July 25, 2004

how to be creative

zzzmnjki17.jpg

[BIG NEWS: “How To Be Crea­tive” will be coming out as a hard­co­ver book in June, 2009. Tit­led “Ignore Every­body”, you can find out more details here.]

So you want to be more crea­tive, in art, in busi­ness, wha­te­ver. Here are some tips that have wor­ked for me over the years:
1. Ignore every­body.
The more ori­gi­nal your idea is, the less good advice other peo­ple will be able to give you. When I first star­ted with the biz card for­mat, peo­ple thought I was nuts. Why wasn’t I trying to do something more easy for mar­kets to digest i.e. cutey-pie gree­ting cards or wha­te­ver?
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2. The idea doesn’t have to be big. It just has to change the world.
The two are not the same thing.
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3. Put the hours in.
Doing anything worthwhile takes fore­ver. 90% of what sepa­ra­tes suc­cess­ful peo­ple and fai­led peo­ple is time, effort and sta­mina.
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4. If your biz plan depends on you sud­denly being “dis­co­ve­red” by some big shot, your plan will pro­bably fail.
Nobody sud­denly dis­co­vers anything. Things are made slowly and in pain.
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5. You are res­pon­si­ble for your own expe­rience.
Nobody can tell you if what you’re doing is good, mea­ning­ful or worthwhile. The more com­pe­lling the path, the more lonely it is.
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6. Ever­yone is born crea­tive; ever­yone is given a box of cra­yons in kin­der­gar­ten.
Then when you hit puberty they take the cra­yons away and replace them with books on alge­bra etc. Being sud­denly hit years later with the crea­tive bug is just a wee voice telling you, “I�d like my cra­yons back, please.“
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7. Keep your day job.
I�m not just saying that for the usual rea­son i.e. because I think your idea will fail. I�m saying it because to sud­denly quit one�s job in a big ol’ crea­tive drama-queen moment is always, always, always in direct con­flict with what I call �The Sex & Cash Theory�.
8. Com­pa­nies that squelch crea­ti­vity can no lon­ger com­pete with com­pa­nies that cham­pion crea­ti­vity.
Nor can you bully a subor­di­nate into beco­ming a genius.
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9. Every­body has their own pri­vate Mount Eve­rest they were put on this earth to climb.
You may never reach the sum­mit; for that you will be for­gi­ven. But if you don’t make at least one serious attempt to get above the snow-line, years later you will find your­self lying on your death­bed, and all you will feel is emp­ti­ness.
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10. The more talen­ted some­body is, the less they need the props.
Mee­ting a per­son who wrote a mas­ter­piece on the back of a deli menu would not sur­prise me. Mee­ting a per­son who wrote a mas­ter­piece with a sil­ver Car­tier foun­tain pen on an anti­que wri­ting table in an airy SoHo loft would SERIOUSLY sur­prise me.
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11. Don’t try to stand out from the crowd; avoid crowds alto­gether.
Your plan for get­ting your work out there has to be as ori­gi­nal as the actual work, perhaps even more so. The work has to create a totally new mar­ket. There’s no point trying to do the same thing as 250,000 other young hope­fuls, wai­ting for a miracle. All exis­ting busi­ness models are wrong. Find a new one.
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12. If you accept the pain, it can­not hurt you.
The pain of making the neces­sary sac­ri­fi­ces always hurts more than you think it’s going to. I know. It sucks. That being said, doing something seriously crea­tive is one of the most ama­zing expe­rien­ces one can have, in this or any other life­time. If you can pull it off, it’s worth it. Even if you don’t end up pulling it off, you’ll learn many inc­re­di­ble, magi­cal, valua­ble things. It’s NOT doing it when you know you full well you HAD the oppor­tu­nity– that hurts FAR more than any fai­lure.
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13. Never com­pare your inside with some­body else’s outside.
The more you prac­tice your craft, the less you con­fuse worldly rewards with spi­ri­tual rewards, and vice versa. Even if your path never makes any money or furthers your career, that’s still worth a TON.
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14. Dying young is ove­rra­ted.
I’ve seen so many young peo­ple take the “Gotta do the drugs and booze thing to make me a bet­ter artist” route over the years. A choice that was neither effec­tive, healthy, smart, ori­gi­nal or ended hap­pily.
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15. The most impor­tant thing a crea­tive per­son can learn pro­fes­sio­nally is where to draw the red line that sepa­ra­tes what you are willing to do, and what you are not.
Art suf­fers the moment other peo­ple start paying for it. The more you need the money, the more peo­ple will tell you what to do. The less con­trol you will have. The more bullshit you will have to swa­llow. The less joy it will bring. Know this and plan accor­dingly.
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16. The world is chan­ging.
Some peo­ple are hip to it, others are not. If you want to be able to afford gro­ce­ries in 5 years, I’d recom­mend lis­te­ning clo­sely to the for­mer and avoi­ding the lat­ter. Just my two cents.
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17. Merit can be bought. Pas­sion can’t.
The only peo­ple who can change the world are peo­ple who want to. And not every­body does.
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18. Avoid the Water­coo­ler Gang.
They�re a well-meaning bunch, but they get in the way even­tually.
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19. Sing in your own voice.
Pic­casso was a terri­ble colo­rist. Tur­ner couldn’t paint human beings worth a damn. Saul Steinberg’s for­mal draf­ting skills were appa­lling. TS Eliot had a full-time day job. Henry Miller was a wildly une­ven wri­ter. Bob Dylan can’t sing or play gui­tar.
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20. The choice of media is irre­le­vant.
Every media’s grea­test strength is also its grea­test weak­ness. Every form of media is a set of fun­de­ma­tal com­pro­mi­ses, one is not “higher” than the other. A pain­ting doesn’t do much, it just sits there on a wall. That’s the best and worst thing thing about it. Film com­bi­nes sound, pho­to­graphy, music, acting. That’s the best and worst thing thing about it. Prose just uses words arran­ged in linear form to get its point across. That’s the best and worst thing thing about it etc.
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21. Selling out is har­der than it looks.
Dilu­ting your pro­duct to make it more “com­mer­cial” will just make peo­ple like it less.
Many years ago, barely out of college, I star­ted sch­lep­ping around the ad agen­cies, loo­king for my first job.
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22. Nobody cares. Do it for your­self.
Every­body is too busy with their own lives to give a damn about your book, pain­ting, screen­play etc, espe­cially if you haven’t sold it yet. And the ones that aren’t, you don’t want in your life any­way.
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23. Worr­ying about “Com­mer­cial vs. Artis­tic” is a com­plete waste of time.
You can argue about “the sha­me­ful state of Ame­ri­can Let­ters” till the cows come home. They were kvetching about it in 1950, they’ll be kvetching about it in 2050.
It’s a path well-trodden, and not a place where one is going to come up with many new, earth-shattering insights.
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24. Don�t worry about fin­ding ins­pi­ra­tion. It comes even­tually.
Ins­pi­ra­tion pre­ce­des the desire to create, not the other way around.
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25. You have to find your own sch­tick.
A Picasso always looks like Pic­casso pain­ted it. Heming­way always sounds like Heming­way. A Beetho­ven Symphony always sounds like a Beethoven’s Syynphony. Part of being a mas­ter is lear­ning how to sing in nobody else’s voice but your own.
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26. Write from the heart.
There is no sil­ver bullet. There is only the love God gave you.
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27. The best way to get appro­val is not to need it.
This is equally true in art and busi­ness. And love. And sex. And just about everything else worth having.
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28. Power is never given. Power is taken.
Peo­ple who are “ready” give off a dif­fe­rent vibe than peo­ple who aren’t. Ani­mals can smell fear; maybe that’s it.
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29. Wha­te­ver choice you make, The Devil gets his due even­tually.
Selling out to Holly­wood comes with a price. So does not selling out. Either way, you pay in full, and yes, it inva­riably hurts like hell.
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30. The har­dest part of being crea­tive is get­ting used to it.
If you have the crea­tive urge, it isn’t going to go away. But some­ti­mes it takes a while before you accept the fact.
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222 Responses to “how to be creative”

  1. Ben Smith says:

    Really, really, really, like this thread! …Thank you.

  2. Agreed. And I agree with most of what’s lis­ted here. Jud­ging your­self accor­ding to the goals of others is a pretty sha­llow way to chase happiness.

  3. Craiger says:

    Bravo…these are all great, and spot-on. I used to work in the art dept. of a com­pu­ter game deve­lo­per, and watched the crea­tive pro­cess (both in an indi­vi­dual and group con­text) suf­fer terribly from many of the pro­blems you’ve lis­ted.
    I humbly sub­mit one of my own:
    Exces­sive nega­tive crit­cism does not equal crea­ti­vity.
    Sava­ging someone else’s crea­tive efforts does not ele­vate your own crea­tive sta­tus. It doesn’t mat­ter how elo­quently you run down someone else’s work– if you can’t gene­rate something worthwhile your­self, then no amount of crit­cism of other’s efforts will result in res­pect for YOUR work.

