August 1, 2004

the sex & cash theory

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7. Keep your day job.

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80 Responses to “the sex & cash theory”

  1. There is one twist to the Sex & Cash theory: The Des­pe­ra­tion Theory, in which, by quit­ting your Cash job, you force your­self into over­drive on your Sex job. It faci­lli­ta­tes (demands?) a huge men­tal and crea­tive evo­lu­tion your part, but it cuts away the inde­ci­sive BS and “I’ll get to it later” men­ta­lity that pens most artis­tic endea­vors in as “spare time acti­vi­ties” that never quite reach their poten­tial.
    You really can’t get to it later if you have to make your rent every thirty days, can you?

  2. hugh says:

    Perhaps… but my expe­rience tells me that kic­king into “Des­pe­ra­tion Mode” is unsus­tai­na­ble long-term.
    Sure, you can do it for a few intense months, maybe a year or two, while you’re still young and rela­ti­vely imper­vious to pain.
    But it gets old fast. And so, sadly, do you.

  3. cynthia says:

    ha – i like “big ol’ crea­tive drama-queen moment”

  4. Alazka says:

    I’ve long thought of this as the “Vin­cent and Theo” Theo-ry. Vin­cent Van Gogh would’ve been nothing but a fai­led preacher and mis­sio­nary who’d dab­bled in the arts briefly without his brother Theo, who lived the straight “money” life and sub­si­di­zed Vin­cent with it, in addi­tion to pro­mo­ting Vincent’s work. They loved each other, they nee­ded each other, they com­pri­sed a syner­gis­tic powerhouse.
    The fact that Theo con­ve­niently hap­pe­ned to be an art dea­ler begs a further ques­tion, though: how many crea­tive folks work hard at the money/Theo gig in order to have wee­kend time for sex/Vincent…and then com­ple­tely lack the time and energy to also be their own promoter/manager/publicist? You have to put food on the table and a roof over your head and gui­tar strings/brushes/dance shoes/whatever in your hands, you have to main­tain your vision and crea­ti­vity (Dorothea Brande had some good tips on how to be both a crea­tive wri­ter and a ruth­less edi­tor of one’s own work), AND on some level you also have to be promoter/manager/publicist, which requi­res a Cash men­ta­lity toward the Sex pro­duct, not to men­tion a Sex enthu­siasm for the Cash self-marketing. And, if you have a few spare minu­tes left over, try to be a human being, with res­pon­si­ble links to your com­mu­nity, maybe even a family.
    The­sis: the World we must inha­bit, the Is. Antithe­sis: Art, which explo­res pos­si­bi­li­ties, the Could Be But Ain’t. Synthe­sis: Expression/Manifestation, which con­veys What Ain’t into What Is and rede­fi­nes both. And still the trash needs to be taken out and don’t for­get your stepdad’s birth­day and when are you gonna get married?

  5. Ron Huxley says:

    Great article and great sub-article on “sex and cash.” I can so relate to what you are wri­ting. I have done a lot of the “sexy” stuff you men­tio­ned in my own field (I called it ego boosts because it didn’t pay any bills but it did boost my ego). Someone heard about some of the sexy stuff I did and asked why I was wor­king for the cor­po­ra­tion I was in…the ans­wer was sim­ple, it paid the bills.

  6. Ed Schipul says:

    um.…as a “crea­tive geek” please tell me that at least one of these was sup­po­sed to say “Sex”?
    “Or geeks. You spend you week­days wri­ting code for a face­less cor­po­ra­tion (“Cash”), then you spend your eve­ning and wee­kends wri­ting anarchic, weird com­pu­ter games to amuse your techie friends with (“Cash”).“
    Seriously — great article that has been for­war­ded to our team.

