July 25, 2004

how to be creative

zzzmnjki17.jpg

[BIG NEWS: “How To Be Crea­tive” will be coming out as a hard­co­ver book in June, 2009. Tit­led “Ignore Every­body”, you can find out more details here.]

So you want to be more crea­tive, in art, in busi­ness, wha­te­ver. Here are some tips that have wor­ked for me over the years:
1. Ignore every­body.
The more ori­gi­nal your idea is, the less good advice other peo­ple will be able to give you. When I first star­ted with the biz card for­mat, peo­ple thought I was nuts. Why wasn’t I trying to do something more easy for mar­kets to digest i.e. cutey-pie gree­ting cards or wha­te­ver?
(more…)

2. The idea doesn’t have to be big. It just has to change the world.
The two are not the same thing.
(more…)
3. Put the hours in.
Doing anything worthwhile takes fore­ver. 90% of what sepa­ra­tes suc­cess­ful peo­ple and fai­led peo­ple is time, effort and sta­mina.
(more…)
4. If your biz plan depends on you sud­denly being “dis­co­ve­red” by some big shot, your plan will pro­bably fail.
Nobody sud­denly dis­co­vers anything. Things are made slowly and in pain.
(more…)
5. You are res­pon­si­ble for your own expe­rience.
Nobody can tell you if what you’re doing is good, mea­ning­ful or worthwhile. The more com­pe­lling the path, the more lonely it is.
(more…)
6. Ever­yone is born crea­tive; ever­yone is given a box of cra­yons in kin­der­gar­ten.
Then when you hit puberty they take the cra­yons away and replace them with books on alge­bra etc. Being sud­denly hit years later with the crea­tive bug is just a wee voice telling you, “I�d like my cra­yons back, please.”
(more…)
7. Keep your day job.
I�m not just saying that for the usual rea­son i.e. because I think your idea will fail. I�m saying it because to sud­denly quit one�s job in a big ol’ crea­tive drama-queen moment is always, always, always in direct con­flict with what I call �The Sex & Cash Theory�.
8. Com­pa­nies that squelch crea­ti­vity can no lon­ger com­pete with com­pa­nies that cham­pion crea­ti­vity.
Nor can you bully a subor­di­nate into beco­ming a genius.
(more…)
9. Every­body has their own pri­vate Mount Eve­rest they were put on this earth to climb.
You may never reach the sum­mit; for that you will be for­gi­ven. But if you don’t make at least one serious attempt to get above the snow-line, years later you will find your­self lying on your death­bed, and all you will feel is emp­ti­ness.
(more…)
10. The more talen­ted some­body is, the less they need the props.
Mee­ting a per­son who wrote a mas­ter­piece on the back of a deli menu would not sur­prise me. Mee­ting a per­son who wrote a mas­ter­piece with a sil­ver Car­tier foun­tain pen on an anti­que wri­ting table in an airy SoHo loft would SERIOUSLY sur­prise me.
(more…)
11. Don’t try to stand out from the crowd; avoid crowds alto­gether.
Your plan for get­ting your work out there has to be as ori­gi­nal as the actual work, perhaps even more so. The work has to create a totally new mar­ket. There’s no point trying to do the same thing as 250,000 other young hope­fuls, wai­ting for a miracle. All exis­ting busi­ness models are wrong. Find a new one.
(more…)
12. If you accept the pain, it can­not hurt you.
The pain of making the neces­sary sac­ri­fi­ces always hurts more than you think it’s going to. I know. It sucks. That being said, doing something seriously crea­tive is one of the most ama­zing expe­rien­ces one can have, in this or any other life­time. If you can pull it off, it’s worth it. Even if you don’t end up pulling it off, you’ll learn many inc­re­di­ble, magi­cal, valua­ble things. It’s NOT doing it when you know you full well you HAD the oppor­tu­nity– that hurts FAR more than any fai­lure.
(more…)
13. Never com­pare your inside with some­body else’s outside.
The more you prac­tice your craft, the less you con­fuse worldly rewards with spi­ri­tual rewards, and vice versa. Even if your path never makes any money or furthers your career, that’s still worth a TON.
(more…)
14. Dying young is ove­rra­ted.
