August 22, 2004

write like you mean the words

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More thoughts on “How To Be A Copyw­ri­ter”:

5. Write like you mean the words.

“Being crea­tive” is not the har­dest thing in the pro­fes­sion. That’s easy. Being able to write about the client’s pro­duct with con­vic­tion, with pas­sion, with genuine huma­nity is far har­der. Most copyw­ri­ters can’t do it. If you can do it, there’s always going to be a mar­ket for it. Be excited.

Most copyw­ri­ters “can’t do it” for one of three rea­sons:
1. They’re hacks. Hacks can­not write. Not really write. They can futz around, make it look fancy and pro­fes­sio­nal, but they can­not inject it with any reso­nant human spi­rit, for they lost all that them­sel­ves years ago.
2. Their clients are idiots and won’t let them write pro­perly. Any time they try to write like a human being (as oppo­sed to a whipping-boy-for-cash) their client kills what they do and sends him back to his cube for a re-write.
3. Fear. Also com­monly known as “prac­ti­ca­lity”. It’s a com­pe­ti­tive world out there, so to mini­mize risk and avoid con­flict with their pay­mas­ters, they pre-emptively rid their work of any human qua­lity, and replace it with dry, blethe­ring, mea­nin­gless corporate-speak ins­tead. If you do this often enough it starts to feel nor­mal.
I’m kind of hard­core about this. I think if you’re wri­ting mea­nin­gless dri­vel, it’s your fault. You chose to work for this guy, you took his money, you cashed the check. It’s not his pro­blem, it’s your pro­blem. All wri­ters are res­pon­si­ble for their own expe­rience. “The client won’t let me” doesn’t cut it.
The thing to do is only work with peo­ple whose vision and cha­rac­ter exci­tes you. The only way to do that is to have vision and cha­rac­ter yourself.

2 Responses to “write like you mean the words”

  1. Part of the artis­tic pro­cess is let­ting go of your “com­mon sense” and allo­wing the pro­cess to take you where ever it will.
    Follo­wed to its logi­cal extreme, it might lead you pla­ces you never expec­ted to go. While that makes for good prose — and inte­res­ting rea­ding –it may not be ideally sui­ted for a com­mer­cial appli­ca­tion.
    The rare, prac­ti­cal skill is when you can write with an artis­tic flair AND sell the pro­duct (or draft the legal motion or mar­ket com­ment, ir wha­te­ver).
    Its more than crea­ti­vity and pas­sion — its Applied creativity.

  2. RichW says:

    Hugh, I think you need a #4: Abi­lity to sell your idea.
    To me, client used to be everything. Few peo­ple in my niche (trade shows) even know the defi­ni­tion of psycho­graphics. But, once they let me sneak a cou­ple of addi­tio­nal ques­tions into their stan­dard research ques­tion­nai­res, they begin to unders­tand how and why that infor­ma­tion is cri­ti­cal.
    Clients were how I got to use a photo of a baby in an ad for a highly tech­ni­cal design engi­nee­ring show. Or an ad based on the five sen­ses for a show on something as mun­dane as cera­mic tile. Or a photo of a group the­rapy ses­sion for an online hotel boo­king pro­duct.
    But once I had a decent book and a track record of suc­cess, it came down to my abi­lity to sit across from a client and con­vince them that my ideas were bet­ter than theirs.
    There are plenty of peo­ple I know who have the same or bet­ter copy capa­bi­li­ties as me. But, they don’t have either the clients who will give them crea­tive free­dom or the capa­bi­lity and con­vic­tion to sell their ideas when they do find one.