  7. hugh macleod says:

    Ed, yes, it was meant to say “Sex”…
    ’Scuse the typo, fixed it now ;-)

  8. Des­pe­ra­tion Mode isn’t inten­ded to be a long-term solu­tion, of course. Des­pe­ra­tion Mode is simply the bridge bet­ween a Sta­ble Life Fun­ded By Cash and a Sta­ble Life Fun­ded By Sex. It’s the fuel for a long-term fire.
    The Vin­cent and Theo dis­cus­sion brings up a good point: time. If you can do what you’d like to do while still being pro­duc­tive at your day job, well fancy that. But if you find that something exci­tes you MORE than your day job, to the point that your day job has become an eight hour chunk of your day that’s sepa­ra­ting you from what you REALLY want to do, the time has come to find a way to make what you REALLY want to do into something that also pays the bills.

  9. james says:

    Unfor­tu­na­tely for geeks, the face­less cor­po­ra­tion will have made you sign a form saying they own any anarchic, weird com­pu­ter games, or other com­pu­ter rela­ted crea­tive out­put you may come up with.

  10. james says:

    Unfor­tu­na­tely for geeks, the face­less cor­po­ra­tion will have made you sign a form saying they own any anarchic, weird com­pu­ter games, or other com­pu­ter rela­ted crea­tive out­put you may come up with.

  11. Jimmer Jammer says:

    Well, it’s great until your busi­ness gets thrown over­seas (no cash) and you’re for­ced to find a new line of income. At this point (in my mid-life) I’ve deci­ded to go for sex AND cash. We shall see…

  12. J. Pinkham says:

    Henry Miller is another good exam­ple. He had a lot of sex with women from whom he mooched cash and then wrote about it. Wait a sec…

  13. In my case, it was more like – I had given up the sex for the cash. And the the cash job went away for rea­sons of gene­ral eco­no­mic devas­ta­tion, and being una­ble to find other work, I tur­ned back to sex for solace, and for something to fill the time.
    And now I’m making three-fourths of my income from sex. It’s not a good living yet, espe­cially since I have a lot of sho­ve­ling to do after two years of serious unde­rem­ploy­ment…
    But it did teach me that the safe job isn’t, so I might as well stick to sex as much as pos­si­ble, and fill in the gaps as I can.

  14. Al Abut says:

    Reminds me of the “Hac­kers and Pain­ters” essay.
    http://www.paulgraham.com/hp.html
    The dif­fe­rence bet­ween ave­rage com­pu­ter pro­gram­mers and the genius hac­ker types, like the ones that create their own Seg­ways out of spare parts just to see if they can, is that hac­kers have their day jobs pro­gram­ming for The Man and keep pro­gram­ming at night too, but this time for them­sel­ves and for the love of the game.

  15. Richard says:

    Yeah yeah yeah… not just Vin­cent and Theo, but John Len­non and Paul McCartney

  16. pete says:

    OK…i think i’ve got­ten it down. I quit my job 3 weeks ago to become a hoo­ker. What’s next once I have this sex for cash thing licked?

  17. Twa says:

    Hey! This reminds me of hobby(sex) and work (cash).
    Great article!!

  18. Twa says:

    Hey! This reminds me of hobby(sex) and work (cash).
    Great article!!

  19. Eric says:

    Lots of good com­ments here, so I thought I’d add my

  20. David says:

    Love it. This sce­na­rio is often made further neces­sary because doing what we love (the sex) from the well of our souls/creativity/convictions may never ever be something the mar­ket demands, or will even tole­rate. The pain­ter may be ahead of his time (sure, his stuff’ll be worth something one day — when he’s dead), the comic may say things that are unsett­ling, the dan­cer may want to dance about ugly things ins­tead of beauty. And herein lies the pro­blem. So I think doing the work to fund the time/supplies/angst nee­ded to do the crea­tive stuff will always be the means of sur­vi­ving as a crea­tive. Of course, if anyone out there wants to be a patron to a Cana­dian come­dian, ignore all this and send me a che­que.
    Great article — please keep it archi­ved, I would love to refe­rence it in the future. Thanks a bunch!

