Archive for February, 2004

February 23, 2004

blogvertising on adrants

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For the last few months, I’ve been adver­ti­sing this site on Adrants, the ad industry blog.
The result is, every few days a cou­ple of hun­dred adver­ti­sing folk dis­co­ver this site. A cou­ple of hun­dred folk is the size of a good-size agency. Not bad, not bad at all.
You can buy blo­gads for Adrants and other groovy sites here, at Henry Copeland’s Blogads.com.
A week’s worth of adver­ti­sing on the site costs about the same as one decent cock­tail in an ups­cale New York bar. Yeah, I think it’s worth it– insa­nely so. Espe­cially when you think about how hard these peo­ple are to meet in real life (any recent grad loo­king for her first job will know what I’m tal­king about).
So far the invest­ment has paid off. I’ve been con­tac­ted by a few peo­ple who saw the ad. I’t ll be inte­res­ting to see where all this leads. Watch this space.
One more thing: Steve Hall, the guy who runs it, has recently been laid of from his agency media job. Based in Bos­ton, he’s loo­king for work. If any­body can pro­vide him with any leads, that would be great.

February 22, 2004

personal faves

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Megan asked me in an ear­lier com­ment if I had a favo­rite car­toon.
I don’t think I have an all-time favo­rite. But if you look to the links sec­tion on the home­page side­bar you’ll see a link for my “per­so­nal faves” sec­tion, which has a dozen or so of my sen­ti­men­tal faves.
That work?

every new yorker

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blood is

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his perch

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pimp central

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Abi­gail from St. Louis wrote me yes­ter­day. In her e-mail she asked:
“And then there’s the ques­tion of inte­grity. There’s all sorts of cri­ti­cism of pro­duct pla­ce­ment in print media. If a maga­zine starts tal­king about how won­der­ful a pro­duct is, and they’re being paid for it– sud­denly the mag is one big info­mer­cial. Would your site have the same sort of pro­blem?“
Abi­gail, I think that’s a defi­nite issue. Espe­cially when you think the main engine dri­ving the blo­gosphere is good­will. To abuse that is not only wrong, it’s eco­no­mi­cally stu­pid.
I think the trick is (a) making sure the main con­tent far out­weighs the pim­ping con­tent (b) being upfront about the pim­ping © making sure the pro­duct is one you honestly believe in.
“Tell the truth” is the best advice I can give anyone.
I have no qualms about pim­ping my friend’s movie. I want peo­ple to see it and I make no apo­logy for it. I think it’s a damn fine movie and I’m willing to stake my repu­ta­tion on it. Same is true with EVO.
When a bas­ket­ball pla­yer or famous actor lands a multi-million dollar endorsement/pimping deal, he is prai­sed to the skies by the media for it. But when a regu­lar guy (blog­ger) does like­wise on a vehicle that he owns him­self (blog), sud­denly the media is tal­king about “inte­grity”.
There’s a sub­text here: “Pim­ping is OK for rock stars like us, but how dare the little peo­ple try to do it.” The usual big-media arro­gance.
That arro­gance to me is really nothing but kvetching by a lot of mediocre hacks in dead-end media and adver­ti­sing jobs. All sound and fury, sig­nif­ying nothing.

February 21, 2004

the future of advertising

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For the last year or so I’ve been wri­ting about “the future of adver­ti­sing”.
Yak yak yak, yada yada yada.
Then a cou­ple of weeks ago I deci­ded to stop tal­king about it, and just start doing it.
And now tens of thou­sands of peo­ple know all about Young Adam, and I believe see it in an infor­med and pos­tive light.
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Had I put a wee bit of money into media-buying, that figure would have been millions.
No fancy ad agen­cies. No large herds of suits scre­wing around. No fancy com­mer­cial shoots. Just one guy, some car­toons, a com­pu­ter and some strategically-placed media buys is enough. Millions of peo­ple.
The car­toons are essen­tial. Gives peo­ple a rea­son to be here besi­des hea­ring me sha­me­lessly plug a movie.
What is the future of adver­ti­sing? You’re rea­ding it.
Any ad folk out there who want to con­ti­nue this con­ver­sa­tion offline feel free to e-mail me: hugh at gaping­void etc.