  4. Jerry says:

    Hugh: Fan­tas­tic list. Really spot-on. So, ummm, why do you need to be a millio­naire? I mean, is making art satis­fac­tion enough? And, if you were a millio­naire, would you be MORE crea­tive?
    Aside from not having to work for someone you don’t like, being able to tra­vel, not having to worry about not being able to afford something, and remo­ving fears about the secu­rity of the peo­ple you love, what would being a millio­naire buy you? Alain de Bot­ton points out that, in most Wes­tern socie­ties, the fear of ending up pen­ni­less never goes away. So you’d still be anxious – albeit a nattily-clothed, well-fed, well-sheltered neurotic.

  5. Watson says:

    Amen, brotha…

  6. hugh macleod says:

    Crai­ger, thanks for the tip. It infor­med # 8.
    Jerry, I never said I wan­ted to be a millio­naire. The guy in the car­toon did ;-)
    Thanks for the fee­back, Ever­yone. Please, keep it coming =)

  7. Suw says:

    Hugh! Bloody bri­lliant post! I couldn’t agree more.
    I think you need to add something about not jud­ging your first attempt by other people’s finished thing.
    Over and again I talk to peo­ple (usually wri­ters) who strug­gle with the fact that their first draft is ‘crap’ — they com­pare it to the work of their favou­rite author without ever rea­li­sing that their favou­rite author wrote crap first time round too. The first draft is not the last draft, but may crea­ti­ves expect to pro­duce ins­tant works of genius, without ever put­ting in the prac­tice to refine and deve­lop their skills.
    It’s the 80 – 20 rule again — 80% of everything you do will be crap, but you have to do it in order to get at the 20% that is worthwhile. And there’s no way round that — you can’t skip straight to the 20%.

  8. Ali says:

    Hugh, I’ve been silently enjo­ying your humour and insights on Gaping Void for a while now, and I must say this list is a bri­lliant one!
    I have seen many peo­ple fall into pit­falls in how they value their own carreers in res­pect to crea­ti­vity. I’ve been known to plunge in a few of them myself. Rea­ding this list just remin­ded me of a few things about myself which will help in an almost taken deci­sion on a carreer change. Thanks for the remin­der!
    Now where did I put those cra­yons? …and where are my clim­bing shoes?!

  9. cynthia says:

    i love #9, but #10 freaks me out a little. which may be your point. but per­so­nally i pre­fer “the grea­ter the gift, the more likely you are psychotic.”

  10. hugh macleod says:

    Cynthia, since your post I’ve re-edited and re-numbered them. So your last post will no lon­ger make sense. Sorry for the incon­ve­nience.
    I deci­ded to keep the list down to twelve. Focus etc.

  11. troyb says:

    These can apply to anything. It doesn’t have to just be busi­ness. I’m in a tough spot right now in my per­so­nal life and rea­ding this list is a good remin­der that i need to con­ti­nue doing what i believe in. That as long as i don’t give up, and con­ti­nue doing things with my own twist I’ll come out a win­ner. The out­come may not be what i ori­gio­nally expec­ted or hoped for, but I will know that I never com­pra­mi­sed what i beleive in, and the end can only make me stron­ger for that.
    Maybe i’m taking more away from this list then what is really here but it got me thin­king so thank you.

  12. hugh macleod says:

    No worries, Troy =)
    And yes, it applies to more than just busi­ness ;-)

  13. thestruk says:

    Great! Ins­pi­ring! True!

  14. James Drogan says:

    Some ideas that help me.
    1. Know what you know; know what you don’t know; and know who knows what you don’t know.
    2. Ins­pi­ra­tio­nal dis­sa­tsi­fac­tion. Thanks to the late Bob Neuschel for this one.
    3. Insa­tia­ble curio­sity: what, why, when, how, where, and who everything.
    4. Embrace risk as a pro­ge­ni­tor of freedom.

  15. kamylyon says:

    book­mar­ked!

  16. AMB says:

    I found this in the Live­Jour­nal of a friend. It’s great! My favo­rite is #9. That applies to every­body, artist or not.

  17. Dave Bush says:

    My com­ment: DO NOT create to impress your peers. If that’s your audience, you’re was­ting energy.

  18. John says:

    Hugh — I’d be inte­res­ted to hear your thoughts on ins­pi­ra­tion. Where do you go to find it? Do you acti­vely seek it out? When does it become a hin­de­rance (if it does)? Actually if anyone wants to chime in on these…

  19. John says:

    Hugh — I’d be inte­res­ted to hear your thoughts on ins­pi­ra­tion. Where do you go to find it? Do you acti­vely seek it out? When does it become a hin­de­rance (if it does)? Actually if anyone wants to chime in on these…

  20. Brent says:

    #10, heh. Abso­lu­tely. Though, I’ll tell you something: if I met someone who’d writ­ten a mas­ter­piece on the back of a deli menu, I wouldn’t be sur­pri­sed at all to find out he or she had real strong opi­nions about which deli menus were the best to write on!

  21. condour says:

    Awe­some, and so true. I would also add the theory of “baby steps”, that if you want to be a wri­ter, start with short sto­ries or essays ins­tead of begin­ning a novel that you’ll never finish. I think it goes hand-in-hand with the sex/cash thing — it’s too easy to say “I’m wor­king on a novel” and shield your­self from feed­back and cri­ti­cism for years.

  22. condour says:

    Awe­some, and so true. I would also add the theory of “baby steps”, that if you want to be a wri­ter, start with short sto­ries or essays ins­tead of begin­ning a novel that you’ll never finish. I think it goes hand-in-hand with the sex/cash thing — it’s too easy to say “I’m wor­king on a novel” and shield your­self from feed­back and cri­ti­cism for years. Same for movies, art, games, what-have-you.

  23. alistair says:

    crea­ti­vity and cash are vir­tually mutually exclusive.you can draw with a stick(free)in dirt(also free).mind you.…. money gets the hounds off your tail for a bit and a lot of cash will make the pro­cess per­me­nant.
    great list.and yes we are all great creators.that‘s how we got here in the first place.an inte­res­ting book i read recently called “artists,craftsmen and tech­noc­rats” shed some light on the plight of the artist in society and cor­po­ra­tions in specific.the author‘s name esca­pes me.

  24. ratso says:

    Exce­llent!!!

  25. Cathy says:

    Bri­lliant put!!!!

  26. Cathy says:

    Bri­lliant put!!!!

  27. Jim says:

    Great.. very true.
    I’d also add something along these lines:
    Being crea­tive in any field will help you to be crea­tive in all fields.

  28. sean says:

    i like this thread as well. nice tone. i’ll add:
    * make your own tools — chan­ces are thing things you need to reach your potien­tial have yet to be inven­ted. inven­ting them on the path to rea­li­zing your dream is part of the jour­ney — and the reward.
    * friends. you’ll get by with a little help from them. that doesn’t mean you have to lis­ten to them when they think your idea sucks, but having them there to fill in the gaps in your thinking/piss you off/frustrate you enough to keep wor­king, get your ideas out of your head, etc is great feed­back.
    *make mis­ta­kes. learn from them. use what you lear­ned to make twice as many mis­ta­kes in half the time. repeat.
    *stop what you are doing. go join the fire depart­ment, work in a day care faci­lity, take a non white collar temp job (if you have a white collar one now), join a ran­dom club or orga­ni­za­tion. pick up an ins­tru­ment you know nothing about. make horri­ble noi­ses with it, espe­cially if that ins­tru­ment is your own voice. talk to stran­gers. pick up trash. volun­teer at a hos­pi­tal or youth men­tor orga­ni­za­tion. take a long walk with a rela­tive and actaully talk to them. see bad movies, live per­for­man­ces, and expen­sive art — get frus­tra­ted and make a plan to create something that you would rather see. get on your knees and play make-believe with a preschoo­ler or youn­ger age child — for­get what you know. learn to be something other then you are right now.
    *publish or perish — kee­ping all your crea­ti­vity to your­self is boring. out­put out­put out­put. show and tell. share and colla­bo­rate. make wha­te­ver you do avai­la­ble for others to enjoy, work off of, and be ins­pi­red by. know that wha­te­ver you do is already copy­righ­ted and is not to worry about. don’t be afraid to embrace creativecommons.com licen­ses. think of your art as a gift you have been asked to give to someone else.

  29. Jim says:

    (continued…and slightly off topic, apo­lo­gies)
    Also, while I think about it…I like to think that to really make the most out of any work that I do, it needs to involve three things in roughly equal pro­por­tions:
    1. Crea­ti­vity
    2. Social bene­fit
    3. Per­so­nal reward (money, sta­tus, repu­ta­tion etc)
    If I can get all three, then I’m more likely to enjoy the work and be suc­cess­ful in it.