  21. tessa says:

    Eric spoke thusly: “The situa­tion I’m currently trying to escape is more like this: I’ve always been good at math and com­pu­ter pro­gram­ming, etc., so it does pay the bills, but it’s got fuck-all to do with my “sex” dreams of a career in wri­ting for video games. “
    And then there are situa­tions like mine, where I’m slowly rea­li­sing that my “sex” dream of a career in wri­ting for video games, when rea­li­sed and tur­ned into a 9-late job, beco­mes “cash” *and all that implies* and I’m wom­bling about trying to find a new “sex” dream because in the end I’m still just crunching num­bers. I’m not sure where this fits in the gene­ral theory.

  22. Great article. All your points are well-taken, but Mar­tin Amis is a par­ti­cu­larly unfor­tu­nate exam­plar. He famously recei­ved a then record advance of $1.1million for ‘The Infor­ma­tion’ (in 1995). A good deal of this was spent ins­ta­lling a new set of teeth in his sham­bles of a mouth. I doubt his advan­ces have gone down subs­tan­tially since then.

  23. Ruok says:

    Hey Hugh, great article! For a long time I thought I was the only with this Sex and Cash theory, only I didn’t knew the theory had a name. I am an aspi­ring actor that went a road less tra­ve­lled, sac­ri­fi­cing almost 4 impor­tant years so that I can main­tain a living and still have time to act when oppor­tu­nity knocks. But I know not many pple will agree this is the way for them, but for me, its nice to know the­res quite a few of us out there that follows this maxim.

  24. Nick says:

    AFAIK, Vin­cent Van Gogh only ever sold two pain­tings in his lifetime.

  25. David says:

    Why is it a “her” that is wai­ting table?

  26. lorrie says:

    i don’t have any smartsey-fartsey com­ments about the wri­ting.
    I just like the car­toon.
    a lot.

  27. Grizzley says:

    I found a won­der­ful com­pro­mise in the Sex / Cash battle. A year ago I rea­li­zed nobody was ever going to give me per­mis­sion to follow my Sex dream (write a novel). Over the years I had asked — poli­tely even (“May I please have my cra­yons back?”) but nobody said yes. I didn’t get less work, less res­pon­si­bi­li­ties, addi­tio­nal vaca­tion time, etc. So I deci­ded to make some new boun­da­ries.
    I told my Cash gig that I nee­ded to work 3 days a week and out­li­ned how I could do this and still be suc­cess­ful in a role within the cor­po­ra­tion. They valued me enough to give it a shot.
    I now have the time I need to write. I also had to get used to living on 40% less salary. But it was worth it to go after the Sex dream. My novel is more than 1/2 writ­ten now.

  28. jim says:

    What fas­ci­na­tes me is the appa­rent uni­ver­sa­lity of your obser­va­tion. I’m about the 10 zillionth per­son to write in and say “yes! that’s me! I’m sec­retly a (pop star/writer/inventor/anything gla­mo­rous) and the day job is just a front. There’s a para­llel debate to be had about free­dom and the ways in which our post-capitalist society crea­tes serf­dom without any obvious monarchs in the picture.

  29. EKO says:

    Your car­toons are abso­lu­tely bri­lliant and I think your blog is one of the most inte­res­ting I

  30. the bellman says:

    what about the per­son who sells thier body for sex (CASH) but thier real pas­sion, and thier out­let for crea­ti­vity is the artis­tic coun­ter­fit­ting of bank­no­tes (SEX)?

  31. hugh macleod says:

    Bell­man,
    “Pain­ters: the con­tem­po­rary art mar­ket has very com­plex but strin­gent cri­te­ria that still derive from the avant garde theory of the radi­cal artist who pla­ces him­self outside the bour­geois society.“
    Wow. Strin­gent. Outside society. Since when does kis­sing a lot of rich people’s ass (a major part of being a suc­cess­ful gallery artist) place one outside of society?
    “Dedi­cate your life”. I’m not even sure what that means. The good artists I know don’t go around going “I hearby dedi­cate my life”. They just get on with it. Like a job.
    Although, gran­ted, the medi­core ones I know love a good speech. Espe­cially their own.
    And they love, love, love large doses of all that “artist as outsi­der avant guarde poet warrior sexy com­pe­lling truth see­ker” hor­seshit to prop up their lives with, as well. Heh.