February 20, 2004

single middle age

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righteously indignant

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too many friends

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incestuous scots

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This is a good photo of Alis­taire Mac­Ken­zie (on the right), my pal Dave’s youn­ger brother.
Alis­taire is best known as “Archie Mac­Do­nald”, the for­mer roman­tic lead in the TV show “Monarch Of The Glen”.
This pic is a still from the movie Dave shot just before Young Adam, “The Last Great Wil­der­ness”. To save money Dave got his own flesh n’ blood to play the lead. Or something.
The Scot­tish film world is a small one. Alistaire’s great high school friend was Andrew Mac­Do­nald, the pro­du­cer of both “Sha­llow Grave” and “Trains­pot­ting”, both which Ewan McGre­gor sta­rred in. And now Ewan’s in Alistaire’s brother’s film.
I knew Andrew Mac­Do­nald vaguely in Edin­burgh when I was a teen, though I doubt he’d remem­ber me. Hung out with him and a girl named Scar­let a few times, both who I thought were awfully nice.
There’s another, less-known con­nec­tion bet­ween Trains­pot­ting and Young Adam. The edi­tor at Canon­gate Publishing who “redis­co­ve­red” Trocchi, and got him back in cir­cu­la­tion after years of being out of print, was a guy called Kevin William­son. Before he wor­ked at Canon­gate Kevin had a wee under­ground lite­rary maga­zine called ‘Rebel Inc.’ It was pretty cen­tral to the whole “Scot­tish Beats” lite­rary scene that was doing the rounds in the qua­lity papers a few years ago.
Rebel Inc was the first to dis­co­ver and publish Irvine Welsh, the wri­ter of Trains­pot­ting.
Alistaire’s in LA at the moment, grab­bing some acting work. Dave’s wor­king on a new film called Asy­lum, based on the Pat McGrath novel. Sir Ian “Gan­dalf” McKellan’s in it. Kevin, who I’ve sha­red whisky with many times, is still in Edin­burgh, seriously invol­ved with his own brand of socia­list poli­tics. I have no idea what Andrew MacDonald’s up to. I saw him in Lon­don in the street a few years ago– he loo­ked really busy with the per­son he was with, so I didn’t say “hi”.

young adam’s big link page.

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“The best Scot­tish movie ever. An utter mas­ter­piece of seething, beat-novel-film-noir sexua­lity.” — Hugh Mac­Leod
Ewan McGre­gor, Tilda Swin­ton, Peter Mullan, Emily Mor­ti­mer etc.
Ope­ned in USA April 16th, 2004

Cities inc­lude: New York, LA, Dallas, Den­ver, Min­nea­po­lis, Washing­ton DC etc.
Buy the R-Rated DVD from Amazon.com
Buy the arti­si­cally supe­rior, far racier but more expen­sive NC-17 ver­sion from Amazon.co.uk.
Movie­fone Lis­tings to find out where it’s pla­ying near you etc.
Young Adam home­page.
Watch the Young Adam trai­ler here.
My gaping­void inter­view with Tilda Swin­ton, the female lead.
’The Inde­pen­dant’ (big UK paper) loves Young Adam: “Indeed, the idea of a [Bri­tish] home­grown movie that rates as a genuine artis­tic achie­ve­ment, as oppo­sed to a loudly fan­fa­red event (such as Calen­dar Girls), seems almost out­lan­dish, something so rare we might not even recog­nise it. Well, I’m happy to report that such a movie is now here. It’s called Young Adam, and it deser­ves your imme­diate atten­tion…“
From The Guar­dian: “Ale­xan­der Trocchi was the smack-addled icon of beat lite­ra­ture, whose wri­tings have been eclip­sed by a lurid life of porn, pim­ping and dis­so­lu­tion in New York, Paris and Lon­don. But with a new film out adap­ted from his novel Young Adam, the Glasgow-born writer’s life and work are ripe for re-evaluation.” By Tim Cum­ming.
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Dave Mac­Ken­zie, one of my best friends, is the direc­tor.
Sexually frank “Young Adam” inter­view of Tilda Swin­ton in Nerve.com.
The main Young Adam page on Han­way Films web­site. The film was pro­du­ced by Jeremy Tho­mas, the same guy who pro­du­ced “The Last Empe­ror”.
Edin­burgh Film Fes­ti­val 2003 write-up on the movie.
Edin­burgh Film Fest’s write-up on Dave Mac­ken­zie.
A nice pic of Dave on the movie set, plus a few links from about.com
Brief Synop­sis from Britfilms.com
Read The Book (damn fine book, by Ale­xan­der Trocchi)
A wee pro­file of Trocchi from his for­mer publisher.
A lovely review from the BBC.
Good inter­view of Ewan McGre­gor from Chan­nel 4 (UK).
BBC inter­view with Ewan Mac­Gre­gor.
BBC inter­view of Tilda Swin­ton, who plays oppo­site Ewan.
Great review of the movie from ‘Sight & Sound’, the very ups­cale Bri­tish film maga­zine. WARNING: Skip the ‘synop­sis’ bit if you don’t want to know the ending.
A very enthu­sis­tic review in The Inde­pen­dant, one of the big UK papers.
The sound­track for Young Adam, by David Byrne of Tal­king Heads fame.
Sally.
A nice review of Young Adam in Latino Review.
Holly­wood Repor­ter calls Young Adam “Clas­sic Noire”.
Young Adam on Rus­sian TV.