  30. Will Felix says:

    Holy shit man… I don’t know if you rea­lize this, but you may have just saved my life.

  31. hugh macleod says:

    Thanks for all the feed­back, Every­body =)
    Man, it’ll take me weeks to absorb all of it pro­perly… but I’ll try to blog as much of it as I can later.

  32. Tony says:

    A cou­ple of my own… (from a wri­ter)
    # Done is good.
    Wha­te­ver it is, get it done. A finished pro­duc­tion is it’s own reward. Call it com­plete and move on.
    # 1000 words a day.
    Without a daily quota, nothing rea­lis­tic hap­pens.
    # Never settle for ‘good enough’. Do your utter, com­plete best.
    Rea­lis­ti­cally, the com­pe­ti­tion is all the great stuff out there that the Inter­net makes avai­la­ble for free and easy.

  33. Great great great stuff!
    Check out my site if you get a chance — http://www.andertoons.com

  34. Kaden says:

    ‘Pay Atten­tion’
    Fai­lure to do so trig­gers ugly cas­ca­des.
    K

  35. shizzle says:

    I just want to give props to my main man Hugh Mac­leod. Word up dog!

  36. Jason says:

    Won­der­ful words — I’ll be prin­ting these out for my desk at work (and at home!)

  37. jeff says:

    Outstanding…keep up the good work!

  38. Terence says:

    Heming­way is said to have said “There is no such thing as good wri­ting, only good re-writing”. And that feels so true of all crea­tive endeavours.

  39. Julie says:

    Thank you. Really.

  40. js says:

    13. Lis­ten to the music of Ween.

  41. js says:

    13. Lis­ten to the music of Ween.

  42. Faith says:

    I love this thread. Not just the way it encap­su­la­tes so many good ideas but also the sense in which it is a ‘living’ thing, none of these ideas are ‘finished’, just sta­ring points for even further thought. Bri­lliant post!

  43. M o I says:

    Great, but — Is there any way to get this as one whole docu­ment rather than 12 sepa­rate ones?

  44. M o I says:

    Great, but — Is there any way to get this as one whole docu­ment rather than 12 sepa­rate ones?

  45. Moi says:

    Great, but — is there any way to get it as one whole docu­ment rather than 12 sepa­rate ones?

  46. Moi says:

    My apo­lo­gies, Fire­fox kept timing out on me. ((dies of embarrassment))

  47. Jem says:

    i love this — very insightful!!

  48. yoga says:

    Many thanks for the frank kick in the ass I nee­ded. I’d like your per­mis­sion to print it large and put it on my stu­dio wall.

  49. Horrible says:

    I find it inte­res­ting that you cou­ple pain and suf­fe­ring as a requi­re­ment for crea­tive breakth­rough. I have to agree, based on obser­va­tion that the most crea­tive peo­ple I know are ugly or socially dis­func­tio­nal in some way (and thus pro­bably expe­rience a lot of invo­lun­tary time away from crowds, joy, com­pa­nionship, com­fort) and create as a way to escape that.
    How many artists do you know that pea­ked and fizz­led away their talent after they got happy?

  50. Bert says:

    Exce­llent stuff! You just clea­red up some of the issues I have been trying to deal with over the past year. Keep going!

  51. pthree says:

    i got my first solo show the other day. rather, my girl­friend got it for me. i’ve been wai­ting to be dis­co­ve­red all these years but i believe i am now going to be for­ging my own future as the miracle isnt happening.

  52. optimus chris says:

    thank­you

  53. Great list and com­ments, espe­cially the “Cash & Sex,” as that is currently my all-absorbing obses­sion. Some­ti­mes I think that our daily lives make us think that we can’t do it — the pro­cess of wor­king the cash job, taking out the trash and lis­te­ning (or watching) the world’s busi­ness can make one feel down­right unim­por­tant. Turn it off, leave the job at work, and make your art. You have to be a little vain to beleive that you can do it, and then you have to just do it.

  54. roland says:

    oh! the P A I N… ouch! ouch!

  55. Carlos says:

    cash and sex.…the best get more of both if you hit the sweet spot.

  56. Tonya says:

    Abso­lu­tely fabu­lous. The more raw the word, the more valua­ble the message.

  57. Thomas Hawk says:

    Yes, don’t quit your day job but rea­lize that 80% of your day job is done with 20% of the time at work. If you can con­cen­trate on this 20% it frees up 80% of your time at work to try and somehow, albeit at times in an impe­ded and pos­si­ble covert man­ner, still put time in towards your crea­tive efforts, art, etc. Whether this is research, thin­king, actual art, etc. use this time, don’t waste it. Some day jobs that allow more free­doms, outside sales, jobs where the value of your work is sub­jec­tive etc. even allow more pos­si­ble oppor­tu­ni­ties to deve­lop your art while on the com­pany clock.
    And I do agree with that one pos­ted com­ment about lis­te­ning to more ween.
    Tho­mas Hawk
    http://thomashawk.com

  58. Jay Fienberg says:

    Great! Along the lines of your point #1, a crea­tive work grows from con­cep­tion like a child, and the nea­rer one is to its birth, the more it looks like a mess of sweat, slime, odd-shape, and screa­ming.
    When we look at the “great works”, we are seeing them in their mature – all clea­ned up and grown up, forms. And, so, it doesn’t work too well to think / talk about new­borns like their grown-ups.

  59. Ry Rivard says:

    I agree with, like, nearly everything. But, like, does rea­ding this list mean I’m not crea­tive? Or are we, as a Peo­ple, past a priori crea­ti­vity. Was such a thing ever so?

  60. Doug says:

    I read this and I reac­ted the same way I usually do to really good advice… “Ok, but what if — “
    What if I keep my day job, ignore every­body else, put my hours in, work really really hard, and then my crea­tion turns out to be the big­gest pile of crud since the Big Bang?
    What if I try to write War And Peace, and end up with Where’s Waldo?
    I spent all this time thin­king of myself as a wri­ter… And then I try my har­dest and fail mise­rably?
    I know that if I don’t ever try, loo­king back on that would be horri­ble… But how do you deal with the pos­si­bi­lity that your crea­tive endea­vors might be a fai­lure of monu­men­tal pro­por­tions?
    And please rea­lize that I’m not tal­king about money here… So my book doesn’t sell, so what. What I mean is, I write a book and maybe I’m the only one who ever sees it… And when I’m done, I look down at the pages in my hands and I rea­lize that I fai­led. Not the publisher, but myself.
    How do I deal with that?

  61. james says:

    Doug: Your first (few) effort(s) pro­bably will be big piles of crud. You have to gene­rate work and want to gene­rate work even though gene­ra­ting it can be pain­ful. I gene­rally like my current work bet­ter than my last and my next work bet­ter than that, and don’t like my old work very much and am slightly emba­rras­sed by my very old work.

  62. Kaijima says:

    I might sub­mit a point rai­sed by author Stephen King: Get your thou­sand pages of crap out as soon as pos­si­ble.
    With sin­cere effort and work, if your talent is deve­lo­ping, you only have so much crap to work out of your sys­tem before you start to find your groove. This rela­tes to why out­put can be so impor­tant. It’s rela­ted to why in pain­ting, they teach you not to fixate too much or too long on thro­wa­way pain­tings. Work fast, fluid, and let your­self go; get all the “bad” pain­tings out of your sys­tem as you pick up a little bit from each quick draft and move on to the next one.
    1 leads to 2, 2 leads to 3, and even­tually you hit your 1000 (or wha­te­ver par­ti­cu­lar num­ber). And you take a look and rea­lize you’re put­ting out good stuff.

  63. rhymer rigby says:

    Most of this is broadly good advice — assu­ming you are cle­ver and crea­tive. But it’s disin­ge­neous to pre­tend that ever­yone — and it’s just as well that they’re not: as Chevy Chase said in Caddyshack “the world needs ditch-diggers, too.”

  64. rhymer rigby says:

    Oops. Mis­sed out an is after “everyone.”

