July 17, 2005

how to be creative (latest version)

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[This is my latest rew­rite of “How to Be Crea­tive” [Older ver­sion is here]. 12,000 or so words, plus lots of car­toons. The book’s text will be quite short, divi­ded into four parts, but there will be plenty of car­toons to look at, bet­ween 150 – 300 of them. The book pro­po­sal is here.]

“So you want to be more crea­tive, in art, in busi­ness, wha­te­ver. Here are some tips that have wor­ked for me over the years.”


PART ONE: AN INTRODUCTION, OF SORTS.
Before we get star­ted, three points:

1. “Crea­tive” is one of those anno­ying words that means little, simply because it means so many dif­fe­rent things to dif­fe­rent peo­ple. I make no claim to have a bet­ter defi­ni­tion of “crea­tive” than anyone else.
The best wor­king defi­ni­tion of crea­tive I have is “When work and play become the same thing”.
When that hap­pens, you’re in flow. When you’re in flow, things are crea­ted.
Perhaps there are bet­ter defi­ni­tions of “crea­tive” out there. Does it mat­ter? Not really. What mat­ters is that you find your own defi­ni­tion. You don’t need mine. I don’t need yours.
2. The crea­tive drive is like the sex drive. We all have it, and because what we do on this earth affects other peo­ple, we have to be care­ful what we do with it. Because to use it unwi­sely can screw up your life.
I am not here to tell you how to be more crea­tive than you already are. God/The Universe/Whatever made you crea­tive, just like he/she/it made all of us. Tap­ping into it is a per­so­nal jour­ney– other peo­ple can only help you so much. That being said, I think once you’ve got­ten the itch to do something crea­tive, there are a lot of land mines and pit­falls that are best avoi­ded. All I can do is tell you what has wor­ked for me over time.
I used to asso­ciate “crea­ti­vity” with all that youth-generated sexy stuff: fun, gla­mo­rous jobs, being hip, being arti­si­tic and mee­ting women. As I get older and I see how the world is chan­ging away from the Big Media Indus­trial Com­plex towards something much more per­so­nal, com­pli­ca­ted and frac­tal, I start equa­ting it more with mass eco­no­mic sur­vi­val.
3. Quit­ting your job at the phone com­pany to become a musi­cian is no dif­fe­rent than quit­ting your job at the phone com­pany to start your own accoun­tancy firm. It’s just the human spi­rit trying to bet­ter itself. The dif­fe­rence bet­ween art and com­merce is arti­fi­cial. What mat­ters is not what indi­vi­dual path you have cho­sen, but that you stay on it; that you become the per­son you were born to be.

[RSS READERS: Click here to read the whole thing.]
(MORE…)


PART TWO: “HOW TO BE CREATIVE”:
[NB: The full ver­sion of this PART TWO is here. Over 10,000 words, 31 dra­wings etc. The shor­te­ned ver­sion appears below for rea­sons of space.]
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So you want to be more crea­tive, in art, in busi­ness, wha­te­ver. Here are some tips that have wor­ked for me over the years:

1. Ignore every­body.
The more ori­gi­nal your idea is, the less good advice other peo­ple will be able to give you. When I first star­ted with the biz card for­mat, peo­ple thought I was nuts. Why wasn’t I trying to do something more easy for mar­kets to digest i.e. cutey-pie gree­ting cards or wha­te­ver?
(more…)

2. The idea doesn’t have to be big. It just has to change the world.
The two are not the same thing.
(more…)
3. Put the hours in.
Doing anything worthwhile takes fore­ver. 90% of what sepa­ra­tes suc­cess­ful peo­ple and fai­led peo­ple is time, effort and sta­mina.
(more…)
4. If your biz plan depends on you sud­denly being “dis­co­ve­red” by some big shot, your plan will pro­bably fail.
Nobody sud­denly dis­co­vers anything. Things are made slowly and in pain.
(more…)
5. You are res­pon­si­ble for your own expe­rience.
Nobody can tell you if what you’re doing is good, mea­ning­ful or worthwhile. The more com­pe­lling the path, the more lonely it is.
(more…)
6. Ever­yone is born crea­tive; ever­yone is given a box of cra­yons in kin­der­gar­ten.
Then when you hit puberty they take the cra­yons away and replace them with books on alge­bra etc. Being sud­denly hit years later with the crea­tive bug is just a wee voice telling you, “I

15 Responses to “how to be creative (latest version)”

  1. eMusings says:

    READ THIS POST!