I’ve seen so many young peo­ple take the “Gotta do the drugs and booze thing to make me a bet­ter artist” route over the years. A choice that was neither effec­tive, healthy, smart, ori­gi­nal or ended hap­pily.
(more…)
15. The most impor­tant thing a crea­tive per­son can learn pro­fes­sio­nally is where to draw the red line that sepa­ra­tes what you are willing to do, and what you are not.
Art suf­fers the moment other peo­ple start paying for it. The more you need the money, the more peo­ple will tell you what to do. The less con­trol you will have. The more bullshit you will have to swa­llow. The less joy it will bring. Know this and plan accor­dingly.
(more…)
16. The world is chan­ging.
Some peo­ple are hip to it, others are not. If you want to be able to afford gro­ce­ries in 5 years, I’d recom­mend lis­te­ning clo­sely to the for­mer and avoi­ding the lat­ter. Just my two cents.
(more…)
17. Merit can be bought. Pas­sion can’t.
The only peo­ple who can change the world are peo­ple who want to. And not every­body does.
(more…)
18. Avoid the Water­coo­ler Gang.
They�re a well-meaning bunch, but they get in the way even­tually.
(more…)
19. Sing in your own voice.
Pic­casso was a terri­ble colo­rist. Tur­ner couldn’t paint human beings worth a damn. Saul Steinberg’s for­mal draf­ting skills were appa­lling. TS Eliot had a full-time day job. Henry Miller was a wildly une­ven wri­ter. Bob Dylan can’t sing or play gui­tar.
(more…)
20. The choice of media is irre­le­vant.
Every media’s grea­test strength is also its grea­test weak­ness. Every form of media is a set of fun­de­ma­tal com­pro­mi­ses, one is not “higher” than the other. A pain­ting doesn’t do much, it just sits there on a wall. That’s the best and worst thing thing about it. Film com­bi­nes sound, pho­to­graphy, music, acting. That’s the best and worst thing thing about it. Prose just uses words arran­ged in linear form to get its point across. That’s the best and worst thing thing about it etc.
(more…)
21. Selling out is har­der than it looks.
Dilu­ting your pro­duct to make it more “com­mer­cial” will just make peo­ple like it less.
Many years ago, barely out of college, I star­ted sch­lep­ping around the ad agen­cies, loo­king for my first job.
(more…)
22. Nobody cares. Do it for your­self.
Every­body is too busy with their own lives to give a damn about your book, pain­ting, screen­play etc, espe­cially if you haven’t sold it yet. And the ones that aren’t, you don’t want in your life any­way.
(more…)
23. Worr­ying about “Com­mer­cial vs. Artis­tic” is a com­plete waste of time.
You can argue about “the sha­me­ful state of Ame­ri­can Let­ters” till the cows come home. They were kvetching about it in 1950, they’ll be kvetching about it in 2050.
It’s a path well-trodden, and not a place where one is going to come up with many new, earth-shattering insights.
(more…)
24. Don�t worry about fin­ding ins­pi­ra­tion. It comes even­tually.
Ins­pi­ra­tion pre­ce­des the desire to create, not the other way around.
(more…)
25. You have to find your own sch­tick.
A Picasso always looks like Pic­casso pain­ted it. Heming­way always sounds like Heming­way. A Beetho­ven Symphony always sounds like a Beethoven’s Syynphony. Part of being a mas­ter is lear­ning how to sing in nobody else’s voice but your own.
(more…)
26. Write from the heart.
There is no sil­ver bullet. There is only the love God gave you.
(more…)
27. The best way to get appro­val is not to need it.
This is equally true in art and busi­ness. And love. And sex. And just about everything else worth having.
(more…)
28. Power is never given. Power is taken.
Peo­ple who are “ready” give off a dif­fe­rent vibe than peo­ple who aren’t. Ani­mals can smell fear; maybe that’s it.
(more…)
29. Wha­te­ver choice you make, The Devil gets his due even­tually.
Selling out to Holly­wood comes with a price. So does not selling out. Either way, you pay in full, and yes, it inva­riably hurts like hell.
(more…)
30. The har­dest part of being crea­tive is get­ting used to it.
If you have the crea­tive urge, it isn’t going to go away. But some­ti­mes it takes a while before you accept the fact.
(more…)