  32. Case says:

    Nice set of posts.
    The “Sex and cash” theory is also (sort of) ban­died around as the “per­cen­tage ten­nis” theory: not every shot can be a winner.

  33. hugh macleod says:

    Case, yeah, “pecen­tage ten­nis theory”. I like that thought.
    So what a good ten­nis pla­yer will do is fac­tor it into his game.

  34. dori says:

    hmm, yes, you’re right about the ‘sex & cash theory” but thank god for free­lance, at least — the best of both worlds. i couldn’t live with myself otherwise.

  35. TonyD says:

    Utterly right on. Any crea­tive per­son, and I mean crea­tive in the broa­dest sense of any per­son who is put­ting their crea­tive drive to use, can tell the dif­fe­rence, often with a sin­gle glance, bet­ween a per­son who’s doing something, and a per­son whose just wan­king in place. Often the wan­kers are the ones who are most con­vin­ced they’ve sac­ri­fi­ced all for their “art”. Often the doers are as hea­vily enga­ged in their day job as they are in their crea­ti­vity.
    “Behind many a mediocre poet, I have found a great man. Behind many a great poet, a mediocre man.“
    –Neitzsche

  36. I thought I was utterly alone in my strug­gles and then I find your thoughts Hugh. I work as a jani­tor for the government(cash) and I’m a sin­gle dad of a 13 year old boy. I write and draw my own comic book. I have no illu­sions about making money or gai­ning noto­riety for my work. My reward is the work itself. When I published my first comic it was my reward for sta­ying on the path. I’ve met many peo­ple who were far more talen­ted than me but none of them per­se­ve­red. There are always excu­ses for not wri­ting and/or dra­wing but time is like money, once you waste it ain’t coming back. None of us has limit­less time to waste or as Henry Rollins put it ” You could spend your entire life in the nowhere land of self doubt”. Been there done that and got the T-shirt too. Be a self star­ter and be pre­pa­red to fail and accept that there will always be doub­ters and nay sayers. Remem­ber that the race isn’t given to the stron­gest but to he that endu­res. Keep striving.

  37. Ted says:

    This is why so many “artists” (sex) in New York City have a trust fund (cash).

  38. Eight says:

    rather than a sex/cash balance, or a des­pe­ra­tion theory, why not the lucky bum theory?
    in a nutshell: do what you wanna, and if you wanna share it and be famous, well.. do it, I guess. and if you wanna be a lazy drea­mer who never wants to have to work someone else’s time?
    pros: no cares, smoke pot all day and socia­lize, learn things, and do wha­te­ver you dream of on the side. essen­tially lurk in your favo­rite cell with dreams of good for­tune. Also, you help your local unem­ploy­ment rates by pro­vi­ding others with your mis­sed oppor­tu­ni­ties.
    cons: no fixed income, sac­ri­fi­cing some desi­res, having to fit in with a society that ‘can’t take you anywhere’ because you never have any cash.
    it is a rough start, espe­cially if you are com­ple­tely inde­pen­dant. but I’m still here.

  39. tony figueroa says:

    A trust fund would be nice. My job is totally non crea­tive but it does pro­vide for the mate­rials I need for my comics. Still, I very much wish to suc­cess­fully resign but not right now. I’m not sure what “Eight” is trying to say but here goes: I don’t enjoy wor­king someone else’s time but I have to. The dis­ci­pline nee­ded to get up and go to work every­day has carried over into my crea­tive time. Eight, try wor­king and get some dirt under your nails. Wor­king someone else’s time focu­ses your mind won­der­fully on your crea­tive time.

  40. jag says:

    Where does Van Gogh fit into this?

