November 30, 2004

the lovemarks-cluetrain deathmatch (cont.)

zzzzazzdggg69.jpg
Well, it looks like I’ll never get a job with Saatchi’s or Apple. Heh.
Apple is no great loss. You have to remem­ber, their sch­tick is over 20 years old. That moun­tain has already been moved. There are new moun­tains wai­ting to be moved.
As I’ve said before: “All exis­ting busi­ness models are wrong. Find a new one.”
And Saatchi’s Love­marks? The Lovemarks-Cluetrain Death­match just tur­ned up a notch when 3 of the ori­gi­nal Clue­train authors recently gave their two cents:
Doc Searls:

Cool! Invo­lun­tary tatoos I might love!

Dr. Wein­ber­ger:

“Remem­ber only the cus­to­mer can decide Love­mark status”…but now that you know how it hap­pens, go forth and Love­mark your brand. It’s like “expe­rience mar­ke­ting” that teaches you the tricks for con­vin­cing peo­ple that The Olive Gar­den is a rus­tic cafe outside of Flo­rence ins­tead of ear­ning their res­pect as a damn good res­tau­rant on the second floor of the Youngs­town Mall.

Rage­boy:

On the off chance that you don’t already know — like if you’ve been stran­ded in Antarc­tica for the last 40 years — Saatchi & Saatchi is an adver­ti­sing agency. A big one. A hip one. Oh yeah. Why love­marks even has a Com­mu­nity! Can you beat that shit? And you — – yes, YOU, THE EYEBALLS — can even nomi­nate and vote for your most belo­ved not-really-trademarks. Which is to say: “love­marks.” God­dam! Is this big fun or what?

[BONUS LINK:] “Love­marks are the Clown Suit of the adver­ti­sing industry.”

The Clown Suit Rule.
‘One of the methods used by des­pe­rate busi­nes­ses in need of reve­nue is to place some­body in a Clown Suit outside their busi­ness in hopes of get­ting folks to stop in. The Clown Suit is an exce­llent sign­post to the impen­ding fai­lure of the busi­ness emplo­ying them. The only excep­tion to this rule is the Clown Suit Ren­tal Store.’

Doc Searls had a really nice point:

I think it’s all about what Garri­son Kei­llor says at the close of every Writer’s Alma­nac (a pod­cast I’d be glad to pay for, daily): Do good work and Stay in touch. That’s all you really need in a con­nec­ted mar­ket, frankly.

Obviously, it’s easier to ‘stay in touch’ if you’re selling an expen­sive piece of tech­no­logy to a few hun­dred soft­ware com­pa­nies, than if you’re selling millions of tubes of tooth­paste to an army of Wal-Mart shop­pers. Which explains why The Clue­train sch­tick is sprea­ding fas­ter over at Sun, Mic­ro­soft, Apple, Dell etc. than it is in the blue-collar Chi­cago suburbs.
But for how long?
[UPDATE:] I see the blog­gers have knoc­ked saatchikevin.com off the front page of the Goo­gle search for “Love­marks”. Heh.

9 Responses to “the lovemarks-cluetrain deathmatch (cont.)”

  1. AcouSvnt says:

    Do you actually think the rela­tionship bet­ween the Wal­mart army and their tooth­paste com­pany is going to change?
    Also, why is it that when I go to cluetrain.com, everything on there dates to no later than 1999?

  2. hugh macleod says:

    Good ques­tions, AcouSvnt. Seriously.
    My first ans­wer: Not really. No time soon. I expect the low-end adver­ti­sing mar­ket to get even more clut­te­red and noisy over the next 10 years.
    I see peo­ple who buy into the whole Clue­train sch­tick gra­vi­ta­ting away from wor­king for com­pa­nies that make Wal-Mart-type pro­ducts and towards indus­tries that are more alig­ned with their whole Cluetrain-inspired belief sys­tem.
    So ima­gine a youn­ger per­son than me, just out of college, ins­tead of trying to land a job in New York (where the big tooth­paste ads are mostly writ­ten), will ins­tead head West and try to land a job with a San Fran­cisco agency with a few high-tech accounts. Or hell, he/she might for­get adver­ti­sing alto­gether, and just go work for some freaky star­tup. We’ve already seen that hap­pe­ning in spa­des. Expect more of the same.
    Ans­wer to second ques­tion: As far as I know, the Clue­train folk stop­ped adding con­tent to the web­site once the book come out in ’99.
    Clue­train was not meant to be “The Con­ver­sa­tion”. Clue­train was meant to be “The Con­ver­sa­tion Star­ter.”
    It was them saying, “Don’t look here for ans­wers. Look elsewhere. Or bet­ter yet, find your own answers.”