193 Responses to “how to be creative”

  1. standa says:

    Hugh, super job and bet­ter than most of the pur­por­ted guru’s on this sub­ject mat­ter. ( I stop­ped rea­ding their dri­vel books 12 yrs. ago )
    I’ve been a solo inde­pen­dent con­sul­tant for a decade ( mainly bus dev for soft­ware star­tups ) and your “Hugh­train Mani­festo” on How to be crea­tive is some very sage advice. I’ve wor­ked for CEO’s
    What I reso­nate with most and have expe­rien­ced nume­rous ins­tan­ces ( trials and tri­bu­la­tions ) are your com­ments under Point 1 — Ignore ever­yone
    GOOD IDEAS ALTER THE POWER BALANCE IN RELATIONSHIPS, THAT IS WHY GOOD IDEAS ARE ALWAYS INITIALLY RESISTED.
    Good ideas come with a heavy bur­den. Which is why so few peo­ple have them. So few peo­ple can handle it.
    Secondsly your com­ments in Com­pa­nies that squelch crea­ti­vity can no lon­ger com­pete with com­pa­nies that cham­pion crea­ti­vity are also spot on.
    That’s why I work with emer­ging soft­ware star­tups where eco­logy still thri­ves is most ins­tan­ces.
    Lastly your abso­lu­tely right about the need to acceopt the pain and learn from it. ” No pain — no gain ” but try and not repeat the same mis­ta­kes.
    Once again well done !

  2. David says:

    I love this thread. So much more real than a lot of advice one sees. If I read all the sub-threads right now, I’d know I was was­ting work time, and I know that already thanks.

  3. amondt says:

    I am in the middle of plot­ting a mas­sive career change and this really shook me up! I’m not an artist but simply a somewhat (hope­fully) crea­tive per­son that needs to finally use that crea­ti­vity again. It gave me hope.

  4. NKM says:

    Thank you! I have book­mar­ked this page, and I will come back and read it again when I start to get worn down. And again. And again. Espe­cially that bit about com­pa­nies nee­ding crea­tive types like us. Do you know any that are hiring? :-)

  5. Rohit Khetan says:

    I’ve been wan­ting to break out and do something crea­tive for some time, but the fear of the varia­bles puts me in depres­sion. Your words are like the light at the end of the tun­nel. Thanks.

  6. Scott Berkun says:

    Anyone who dug this post should defi­ni­tely check out the book Art and fear http://www.amazon.com/exec/obidos/tg/detail/-/0961454733/
    It’s a short set of essays about why peo­ple fear crea­tive work, and how to come to terms with it. My wife read it get­ting her MFA, and I’ve found it enti­rely rele­vant to any kind of crea­tive pur­suit. Highly recommended.

  7. spot on. keep ‘em coming.

  8. Hmm, okay … now, why don’t you just start a new thread like “how to be crea­tive millionaire”?

  9. Hmm, okay … now, why don’t you just start a new thread like “how to be crea­tive millionaire”?

  10. fyrfli says:

    This is some ins­pi­ring and moti­va­ting rea­ding. I have to book­mark it to read over and over.