  41. roxann says:

    This reminds me of an article I once read in defense of “dumb jobs,” writ­ten by a bartender/writer. His the­sis was that there is an upside to having a “dumb job” like bar­ten­ding or mop­ping floors (or wor­king in call cen­ters ::waves::) if you have crea­tive ambi­tions of some sort, because they don’t occupy much of your brains­pace, and you are free to think about that knotty plot point, or polish that real clun­ker of a line in the third stanza, or decide how you are going to fix that dead spot in your pain­ting, while doing your job more or less on auto-pilot.
    And of course, because it is just a dumb job, you never take it home with you psycho­lo­gi­cally, and if at any point a par­ti­cu­lar dumb job starts to really inter­fere with your crea­tive pro­cess (due, perhaps, to a worse than usual numb­fuck of a boss) you junk it and get a dif­fe­rent dumb job that isn’t such a pain in the ass and an obs­tacle to your crea­ti­vity. Of course, just like the ave­rage free­lan­cer, who has in some ways taken the exact oppo­site approach, you usually have to make some con­ces­sions in regards to lifestyle and wealth, but I’m of the opi­nion most of us have more shit than we need, so making those con­ces­sions can teach you how to live light, which isn’t a bad thing anyway.

  42. hugh macleod says:

    Van Gough?
    Sex: Making pain­tings.
    Cash: Get­ting his brother Theo to send him money.
    Rock on.

  43. cordelia says:

    I find that doing both the Sex and Cash things is impor­tant. My Cash job keeps me in touch with the real world, and expo­ses me to lots of peo­ple and their sto­ries. My Sex job is pla­ying in a classical-music group, and my expe­rience is that many peo­ple who pur­sue this kind of music full-time become very serious and for­get the fact that music is sup­po­sed to be fun. I think I actually play *bet­ter* because I’m not trying to make a living at it — I’m trying to please myself and my audience.

  44. Rosa says:

    I totally buy this theory, thanks for put­ting the article up!
    I have a part-time job with decent pay and full­time bene­fits. As a result I work with a lot of won­der­ful crea­tive peo­ple — wri­ters, pain­ters, dan­cers and musi­cians. They are almost across-the-board more inte­res­ting than the full­time arts peo­ple I know, because they do what they love because they love it, not to get a grant or a line on the cv, and they’re never re-doing old stuff long after it’s lost its spark because their fan­base loves it.

  45. Monique says:

    Grizz­ley…
    Your post was a much nee­ded con­fir­ma­tion to me today!
    Thanks!

  46. Renata says:

    Spi­ri­tually, I believe the idea of the sepa­ra­tion of anything from anything else is bullshit. If one is willing to clear the mind of con­ven­tion and lis­ten to the inner voice, step by step, mira­cu­luously, one will find that the only thing that actually works in life, brin­ging bliss with it, is a seam­less repre­sen­ta­tion of the whole that each person’s essence actually is. “The deci­sive moment” beco­mes the one in which, finally, one is una­ble any lon­ger to choose against itself and its who­le­ness. This is not to sug­gest an appea­rance of peaches ‘n cream coo­kies will accom­pany one down the hard trail of reaching this point of Truth, Light, Love.

  47. Renata says:

    Spi­ri­tually, I believe the idea of the sepa­ra­tion of anything from anything else is bullshit. If one is willing to clear the mind of con­ven­tion and lis­ten to the inner voice, step by step, mira­cu­luously, one will find that the only thing that actually works in life, brin­ging bliss with it, is a seam­less repre­sen­ta­tion of the whole that each person’s essence actually is. “The deci­sive moment” beco­mes the one in which, finally, one is una­ble any lon­ger to choose against itself and its who­le­ness. This is not to sug­gest an appea­rance of peaches ‘n cream coo­kies will accom­pany one down the hard trail of reaching this point of Truth, Light, Love.

