ned to.
     – Insa­nely cheap– You can do this with office sup­plies and one color of ink… no costly bottle designs or fancy labels, not even color ink.
    Time­less– whe­ne­ver you try to make something look trendy or high tech, you alie­nate your older or less tech-savvy audience and you have to rede­sign in a few years when trends and techo­logy change.
    –You get cus­to­mer feed­back without doing research.
     – Res­pects the tra­di­tion of wine– cha­ning bott­les mes­ses not only with the science of wine, but with a rich tra­di­tion. Res­pect it or you’re pai­ring your­self with box wine. Addi­tio­nally, gro­cery shelf space is a com­mo­dity, as is ship­ping and box logis­tics, just don’t mess.
    Sam­ple Mes­sage:
    Dear Poten­tial Stormhoek Cus­to­mer,
    Thank you for sha­ring this moment of your time with us. You are currently con­si­de­ring purcha­sing a 2005 Stormhoek Char­don­nay. We could try to sell you on our wine– men­tion it’s full bou­qet with subtle hints of star­fruit, elder­berry, and bam­boo, how won­der­ful it is pai­red with gri­lled dishes or chic­ken vin­da­loo– but that would be rather self-indulgent of us, wouldn’t it? Here at Stormhoek, we know that we don’t have a busi­ness– or even a winery– without you, the cus­to­mer.
    While we natu­rally want you to buy our wine, we even more want you to drink and sub­se­quently enjoy our wine. And then we want to know about your Stormhoek expe­rience. You’ve clearly already noti­ced the enve­lope on this bottle, what you may not have not­cied is that it peels off this bottle and is already addres­sed and stam­ped. We sin­ce­rely hope you will use this enve­lope to share your Stormhoek expe­rience with us.
    Cheers!
    Bob, Sally and Joe Signature

  34. Tim Jackson says:

    I always liked the Spa­nish and Hun­ga­rian wines for their sim­ple, yet bold labels. The San­gre de Toro wines with the dis­tinc­tive yellow label with black and red let­te­ring and the little plas­tic bull attached to the neck of the bottle.
    Clear or sha­ped bott­les are great too. Clear bott­les though lead to dete­rio­ra­tion of the wines from UV… just as a note (which you pro­bably know).

  35. Luca R. says:

    Bottle must be func­tio­nal o wine trans­por­ta­tion and con­ser­va­tion. Label should be desig­ned AND prin­ted in Italy. I’ll try to inte­rest some ita­lian wine label design and print firm to your cha­llenge. just for curiosity.

  36. Adam Bernard says:

    Lots of inte­res­ting ideas. I con­fess that a uni­que label and/or bottle catches my eye, as I’m per­fectly willing to admit to an impre­cise palate.
    I’ll toss in a heads-up to the coo­lest bottle design I’ve seen: Voga.
    http://splittingtheadam.typepad.com/splitting_the_adam/2005/10/voga.html

  37. Thomas says:

    Brock
    It’s the tan­nins I believe that would be the issue. With Reds being aged more often (or is just my expe­rience) you’d want to sheild them as pos­si­ble.
    Best I could find on a goo­gle search of the issue.
    http://www.manick.com/Wine/Storing.html

  38. John Dickson says:

    I too, apo­lo­gize for pos­ting here ins­tead of using the wiki; guess I’m not tech­ni­cally savvy enough.
    Ever since I saw your blog post on this; I

  39. eSearing says:

    my .02 entry.…
    I envi­sion a label desig­ned with an old world map but have Africa punched out. Indi­ca­ting where it is pro­du­ced. Text flows over the rest of the map.
    another pos­si­bi­lity is to acid-etch the con­ti­nents floa­ting around the bottle with Africa sha­ped label which con­tains the requi­red text. Reverse the etching for a fros­ted bottle with clear con­ti­nents appea­rance.
    Shows where pro­du­ced but indi­ca­tes glo­bal con­sump­tion. I’d leave the text to the experts.

  40. thinkjose says:

    Big Whi­ner vs Small Winery

    The 2006 Dodge Char­ger (a vehicle that has Char­ger enthu­siasts whi­ning about the design to Daimler-Chrysler execs) vs Stormhoek (a south afri­can winery that is using the power of blog­gers to design its labels and bottle)

  41. JJeffryes says:

    Jones Soda + MyS­pace = new label
    Jones Soda puts a wide variety of unex­pec­ted pho­tos that have nothing to do with what’s in the bottle on their soda. A sin­gle batck of Blue Bub­ble­gum soda might have a dozen dif­fe­rent label ima­ges.
    Do them one bet­ter. This is about colla­bo­ra­tion and trust. Get fans of the wine to send in pho­tos of them­sel­ves, with a model release and a short bio. Print those pho­tos and bios on the label (with the cap­tion “I drink this wine.” (don’t say they recom­mend it, that gets into other legal issues). Print lots of dif­fe­rent pho­tos on the same batches of wine, so that each label on the shelf is dif­fe­rent.
    You could inc­lude a web address that goes to a site where peo­ple can sign a model release and upload a photo and bio, though I’d work out the kinks with the law­yers first.