  65. hugh macleod says:

    Rymer, it depends what your defi­ni­tion of “crea­tive” is. I pre­fer the word as something uni­ver­sal in all of us, rather than the domain of a lucky few.
    But, like I said, they’re just tips that have wor­ked for me, for bet­ter or worse. It’s not like I’m carr­ying the word of God down from the moun­tain, con­ve­niently etched on stone tablets.
    Wow. Lots of you guys com­men­ted. Thanks =)

  66. rhymer rigby says:

    Hmmm…probably the narrow one: I’m afraid I’m of the “Of course you’re dif­fe­rent and spe­cial — just like ever­yone else” school. That said, I do think your advice is good stuff — although that may be because I’m terribly cle­ver and crea­tive myself.
    Cheers, RR

  67. saratoons says:

    I love it. I’m there, in a way. I’ve got the fire but not the drive, I’ve got the ‘cash’ job but so burnt out that I’ve not got the ‘sex’ to balance it out.
    I would like to add/recommend somethings:
    So many friends I’ve tal­ked to have had the fire and not the trai­ning. They’ll tell me things such as, “Oh, I can’t draw,” or “I’m horri­ble at X.“
    I’ll ask, “Have you taken a class in it?“
    “Oh, no, I’m horri­ble at it.” or “Just once, and I’ve got no talent for it.“
    For every pro­digy out there, there are 100 regu­lar joes with an itch to create without the natu­ral gifts. Please remind peo­ple that if you are sta­lled in your art, if you haven’t found your ‘nitch’ style, if you know you want to paint but don’t own brushes…
    Take a class. Learn something new. If the teacher isn’t right, try again with a dif­fe­rent teacher. If you don’t feel the con­nec­tion with paper try clay. If you have the fire, find your nitch. Don’t settle for someone else’s nitch!
    Always keep in mind that just because one per­son accom­plished X, Y and Z in two years doesn’t mean you will.
    Keep in mind that you might never be the best. Or second best. You might not be anywhere in the top 100. But if you get a joy out of it, if you make peo­ple happy, if you bring something beau­ti­ful into the world… it really does make it worthwhile. :)
    Again, thanks for the list. :)

  68. Najessa says:

    Thats bri­lliant, very true

  69. Sloo says:

    Very much like your list, Hugh. I can only think of one more: Resent­ment is like taking poi­son and wai­ting for the other per­son to die. Take it from someone whose songs were rip­ped off and mar­ke­ted. Gotta let it go or it will feed on you till you drop dead.

  70. Oh, this is get­ting prin­ted out, book­mar­ked, etc.
    To me everything is a poten­tial tool to draw with — the first thing I think when I get something new, com­pu­ters, PDAs, gel pens, anything that will make a mark is ‘oooh, how do I draw with this?”

  71. scott says:

    The mea­ning in life is found in the pur­suit of the goal, not the achie­ve­ment of the goal. I think crea­ti­vity would be inc­lu­ded in the pur­suit. I need to read more.

  72. Zelnox says:

    This is ama­zing. (^_^)

  73. Girard LaVeaux says:

    Good soup for the soul. I can only add to what You’ve already said,by put­ting it into these few famous words of ins­pe­ra­tion.
    “DARE TO BE GREAT”

  74. Girard LaVeaux says:

    Good soup for the soul. I can only add to what You’ve already said,by put­ting it into these few famous words of ins­pe­ra­tion.
    “DARE TO BE GREAT”

  75. Bing-Howe says:

    #12 hit the sweet spot for me. Keep up the good work hugh…

  76. Steve Kane says:

    As a wri­ter, an aspi­ring wri­ter, a wri­ter who should have pro­du­ced far more by now work than he has, a wri­ter who has read some lite­rary theory, some how-to lite­ra­ture, joi­ned some online wri­ting com­mu­ni­ties and atten­ded some real world wri­ting clas­ses, this thread pro­bably con­tains the most use­ful and down to earth advise I have ever seen.
    I think I’ll print it out and re-read it when I get con­fu­sed about what I should be doing.
    Thanks, fella’.

  77. rodin says:

    Guys, Am a new­bie to this site and what I saw got me hoo­ked. Now I am here coz I have this great brand that suf­fers from a ‘awa­re­ness’ pro­blem so I thought of you guys to help me come out with some crea­tive solu­tions, if you dont mind pitching in and hel­ping me out.
    Back­ground:
    Mimi is a high end bou­ti­que loca­ted in a pre­mium shop­ping mall in the King­dom of Bah­rain selling shoes, bags and acces­so­ries. It stocks 16 dif­fe­rent brands of shoes which is being pared down to 8. The brands fea­tu­red inc­lude Jimmy Choo, Ale­xan­dra Neel, Boc­cac­cini, AEFFE, Les Tro­pe­xien­nes, Pollini, Bot­ti­ce­lli, Ileana & Jane Brown. All these brands are pre­mium top of the line names in foot­wear in Europe, US & UK. Unfort­tu­na­tely, nobody in Bah­rain has heard of them ( I Myself only knew of Jimmy Choo’s). The ave­rage price of foot­wear at MIMIs is about BD 150 or rather US 400 and goes upto US $ 3000. Now thats more than my monthly paycheck!!!
    Pro­blem:
    1) The Mall where the store is loca­ted — Al Aali Mall is a high end mall which hou­ses some of the most pre­mium sto­res anywhere. Unfor­tu­na­tely, it is a dead mall and just does not get shop­pers
    2)Although MIMI was ope­ned in April 04, it did not have a ad launch. So if you told peo­ple, MIMI, they would pro­bably say MIMI who?
    3)Almost the entire stock of the last sea­son is in store and we are almost into the new sea­son. So I need to get rid of all stocks of the pre­vious sea­son to make way for the new.
    tar­get Audience:
    Fashion cons­cious women , expa­tria­tes and natio­nals with high dis­po­sa­ble inco­mes (bah­rain has a large expat popu­la­tion as well as wes­tern expats visi­ting from Saudi Ara­bia). They are well expo­sed to inter­na­tio­nal fashion trends and tra­vel fre­quently to Europe and elsewhere
    While these ladies are savvy and aware of therse brands, they are not aware of the fact that these brands are now avai­la­ble in Bah­rain. Many pre­fer to fly to UAE to buy them or buy them when they tra­vel to Europe or UK.
    Requi­re­ments:
    An adver­ti­sing stra­tegy and cam­paign ideas that will address the issues of:
     – crea­ting brand awa­re­ness of the store & its offe­rrings
     – drive shop­pers to this ‘dead’ mall and gene­rate foot­fall into the store that trans­la­tes in to sales.
    I need to revert later this week and would appre­ciate your inputs, sug­ges­tions and advice. Plz feel free to email me on thinkersblock@yahoo.com
    Thanx & regards
    Rodin

  78. Nick says:

    Your f*cking kid­ding, right?

  79. Rajsamand says:

    Nice rea­ding, I cant stop reading.

  80. All a bit com­mon sense non? Why is this top link of the day on popdex?

  81. bri­lliant stuff… :o ) very cool

  82. paul pod says:

    Hugh, this is great. I’ve just been in the begin­ning sta­ges of star­ting up a design agency and the first months have been hard as hell, but you know what? It’s all worth it. This list has cla­ri­fied a lot of my thoughts about it, both good and bad. Still worth it, and as far as I can see, even to fail will be outs­tan­ding. We won’t of course ;)

  83. SUB says:

    This thread is exce­llent. It gave me more than one good thought to play with. In fact I quit my job because of that cons­tant fee­ling of not doing what I really should do.

  84. SB says:

    Clearly, you’ve hit on something that is a strug­gle for a good many of us — and *that’s* why this is the top link of the day on Popdex.

  85. jim says:

    “3. Put the hours in.
    Doing anything worthwhile takes fore­ver. 90% of what ****sepe­ra­tes**** suc­cess­ful peo­ple and fai­led peo­ple is time, effort and sta­mina.“
    And spelling!

  86. John O'Loughlin says:

    This one was sent to me when I nee­ded it. Thanks to you for put­ting it together and ever­yone in the blogsphere pas­sing it around so that it made its way to me!

  87. Brian R. says:

    The small beau­ti­ful ker­nels of expe­rience in your list have merit, but the “con­cept” of a ‘How to be Crea­tive’ list is decep­tive.
    A friend sent me the link to gapingvoid.com and I really liked your dra­wings. When I saw the How to be Crea­tive link on the right I pur­po­sely igno­red it. Then my girl­friend sent me the url straight to the how to. I figu­red, what the hell, I’ll read it.
    So after rea­ding the list I was remin­ded of the phrase, “If you see the Buddha: kill him.” In this case I see the know­ledge con­tai­ned in the How To as a kind of “truth” or living Buddha if you will. To list these truths about something as spi­ri­tual and indi­vi­dual as crea­ti­vity seems to me an lie. Thus when I see the so called “truth” I am natu­rally skep­ti­cal and ini­tially want to remove it from my mind. (or kill it…not lite­rally of-course)
    Yet if nothing else your list remin­ded me that the only way to know TRUTH is to go out and expe­rience it for your­self, not by *just* rea­ding anything.
    Much Res­pect & Thanks!

  88. AcouSvnt says:

    I have to say, this essay-construct-thing and all the resul­ting feed­back has made for a far more ins­pi­ring night of rea­ding than my usual zone-out in front of Slash­dot. The only thing /. has over this is the abi­lity to read com­ments at +4. That’s okay, though; I can sur­vive the occa­sio­nal fart.