    Holy crap.
    You’re not sup­po­sed to say things in all caps. I’ve avoi­ded it pretty suc­cess­fully up until now. My print shop teacher in high school once gave me some sage advice. “Over-emphasis is no empha­sis,” he said. Sage advice then, sage advice no…

  2. Dave Goodman says:

    Dan­ge­rous stuff. You should charge for this, or peo­ple will think it’s worth what they paid for it.
    Please write more! :)

  3. Dave Goodman says:

    I’m thin­king this should maybe be tit­led, “How to *Handle* Crea­ti­vity”
    Then you could write “How to Be Crea­tive” and desc­ribe not the pro­cess, but the con­tents: Truth and lies, con­flict and har­mony, pre­dic­ta­bi­lity and sur­prise, change and cons­tancy, goals and stra­te­gies, form and function.

  4. L says:

    No, he shouldn’t charge for this. This is the type of thing that could poten­tially make the world a lot bet­ter than it is. Help for human­kind should have no barriers to entry!

  5. Jay El says:

    I wan­ted to first reply “You are a God” impul­si­vely, but that’s cer­tainly not it. Neverthe­less, you are cer­tainly more enligh­ten than I, and are further down what looks like a simi­lar path to mine.
    Your know­ledge is pre­cious to me, I need some time to medi­tate on your upda­ted essay.
    Making money v.s. living fully. Are the two somehow compatible?

  6. “Mea­ning Scales”

    Fin­ding and dis­co­ve­ring mea­ning and con­text with tags. On the fly tag­ging is impor­tant because with many new ideas (half-bakeded ones), it is dif­fi­cult to explain them. Sim­ple tag­ging is a method to infor­mally desc­ribe something in our own words. Foll

  7. PB says:

    What you speak of is exactly what I’ve strug­gled with for the last few years. I gra­dua­ted college in ’96 and nine years later I’ve awa­ken myself to the ques­tion, “Where the hell did those nine years go?”
    The fee­lings are overwhel­ming at times, but I’ve been wan­ting to find my crea­tive self and let it go. I finally deci­ded that I might never make money doing what I love, but having a job helps me accom­plish those things I love doing.
    Keep on wri­ting. It struck a cord with me.

  8. Lorenzo says:

    who knew it would pay to be unsett­ling?
    viva la “pis­sed off”!

  9. CLEVER_NAME says:

    I miss New York, and I’ve never even lived there. Chi­cago will do for now, I suppose.

  10. Shanti says:

    Hugh — you’ve done it again, you mon­key­fuc­ker you. =)
    Is it depres­sing that your musings on post-30 life remind me of my own? (at the ten­der age of 25)

  11. Vx says:

    A truly ins­pi­ring view of the world.. I mean New York. It makes me feel like I could do anything pos­si­ble.
    Thanks for sho­wing me the Door.
    Keep it going.

  12. MLK says:

    Booody boody boody boody

  13. nidam says:

    i love ur work.

  14. Hugo says:

    I’m not into busi­ness or art or anything else this can relate to, but much of what you have writ­ten here I think can apply to life as a whole, and it was very inte­res­ting to read and gave me something to think about.
    thx
    PS. I dont like your art but I don’t think you care wha­te­ver. And that’s good.

  15. “The dif­fe­rence bet­ween art and com­merce is arti­fi­cial.”
    If so, then it would seem that the pro­ducts of artis­tic acti­vity are, in essence, eco­no­mic goods. Have I unders­tood this sta­te­ment correctly?