Archive for February, 2004

February 29, 2004

u.s. mail

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wet dreams

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untitled

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alcohol sex

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untitled

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life gets painful

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before 9/11

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the love

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i’m in advertising

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don’t cry

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favorite combo

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driving traffic

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As an adver­ti­sing hack, the thing I like about weblogs-as-advertising-medium is the con­trol.
Also, having briefly wor­ked in the maga­zine busi­ness, I know the perils of tra­di­tio­nal media: having to keep an army of edi­to­rial and free­lance peo­ple happy (not to men­tion paid). And then there are those drea­ded paper, prin­ting and dis­tri­bu­tion costs. All that trou­ble just to tell 400,000 nobo­dies that pur­ple is the new black. Why bother?
My ‘blog­ver­ti­sing’ model dic­ta­tes that the major cost to the adver­ti­ser is dri­ving traf­fic to an envi­ron­ment where the desi­red out­co­mes (inc­lu­ding the impar­ting of the adver­ti­sing mes­sage) can all be achie­ved. The actual cost of crea­ting and main­tai­ning that envi­ron­ment is mini­mal.
Hey, guess what? Dri­ving traf­fic is cheap and easy com­pa­red to the rigors of finan­cing and main­tai­ning a tra­di­tio­nal media organ. And it’s also a lot chea­per than buil­ding and main­tai­ning a good enough site where the desi­red audience will just appear on its own voli­tion.
We all know that tra­di­tio­nal adver­ti­sing is far too expen­sive. We all know that ban­ner adver­ti­sing doesn’t work (0.01% CTR is the industry stan­dard. One click per 10,000 peo­ple seeing it. Ouch…). And we all know that a tra­di­tio­nal new media ver­sion of old media (the drea­ded “dot­com”) is eco­no­mic sui­cide.
The future of adver­ti­sing is “sim­ple and cheap”. But there are still too many peo­ple out there with an incen­tive to keep it “com­pli­ca­ted and expen­sive”. You have been warned. 

artists’ bar

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February 27, 2004

‘the independant’ loves young adam

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Most glo­wing review of Young Adam I’ve seen yet. From The Inde­pen­dant (UK).
“Week in, week out, some dire Bri­tish movie plods into a Soho scree­ning room, puts its head on the block and waits for the cri­tics to swing the axe. If it actually makes it to the mul­ti­plex, the public by and large ignore it — they’d rather watch something Ame­ri­can, and you can’t blame them. Indeed, the idea of a home­grown movie that rates as a genuine artis­tic achie­ve­ment, as oppo­sed to a loudly fan­fa­red event (such as Calen­dar Girls), seems almost out­lan­dish, something so rare we might not even recog­nise it. Well, I’m happy to report that such a movie is now here. It’s called Young Adam, and it deser­ves your imme­diate atten­tion…”
(More Young Adam links here)
I’m going to ask the pro­du­cers to send me links for (a) where the movie will be sho­wing, once it hits Ame­rica in April and (b) somewhere you can buy tic­kets online. Makes sense, doesn’t it?

happiness

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untitled

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nobody cares

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classic combo

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the better your blog

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February 26, 2004

film industry

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blogs as mass-advertising medium?

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TobyZ made the follo­wing thought­ful com­ment on an ear­lier post:

“The pro­blem with blogs for adver­ti­sing — or anything else, for that mat­ter — is that most net users don’t know what they are, can’t find them, and won’t ‘book­mark’ them.
You’ve men­tio­ned Ger­ber, for exam­ple. Goo­gle shows 1.7 MILLION hits for Ger­ber. Does it mat­ter whether your blog is hit #415, #415,000, or #1,415,000? No one is going to find it from a search engine.
“The gate­way to your blog (for me) is a link at the top of the adrants.com site. When that goes away, your blog cea­ses to exist (for all prac­ti­cal pur­po­ses), and you can’t con­trol that.
“Blogs are for small groups of friends who are con­tri­bu­tors. They can’t reach the mass audien­ces that tra­di­tio­nal media pro­vide to adver­ti­sers. Once I post this com­ment and leave, I’m gone fore­ver. I won’t see any follow-up com­ments. I won’t see any ads you might put here tomo­rrow.
“Blogs is not an adver­ti­sing medium.” 