  42. Sharon Foong says:

    I’m having trou­ble with the wiki too. I tried to post my sug­ges­tions there and I scre­wed up. There was a nice gapingvoid-esque dra­wing of a “bottle ‘o dis­rup­tive mar­ke­ting” on the page and I acci­den­tally wiped it out. And I don’t know how to get it back. I’m so very sorry. Please help! :-(
    I’d still like to post my sug­ges­tions on the wiki, if anyone can tell me how to?
    For now, a quick page of dood­les I made for the label:
    http://www.shareub.com/stormhoek.html

  43. Garbahari says:

    Mor ethan any Bus­si­ness , In India moving and traf­fic­king peo­ple is beco­ming most via­ble bus­si­ness , with 1 billion popu­la­tion almost , inc­rea­sing the traf­fic every­day to south Africa by 1000 num­bers is plan­ned.
    Many Hindu tem­ples are cons­truc­ted to Stone con­gre­gate the mass crowd and brain wash them.
    Check out the mas­ter fun­ding orga­ni­sa­tion http://www.tirumala.org/ why would you need south Afri­can wine, once there are too many many Indians , they are going to drink Indian Wine from Hindu India.

  44. Kevin Marks says:

    If this is for the UK, do a car­toon of one of your penis blo­kes, saying ‘Hugh’s John­son recom­mends this wine’.
    That’ll sell it to the lewd end of the mar­ket, and also to the folk who want to wind up wine snobs.
    For the US, you could try an equi­va­lent gag based on Wine Spec­ta­tor, but here the mar­ket is well seg­men­ted into snobs and Tra­der Joe’s shoppers.

  45. Danny says:

    How about:
    1. “borrow” Google’s mul­ti­co­lou­red font
    2. add Yahoo!s dis­tin­guishing mark -
    “Stormhoek!“
    (pre­su­mably after a cou­ple of bott­les your voice will sound like it does over Skype, so that angle’s covered)

  46. First off, I like the ori­gi­nal label. I really do. I also like the
    name, a lot. It tells me a story of a rug­ged country and a robust
    wine. I haven’t tried Stormhoek yet (not avai­la­ble in Canada) so I
    have no idea whether the pro­duct lives up to my per­so­nal dream world.
    Secondly, I unders­tand what you’re saying when you’re tal­king about
    com­pe­ting with Apple and Seattle, but I also think that you’re so far
    ahead of the curve you’ve ended up behind the game. Low to mid pri­ced
    wine is a com­mo­dity if ever there was one, espe­cially the modern,
    oaked whi­tes. There’s little to dif­fe­ren­tiate your­self from your
    com­pe­ti­tor apart from the crea­tion of an emo­tio­nal con­nec­tion, the
    telling of a story. That’s why I think the name ‘stormhoek’ might be
    one of your most valua­ble brand assets.
    I per­so­nally have very little brand loyalty when it comes to buying
    low to mid pri­ced wines. I do have a few favou­ri­tes, but I tend to
    browse the shel­ves for wine made from my favou­rite gra­pes and make a
    deci­sion based on the taste info on the label.
    With whi­tes I tend to stick to Onta­rio whi­tes, simply because I am a
    bit of a hippy and like sup­por­ting local busi­ness. Onta­rio red -
    well, I haven’t found anything I really like there, so it’s mostly
    Chile and Cali­for­nia for me. I leave the expen­sive wine buying to my
    wife, who actually knows what she’s tal­king about when it comes to
    this sort of thing.
    The one thing I hate are cle­ver names, like Goats do Roam etc. Can’t
    stand it and won’t buy the pro­duct wha­te­ver the qua­lity might be.

  47. Tim McGovern says:

    Along the lines of Brock’s sug­ges­tion for track­backs, but without the draw­back of only appea­ling to blog­gers: What about an SMS num­ber which you can email to get more details on that bottle/barrel/vintage (you decide)? Although, SMS is not as popu­lar in the sta­tes, it seems to have much broa­der popu­larly on your side of the pond.
    I’m sure it needs to be fleshed out more, but if it gets the Ave­rage Joe to spend an extra 30 seconds with your bottle, that’s a huge part of the bottle. Obviously, the label design would need to draw atten­tion to the func­tio­na­lity while the bottle was still on the shelf with the rest — but I ima­gine it’s pos­si­ble.
    Good luck!