  11. UTHOM. says:

    Crea­ti­vity is shou­ting in your ear.
    You are so exci­ted when you think about your pas­sion. Crea­ti­vity for plea­sure.
    Then you hear the ‘look at XX they are get­ting paid for their crea­tive out­put — why don’t you have a go — you might even get well-known as an artist ins­tead of being just a hou­se­wife and mother’
    The hea­venly sound of Crea­ti­vity beco­mes drow­ned by the cho­rus of envy, com­pa­ri­son and frus­tra­tion.
    Sad.
    Thanks for put­ting so much com­mon­sense in one acces­si­ble place.

  12. Adnan says:

    Bri­lliant.…*****

  13. Joe says:

    Not many sites get perma-links from my site. This is defi­ni­tely one of them. Wow, what a great list.

  14. Lloyd says:

    Hugh, THANK YOU for this gift. I’m just on the last pages of the first draft of a novel that I’ve been wor­king on for 9 years, on and off. Sud­denly, it all loo­ked like crap to me, and I whi­ned to a friend. He sent me this link.
    You’ve hel­ped me put things back in perspective.

  15. waldo the wanderer says:

    Very nice. I would like to point out, though, that the maxims in your list are not neces­sa­rily res­tric­ted to ‘art-ee-ists’.

  16. hugh macleod says:

    Yeah well, Waldo, I did sti­pu­late “…in art, in busi­ness, wha­te­ver” at the top.
    e.g. cove­red my ass ;-)

  17. Sri Winarti says:

    It’s really awa­ke­ned me from my lazi­ness in wri­ting. From now on i’ll spend my time as well as I can as God has given so many talents to me. Thanks for this, I’ll be crea­tive again in facing my old age.

  18. Jim Black says:

    Hugh,
    Thanks for your great advice — we all have something God-given to do in this life — thanks for having the cou­rage to take a step towards that thing, and encou­ra­ging others to do the same!

  19. One I don’t see here — find com­mu­nity — you can’t do what you’re doing in a vacuum. Find peo­ple (even those who are not in the same field but share the strug­gle) who you can walk shoulder-to-shoulder with and may have some insights.
    Thanks for such an ama­zing list. I nee­ded to hear all this today.

  20. Mick says:

    Thank you Hugh.
    Mick.

  21. Dina says:

    Was for­war­ded this by a friend, and I’d like to say THANK YOU. I have had the Sex bit, but the cash is threa­te­ning to kill me, and it will one day! But you’ve put things into pers­pec­tive, so I thank you for that. I am now loo­king for another job that pays the bills too, as well as gives me time to be the artist I think I am hehhehe. All the best

  22. matt says:

    i couldn’t disa­gree more with daphne’s post above; though i res­pect that it may work for her.
    i find comm­mu­ni­ties of “artists” the most abho­rrent per­pe­tua­tors of medioc­rity around. the only com­mu­ning i need can be achie­ved through the artists’ work. those with inte­grity. i rely more on flaubert’s opi­nions in his novels, let­ters, and jour­nals than those of friends or family. also — it’s not fair to them to ask their opi­nion on something so dear to me.
    i just read hemingway’s _moveable feast_ and while i enjo­yed it — and think him a great wri­ter — i found it sad the way he ban­died about other artists’ names and tal­ked about their man­ne­risms; moreso than his own family’s.
    i much pre­fe­rred salinger’s take. he hated the hives of wri­ters that he found everywhere.

  23. Mark Harm says:

    Valua­ble Advice. The Uni­ted Sta­tes was foun­ded on the crea­ti­vity, enter­prise, and ima­gi­na­tion of its peo­ple. From our first days, we expe­ri­men­ted with a brand new form of govern­ment, one that gave folks a grea­ter chance than ever before to ful­fill their poten­tial. Now, though, too little focus in paid to encou­ra­ging crea­ti­vity, ima­gi­na­tion, and curiosity.

  24. Mike says:

    Why is it that some peo­ple choose careers that the bet­ter they get at them the less they do them. (Chef, Law­yer, etc.)?

  25. Clark says:

    Exce­llent words! Can I trans­late it into Chi­nese so that more peo­ple may share it?