Oh, man, where to begin…
Well, if ABC, CBS and NBC had to follow the same eco­no­mic rules as Toby assu­mes blog­gers do, they wouldn’t be selling much “mass” adver­ti­sing, either. All they’d have to show the public would be a lot of empty offi­ces and ticked-off sha­rehol­ders. But of course, they don’t follow these rules. And there’s a rea­son.
To get millions of peo­ple to sit down in front of a TV chan­nel for any length of time and soak up all those adver­ti­sing mes­sa­ges, broad­cas­ters first have to spend big money. How much does NBC burn through in a sin­gle day? $100 million? Heck, “Friends” alone must be set­ting them back $10 million a week.
And every year those num­bers keep get­ting higher, as peo­ple find more and more things to do with their time, besi­des watching Chand­ler get­ting it on with Monica.
But pro­vi­ding adver­ti­sing on blogs is not free to the blog­ger, either. Besi­des suppl­ying the con­tent neces­sary to attract the adver­ti­ser, the blog­ger has to find ways to drive traf­fic to her site. That means media buys, among other things. And to get serious num­bers isn’t cheap.
But then again, neither are sit­com actors, anchor­men, jour­na­lists, TV pro­du­cers, edi­tors, researchers, Manhat­tan offi­ces, camera ope­ra­tors, art direc­tors, mar­ke­ting mana­gers, cafe­te­ria wor­kers, recep­tio­nists, and all the million and one things a big media com­pany like NBC has to have in its arse­nal before it has something via­ble to sell the adver­ti­ser.
Obviously, I can’t indi­vi­dually get the num­bers “Friends” has. But kno­wing what I know, I can get a cou­ple of million peo­ple to soak up my client’s mes­sage without too much trou­ble. Con­si­de­ring I don’t have Jen­ni­fer Aniston’s wages to pay for, I’m not com­plai­ning.
The issue isn’t whether media is “mass” or “micro”. The issue is always (A) how much trou­ble is it to get x peo­ple to your stuff/brand/media/message etc. and (B) what peo­ple do once they get there.
The line sepe­ra­ting “mass” and “micro” is an inte­llec­tual cons­truct, it has nothing to do with eco­no­mics.
If the blo­gosphere was willing to spend the same collec­ti­vely per day as NBC in order to shift pro­duct on behalf of their clients, we’d see big, big chan­ges in how adver­ti­sing was done. 2 million blogs or so, $50 each on ave­rage? Hmmm…

shopping prefs

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From Adrants.com: “A new study from Havas’ Arnold World­wide Part­ners, Bos­ton has found con­su­mers still pre­fer brick and mor­tar shop­ping over online shop­ping. Accor­ding to the study, Ame­ri­cans still pre­fer human con­tact. Among the fin­dings, 63 per­cent pre­fer to shop a phy­si­cal store for a gift, 79 per­cent for clothing and 66 per­cent for phar­ma­ceu­ti­cals. Con­ver­sely, for cate­go­ries such as boo­king a cruise and ban­king, the study found con­su­mers don’t want human con­tact and would rather do these things elec­tro­ni­cally.”
So the inter­net is only good at some things, but not good at everything. Hmmm… reminds me of a few peo­ple I know.

amy langfield

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The lovely Amy Lang­field bought a box of Blog­cards recently. In an e-mail to me a cou­ple of days ago she said:
“Also wan­ted to tell you your cards were get­ting raves at this party I went to last night. Weird mix of peo­ple from banks and some artists. The artists loved them.”
Yeah, that made my day. Heh.

February 25, 2004

life or death

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everything he wrote

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the streets had a name

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young adam in hollywood reporter

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Holly­wood Repor­ter REALLY liked the movie.
“Clas­sic Holly­wood film noir speaks with a Scot­tish bro­gue in “Young Adam,” an impres­sive second fea­ture by David Mac­ken­zie that takes its darkly exis­ten­tial cue from a for­got­ten novel by heroin-addicted Beat wri­ter Ale­xan­der Trocchi.
“While Mac­ken­zie, an award-winning short film­ma­ker, gets right to the murky heart of the genre, he also does extre­mely well by the efforts of his highly capa­ble cast — in par­ti­cu­lar, the truly dyna­mic duo of Ewan McGre­gor and Tilda Swin­ton…”
Hey, Young Adam also won “Un Cer­tain Regard” at Can­nes.
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I’m enjo­ying pim­ping the movie, I have to say. Of course, it’s made easier by the fact the cri­tics and me both like the movie, and the director’s a friend of mine.
I won­der what I’d do if they asked me to pimp some real piece-of-sh1t, mainstream-pandering-feelgood-crapass roman­tic comedy. Oy vey, that would bite.
That being said, they pro­bably wouldn’t. No point matching the wrong film with the wrong web­site audience etc.
(More Young Adam links here.)