posting old work

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Peo­ple who have been coming to this site for a while will notice I’m pos­ting a few old ones… There are two rea­sons.
1. The old “white on black” web­site is bug­ge­red. All the links were bro­ken when I moved it across to the archi­ves. It is no more trou­ble to repost them here than to fix the old archive, and since I much pre­fer this new for­mat, I might as well post them here again. It also allows new visi­tors to see the old work without having to sch­lepp through the old archi­ves, which are a pain to navi­gate, any­way.
2. I kinda like repos­ting them. It kinda sha­kes the dust of them a bit. I pre­fer thin­king of it as “revi­si­ting”, rather than “Hugh’s a lazy bas­tard who can’t be bothe­red pos­ting new stuff.” Besi­des, I’m pos­ting more new work than ever before, I just hap­pen to be com­bi­ning that with pos­ting the old work.
What sayest thou?

in vegas

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actually possible

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February 19, 2004

bugging the waitresses

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usual reminders:

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1. The best way to sup­port this site is either (a) buy a box of blog­cards and/or (b) join my free weekly car­toon syn­di­cate. 2. You can also syn­di­cate the site via RSS.
Thanks to every­body who bought blog­cards in the last week. Seems there were a lot of you :)
Spe­cial men­tion to Lockhart Steele who orde­red these ones. Thanks, Lock!

even my exes

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suddenly the fear begins

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i’m not drunk

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young adam soundtrack

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The sound­track for Young Adam was done by David Byrne, of Tal­king Heads fame.
David Byrne was actually born in Scot­land, in Fife. Moved to the Sta­tes with his parents when he was a kid.
It’s a good sound­track. Sort of reminds me of the stuff he did with Brian Eno 15-odd years ago.
You can get it on iTu­nes as well.

links

“Take Action. Get Action.” (Their tagline, not mine) Per­so­nal ads for poli­ti­cal acti­vists. It’s one of those Spring Street Net­work web­si­tes, the same folk who do per­so­nals for Nerve.com and Gawker.com.
“Bet­ter cool it with that blog­ging stuff. We don’t want black folk fin­ding out about it.“
Henry Copeland’s Blo­gads score a big suc­cess in hel­ping to get a Con­gress­man elec­ted.
The CD will be dead by 2007.
It’s fun to watch the BBC suf­fer.
A ‘Pla­gue of Artists’ Is a Battle Cry for Brooklyn Hasi­dim.
French Inte­llec­tuals Pro­test Govern­ment “Anti-Intellectualism“
One very cute blog, if you like that whole “cute blog by some Bri­tish chick” thing.
The Dean cam­paign plans to carry on “taking their country back”, even if nobody quite knows what that means.

find out

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February 18, 2004

four-year

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actress model waitress

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by interacting with…

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In the old days, the three most impor­tant words in adver­ti­sing were “Uni­que Selling Pro­po­si­tion”. To me, the three most impor­tant words are “By Inte­rac­ting With…”
–By inte­rac­ting with Ger­ber, she beco­mes a better-informed mom.
–By inte­rac­ting with The Wall Street Jour­nal, she beco­mes more tuned into the world of capi­ta­lism.
–By inte­rac­ting with Apple, she brings her entre­pre­neu­rial dreams clo­ser to rea­lity.
–By inte­rac­ting with McDonald’s, her busy sche­dule is made slightly easier by avoi­ding a lot of fuss over lunch.
–By inte­rac­ting with Rals­ton Purina, she beco­mes more attached to her canine friend.
–By inte­rac­ting with Evo…?