  26. hugh macleod says:

    Clark, yeah, that would be awe­some! I’d love to see it Chi­nese =)
    *Ahem* this doesn’t affect my copy­right and authorship sch­tick in any way, of course…
    Can you send me a link when it’s done? Or if you e-mail it to me, will I be able to post it? (Not sure how this Chi­nese wri­ting stuff works…)

  27. Teb De Sciotto says:

    Hugh,
    I have iso­la­ted all of your published thoughts and alpha­be­ti­zed; then sor­ted them accor­ding to cha­rac­ter length. Then re-sorted based on alpha sort of pri­mary adjec­tive usage. Then same for verbs. Man, that felt good. Cus­to­dial creativity.

  28. d1rge says:

    i thought i com­men­ted on this entry (perhaps it was dele­ted) but the first rule is sooooo true.

  29. Bhooshan says:

    I loved your thoughts a lot and it has ins­pi­red me to do bet­ter in the future. I pro­mise I will be back for more soul curry :-)

  30. scottcooper says:

    This is the best site about crea­ti­vity that I’ve found in a long time, and I hope to add some of these ideas into my own wor­king pro­cess. I’m a pot­ter and web deve­lo­per, and most of these seem equally appli­ca­ble to both areas.
    Not to take anything away from Hugh’s list, but this also remin­ded me of “An Incom­plete Mani­festo for Growth” by desig­ner Bruce Mau (http://www.brucemaudesign.com/manifesto.html). It too is a great grou­ping of recom­men­da­tions and war­nings about how not to pollute your creativity.

  31. hugh macleod says:

    Scott, I’ve read Bruce Mau’s Mani­festo.
    It’s won­der­ful.
    Thanks for the tip/reminder, though =)

  32. Olwyn-Australia says:

    Thank­you hugh, and also a thanks to Joe ( aug 05th 2004). Just what i was thin­king!
    I teach dance and move­ment to the cha­llen­ged, and dance to the elderly…also cha­llen­ged!!
    Every day i want to be crea­tive, to excite the pas­sion of living, loving, and being healthy, and still being curious and mischie­vious every day…in others and myself. Choreography…and hell …even living every day and not being disallusioned.……takes effort!!!!!
    Crea­tive flow/juice…whatever you call it ..is elusive…at times.….and can land like a but­terfly or lady­bird when you least expect it..often at ino­por­tune times.……sometimes something someone says will ins­pire me …an adver­ti­se­ment , a book cover, art, the writ­ten word, poetry.….. for me they are all the one thing!

  33. Nik says:

    Thanks for your ping about my lan­guage. I really used the wrong lan­guage to say that I disa­gree with what you, but I think you’re lea­ding peo­ple who don’t think about crea­ti­vity into thin­king about it, and I appre­ciate that

  34. Clark says:

    This is the first edi­tion of my Chi­nese trans­la­tion, please com­ment as you like:
    1. 走自己的路
    2. 想法虽不起眼,但它却能改变全世界
    3. 投入时间
    4. 千里马常有,而伯乐不常有
    5. 你的经历由你自己负责
    6. 创造性是人的本性
    7. 保持日常工作
    8. 唯有有创意的公司才能生存
    9. 每个人都有自己的生存目标
    10. 成大事者不拘小节
    11. 与众不同
    12. 期望越大,失望越大
    13. 不要互相攀比
    14. 书山有路勤为径
    15. 区分你喜欢做的事和你不喜欢做的事
    16. 世易时移
    17. 黄金有价,激情无价
    18. 远离失败的人
    19. 要有自己的个性和风格,哪怕是缺点
    20. 形式并不重要,重要的是内容