echo chamber

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young adam in latino review

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A good review of Young Adam in Latino Review.
“The ero­ti­cism and expo­sure these actors par­take in explo­des off the screen in a bold way. The che­mistry bet­ween them is so strong that they sneak off to grope or have sex with each other in the most pecu­liar and tiniest pla­ces on a barge where three peo­ple reside…”
Yep. Ewan and Tilda are ver­ging on porn in this one.
(More Young Adam links here.)

February 24, 2004

an extension

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embrace reality

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internet now bigger than cable!

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Jeff Jar­vis: “Let’s repeat that again: The Inter­net is big­ger than cable TV. And so the Inter­net should be get­ting a much big­ger share of adver­ti­sing dollars.”
Yes. This is huge. I’m going to go away and think about it some more.

hire hugh (advertising creative)

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I

“the kinetic quality”: the future of advertising

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“The Kine­tic Qua­lity”: All pro­ducts are infor­ma­tion. The mole­cu­les are secon­dary.
(UPDATE: For more info go here: “The Hugh­train Mani­festo.”)
The future of brands is inte­rac­tion, not com­mo­dity. It’s not something you buy, but something you pati­ci­pate in.

i.e. a brand is not a thing, but a place.

Here’s an exam­ple: My for­mer agency was pitching Ger­ber ( the US baby food com­pany) a few years ago. During the pitch I told them “you don’t know a lot about babies because you make great pro­ducts. You make great pro­ducts because you know a lot about babies.”
Think about it. The ave­rage 22-year-old new mom doesn’t go into a Ken­tucky Wal-Mart loo­king for baby food. She goes into Wal-Mart loo­king for infor­ma­tion. She wants any infor­ma­tion she can get about how to be a bet­ter mother, and she’s willing to spend money to get it.
After she has the infor­ma­tion, then she wants pro­ducts that are cre­di­ble exten­sions of the infor­ma­tion. A good baby-food brand is merely an exten­sion of good pae­dia­tric nutri­tion.… i.e. put the infor­ma­tion first, and the pro­ducts and sales will follow.
So what we pitched was tur­ning their Wal-Mart shelf space into minia­ture “infor­ma­tion cen­ters”. We’d sell the pro­ducts, obviously, but there would be other things as well– books, lea­flets, CD-Roms etc etc. Basi­cally, a young mother would leave Wal-Mart a lot more infor­med about babies than when she ente­red… and her shop­ping bags full of Ger­ber pro­ducts. This is what I mean about “the kine­tic qua­lity” of a brand. A good brand offers imme­diate and obvious trans­for­ma­tion.
If Mom doesn’t leave Wal-Mart a bet­ter infor­med mom than when she ente­red, then somewhere along the line Ger­ber isn’t doing its job.
Of course a good Ger­ber website/blog would enhance this pro­cess. The TV and maga­zine cam­paigns would be more infor­ma­tive than ‘selling’. All under the umbre­lla con­cept of “Healthy Hap­pi­ness Hints”. Giving little par­cels of mana­ga­ble infor­ma­tion, com­mu­ni­ca­ted as “hints”.
My point is: the kine­tic qua­lity applies as much to pac­kage goods (baby food) as it does to media brands (The Eco­no­mist, The Wall Street Jour­nal etc). A good mar­ke­ter unders­tands this, and tries to tap into it.
In the old days, the three most impor­tant words in adver­ti­sing were “Uni­que Selling Pro­po­si­tion”. To me, the three most impor­tant words are “By Inte­rac­ting With…”

–By inte­rac­ting with Ger­ber, she beco­mes a better-informed mom.
–By inte­rac­ting with The Wall Street Jour­nal, she beco­mes more tuned into the world of capi­ta­lism.
–By inte­rac­ting with Apple, she brings her entre­pre­neu­rial dreams clo­ser to rea­lity.
–By inte­rac­ting with McDonald’s, her busy sche­dule is made slightly easier by avoi­ding a lot of fuss over lunch.
–By inte­rac­ting with Rals­ton Purina, she beco­mes more attached to her canine friend.
–By inte­rac­ting with your brand, she becomes…?