  89. Rob says:

    “10. The more talen­ted some­body is, the less they need the props.“
    Remind me to tell that to my senior. He dri­ves an SLK while I drive a bat­te­red pile of crap :-)

  90. Rob Shields says:

    “10. The more talen­ted some­body is, the less they need the props.“
    That’s why I drive a bat­te­red piece of shit and my senior dri­ves an SLK.
    I guess some peo­ple need expen­sive sta­tus sym­bols to feel accep­ted and bols­ter their self con­fi­dence. Sad, really.

  91. Rama says:

    Nice and inte­res­ting thread. I enjo­yed it com­ple­tely. Thanks.

  92. Allan says:

    Thin­king about Item One above, I heard the follo­wing this mor­ning on the Writer’s Alma­nac (http://writersalmanac.publicradio.org/), a quote by Percy Bysshe She­lley:
    “Do it now – write nothing but what your con­vic­tion of its truth ins­pi­res you to write .… Con­tem­po­rary cri­ti­cism only repre­sents the amount of igno­rance genius has to con­tend with.”

  93. Joel Haas says:

    As a full time sculp­tor who came up the hard way – with a hig school diploma and a wel­ding school cer­ti­fi­cate and 24 years of prac­tice, I agree!!! Per­sis­tance is far more impor­tant than talent and degrees — the art school grads have been wor­king for me, not the other way around. If you like this site, read a great short book called ART & FEAR.

  94. RJ Keefe says:

    While I agree that friends and family don’t make opti­mal soun­ding boards, what are your ideas, Hugh, about feed­back? I think that some degree of feed­back is essen­tial, but of what kind and how much? Crea­tive peo­ple are for­mi­dably innner-directed, but they don’t live in vacuums. I’ll be inte­res­ted to hear what you have to say about this.
    rjk

  95. RJ Keefe says:

    While I agree that friends and family don’t make opti­mal soun­ding boards, what are your ideas, Hugh, about feed­back? I think that some degree of feed­back is essen­tial, but of what kind and how much? Crea­tive peo­ple are for­mi­dably innner-directed, but they don’t live in vacuums. I’ll be inte­res­ted to hear what you have to say about this.
    rjk

  96. stephen hatchett says:

    Bri­lliant! Fan­tas­tic! Inc­re­di­ble! Oh, God! I’m coming! ourrrrgghhh!!!!

  97. hi Hugh,
    Attemp­ted to send twice and boun­ced back as ‘spam’?!?!?
    I guess one of your rea­der sent me a quote yes­ter­day — which I though was very sweet and added a link to your page — sta­ting that I could get ‘more’.
    I actually read quite a lot of pages — laughing and wrin­ging inside. You may or not know about net­di­ver but I’m one of those crazy peo­ple who star­ted on web 10 years ago — with a ‘long term’ vision — thank God — and still has a pas­sion for buil­ding this industry — most impor­tantly pro­mo­ting the com­mu­nity that makes the core of the industry.
    I have to admit my time is very scarce — jug­gling in the big poun­ders every day (12-14h) to manage both client and the maga­zine + tons of other stuff. It was a delight to read how much we have in com­mon. Your wit is refreshing — I am a direct per­son and keep telling clients or others (yepp for the past 10 years) that ‘bullshit, jaguar, pins­tri­pes are out. get a life’.
    Any­way Net­di­ver has now a loyal audience and I have pos­ted a link back to how to be crea­tive. So this may send a little traf­fic your way.
    Inte­res­tingly I write (coach and speak) about ‘crea­ti­vity’ too. What a topic to jug­gle. And you should defi­ni­tely look into tur­ning your talent into a pro­fi­ta­ble busi­ness. (book, post­cards, Ts) More and more of ‘us’ are going the ‘inde­pen­dent’ way (self-publishing) so that at least in one place in our life we do get rid of the blood suc­king midd­le­men.
    If I can help — like sha­ring my research and my take on this — let me know. Attached a sneak peek of an article that is going to be published in the next cou­ple of days. I think you will appre­ciate our like­mind­ness.
    “Crea­ti­vity (unre­la­ted) edges” — if you are inc­li­ned — I would luv to hear your com­ments. (well your ser­ver dee­med me spam with attached .dod file for the article) — if you would like to read it — let me know.

    .carole gue­vin.
    edi­tor
    Net­di­ver digi­tal cul­ture maga­zine
    & inter­na­tio­nal design por­tal
    + http://netdiver.net

  98. Joe says:

    Great post and many great com­ments! Thanks to hugh and others for sha­ring your insights & expe­rien­ces!
    In rea­ding this, I kept thin­king about an ins­pi­ring quote, from Marianne Williamson’s book “A Course in Mirac­les” that I wan­ted to share in this thread:
    “Our dee­pest fear is not that we are ina­de­quate. Our dee­pest fear is that we are power­ful beyond mea­sure. It is our light, not our dark­ness that most frigh­tens us. We ask our­sel­ves, Who am I to be bri­lliant, gor­geous, talen­ted, fabu­lous? Actually, who are you not to be? You are a child of God. Your pla­ying small does not serve the world. There is nothing enligh­te­ned about shrin­king so that other peo­ple won’t feel inse­cure around you. We are all meant to shine, as chil­dren do. We were born to make mani­fest the glory of God that is within us. It is not just in some of us; it is in ever­yone. And as we let our own light shine, we uncons­ciously give other peo­ple per­mis­sion to do the same. As we are libe­ra­ted from our own fear, our pre­sence auto­ma­ti­cally libe­ra­tes others.”

  99. standa says:

    Hugh, super job and bet­ter than most of the pur­por­ted guru’s on this sub­ject mat­ter. ( I stop­ped rea­ding their dri­vel books 12 yrs. ago )
    I’ve been a solo inde­pen­dent con­sul­tant for a decade ( mainly bus dev for soft­ware star­tups ) and your “Hugh­train Mani­festo” on How to be crea­tive is some very sage advice. I’ve wor­ked for CEO’s
    What I reso­nate with most and have expe­rien­ced nume­rous ins­tan­ces ( trials and tri­bu­la­tions ) are your com­ments under Point 1 — Ignore ever­yone
    GOOD IDEAS ALTER THE POWER BALANCE IN RELATIONSHIPS, THAT IS WHY GOOD IDEAS ARE ALWAYS INITIALLY RESISTED.
    Good ideas come with a heavy bur­den. Which is why so few peo­ple have them. So few peo­ple can handle it.
    Secondsly your com­ments in Com­pa­nies that squelch crea­ti­vity can no lon­ger com­pete with com­pa­nies that cham­pion crea­ti­vity are also spot on.
    That’s why I work with emer­ging soft­ware star­tups where eco­logy still thri­ves is most ins­tan­ces.
    Lastly your abso­lu­tely right about the need to acceopt the pain and learn from it. ” No pain — no gain ” but try and not repeat the same mis­ta­kes.
    Once again well done !

  100. David says:

    I love this thread. So much more real than a lot of advice one sees. If I read all the sub-threads right now, I’d know I was was­ting work time, and I know that already thanks.

  101. amondt says:

    I am in the middle of plot­ting a mas­sive career change and this really shook me up! I’m not an artist but simply a somewhat (hope­fully) crea­tive per­son that needs to finally use that crea­ti­vity again. It gave me hope.

  102. NKM says:

    Thank you! I have book­mar­ked this page, and I will come back and read it again when I start to get worn down. And again. And again. Espe­cially that bit about com­pa­nies nee­ding crea­tive types like us. Do you know any that are hiring? :-)

  103. Rohit Khetan says:

    I’ve been wan­ting to break out and do something crea­tive for some time, but the fear of the varia­bles puts me in depres­sion. Your words are like the light at the end of the tun­nel. Thanks.

  104. Scott Berkun says:

    Anyone who dug this post should defi­ni­tely check out the book Art and fear http://www.amazon.com/exec/obidos/tg/detail/-/0961454733/
    It’s a short set of essays about why peo­ple fear crea­tive work, and how to come to terms with it. My wife read it get­ting her MFA, and I’ve found it enti­rely rele­vant to any kind of crea­tive pur­suit. Highly recommended.

  105. spot on. keep ‘em coming.

  106. Hmm, okay … now, why don’t you just start a new thread like “how to be crea­tive millionaire”?

  107. Hmm, okay … now, why don’t you just start a new thread like “how to be crea­tive millionaire”?

  108. fyrfli says:

    This is some ins­pi­ring and moti­va­ting rea­ding. I have to book­mark it to read over and over.