yak yak yak

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the book

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And yes, ‘Young Adam’, the book is awfully good.
I’d say it’s the second-best Beat Novel ever writ­ten (‘Naked Lunch’ being the first). Ima­gine if Joseph Con­rad had wri­ten ‘L’Etranger’. But it’s a lot more sexual than any of them. Trocchi made a living wri­ting porn for a while. It shows.
What I think it does very well is por­tray the deep, exis­ten­tial, pre­da­tory qua­lity all males have when they’re trying to get laid. And you girls thought it was all about you. Heh.

catharsis

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half your life

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Big Picture

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Evo is not a limo com­pany. Evo is a car and clean-fuel tech­no­logy com­pany.
Yes, they build and hire out limos, but that’s only the first pro­duct of many.
When they star­ted the com­pany (only 2 years ago in a subur­ban garage) they asked, “What could we do to get the pro­duct out there, that could get a lot of peo­ple seeing and using the vehic­les right away, day in, day out?“
Limos were an obvious choice, espe­cially as they were based so near Holly­wood. But there are other pro­ducts on the dra­wing board, which I will talk about at a later date.
So my job is not about selling limos. It’s selling something much big­ger.
I firmly main­tain that Evo’s main com­pe­ti­tion is not Detroit. We’ve already moved on from worr­ying about dino­saurs.
Some­body in the com­ment sec­tion of a recent post thought citing Apple Com­pu­ters as our com­pe­ti­tion was a bit of a stretch. I disa­gree– to me, it’s gla­ringly obvious. The kind of peo­ple we want wor­king for Evo in the next 5 years are going to be the kind of bright sparks Apple would hire. I see us trying to steal peo­ple from them, or other com­pa­ra­ble com­pa­nies, and vice versa. We may not be com­pe­ting for the same retail space, but we’re com­pe­ting for what really makes the money for any orga­ni­za­tion– the peo­ple who work for us.
All com­pa­nies begin and end with the collec­tive know­ledge of their peo­ple. It’s up to mana­ge­ment to figure out a way to put that know­ledge to best use. Pro­ducts, be they mole­cu­les or ser­vi­ces, are just exten­sion of said know­ledge. Not to men­tion exten­sions of pas­sion, wit, ego, ambi­tion, desire, love and sex drive.
90% of any company’s worth is inte­llec­tual capi­tal. It isn’t 1960 any more.
Update: The thought “Inte­llec­tually Dri­ven” is a nice little buzz­word to bring up in a mee­ting, but I don’t think it’s a big enough nail to hang the entire com­pany on. Keep dig­ging etc.

film business

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nelson mandela

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February 17, 2004

YA in the independant

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A good review of Young Adam in The Inde­pen­dant, one of the big UK papers.
“Perhaps it’s not enti­rely fair to say that the idea of art cinema is pro­foundly un-British. Un-English, perhaps. David Mackenzie’s Young Adam is a tho­roughly Scot­tish film in sub­ject and in mood; its steely poetry, and very Euro­pean belief in let­ting ima­ges speak as much as words, can only be com­pa­red in recent Bri­tish cinema with the work of another young Scot­tish direc­tor, Lynne Ram­say. Young Adam is based on a 1954 novel by Ale­xan­der Trocchi, the Glasgow-born wri­ter affi­lia­ted to the Beats, whose life and work were very much a revolt against Bri­tish insu­la­rity and staid­ness, and against Scot­land itself. Suf­fice to say, Mackenzie’s dirty, damp, bone-chilling film is no tou­rist board advert for lochs and glens…“
Nice one. The film opens in Ame­rica in April, and it’s nearly March. Not long to go. I’m get­ting a little ner­vous, as time marches on. I’m trying to tell every­body I can about the film, but I’m just one man with a wee blog. I’m not CBS, y’know?
Still, it’s a good movie, and with the inter­net being what it is, if folks like the film they’ll blog about it, and word-of-mouth will tra­vel fast.