  3. Re: Love­marks
    The fact that an adver­ti­sing agency crea­ted Love­marks and is trying to make us believe that it has true mea­ning in the scheme of life is the first clue that it’s sus­pect. It’s more pom­pous and eli­tist crap meant to make them feel more impor­tant than they are and to attempt to make us believe that we can­not live without their so-called Love­marks. It’s jus­ti­fi­ca­tion that the crea­tive is more impor­tant than subs­tance. Front­line on PBS had a great pro­gram a cou­ple of weeks ago called “The Per­sua­ders” and this fits right in their sights that most of what mar­ke­ters and adver­ti­sing agen­cies do is merde and more merde.

  4. campester says:

    there was this famous guy once — jesse, or josh, or joshua or something. lived in ancient times when they went around in robes and stuff like that.
    some­body told me he owned this magic spear that gave you power over all man­kind. whoa! i won­der where i could buy me one of those.
    con­fu­sing story though because he was sup­po­sedly one of those crack­pots who go around and say “don’t buy anything”…so if he never bought anything how could he own a magic spear?
    any­way, i’ve been thin­king how cool it would be if those cut­lery sto­res in the malls that make all those deco­ra­tive swords and stuff like that, if one of those pla­ces star­ted selling the joshua brand spear of des­tiny™. cool…
    * * *
    alain,
    It’s jus­ti­fi­ca­tion that the crea­tive is more impor­tant than subs­tance.
    i think it’s actually a reflec­tion of the belief that crea­ti­vity and subs­tance are not the same thing. it’s a con­fu­sion bet­ween actual crea­ti­vity, which is where subs­tance comes from, and “faux” crea­ti­vity, where you try to con­jure some sort of gloss of crea­ti­vity with a cer­tain type of fashio­na­ble win­dow dres­sing. howe­ver, i am at a lost to ima­gine how someone could create ball bea­rings, sproc­kets, ducts, or farings without using actual crea­ti­vity to do so.

  5. James says:

    For the heck of it, I regis­te­red and tried sub­mit­ting a Love­mark nomi­na­tion for Toys in Babe­land. They don’t seem to have accep­ted it, though, which makes me won­der if they don’t accept nomi­na­tions for sex toy rese­llers. Even really nice sex toy rese­llers that take the sleaze out of vibra­tor shop­ping.
    How can I love Love­marks if they want to con­trol the con­ver­sa­tion? A: I can’t.

  6. Love­marks: Saatchi finally speaks up… kinda

    Okay, so there’s this big debate in the blo­gosphere about Kevin Roberts’ whole love­marks thing. I haven’t read the book yet, but I recently obtai­ned a copy of it from a for­mer Saatchi emplo­yee. Since the blog­gers are calling Roberts out — or any Saatch…

  7. Love­marks and Clown Suits, or: Taking Down the Idiots

  8. Is A Flying Mon­key With Lasers On Its Frig­gin’ Head A Good Value For The Expe­rience It Offers?

    “It is con­si­de­red a bit biza­rre to have a mea­ning­ful rela­tionship with an ina­ni­mate object.” — Tree Sto­ries “Love­marks.” Dios mio, what a load of swill. Saatchi

  9. rexblog says:

    Rex brand update

    Rex love­mark update: After my recent post about having of collec­tion of stuff bran­ded “Rex,” Mis­sis­sippi blog­ger Shawn Zehn­der Lea was nice enough to send me this photo she took in Jack­son, Miss., of (if I can read where the let­ters once were) Rex Billiar