  109. UTHOM. says:

    Crea­ti­vity is shou­ting in your ear.
    You are so exci­ted when you think about your pas­sion. Crea­ti­vity for plea­sure.
    Then you hear the ‘look at XX they are get­ting paid for their crea­tive out­put — why don’t you have a go — you might even get well-known as an artist ins­tead of being just a hou­se­wife and mother’
    The hea­venly sound of Crea­ti­vity beco­mes drow­ned by the cho­rus of envy, com­pa­ri­son and frus­tra­tion.
    Sad.
    Thanks for put­ting so much com­mon­sense in one acces­si­ble place.

  110. Adnan says:

    Bri­lliant.…*****

  111. Joe says:

    Not many sites get perma-links from my site. This is defi­ni­tely one of them. Wow, what a great list.

  112. Lloyd says:

    Hugh, THANK YOU for this gift. I’m just on the last pages of the first draft of a novel that I’ve been wor­king on for 9 years, on and off. Sud­denly, it all loo­ked like crap to me, and I whi­ned to a friend. He sent me this link.
    You’ve hel­ped me put things back in perspective.

  113. waldo the wanderer says:

    Very nice. I would like to point out, though, that the maxims in your list are not neces­sa­rily res­tric­ted to ‘art-ee-ists’.

  114. hugh macleod says:

    Yeah well, Waldo, I did sti­pu­late “…in art, in busi­ness, wha­te­ver” at the top.
    e.g. cove­red my ass ;-)

  115. Sri Winarti says:

    It’s really awa­ke­ned me from my lazi­ness in wri­ting. From now on i’ll spend my time as well as I can as God has given so many talents to me. Thanks for this, I’ll be crea­tive again in facing my old age.

  116. Jim Black says:

    Hugh,
    Thanks for your great advice — we all have something God-given to do in this life — thanks for having the cou­rage to take a step towards that thing, and encou­ra­ging others to do the same!

  117. One I don’t see here — find com­mu­nity — you can’t do what you’re doing in a vacuum. Find peo­ple (even those who are not in the same field but share the strug­gle) who you can walk shoulder-to-shoulder with and may have some insights.
    Thanks for such an ama­zing list. I nee­ded to hear all this today.

  118. Mick says:

    Thank you Hugh.
    Mick.

  119. Dina says:

    Was for­war­ded this by a friend, and I’d like to say THANK YOU. I have had the Sex bit, but the cash is threa­te­ning to kill me, and it will one day! But you’ve put things into pers­pec­tive, so I thank you for that. I am now loo­king for another job that pays the bills too, as well as gives me time to be the artist I think I am hehhehe. All the best

  120. matt says:

    i couldn’t disa­gree more with daphne’s post above; though i res­pect that it may work for her.
    i find comm­mu­ni­ties of “artists” the most abho­rrent per­pe­tua­tors of medioc­rity around. the only com­mu­ning i need can be achie­ved through the artists’ work. those with inte­grity. i rely more on flaubert’s opi­nions in his novels, let­ters, and jour­nals than those of friends or family. also — it’s not fair to them to ask their opi­nion on something so dear to me.
    i just read hemingway’s _moveable feast_ and while i enjo­yed it — and think him a great wri­ter — i found it sad the way he ban­died about other artists’ names and tal­ked about their man­ne­risms; moreso than his own family’s.
    i much pre­fe­rred salinger’s take. he hated the hives of wri­ters that he found everywhere.

  121. Mark Harm says:

    Valua­ble Advice. The Uni­ted Sta­tes was foun­ded on the crea­ti­vity, enter­prise, and ima­gi­na­tion of its peo­ple. From our first days, we expe­ri­men­ted with a brand new form of govern­ment, one that gave folks a grea­ter chance than ever before to ful­fill their poten­tial. Now, though, too little focus in paid to encou­ra­ging crea­ti­vity, ima­gi­na­tion, and curiosity.

  122. Mike says:

    Why is it that some peo­ple choose careers that the bet­ter they get at them the less they do them. (Chef, Law­yer, etc.)?

  123. Clark says:

    Exce­llent words! Can I trans­late it into Chi­nese so that more peo­ple may share it?

  124. hugh macleod says:

    Clark, yeah, that would be awe­some! I’d love to see it Chi­nese =)
    *Ahem* this doesn’t affect my copy­right and authorship sch­tick in any way, of course…
    Can you send me a link when it’s done? Or if you e-mail it to me, will I be able to post it? (Not sure how this Chi­nese wri­ting stuff works…)

  125. Teb De Sciotto says:

    Hugh,
    I have iso­la­ted all of your published thoughts and alpha­be­ti­zed; then sor­ted them accor­ding to cha­rac­ter length. Then re-sorted based on alpha sort of pri­mary adjec­tive usage. Then same for verbs. Man, that felt good. Cus­to­dial creativity.

  126. d1rge says:

    i thought i com­men­ted on this entry (perhaps it was dele­ted) but the first rule is sooooo true.

  127. Bhooshan says:

    I loved your thoughts a lot and it has ins­pi­red me to do bet­ter in the future. I pro­mise I will be back for more soul curry :-)

  128. scottcooper says:

    This is the best site about crea­ti­vity that I’ve found in a long time, and I hope to add some of these ideas into my own wor­king pro­cess. I’m a pot­ter and web deve­lo­per, and most of these seem equally appli­ca­ble to both areas.
    Not to take anything away from Hugh’s list, but this also remin­ded me of “An Incom­plete Mani­festo for Growth” by desig­ner Bruce Mau (http://www.brucemaudesign.com/manifesto.html). It too is a great grou­ping of recom­men­da­tions and war­nings about how not to pollute your creativity.

  129. hugh macleod says:

    Scott, I’ve read Bruce Mau’s Mani­festo.
    It’s won­der­ful.
    Thanks for the tip/reminder, though =)

  130. Olwyn-Australia says:

    Thank­you hugh, and also a thanks to Joe ( aug 05th 2004). Just what i was thin­king!
    I teach dance and move­ment to the cha­llen­ged, and dance to the elderly…also cha­llen­ged!!
    Every day i want to be crea­tive, to excite the pas­sion of living, loving, and being healthy, and still being curious and mischie­vious every day…in others and myself. Choreography…and hell …even living every day and not being disallusioned.……takes effort!!!!!
    Crea­tive flow/juice…whatever you call it ..is elusive…at times.….and can land like a but­terfly or lady­bird when you least expect it..often at ino­por­tune times.……sometimes something someone says will ins­pire me …an adver­ti­se­ment , a book cover, art, the writ­ten word, poetry.….. for me they are all the one thing!

  131. Nik says:

    Thanks for your ping about my lan­guage. I really used the wrong lan­guage to say that I disa­gree with what you, but I think you’re lea­ding peo­ple who don’t think about crea­ti­vity into thin­king about it, and I appre­ciate that

  132. Clark says:

    This is the first edi­tion of my Chi­nese trans­la­tion, please com­ment as you like:
    1. 走自己的路
    2. 想法虽不起眼,但它却能改变全世界
    3. 投入时间
    4. 千里马常有,而伯乐不常有
    5. 你的经历由你自己负责
    6. 创造性是人的本性
    7. 保持日常工作
    8. 唯有有创意的公司才能生存
    9. 每个人都有自己的生存目标
    10. 成大事者不拘小节
    11. 与众不同
    12. 期望越大,失望越大
    13. 不要互相攀比
    14. 书山有路勤为径
    15. 区分你喜欢做的事和你不喜欢做的事
    16. 世易时移
    17. 黄金有价,激情无价
    18. 远离失败的人
    19. 要有自己的个性和风格,哪怕是缺点
    20. 形式并不重要,重要的是内容

  133. Kyra Xenea Quon says:

    My fan­tans­ti­cally crea­tive, dri­ven, and suc­cess­ful brother sent me this link. This last year has been life-altering for me since I almost lost my life. With a year off from work to reco­ver, I’ve pur­sued my artis­tic inte­rests as my self-help the­rapy. With no per­for­mance pres­sure, a talent (jewelry/metalsmithing) is fin­ding room to grow, and the pro­cess of lear­ning and making mis­ta­kes is actually a joy. Finished pie­ces eli­ci­ting unso­li­ci­ted praise are even more of a joy. But yes, I’ll keep my day job at least part time. Don’t want to bur­den my plea­sure with the rea­lity of sur­vi­val (yet). When one learns to have con­fi­dence and not worry about jud­ge­ment (a HARD thing to learn), AND not to put self-expectations of per­fec­tion on one­self in EVERYTHING, this pro­cess of crea­ti­vity really is a joy­ful and hea­ling expe­rience. And it could rea­lis­ti­cally turn into a more enjo­ya­ble day (and night) job! And get­ting paid for something one loves to do???
    Thanks for your right-on insights!

  134. Mark says:

    This is some great advice, and timely for me. Thanks Hugh!
    “There are only two kinds of artists: the pla­gia­rists and the revolutionaries.”