nothing really matters

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same cross

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eco

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(This car­toon spon­so­red by Evo bwa ha ha ha…)

links

Truly great post on cor­po­rate blog­ging from Microsoft’s Robert Sco­ble (Thanks, Loic).
Also see: Scoble’s Cor­po­rate Blog­ging Mani­festo.
What makes Ame­rica excep­tio­nal. Power­ful stuff from Jeff Jar­vis.
Meats­pace of the week: DEMO
Kerry still breathes.
Not every­body who mar­kets to hips­ters is a sch­muck.
From Gaw­ker: “Last week, Amazon’s Cana­dian site somehow got glitched to reveal the names of the wri­ters of anony­mous user reviews — which gave ever­yone a little peek into the world of friends pim­ping friends’ books and bit­ter unpu­blished wri­ters trashing other wri­ters. (It seems Ama­zon is sort of like, oh, any street cor­ner in lower Manhat­tan.)“
How many blog­gers can dance on the head of a non-issue? e.g. “Your ‘friends’ are an angry con­tro­lling abu­sive mob. This thread star­ted with an inc­re­di­ble demo of that. Some peo­ple are in and others aren’t. The really crea­tive peo­ple are always out. You kill them. And you just got told no, enough is enough. If friendship is just that, peo­ple being friendly and sup­por­tive, great. But if it’s really defi­ning who it’s okay to attack, then it’s not friendship.“
Joi blogs another car­toon. Thanks ;-)

posterity

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one-man

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intellectually driven

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To me, the Evo story isn’t “clean-fuel limos”, it’s about the peo­ple run­ning it. Clean fuel is just one attri­bute.
Usually, when you think of “limo ser­vice”, you think of cha­rac­ters out of ‘The Sopra­nos’. Think fat guy/cheap suit /clip-on tie and you get the pic­ture.
Evo is dif­fe­rent. Its roots are in the media busi­ness. Two media execs got sick of the enter­tain­ment industry, and deci­ded to focus on something they per­cei­ved more use­ful to the peo­ple around them than just one more screen­play nee­ding sch­lep­ped around Holly­wood.
Ergo, I’m currently wri­ting stuff that has nothing to do with “clean fuel” or wha­te­ver. The story is not about eco-warriors. The story is about pro­vi­ding the kind of ser­vice the peo­ple you party with would want to use. And it’s about buil­ding the kind of com­pany the peo­ple you like and res­pect would want to work for.
Posi­tion Evo as a know­ledge com­pany first, and its ser­vi­ces as exten­sions of that know­lege (limos, clean-fuel engi­nes, parts etc), and then I think we’re in busi­ness.
I had this thought: “Evo. Inte­llec­tually Dri­ven.” By that I mean, Evo shouldn’t see its com­pe­ti­tion as other limo com­pa­nies. Its com­pe­ti­tion are com­pa­nies like Apple or Sony. Using its resour­ces to turn know­ledge and pas­sion into good things for peo­ple. Yeah, get­ting you from the hotel to the air­port is pretty mun­dane, but then again most stuff done on com­pu­ters is also pretty mun­dane. But that never stop­ped Steve Jobs.
It’s not what you do, it’s the way that you do it.
Afterthought: ‘Inte­llec­tual’ is per­cei­ved nega­ti­vely when it’s applied to peo­ple, but not when it’s applied to ‘pro­perty’. The peo­ple who make movies (Evo’s current cus­to­mer base) have no pro­blem with the phrase ‘inte­llec­tual pro­perty’ to desc­ribe their pro­duct, as far as I can tell.
i.e. Evo is dri­ven by the same kind of brains that drive movie stu­dios and com­pu­ter com­pa­nies. The pro­duct is dif­fe­rent, but the cali­ber is the same. That’s what Evo must rein­force again and again, it’s that sim­ple.
That being said, ‘Inte­llec­tually Dri­ven’ may not be the right tagline to slap on the back of a mass-media ad cama­pign for a limo. But it could work as good inter­nal mar­ke­ting, as part of a long-term cor­po­rate vision etc.

oh no!

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February 16, 2004

kenny g

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ain’t nothing so deadly

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just friends

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p’d off customer

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broken links

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Since I moved the old web­site over, sud­denly a lot of links are no lon­ger wor­king. If you hot-link to my site then a lot of the ima­ges will no lon­ger load.
It’s easy enough to fix, just add “old site/” bew­teen the “.com/” and wha­te­ver comes after it.
e.g. If the old old links was

http://www.gapingvoid.com/bank/synd17/synd02.jpg

the new link will be

http://www.gapingvoid.com/oldsite/bank/synd17/synd02.jpg

Sho shim­ple, Moneypenny!

so tired

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sunset blvd.

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February 15, 2004

only talking

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(ins­pi­red by a post by Joi Ito )