October 21, 2005

how to be so-so creative

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I wrote “How To Be Crea­tive” well over a year ago and it seems peo­ple are still lin­king to it pretty regu­larly. Thanks, Every­body. Yeah, it’s ama­zing how things can take on a life of their own.
Not that I’m fee­ling that “crea­tive” these days, of course. Too busy on other things.
I drew car­toons there quite obses­si­vely for about a decade; but I’ve slo­wed down a lot in the last year or two. In retros­pect, it’s not dif­fi­cult to see why I wor­ked so hard at it. A wee voice told me this was my tic­ket out of the dreary and nebu­lous world of Madi­son Ave­nue. An obses­sion born out of des­pe­ra­tion etc.
Once gaping­void star­ted doing quite well and I no lon­ger nee­ded the crummy day job, the obses­sion & des­pe­ra­tion was no lon­ger there.
Some­ti­mes I miss it.

14 Responses to “how to be so-so creative”

  1. When times were bad I used to shriek ‘neces­sity is the mother of inven­tion!!’ over and over — it never wor­ked though

  2. Juls says:

    I had almost for­got­ten that “How to be Crea­tive” was the rea­son I star­ted visi­ting this site. I still have quo­ta­tions on post-its all over my cube.
    Oh how the small things that keep desig­ners going. Small, yellow, semi-sticky things I suppose.

  3. Larson says:

    You’re naming the unna­med black dog of hard work and talent: fame brings on shit that takes you away from the shit that brought fame.
    Looks to me like you’ve esca­ped the trap of belie­ving your own press… but when those came­ras and lights come poking around, man, I don’t blame you for mis­sing the old des­pe­rate days.
    Could this be the curse of The Glo­bal Mic­ro­brand?
    Wha­te­ver it is, you’ve laid ink on paper in a way that most can’t or won’t.
    And you’ve done it with style.

  4. Scott says:

    I’m a (wanna be-professional) car­too­nist (wor­king a real job because I have to, of course) and just dis­co­ve­red this site recently. HTBC has been a great help in re-focusing my atten­tion on why I wan­ted to make a living at car­too­ning in the first place. And your recent posts about the GMB is another ele­ment that is equally as impor­tant and makes my “car­toons” my brand and something I should be paying atten­tion to more often. I am wor­king on being a GMB or a PFS (ala TP) at my “cash” job(s). This site is “Work that mat­ters” –keep up the good work.
    Be well.

  5. eSearing says:

    Com­ments from the HTBC that got me to thin­king were: do something pro­duc­tive every­day, do it for your­self, and You are res­pon­si­ble for your own expe­rience.
    I’m having more fun with my pho­to­graphy, web­dev biz, and my latest blog/biz attempt biz-story.com. I’m stri­ving for that millionaire-artist goal.
    I even used that car­toon on our resour­ces page.
    Thanks for the ins­pi­ra­tion. I wish you con­ti­nu­ted success.

  6. john t unger says:

    The acid test of whether or not you’re being crea­tive is not the kind of work you’re doing so much as how invol­ved you are in it. ie: if you’re bored with your work, then yeah, you pro­bably aren’t maxing out your crea­tive energy.
    I know what you mean about losing the des­pe­ra­tion. When I set out to make a living as an artist, ever­yone (yeah, Ever­yone) told me it would never fly. I wor­ked like a dog to prove them wrong. About a year ago, when the last few hold-outs came over to my side of the fence and admit­ted it was pos­si­ble, well, I had a little cri­sis for a moment. Because I no lon­ger had anything to prove, you know? I had to find some other rea­son to get up and work every after­noon. I love making art, but once I had pro­ved that I could do and show it and get paid for it, what was the cha­llenge?
    There was still the cha­llenge of con­ti­nuing to make bet­ter work, and the cha­llenge of get­ting paid bet­ter for it but I had always been wor­king on those any­way. I nee­ded something big­ger to try and climb. So I’ve been focu­sing on lear­ning the busi­ness end for the last cou­ple years, buil­ding the GMB, etc. And that’s been fun because it kept things fresh and new…
    HTBC is how I found gaping­void, and I’ve been rea­ding ever since. Although it’s true that the car­toons are still my favo­rite part, everything you’ve done since has also been inte­res­ting… On the whole, there’s only so much to say about crea­tive work before it’s just time to go out and do something. Which is where you’ve been at, I think… doing something. It might not seem as crea­tive on the sur­face, and I sup­pose it pro­bably entails a lot of tedious detail at times, but hey, I’m gues­sing that you’re sin­cere in your posts about how much you dig being able to live in a remote area and reach out to a broad audience. If the car­toons drop from the main focus for a while, that doesn’t neces­sa­rily mean that you’re less crea­tive or that they’ll never come back. It just means you have other stuff on your plate.
    And, you know, unless you’re one of those peo­ple who defi­nes a narrow focus and never, ever bud­ges, the work will change. I think the model of get­ting famous for one thing only and never branching out is as dead as the whole adver­ti­sing game you rail against. There’s a cer­tain com­fort in kno­wing that when you enjoy something someone does you can count on get­ting more of it (like bes­tse­lling authors). But I’m a lot more inte­res­ted in peo­ple who sur­prise me with something new all the time and who can still hold my inte­rest most of the time.
    So don’t sweat it. Have a little faith. If the lack of des­pe­ra­tion bothers you, just chant “you can never go home­less again” a few times or, maybe, take a vaca­tion for a bit.

  7. charlie says:

    i had an obses­si­vely crea­tive spell that las­ted many years. then, it kinda led me to sonething else and i’ve been a bit dry with many false starts since. lately the obses­sion has retur­ned, but not enough.
    sigh.
    crea­ti­vity is an obses­sion. some­ti­mes you find other things for one’s obses­sive nature (in your case — mic­ro­brands, wine, bes­poke suits, hugh­train). hugh, the cards you pro­du­ced were the out­put back then, now you have other out­puts to your obses­sions.
    at least that’s how i see it with where my obses­sive out­puts end up.
    loo­kin for­ward to seeing you again in paris in decem­ber at lo

  8. Gregor says:

    Isn’t run­ning a busi­ness requi­ring you to be crea­tive just as well?
    I’d guess you’d need to blow off steam by dra­wing when you star­ted run­ning a busi­ness… But you just slo­wed it down.
    I find myself less regu­larly chec­king the site out because I don’t find the car­toons here any­more. The sto­ries you tell of the busi­ness should be just as inte­res­ting to me but I just can’t be bothe­red enough.
    Some­ti­mes I really miss it too.

  9. hugh macleod says:

    “Isn’t run­ning a busi­ness requi­ring you to be crea­tive just as well?”
    Yes, Gre­gor, that’s why I put “crea­tive” in quo­ta­tion marks.
    And apo­lo­gies if my making a living and wri­ting about what inte­rests me gets in the way of your car­toon vie­wing plea­sure. Heh.

  10. Tony says:

    “Satis­fac­tion is the death of desire.” I wish I could recall the author of that saying, it sus­tains me.

  11. hugh macleod says:

    “Satis­fac­tion is the death of desire.”
    Yeah, that is a great line.
    Unre­qui­ted desire is unsus­tai­na­ble. Any­body who disa­grees pro­bably hasn’t tried doing it them­sel­ves for any length of time.
    A bit of satis­fac­tion now and then isn’t to be snif­fed at, either. Espe­cially after you’ve spent deca­des wor­king hard at something.

  12. Gregor says:

    Just hoped you’d get ins­pi­ra­tion for new car­toons from run­ning a busi­ness / making a living.

  13. hugh macleod says:

    I’m still dra­wing car­toons, Gre­gor. Just taking my time about it more.

  14. marly says:

    I won­der if “satis­fac­tion is the death of desire” couldn’t be a remem­be­red ver­sion of “Cezanne found that desire without obs­tac­les could easily be the death of desire.” That’s John Elder­field (MOMA chief cura­tor of pain­ting and sculp­ture) wri­ting about Cezanne.