  48. Ethics says:

    This article has sum­med up a lot of where I’ve been in the past. I’m in the really lucky posi­tion of going into a “Cash” sce­na­rio and fin­ding “Sex”.
    I’ve explai­ned all this to my wife, quo­ted this essay, and my wife has thumn­ped me.
    I shall never use the phrase ‘You see love, I’m happy because I’m get­ting sex in the office’ again.

  49. Judy says:

    Thanks, all, for a highly impor­tant dis­cus­sion.
    In res­ponse to EKO, who said:
    “I actually am a strong belie­ver that if you

  50. Loopsy Daisy says:

    I think you are ama­zingly sexy and loa­ded!
    I am com­ple­tely tur­ned on by your site!
    I feel overwhel­med by your insights and your thought pro­cess’…
    wow!
    i want to gob­ble you up!
    HAHA!
    lATER– L

  51. hugh macleod says:

    Sexy & Loa­ded! Yay!

  52. Peter says:

    nice article, inte­res­ting thoughts…

  53. karambos says:

    It’s so refreshing to hear someone else tal­king about the exact same situa­tion I find myself in. Noone I know is doing what I do and noone really gets it. Thankyou.

  54. Diana Janicki says:

    Well.…I just did the big ole diva drama queen thang last week… and all I know is it felt fan­tas­tic!
    High payin, crea­tive direc­tor role.…gone.
    Scary brink of nothing­ness ahead…
    The rea­son your theory didnt work for me is that the day job was 10 hours a day and I was so deple­ted I couldn’t
    find a crea­tive bone left in my body for the eve­nings or the wee­kends when i just nee­ded R&R.
    The day job neednt be 50 hours a week right?
    Any­ways LOVE your work and really enjo­yed your theory!
    Diana :-)

  55. hugh macleod says:

    Heh, well diana, rules were made to be bro­ken ;-) Good luck to you!

  56. Matt Haley says:

    A very inte­res­ting theory, and one I can’t say I disa­gree with in prin­ci­ple. When I faced the deci­sion to become a full-time illus­tra­tor, I went whole-hog. I was such an ego­ma­nia­cal jerk that I really thought I could just sit and draw all day (re: have Sex) and peo­ple would throw Cash at me. It took 13 years, but it finally hap­pe­ned. I do wish I’d heard of this theory ear­lier… — mh

  57. vanselu says:

    Don’t get me wrong, I love the car­toons — and it doesn’t mat­ter one iota that they’re on a biz card. Crea­tive? Sure, wha­te­ver. The con­tent is what makes them worth loo­king at.
    As for sex & cash theory, there’s nothing revo­lu­tio­nary there. Most peo­ple would just call it “hobby & job” ins­tead of “sex & cash”. It’s all about priorities.

  58. hugh macleod says:

    Van­selu, thanks for the input.
    A. I make no claim to be revo­lu­tio­nary. It’s meant to be com­mon sense, based on my own and others’ per­so­nal expe­rience.
    B. It’s not just about “Hobby & Job”. It applies to pro­fes­sio­nal crea­ti­ves and artists as well. I sup­pose what’s inte­res­ting to me is how the pro’s are as affec­ted by it as any amateur.

  59. Chris says:

    I think this is just another per­so­nal theory … so it shouldn‘t be thought of as a “uni­ver­sal truth”.
    It wor­ked for the Wright brothers. Their bycicle com­pany paid the bills for their research (“sex”) but what about Bill Gates?
    He dum­ped the “cash” (stud­ying Har­vard, law­yer) for the “sex”. I hope we all agree he did a wise choice, don‘t we ?
    Some­ti­mes “sex” implies abso­lu­tely no com­pro­mi­ses (“cash”, day jobs wha­te­ver) so make sure you‘re not taking this theory for granted.

  60. Max says:

    I love my job. It gives me cash AND sex. Some­ti­mes the sex even gets me cash. Beat that.

  61. dino r. says:

    “cash & sex” no duh.