  135. Jamin says:

    Hugh — blin­ding, love it. I have some thoughts for you though… this isn’t a ‘you should inc­lude’, more of a ‘what are your thoughts on’. Some of my most crea­tive moments (or the point at which ideas crys­ta­lise) have come when I’m well out of the box (and, I have to admit — at points — out of my own) I really do think play in this way opens the mind to epiphany, where work simply can’t… I endorse point 14 without ques­tion (there IS a HUGE dif­fe­rence bet­ween fee­ding the mind and killing it) but won­de­red whether play had a big­ger part to play than the cra­yon angle?
    (Pat Kane’s book and site on the Play Ethic is worth a squiz) Any­way, like I said, love it…

  136. iman says:

    i like the word crea­ti­ve­ness very much
    i don’t want to be nor­mal pre­son doing the same busi­ness every day . what i want to do is dif­fe­rent totally dif­fe­rent so i always think about how i can change the things around me even 2% .
    things are not coming from nothing but from deeply thin­king .
    rea­ding more is the only way that is going to help you to unders­tand more to create new things.i wish if i can change the things that i feel they don’t make sense . for exam­ple human rights Is anyone enjo­ying and prac­ti­sing thier rights or Are their rights vio­la­ted ? this is a uni­ve­sal problem.

  137. Steve says:

    Where are the peo­ple that think like this in my day to day life? Just thin­king I guess, like me. The loud ones are usually the idiots.

  138. Tiffany says:

    link on bmoss’s page brought me here. woah. thats a pretty accu­rate list. infact sca­rily accu­rate. And there are a few peo­ple i think should read it … my past art teacher being one. *cough* ahem.
    nicely done.

  139. Julia says:

    A wise per­son once told me “Some­ti­mes you do a job to feed your soul, but most of the time you have to do a job that feeds your dog.”

  140. moira says:

    I just love it!
    Hope it will continue.….….

  141. april says:

    This quote from a novel reso­na­ted with me.
    The set­ting is a church ser­vice.
    “It is never about how good your voice is;
    it is about fee­ling the urge to sing,
    and then having the cou­rage to do it with the voice you are given.“
    Eli­za­beth Berg from “True to Form”

  142. goergel says:

    this really is an awe­some blog!
    what are you peo­ple doing! howdy!!!

  143. gigel says:

    When I use the term ‘repug­nant’ I do so in my own opi­nion: I do not use non-free
    soft­ware on machi­nes I con­trol. This licence is non-free, and mas­que­ra­ding it as free
    is offen­sive. I have con­tri­bu­ted lots to the Free Soft­ware com­mu­nity myself, and I
    would be com­ple­tely outra­ged if any of my con­tri­bu­tions were being ship­ped in a
    non-free pro­duct. Con­tri­bu­tions are con­tri­bu­tions to public soft­ware, not pri­vate
    profits.

  144. Rick Hein says:

    Bri­lliant! Great insights and a les­son to us all.

  145. Larrissa says:

    thanks for sha­ring. i have nothing new to add except maybe … uhhh .. nope. i dont. but i will say this. i am loving this listie.

  146. Dee says:

    The Bruce Mau link above is bro­ken: There’s an excess ”).” at the end. The real link is
    http://www.brucemaudesign.com/manifesto.html

  147. Melissa Moon says:

    Hugh
    This post came along when I nee­ded it.
    I NEVER EVER wan­ted to be ‘crea­tive’. ‘Crea­tive’ peo­ple I knew, or those who TOLD ME they were ‘crea­tive’, acted very supe­rior and nasty to me and bored me to death withh drug­ged tal­king.
    Then sud­denly on Holly­wood Bou­le­vard a voice told me “You must write your story!“
    I was in the middle of my story, I didn’t know the end. Will it be a Happy Ending I won­de­red?
    It was. My har­lot work hea­led 18 years of unk­nown ill­ness and a life­time of semi-deafness. My life began and the same day, I hit the first piece of blank paper, to make what is now my blog.
    So I need to be crea­tive and am mee­ting lovely crea­tive peo­ple now.
    Your list is and thread are full of so much energy. It’s won­der­ful.
    I’m already doing about half of them and now wor­king on the rest.
    “Don’t do it to impress your peers.” I find most help­ful. I’ve never had ‘peers’ so subs­ti­tute ‘friends’. This was the one that was so dif­fi­cult for me. I suf­fe­red so much because of wan­ting friends to accept and believe my story, the good­ness and hea­ling I recei­ved from my work as a har­lot, and mostly they couldn’t or wouldn’t. Now I accept that and don’t feel I’ve fai­led if they don’t. And I’ve rec­lai­med all the energy I was­ted on trying to get through to them.
    I’ve got more peace and more energy to be crea­tive. Thanks.

  148. pim te bokkel says:

    Very help­full piece of wri­ting! I’ve lin­ked this web­site on the news­page of my poe­tic e-zine aarghh! (goo­gle it links don’t seem to work here) . But it’s in in the dutch lanuage so you pro­bably can’t unders­tand it at all.

  149. dino r. says:

    yo! schooly g…
    like your site, the wri­ting is, at times, spot on.
    i think your skip­ping a cou­ple of les­sons like:
    Eating is ove­rra­ted (and so is sleep).
    A rich girl­friend can save your ass.
    It’s lonely at the bot­tom too.
    Tax returns sent from hea­ven.
    eh?
    –d

  150. John Henry says:

    In-spiration. It’s an in-side job and it’s spi­ri­tual. Recog­ni­zing it and acting upon it is the challenge.

  151. rajsamand says:

    hi , i have look at this site and i have got that this site is very good and have nice infor­ma­tion ..
    impres­sed
    narayan

  152. Hot Sauce says:

    link on bmoss’s page brought me here. woah. thats a pretty accu­rate list. Is there a way to get the list as one document?

  153. Reader in Dallas, TX says:

    Enjo­yed it…will read the lon­ger ver­sion and pass the link on to others!

  154. Peter says:

    The site is the best

  155. Peter says:

    The site is the best

  156. Gaping­void

    Go to gaping­void and read How To Be Crea­tive, Sex & Cash Theory, and All Pro­ducts Are Conversations.…

  157. joe says:

    i think new soft­ware helps http://www.artext.co.uk

  158. This will be my last communication…

    (Last, that is, until the new year. ;) Two more days until I pack up two dogs, a cat, and…

  159. adminz says:

    Hue to by Creative

    How to be crea­tive by Hugh… Who? Hugh. Who?…

  160. Ilya A says:

    thank you from Rus­sia… fuc­king right!

  161. 123 por mi says:

    How to be creative

    The only peo­ple who can change the world are peo­ple who want to
    Y fra­ces como estas las encuen­tras en este arti­culo de Hugh Mac­Leod en C

  162. bgblogging says:

    On Crea­ti­vity…

    More for the Arts wri­ting crowd as well as for my chidl­ren and for anyone else who has yet to see this pos­ting on crea­ti­vity ( and thanks Ton for lin­king to Suw who thinks she’s the last per­son in…

  163. Pito's Blog says:

    How to be creative

    I just came across this thought­pro­vo­king bit called “How to be crea­tive.” It’s a quick read in the short form and at least for me, hit home. Here is an expan­ded form of the same ideas, with illus­tra­tions. Recommended.…

  164. On mis­ta­kes

    It’s always reas­su­ring to be remin­ded that peo­ple much more talen­ted than myself make mis­ta­kes, too. And I espe­cially appre­ciate it when they share those mis­ta­kes in the form of advice: On avoi­ding IT mis­ta­kes: Rick Cattell’s Things I…

  165. How It Is says:

    The per­cep­tion of creativity

    Peo­ple in the world today never cease to amaze me. Well, never cease to amaze me with their men­ta­li­ties, igno­rance, and atti­tu­des. Case in point. Nor­mal people’s per­cep­tion on design, pho­to­graphy, cine­ma­to­graphy, and crea­ti­vity in gene­ral. By “norm…

  166. Bri­lliant! Not too much dif­fe­rent to post as far as acco­la­des, because ever­yone above has pretty much sum­med it all up, but you are a man of genius.
    “Genius is the fire that lights itself” –Buddy Rich

  167. I’m Really Behind On This

    Some­ti­mes I read things and it never occurs to me to blog it. This is one of those things. http://www.gapingvoid.com/Moveable_Type/archives/000876.html I find Hugh to be immen­sely enter­tai­ning and ins­pi­ra­tion. He’s one of the first pla­ces I go when I r…

  168. FuzzyCo says:

    Why am I doing this stuff again?

    I’ve been having one of my perio­dic “What, again, was the point of doing this thea­ter stuff?” moods, com­bi­ned with…

  169. Watermark says:

    How To Be Creative

    Very cool thread at gapingvoid.com, via boingboing.