  48. Since we’re spea­king of per­so­nal shop­ping experiences…I buy Yellow Tail. Based simply on the label. I liked the label when I saw it, and the wine is okay for $12 CDN. I’m trying to think of the wine I bought before that…I can’t remem­ber the name…but it had some sort of zebra effect on the label. Again same price range…Years ago — like twenty-five — I bought San­gre de Toro because of the little bull on the neck. There might be something in the ani­mal sym­bol thing…regional? natio­nal? pri­mal? If the Welsh made wine you’d put a bad­ger on the label. In my neck of the woods there’s a new wine­ma­king region — sepa­rate and dis­tinct from the Nia­gara region — for the life of me it would be hard to stick a Moose or a Bea­ver on a bottle of wine. Pro­bably a Great Blue Heron for for me. South Africa? Spring­bok? Been done? Beau­ti­ful ani­mal. Gra­ce­ful, majes­tic — oh no wait it’s gotta be about more than the wine.

  49. A friend pos­ted this spot to me, so i deci­ded to for­ward a thumb­nail of an idea. Trying to do the exact oppo­site of what most wines I have seen do.
    Its an inte­rac­tive .swf so when you roll over ele­ments, an expla­na­tion pops up.
    http://66.90.104.220/stormhoek.swf

  50. Labe­lling can be good…

    It’s funny what hap­pens when you start actually having a con­ver­sa­tion with peo­ple… We star­ted tal­king about the stuff that mat­ters to us and lots of peo­ple have joi­ned in. Stormhoek has been a catalyst for a lot of interesting…

  51. tetra­pack? fric­king tetra­pack. jesus christ — the bane of land­fill. save more than it costs? tell that to the rub­bish mountain.

  52. Further to James’ point about the envi­ron­men­tal impact of dis­car­ded Tetra Pak con­tai­ners: http://perc.ca/PEN/1991 – 10/fleischer.html

  53. Estelle says:

    Hello Hugh!
    Thanks for the cha­llenge and for sha­ring all the exci­ting adven­tu­res!
    I hope you will for­give a poor english…
    Few things I would like to say first about STORMHEAK:
    –I don’t know the wine
    –I have heard about it because you’ve tal­ked about it
    –I don’t feel like going back to their blog, but I like what YOU are saying about the blog­ging around their wine
    –I like the idea that the impor­tant is telling sto­ries others will like telling others..
    –I like thin­king peo­ple all around the world will taste this wine just because they’ve heard about it by Word Of Mouth
    –I like being able to “trace” the sto­ries so we get lin­ked together
    –At the end I would like to have a bottle of Stromheak for my next din­ner so I can tell that story to my friends! I will tell them about all the ideas and everything on your blog…and if by any chance I have the right friends then we’ll be right on the spot for a very very nice con­ver­sa­tion fee­ting right close to our needs?!
    Ok, here is what I thought could be inte­res­ting:
    (I wish I could show you that on a table cloth, that would be easier for me, I tell you!)
    FRONT OF THE BOTTLE
    –STORMHEAK
    WINE MADE OF WOM*
    (*Word Of Mouth)
    –MAP OF THE LINKS made by / towards blogs tal­king about the wine (I think it is pos­si­ble to visua­lize!)
    The map is like visua­li­zing the “cha­teau” were the wine was made. The “cha­teau” is everywhere but can be visua­li­zed and reached.
    And then, a pre­ci­sion (very impor­tant!): BEST LINKED BY “the name of the blog” in 2005
    –on the bot­tom, a fine line:
    WOM made this wine very popu­lar
    or sometnhing around the Mouth­full…
    –Every year or every cycle you can come up with (we never know with you!) makes a DIFFERENT COLOR on the top of the bottle and means dif­fe­rent things like: “bet­ter drink it before they change their mind!” etc.
    BACK OF THE BOTTLE
    –TELL THE STORY
    YOURS
    AND REWARD BLOGGERS FOR COMPETING WITH GOOGLE
    (his pic­ture? the adress of his blog?…
    the one who best lin­ked…)
    Well, I hope It is clear enough to talk about it!
    Have a good one
    And thank you again!
    Estelle

  54. FWIsW, I like the above idea of por­traits (all in B+W maybe?) with “I drink this wine” — sim­ple, fun and direct, perhaps with a brief biog. Could induce nau­sea if too smi­ley, beau­ti­ful or aspi­ra­tio­nal (“I’m a dj / archi­tect / roc­ket scien­tist and have recently had my first novel published” would really turn you off in your local 7 Ele­ven on a rainy Wed­nes­day eve­ning) but other­wise has great poten­tial. I also like Estelle’s ideas, tho’ I can’t follow them all. Finally, it is inte­res­ting to note how many com­ments refer to wines the names of which the com­men­tee (?) can­not remem­ber…
    Sorry not to have ideas of my own yet — I’m wor­king on them over a glass of Oys­ter Bay (cho­sen because of its taste, I ori­gi­nally tried it because it comes from New Zea­land which seems to pro­duce con­sis­tently more inte­res­ting and tasty wines than other coun­tries, though maybe this too is all in the marketing).