  35. Kyra Xenea Quon says:

    My fan­tans­ti­cally crea­tive, dri­ven, and suc­cess­ful brother sent me this link. This last year has been life-altering for me since I almost lost my life. With a year off from work to reco­ver, I’ve pur­sued my artis­tic inte­rests as my self-help the­rapy. With no per­for­mance pres­sure, a talent (jewelry/metalsmithing) is fin­ding room to grow, and the pro­cess of lear­ning and making mis­ta­kes is actually a joy. Finished pie­ces eli­ci­ting unso­li­ci­ted praise are even more of a joy. But yes, I’ll keep my day job at least part time. Don’t want to bur­den my plea­sure with the rea­lity of sur­vi­val (yet). When one learns to have con­fi­dence and not worry about jud­ge­ment (a HARD thing to learn), AND not to put self-expectations of per­fec­tion on one­self in EVERYTHING, this pro­cess of crea­ti­vity really is a joy­ful and hea­ling expe­rience. And it could rea­lis­ti­cally turn into a more enjo­ya­ble day (and night) job! And get­ting paid for something one loves to do???
    Thanks for your right-on insights!

  36. Mark says:

    This is some great advice, and timely for me. Thanks Hugh!
    “There are only two kinds of artists: the pla­gia­rists and the revolutionaries.”

  37. Jamin says:

    Hugh — blin­ding, love it. I have some thoughts for you though… this isn’t a ‘you should inc­lude’, more of a ‘what are your thoughts on’. Some of my most crea­tive moments (or the point at which ideas crys­ta­lise) have come when I’m well out of the box (and, I have to admit — at points — out of my own) I really do think play in this way opens the mind to epiphany, where work simply can’t… I endorse point 14 without ques­tion (there IS a HUGE dif­fe­rence bet­ween fee­ding the mind and killing it) but won­de­red whether play had a big­ger part to play than the cra­yon angle?
    (Pat Kane’s book and site on the Play Ethic is worth a squiz) Any­way, like I said, love it…

  38. iman says:

    i like the word crea­ti­ve­ness very much
    i don’t want to be nor­mal pre­son doing the same busi­ness every day . what i want to do is dif­fe­rent totally dif­fe­rent so i always think about how i can change the things around me even 2% .
    things are not coming from nothing but from deeply thin­king .
    rea­ding more is the only way that is going to help you to unders­tand more to create new things.i wish if i can change the things that i feel they don’t make sense . for exam­ple human rights Is anyone enjo­ying and prac­ti­sing thier rights or Are their rights vio­la­ted ? this is a uni­ve­sal problem.

  39. Steve says:

    Where are the peo­ple that think like this in my day to day life? Just thin­king I guess, like me. The loud ones are usually the idiots.

  40. Tiffany says:

    link on bmoss’s page brought me here. woah. thats a pretty accu­rate list. infact sca­rily accu­rate. And there are a few peo­ple i think should read it … my past art teacher being one. *cough* ahem.
    nicely done.

  41. Julia says:

    A wise per­son once told me “Some­ti­mes you do a job to feed your soul, but most of the time you have to do a job that feeds your dog.”

  42. moira says:

    I just love it!
    Hope it will continue.….….

  43. april says:

    This quote from a novel reso­na­ted with me.
    The set­ting is a church ser­vice.
    “It is never about how good your voice is;
    it is about fee­ling the urge to sing,
    and then having the cou­rage to do it with the voice you are given.”
    Eli­za­beth Berg from “True to Form”

  44. goergel says:

    this really is an awe­some blog!
    what are you peo­ple doing! howdy!!!

  45. gigel says:

    When I use the term ‘repug­nant’ I do so in my own opi­nion: I do not use non-free
    soft­ware on machi­nes I con­trol. This licence is non-free, and mas­que­ra­ding it as free
    is offen­sive. I have con­tri­bu­ted lots to the Free Soft­ware com­mu­nity myself, and I
    would be com­ple­tely outra­ged if any of my con­tri­bu­tions were being ship­ped in a
    non-free pro­duct. Con­tri­bu­tions are con­tri­bu­tions to public soft­ware, not pri­vate
    profits.

  46. Rick Hein says:

    Bri­lliant! Great insights and a les­son to us all.