  170. Fin­ding your pas­sio­nate voice

    What are you pas­sio­nate about? Write about it. There are plenty of boring imper­so­nal busi­ness faca­des online — if you’re exci­ted about what you do, it’ll show, and it will get results.

  171. Nini's Blog says:

    Filing This Article for Inspiration…

    An excerpt that *really* spoke to me: …Go ahead and make something. Make something really spe­cial. Make something ama­zing that will really blow the mind of any­body who sees it. If you try to make something just to fit your…

  172. Advice

    Busy today, wor­king thru my “psycho­logy of writer’s block” book­pile and then doing some coun­se­ling. Cou­pla inte­res­ting links: “One of the best ways to pre­vent writer’s block is to attack it directly by gene­ra­ting wri­ting topics before you get stuck.”…

  173. How to be creative?

    Blog­ging car­too­nist adver­ti­sing crea­tive direc­tor has dis­ti­lled the ans­wer into a 12 point list.…

  174. TRAGICBLISS says:

    How To Be Creative

    I’m not usually one for totally sappy ins­pi­ra­tio­nal bullshit, but I lin­ked up this post because it actually was kind of ins­pi­ra­tio­nal. I know, I know, let’s all shed a tear for Jef­frey. • How To Be Creative…

  175. csharphack says:

    csharphack

    ^_~,pretty good!csharpsseeoo

  176. ProphecyBoy says:

    Mar­ke­ting and Crea­ti­vity Links

    I was tal­king to one of the Rogue Artists a cou­ple of weeks back about mar­ke­ting / orga­ni­zing this outreach pro­gram they’ve star­ted. (I’m currently wor­king with them on a SOSE/RAE colla­bo­ra­tion — HYPERBOLE: epiphany.) We got to tal­king, and…

  177. poyc says:

    How to be Creative

    So you want to be more crea­tive, in art, in busi­ness, wha­te­ver. Here are some tips that have wor­ked for me over the years:
    1. Ignore every­body.
    2. Crea­ti­vity is its own reward.
    3. Put the hours in.
    4. If your biz plan depends on you s…

  178. Some ins­pi­ra­tion to call out sick on Monday

    So, I’m currently on sum­mer break from grad school and have found my way to a week-long gig free­lan­cing at an ad agency (my pre­vious pro­fes­sion). I now unders­tand how some of you guys find so much time to surf…

  179. 木子 says:

    How to be crea­tive (A good article)

    Ping Back来自:blog.csdn.net

  180. Illus­tra­tion at Om Malik’s blog

    I am honou­red by the fact that Om Malik has used one of my illus­tra­tions in his recent post about Skype.
    It was ori­gi­nally drawn on the back of a busi­ness card. A good rea­son to imme­dia­tely send you all over to Gaping­void and the clas­sic post on cre…

  181. fakeGeek says:

    Crea­tive and different.…

    I really like this guy car­toons and all that. He has even writ­ten some great artic­les on creativity,…

  182. http://pealco.net/archives/2006/02/16/post_10.html

    How to be crea­tive. In thirty inc­re­dibly dif­fi­cult steps.…

  183. think mojo says:

    A quiet recommendation

    After tal­king to the man yes­ter­day, further explo­ra­tion of Hugh’s blog was warran­ted.
    No carry-on, fan­fare or insis­tence, just a very quiet and serious recom­men­da­tion.
    Follow the link to ‘How To Be Crea­tive‘. It’s long. There&#8…

  184. What’s Next: The Design Train Manifesto

    Who’s even more clue­less about the social media revo­lu­tion than adver­ti­sing agen­cies and PR firms? Web deve­lo­pers and site desig­ners who are still selling site designs within which peo­ple can react, ins­tead of sites which can expand and grow as people …

  185. […] how to be crea­tive | Gaping­void So you want to be more crea­tive, in art, in busi­ness, wha­te­ver. Here are some tips that have wor­ked for me over the years: (tags: crea­ti­vity tips) […]

  186. […] will change the world.             — Hugh Mac­leod, How To Be Crea­tive: 2, […]

  187. […] how to be crea­tive | Gaping­void. 0 […]

  188. […] Blue So two weeks ago Andrew at Pea­ce­ful Reso­lu­tion pos­ted a link to Hugh MacLeod’s blog post How To Be Crea­tive, which I have to admit I had not yet read even though, as I found out, it was ridi­cu­lously Internet […]

  189. The Joey Tee says:

    […] first thing I thought of was Hugh Macleod’s 10th prin­ci­ple of How to Be Crea­tive: 10. The more talen­ted some­body is, the less they need the […]

  190. […] Peo­ple who are ‘ready’ give off a dif­fe­rent vibe than peo­ple who aren’t. Ani­mals can smell fear; maybe that’s it. The minute you become ready is the the minute you stop drea­ming. Sud­denly it’s no lon­ger about ‘beco­ming’. Sud­denly it’s about ‘doing’.             — Hugh Mac­leod, How To Be Creative […]

  191. […] out there’s an ear­lier mani­festo cove­ring the same ground avai­la­ble on Change This. Heck, the blog post that spaw­ned Ignore Every­body is itself openly avai­la­ble on […]

  192. […] more talen­ted some­body is, the less they need the props. Taken from Hugh MacLeod’s How To Be crea­tive, this sta­te­ment has always stuck with me ever since I first read it. I didn’t rea­lize until I […]

  193. […] Как быть креативным (глава 3) Публикация в Как быть креативным / How to be crea­tive пользователем aweb­de­sign от 15.04.2010 (перевод Виктории Шидловской книги Hugh Mac­leod «How to be creative») […]

  194. […] Как быть креативным (главы 8, 9) / How to be crea­tive (in rus­sian) Публикация в Как быть креативным / How to be crea­tive пользователем aweb­de­sign от 27.04.2010 (перевод Виктории Шидловской книги Hugh Mac­leod «How to be creative») […]

  195. […] out of ideas? Your crea­tive meter stuck on zero? Got spring fever (idea) blahs? I recom­mend rea­ding Hugh MacLeod’s advice.  You can scan the points or dig dee­per for more detail.  It’s rather long […]

  196. […] ela­ted. I star­ted rea­ding Hugh regu­larly and was par­ti­cu­larly affec­ted by his crea­ti­vity mani­festo, how to be crea­tive. Since then, I’ve been a huge fan… bought busi­ness cards with his car­toon on one side, […]

  197. […] » Every once in a while you read something you really wish you had writ­ten.  Peru­sing Hugh MacLeod’s post on crea­ti­vity over my mor­ning cof­fee today, I had that fee­ling.  He touches on many of the […]

  198. […] was an excerpt from an article entit­led, “how to be crea­tive,” by Hugh Mac­Leod, that offers 30 great tips and insights for us creative […]

  199. […] How to be Crea­tive by Hugh Mac­Leod made me smile today. […]

  200. […] work. Peo­ple got shaf­ted in their thou­sands. It’s a cold world out there.   More from Hugh at Gaping Void Tag­ged: Hugh Mac­Leod, Ignore Ever­yone Pos­ted in: Crea­tive Lea­ders, Lea­dership Matters ← […]

  201. […] - How to be Crea­tive – Ori­gi­nally published in 2004 by Hugh Mac­leod at the Gaping Void. If you haven’t read […]

  202. […] - How to be Crea­tive – Ori­gi­nally published in 2004 by Hugh Mac­leod at the Gaping Void. If you haven’t read it, […]

  203. […] follo­wing video is based on Hugh MacLeod’s ori­gi­nal How To Be Crea­tive essay, which became the basis for his great book Ignore Every­body.  It’s a fun short video […]

  204. […] recom­mend having a look at Hugh MacLoed’s ‘how to be Creative’ […]

  205. […] I adore Gaping Void car­toons. Hugh McLeod, the talen­ted dude behind the brand, has a book out.  He also sends out a free car­toons in an email news­let­ter… AND if that weren’t enough, here’s his rather poin­ted advice on how to be creative […]

  206. […] “A” is the amount of time I spend doing crea­tive stuff — dra­wing, inking, wri­ting fic­tion or artic­les — all the Maker stuff that is fun, cool, and very sexy. […]

  207. […] Ignore Every­body: and 39 Other Keys to Crea­ti­vity. This is the book ver­sion of his 13,000 word post how to be crea­tive, which has been read by over a million peo­ple, and is a must-read if you’re not one of those […]

  208. […] remin­ded me of Hugh MacLeod’s crea­ti­vity blog posts – I’ve dip­ped in and out of them for many years… they’re advice for the […]

  209. […] but you will feel empty inside. Yes­ter­day, I came across this, thank to San­sone. Great tips. how to be crea­tive | gaping­void __________________ Change is the essen­tial pro­cess of all exis­tence. — Spock, stardate […]