  55. michelle says:

    Just a few quick com­ments — most peo­ple pos­ting here have no idea about the lega­li­ties of wine labels. Every country you want to sell your wine to will have rules — like the size of the font and font size rela­ti­vi­ties bet­ween dif­fe­rent things (e.g region to pro­duct name to vin­tage), the size of the label, the detail on the front and rear labels, etc, etc. As I ran my eye over the posts I noti­ced things like “use an enve­lope ins­tead of a label” — but a lot of coun­tries have very strict rules about having all the info stuck (ie not remo­va­ble). Plus you need to con­si­der the prac­ti­ca­li­ties and costs asso­cia­ted — the minute you move to labels with cut-outs, or etching on the bottle, or any of that flash stuff the pac­ka­ging costs sky­roc­ket. Wine­ma­kers will also have a lot to say about the colour of the bottle — the dar­ker the bet­ter to reduce the effect of heat and sunshine on the wine. And ulti­ma­tely, if you’re after repeat sales it doesn’t mat­ter what the label looks like — it’s what the wine tas­tes like that mat­ters.
    So sorry Hugh, don’t want to burst your bub­ble — but you pro­bably should have given peo­ple some boun­da­ries to work within. I work in the wine industry and the label is one of the most regu­la­ted areas in the industry. The last thing you want to do is spend time and money on a label only to find it won’t be appro­ved for sale in say the UK or US!! It’s all well and good to think outside the square — but it’s worth kno­wing your limi­ta­tions too.
    For more info check out your country’s wine industry board for all the rules — e.g. in Aus­tra­lia go to http://www.awbc.com.au.

  56. Kirill Smirnov says:

    I’m not quite com­for­ta­ble with wiki, so I post here as well.
    I’d rather sug­gest to try something inex­pen­sive ins­tead of chan­ging the shape of the bottle or making indi­vi­dual labes for every new bottle. Why not to wrap com­ple­tely every bottle with chea­pest paper, like a gift wrap­per? Two rea­sons a) you can use more sur­face as a label and it makes you very fle­xi­ble in imple­men­ting new designs (if you actually need any) and b) why not? create a legeng (peo­ple tend to love things like this) that this is the only wine which first meets day­light in your glass, which pre­ser­ves… wha­te­ver you want to pre­serve in good wine. And by the way, I would agree with Brock Tice — the bottle should be trans­pa­rent. Nothing to hide, true. But if you have to pro­tect your wine (I have no glue, do they have to?) paper wrap­per can do the job.
    When I stare at the end­less wine lines in a super­mar­ket I would pre­fe­rably notice bott­les which look dif­fe­rent, and I’d rather believe that the bottle which looks outs­tan­ding has something outs­tan­ding inside. So why waste time and money in crea­ting new labels (who said you can create something truly fresh and con­vi­nient simul­ta­neously) if you can change the way it looks and the way it per­cepts? When last time you were loo­king for a bottle of wine as a gift or just for something new besi­des this same loo­king mer­lots and sovig­nons, weren’t you loo­king for something outs­tan­ding? Er?

  57. Johnny K says:

    I like your site very much, but I’m not sure about the idea of get­ting some pro­duct design for $2000. I live in the US but I read this Lon­don blog as well. http://noisydecentgraphics.typepad.com

  58. hugh macleod says:

    Thanks for all the great fee­back, Every­body.
    Me and the groovy cats at Stormhoek spent the wee­kend going through your ideas, and have moved the con­ver­sa­tion for­ward to here:
    http://www.gapingvoid.com/Moveable_Type/archives/002020.html
    So I’m clo­sing down this com­ment thread, and moving on to Phase Two. Thanks again.

  59. News Flash: Most wines do not get bet­ter with age.

    “Fresh­ness”, a key idea behind Stormhoek, is not a gim­mick, nor is it simply a sales tool. It is a cri­ti­cal indi­ca­tor of wine qua­lity, par­ti­cu­larly in whi­tes. Please for­give me for the long post, but for those who are…

  60. Microsoft’s real com­pe­ti­tion: Stormhoek

    Inte­res­ting to see that Stormhoek are com­pe­ting against Mic­ro­soft. Oh, you gotta read Hugh Macleod’s blog to get this one. But, there’s a lot of truth to this. Let’s say you have $400 bur­ning a hole in your poc­ket. You…

  61. Collec­tive wisdom

    Our Pac­ka­ging Update and Please don’t tell the com­pe­ti­tion I Spent a bit of time at the LIFT con­fe­rence last week and there was some really good dis­cus­sion on the sub­ject of open source design. It remin­ded me that we…