A good brand is a two-way con­ver­sa­tion.
What we blog­gers know about the nature of infor­ma­tion (a great deal) can be applied far beyond our usual diet of media, poli­tics and jour­na­lism. Because all pro­ducts are infor­ma­tion. The mole­cu­les are secon­dary.
Which is why I believe this is a very exci­ting time for all of us.
[UPDATE:]
Jeff Jar­vis (at Buzzmachine.com) has star­ted blog­ging about the very same sub­ject and men­tio­ned this very post. Thanks, Jeff :)
btw: I left the follo­wing thought in his com­ment sec­tion:
“My advice to clients vis-a-vis the inter­net is: the infras­truc­ture is not here yet, but it’s coming. In the mean­time, just start the con­ver­sa­tion and keep it going. Make your mis­ta­kes and push your­self up the lear­ning curve as fast as you can while the baby is still in its infancy. Believe me, when the next big wave begins (1 – 4 years?) you’ll be glad you did.”

pull advertising?

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Fred Wil­son, the New York VC asser­ti­vely dec­la­red a while ago, “The push model of adver­ti­sing is over. It’s over. It’s just a mat­ter of time before peo­ple rea­lize it. It’s toast.”

I’m about as clued up on next-generation forms of adver­ti­sing as any­body, but I’m still con­fu­sed by that sta­te­ment.
Regard­less of what adver­ti­sing method may be in vogue at any given moment– TV, Radio, Web­si­tes, RSS feeds, Gue­ri­lla, Viral– the same ques­tion remains:
“I’ve got Pro­duct X that’s good for Y rea­sons. What’s the best way to get cus­to­mers?”
And so you go out and push it. That’s what you do. If the bar rises, you jump higher. If the lands­cape chan­ges, you get your­self a dif­fe­rent map.
Tech­no­logy may make reaching some peo­ple har­der, some peo­ple easier. But Push Adver­ti­sing is not going anywhere, because too many peo­ple (inc­lu­ding Fred) have pro­ducts they want other peo­ple to know about.
Still, one has to stay on top of things. I meet a lot of peo­ple who hope to one day be the next John Hegarty. Well, that’s great, but Hegarty’s “crea­ti­vity” model is already 30 years old. He already had that idea, and put it into prac­tice 3 deca­des before you. That train already left the sta­tion.
Inte­res­ting times we live in. Jeff Jar­vis concurs.

re. hollywood

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venn diagram 3

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venn diagram 2

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Sally

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One thing I think the Young Adam movie does bet­ter than the book is cap­ture exactly how utterly grim Scot­land was in the 1950’s.
Edin­burgh cer­tainly see­med a lot more grey when I was a kid than it does now. Not that I cared. I was too busy trying to get­ting laid.
Back when we were 18 – 19, Dave (the Young Adam direc­tor) and I used to go out a lot and try to meet girls. There was this one girl called Sally, who was a real firec­rac­ker. Sally was pretty cool by tee­na­ger stan­dards. Badass-attitude girl, really pretty, but really sweet. Dave had this big, big crush on her. Sally would roll her eye­balls every time Dave came into the room. Dave was just too geeky for ol’ Sally.
I saw Sally the last time I was in Edin­burgh. She works in a res­tau­rant owned by a guy I went to school with.
We chat­ted for a few minu­tes. She’s doing OK. I told her about Dave and his uber-cool film gig. Yep, she rolled her eye­balls again. Heh.

venn diagram

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random new york

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untitled

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beauty once

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feeling deranged

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February 23, 2004

RSS news

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With some help from some friends, I fixed the code on the RSS syn­di­ca­tion feed. The ima­ges load, the links work, it’s spec­ta­cu­lar.
If you’re into RSS please go check it out. Thanks.

magic

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chupa chups pimpage

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Damn fine lolli­pops. Suck like your life depen­ded on it.

wanted to be in the movies

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refuge

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object

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