  62. hugh macleod says:

    “You will need clothes, food, and a place to live. Do what it takes to get those things first. With the time left over, do wha­te­ver you want.“
    That is NOWHERE NEAR what I’m saying, Cosine.
    Please re-read and get back to me ;-)

  63. reina says:

    i like to be inte­res­ting, i like fuck and dife­rent thing, i like money fast…

  64. reina says:

    I like to be inte­res­ting, i like fuck and dife­rent things, i love games and you touch my body…come in knowme…

  65. Roger says:

    There is a man named Mark Savic­kas. He’s a researcher who stu­dies careers and career deve­lop­ment. As peo­ple go, this guy is like the gold stan­dard for career theo­ries.
    Any­way, he has this lec­ture he goes over in his clas­ses called “Work and Love.” What you’ve desc­ri­bed is the essen­tial mes­sage of the Work and Love lec­ture. You have your Work (cash) and your Love (sex).
    So now you can toss around names like Donald Super, or Mark Savicks and talk somewhat com­for­tably about career and life deve­lop­ment theories.

  66. Hot Sauce says:

    Reminds me of the “Hac­kers and Pain­ters” essay.

  67. mark says:

    I quit my cash job around 1990, and found myself living with a nut­ball sexy car­too­nist cash copyw­ri­ter above a hot mexi­can bakery in Chi­cago. It was worth it.
    opting for the sex side doesn’t mean you still do not find your­self grub­bing for cash. Unless you are sup­por­ted as van gough was with a par­tron or trust fund or wha­te­ver, there is no such thing as choo­sing not to pur­sue cash — its just a mat­ter of how much. and if you’re tal­king about sex with someone other than your­self, having a little cash can really help.

  68. Tom O. says:

    Inte­res­ting refi­ne­ment, and much more rea­lis­tic, than the “Do what you love, the money will follow” theory. I had always put just the mini­mum amount of effort I could get away with in the day job (“Cash” thing) just hard enough so I could devote as much time and energy as pos­si­ble in being an elec­tro­nic musi­cian (“Sex” thing), thin­king that soo­ner or later the music would ‘pay off’ (become the “Cash” thing) and I’d live hap­pily ever after. It never wor­ked out that way (and, I might add, there were times when I com­pro­mi­sed myself in doing the music thing with others that no only did it not pay the bills but it wasn’t all that fun, a dou­ble whammy in that regard), so I gave up the music so I could shore up the bill paying part of my life.
    Now, even though I don’t have as much time as I’d like for the music thing, I get more out of it because (a) the tools have evol­ved so much that I can make really great soun­ding music, and more of it in less time; and (b) I only do it for my enjoy­ment, not out of some mis­pla­ced hope that it will ever pay the bills.
    Your XXX vs $$$ theory (and in fact the entire How To Be Crea­tive series) have hel­ped me rea­lize how lucky I am to be able to do what I’m doing the way that I’m doing it. Thanks for that.
    SUBVERT THE DOMINANT PARADIGM!

  69. Does it really mat­ter if your tool is cool?

    Is “pic­king the right tool for the job” truly the res­pon­si­ble approach? Is wan­ting your tools to be cool really a sign of imma­tu­rity? Can we and *should* we still be pas­sio­nate about Java?

  70. john says:

    i want to be a porn star

  71. Gaping­void

    Go to gaping­void and read How To Be Crea­tive, Sex & Cash Theory, and All Pro­ducts Are Conversations.…

  72. misnomer says:

    This is all very well and good untill you
    “reach the stage of no return“
    Lets say, you follo­wed some of your fan­tas­tic theo­ries and deci­ded to branch out of your nor­mal realm, of say mecha­nic, and spend four years at uni­ver­sity stud­ying graphic design,
    So to sup­port your­self during those 4 years you work bet­ween stud­ying hoping that when you finshed you could con­cen­trate soley on your sexy job.
    Somewhere near the end of your stu­dies, the plane crashed, it became IMPOSSIBLE to keep fixing cars while desig­ning , (dirty hands and clean print outs dont mix)
    I reached the “POINT OF NO RETURN“
    I reached a point where i rea­li­sed that the “cash job didnt weigh up, and that it was cau­sing more harm to my crea­ti­vity than good, it was des­tro­ying my will to live, and i advise young artists not to ignore this fee­ling and quit…before your entire soul is suc­ked clean…
    and you become a for­mer shell of a per­son…
    Most of your exam­ples, had a pretty cool cash jobs, how many had to crawl under a car during pou­ring rain and replace someo­nes star­ter­mo­tor.
    Or clean out filthy toi­lets, etc.
    So i want to point out to artists, that if your smart, and cle­ver you can craft your life to live without out nee­ding a cash job, but you have to be willing to give away many things, (like any self res­pec­ting part­ner)
    This point of no return is i think a healthy excer­cice for all artists, i know one george orwell, most cer­tainly reached the point of no return many times, (see keep the aspis­tria flying)
    or sar­tre (nau­sea) or even step­pen­wolf
    most of the cha­racthers of these novels where doing diddly squat.…and had pro­found rea­li­sa­tions and exis­ten­tial dele­mias…
    so … you decide…

  73. Not me, baby.
    I always drea­med of living life in haiku ins­tead of blank verse, of being per­ma­nently cons­trai­ned, of per­fec­ting the looks of exas­pe­ra­tion that come from end­less days of middle mana­ge­ment mee­tings. I wan­ted to live a life of quiet des­pe­ra­tion, a cor­po­rate shill, a vacuous empty shell filled with false patrio­tism for a sou­lless, face­less cor­po­ra­tion.
    This isn’t just iro­nic lip ser­vice.
    I wan­ted a tan sedan with the radio per­ma­nently tuned to the local lite rock/adult con­tem­po­rary radio sta­tion, a three bedroom semi-detached in Mil­ton Key­nes with a small con­ser­va­tory out back. I wan­ted a nag­ging wife, worries about whether I could afford my kids’ bra­ces and a knick-knack shelf full of Hum­mels.
    I wan­ted to be bald and pudgy, have a wry, resig­ned cyni­cism and the sur­vi­val ins­tincts of a coc­kroach.
    I wan­ted a liquor cabi­net full of middle-shelf whis­key, a han­di­cap of 20 and a nor­mal life. A nor­mal life.
    I’ve stri­ved for medioc­rity. I have failed.

  74. well says:

    Well, Nathan Dorn­brook, that was really a great post. Not at all mediocre. Wow.

  75. SXV says:

    Chin­gon

    the sex & cash theory

  76. Inter­view: Hugh Mac­leod of Gaping­Void, Pos­ter Child for Unem­plo­yed Crea­tive Types See­king Blog Fame and Fortune

    Hugh Mac­leod, publisher of Gaping­Void, is the pos­ter child for unde­rem­plo­yed crea­tive types who want to find fame, for­tune, suc­cess and noto­riety as blog­gers. Blog­ging since 2003, and online since 2001, Macleod’s blog is the fourth most popu­lar blog i…

  77. The Sex & Cash Theory

    While wri­ting about Technorati’s list of the top 25 blogs tag­ged “public rela­tions,” I came upon gaping­void, a popu­lar U.K. blog by car­too­nist and “blog­ver­ti­sing” con­sul­tant Hugh Mac­leod. It’s a great read and highly recommended.

  78. fakeGeek says:

    Crea­tive and different.…

    I really like this guy car­toons and all that. He has even writ­ten some great artic­les on creativity,…

  79. […] Love vs Need thing Hugh Mac­leod has this great Sex vs Cash Theory. I urge you to read it. I have been shown the Love vs Need theory. Which sort of deri­ves from the […]

  80. […] they hate. It might not tell you a lot about their inte­rests and cha­rac­ter. It’s the “the sex and cash” theory. What peo­ple do to feed them­sel­ves may be dif­fe­rent from what they do for enjoyment. […]